1. Verses and appreciation of spring
The flowers on the Spring River are Zhang Ruoxuyi on a moonlit night, which was praised by Mr. Wen Yiduo as "the poem among poems, the peak on the peak" ("Gong Style" "The Self-Redemption of Poetry")'s "Spring River Flowers and Moonlight Night" has fascinated countless readers for more than a thousand years.
Zhang Ruoxu, who left only two poems in his life, is also famous for this poem, which is "a solitary poem, but it is for everyone". The title of the poem is fascinating.
Spring, rivers, flowers, moon and night, these five things embody the most moving beauty of life, forming a wonderful artistic realm that is tempting to explore. The poet started to ask the question, and he wrote about it at the beginning of the poem, outlining a magnificent picture of the moonlit night on the spring river: the river tide connects to the sea, and the tide of the moon rises.
The "sea" here is a virtual reference. The Jiang Chao is vast, as if connected with the sea, and is magnificent.
At this time, a bright moon rises with the tide, and the scene is spectacular. The word "生" gives lively life to the bright moon and the tide.
The moonlight shines thousands of miles away, and there is no spring river that is not illuminated by the bright moon! The river winds around the spring wilderness full of flowers and plants, and the moonlight shines on the flower trees, as if sprinkled with a layer of white snow. The poet is really a master of painting. With a single stroke, he can paint the strange "flowers" in the moonlit night on the spring river.
At the same time, the title of "Spring River with Flowers and Moonlight Night" was skillfully fulfilled. The poet's observation of the moonlight is extremely subtle: the moonlight has washed away the colorful colors of all things in the world, and dyed the world into a dreamy silver color.
Therefore, "the flowing frost flies unknowingly" and "the white sand cannot be seen". Only the bright and clear moonlight exists. The delicate brushstrokes create a mythical and wonderful realm, making the moonlit night on the Spring River look particularly beautiful and tranquil.
These eight sentences, from big to small, from far to near, the pen and ink gradually condense on a lonely moon. The clear and clear heaven, earth and universe seem to make people enter a pure world, which naturally arouses the poet's reverie and meditation: "Who on the riverside first saw the moon? When did the moon on the river shine on people for the first time?" The poet's thoughts leaped forward, but he remained tight. Connecting with life, exploring the philosophy of life and the mysteries of the universe.
This kind of exploration has been carried out by the ancients, such as Cao Zhi's "Song Yingshi": "There is no end in heaven and earth, human life is like morning frost", Ruan Ji's "Yong Huai": "Life is like dust and dew, and the way of heaven is long and long." "And so on, but the theme of the poem is mostly about the eternity of the universe and the brevity of life. Zhang Ruoxu is unique here. His thoughts do not fall into the stereotypes of his predecessors, but come up with new ideas: "Life is endless from generation to generation, but the moon and the river are only similar every year."
Personal life is short. It is fleeting, but human existence is long-lasting, so the life of "infinite generations" and the bright moon "only similar every year" can survive. This is the relief that the poet feels from the beauty of nature.
Although the poet is sentimental about the short life, it is not decadence and despair, but due to the pursuit and love of life. The tone of the whole poem is "sad but not sad", which allows us to hear the echo of the sound of the early Tang Dynasty.
"I don’t know who the river moon is waiting for, but I see the Yangtze River sending flowing water." This is closely followed from the previous sentence "only similar". Life goes on from generation to generation, and the moon and the river are like this year after year.
A lonely moon hovers in the sky, as if waiting for someone, but it can never do so. Under the moonlight, there is only the rapids of the river, rushing away.
As the river flows, the poem creates waves, pushing the poetry to a deeper realm. There is hatred in the river and the moon, while the flowing water is ruthless. The poet naturally shifts his writing style from the natural scenery in the first half to the images of life, which leads to the separation and sorrow of the lovesickness of men and women in the second half.
The four lines of "White Clouds" are written in the spring river on a moonlit night, reflecting the longing of a woman and a wanderer in two places. "Baiyun" and "Qingfengpu" express feelings through objects.
The white clouds are floating, symbolizing the uncertainty of "Bian Zhouzi". "Qingfengpu" is a place name, but "Maple" and "Pu" are often used in poems to express farewell to scenery and places.
The two sentences "whose home" and "where" are intertwined. It is precisely because there are more than one family and one place where there is sorrow and separation, so the poet raised such a question. A kind of lovesickness brings together two places. The sorrow of separation comes and goes, the poetry is rippling, with twists and turns. The following eight sentences of "poor" inherit the sentence of "where" and describe the missing woman's longing for the deceased.
However, the poet does not directly talk about the sadness and tears of the missing woman, but uses the "moon" to highlight her nostalgia, and the tears come out spontaneously. The poem personifies the "moon", and the word "wandering" is extremely expressive: first, the floating clouds are moving, so the light and shadow are uncertain; second, the moonlight lingers upstairs with compassion for the missing woman and cannot bear to go.
It wants to keep company with the missing woman and relieve her worries, so it spreads its soft radiance on the dressing table, the jade curtain, and the clothes-making anvil. Unexpectedly, the thought of a woman makes her fall in love with her, and she misses her even more.
She wanted to get rid of the annoying moonlight, but the moonlight "couldn't be swept away" and "returned", sincerely attached to her. The two infatuated movements of "rolling" and "whisking" here vividly express the sorrow and confusion in the heart of the missing woman.
The emotions caused by the moonlight are deeply disturbing her. At this moment, doesn't the moonlight also shine on her lover in the distance? *** Looking at the moonlight but unable to know each other, I can only rely on the bright moon to express my longing for each other.
The last eight sentences describe the wanderer, and the poet uses falling flowers, flowing water, and the waning moon to express his longing for home.
"Bian Zhouzi" even dreams about returning home - the flowers fall in the deep pool, the spring is about to grow old, and the people are still far away from each other, how embarrassing it is! The river flows with spring, and what flows away is not only the natural spring, but also the youth, happiness and longing of the wanderers. The moon falling over the river and pond further highlights his miserable loneliness.
The heavy sea fog obscures the setting moon; Jieshi and Xiaoxiang are far apart in the sky, and the road is so far away. The word "Shen" intensified his loneliness; "Infinite Road" also infinitely deepened his homesickness.
He thought: On this beautiful night of spring flowers and moon, I wonder how many people can take advantage of the moon to return to their hometown! His detachment without attachment is accompanied by the light of the waning moon, which fills the woods along the river. The whole poem is written closely against the background of spring, river, flowers, moon and night, with the moon as the main subject. "Moon" is a blend of scenes in the poem. It beats the pulse of the poet and is like a life link in the whole poem. It runs up and down and brings life to life when it touches it. The poetic sentiment fluctuates with the rise and fall of the moon wheel.
The moon experienced the process of rising - hanging high - leaning west - setting overnight. Under the moonlight, the river, the beach, the sky, the wilderness, the maple trees, the flower forest, the flying frost, the white sand, the boat, the tall building, the mirror stand, the anvil stone, the flying geese, the diving fish and dragon, the sleepless longing woman and Wandering wanderer. 2. Poems about spring (with appreciation and explanation)
The poems about spring are as follows:
1. "Quequatrains: A short canopy tied in the shade of an ancient tree" by Zhinan of the Song Dynasty < /p>
A short canopy is tied in the shade of an ancient tree, and a staff and quinoa help me cross the east side of the bridge.
My clothes are wet with the apricot blossom rain, and the willow wind blows on my face without chilling it.
Translation:
I tied the boat under the shade of a tall old tree; I walked across the small bridge with a cane and enjoyed the beautiful spring scenery.
The slightest drizzle can’t get my clothes wet; it falls on the gorgeous apricot flowers, making them even more brilliant. The gentle breeze blowing on my face no longer makes me feel cold; it dances the green and slender willow branches, which is particularly light.
This is a popular Qijue poem. The poet Zhinan is also famous for his poem describing the spring scene in February.
The first two sentences describe the poet's whereabouts, and the last two sentences describe the spring scenery in the poet's eyes. The first two sentences are exquisitely written, giving people a sense of coolness and tranquility: the mottled ancient trees, the gurgling stream, the light tent boat, the crooked staff, the simple bridge and the carefree old monk form a picture that is completely natural. spring outing picture. The sentence "The staff helped me cross the east bridge" poetically expresses the ideal state of unity of things and myself advocated by Zen Buddhism.
The last two sentences are clear and clear, giving people a fresh and leisurely experience: To the east of the bridge, the apricot flowers are like smoke, the willows are like threads, the drizzle is like crisps, and the gentle breeze is like silk. The misty rain of apricot flowers touches people's clothes without getting wet, how pleasant it is; the willows and wind blow on the face with cool beauty without feeling cold, how considerate they are. Isn’t this cool spring feeling a manifestation of the cool Zen feeling of spring? This charming spring scene is exactly the charming Zen state in the poet's eyes.
In the poet's eyes, Zen is in the ancient trees, in the stream, on the boat, on the head of the staff, on the east side of the small bridge, in the heart of the old monk, in the rain of apricot blossoms, in the wind of willows, there In the coolness that makes you feel wet, in the softness that does not chill your face, Zen is spring, everything, quatrains, and poetry!
"There are four kinds of sublimity in poetry: one is the sublime reason, the second is the sublime meaning, the third is the sublime thought, and the fourth is the sublime nature. If it is hindered but actually connected, it is called the sublime reason; if it comes from an accident, it is called the sublime intention; Writing is subtle, like seeing the bottom of a clear pool, and it is said that the thought is sublime; it is neither strange nor weird, and the literary talent is peeled off, and one knows the subtly but does not know why it is sublime, and it is said that it is naturally sublime. "(Jiang Kui of the Song Dynasty, "Baishi Taoist's Poems") It is not reasonable. It’s not Zen, but it’s very Zen-like. This poem can be said to be naturally sublime! 3. Poems and appreciation of spring
Du Fu's "Spring Night Happy Rain" Good rain knows the season, and spring will happen.
Sneak into the night with the wind, moisturizing things silently. The wild paths are all dark with clouds, but the river boats are only bright with fire.
Looking at the red and wet place at dawn, the flowers are heavy on the official city. "Joyful Rain on a Spring Night" expresses the poet's love and praise for the quality of selfless dedication of the drizzle on a spring night.
One or two sentences with the word "good" are affectionate and praise the spring rain. "Knowing the season" gives the spring rain human life and emotions. In the author's opinion, the spring rain is considerate, knows the season, and comes when people are in urgent need, stimulating vitality.
What a wonderful spring rain! The first couplet not only talks about the "occurrence" of the spring rain, but also implicitly conveys the author's anxious mood for the spring rain to come. The couplets are obviously the poet's auditory experience.
The spring rain comes, coming with the wind in the vast night, quietly, nourishing all things, with no intention of seeking "good", but only seeking dedication. Look, how carefully the author observed the scene of listening to the rain. Even the sprinkling of spring rain and the silence were heard by the poet.
It can be seen that the poet was surprised by the subtle influence of spring rain and could not sleep all night. The neck couplet tightly holds the chin couplet. The poet only hopes that the spring rain will last all night, but he is afraid that it will stop suddenly. He is both happy and worried. He pushes the door open and stands looking into the distance. He sees that the usually clear-cut field paths have also melted into the night. It is pitch black, and it can be seen that there is night. How dark and how heavy the rain was.
The dazzling red of the boats and boats on the river reflects the vastness and darkness of the spring night, and also highlights the dense spring rain from the side.
At the end of the poem, the poet witnessed the continuous spring rain and thought with relief that at dawn the next day, Jinguan City will be a colorful spring.
The flowers are so red and full of vitality that they are the result of the subtle, moistening and condensation of the silent drizzle... 4. Poems and appreciation of spring
"Jiangnan Spring Quatrains" by Du Mu of the Tang Dynasty
Thousands of miles of orioles are singing in the green river, and the wind is blowing like wine flags in the water villages and mountains. There are four hundred and eighty temples in the Southern Dynasty, and there are many towers in the mist.
"Spring Thoughts" by Li Bai of the Tang Dynasty
The swallow grass is like blue silk, and the green branches of Qin mulberry are low. When you are pregnant and return home, it is the time when your concubine is heartbroken. If you don't know the spring breeze, why should you enter the Luo curtain?
"Spring Hope" by Du Fu of the Tang Dynasty
The country is broken by mountains and rivers, and the city is full of spring vegetation. The flowers shed tears when I feel grateful, and the birds are frightened by the hatred.
The war rages on for three months, and a letter from home is worth ten thousand gold. The white-headed scratches are shorter, and the hairpin is full of lust.
"Spring Stay in Zuo Province" by Du Fu of the Tang Dynasty
The flowers are hidden in the wall at dusk, and the birds are chirping and passing by. The stars are moving in thousands of households, and the moon is in the sky.
I don’t sleep listening to the golden key, because the wind misses the jade. There will be a seal in the Ming Dynasty. How about the night? 5. Accumulate an ancient spring poem to write poetry and appreciate it
Huichong Spring River Evening Scene
Author: Su Shi (Song Dynasty)
Three or two branches of peach blossoms outside the bamboo, Spring River Plumbing Duck Prophet.
The ground is covered with wormwood and reed buds, which is when the pufferfish is about to come.
Translation
Two or three peach blossoms are blooming outside the bamboo forest. Ducks are playing in the water. They are the first to notice the warming of the river in early spring. The river beach is already covered with wormwood, asparagus has begun to sprout, and the pufferfish are about to swim upstream from the sea to the river.
The wild geese flew north, just like people who want to return to their hometown in the north, but because of attachment, they almost fell behind. Before I even flew to the north, I already knew that the desert in the north was very windy and snowy, so it was better to spend half a month of spring in the south of the Yangtze River.
Appreciation
This poem on painting not only retains the image beauty of the picture, but also gives full play to the strengths of the poem. The poet used his flavorful, realistic and realistic pen and ink to show the spring scenery described in the original painting so fascinatingly. While describing based on the picture, Su Shi also came up with new ideas, which made the beautiful images in the painting more poetic and fascinating.
The poet first wrote from his side: In early spring, the earth has revived. The bamboo forest has been dyed green by new leaves. What is even more eye-catching is that three or two early peach blossoms have bloomed on the peach trees. The bright colors convey the message of spring to people. Then, the poet's gaze shifted from the riverside to the middle of the river. The ducks that had been waiting for the whole winter on the shore could no longer hold back and rushed to play in the water.
Then, the poet wrote from the middle of the river to the river bank, observing and describing the scene of early spring in more detail: Due to the moisture of the spring river water, the wormwood on the ground grew new branches, and the reed buds sprouted; this Everything shows the vitality of spring and is endearing. The poet then thought that this is the season when puffer fish are on the market, which arouses people's wider imagination. The whole poem is filled with a strong and fresh breath of life. 6. Ancient poems describing spring. Poetic meaning, annotation, appreciation
Spring
Dynasty: Song Dynasty
Author: Zhu Xi
Original text:
On the shores of Surabaya, the endless scenery is new.
It is easy to recognize the east wind, and it is always spring with its colorful colors.
Translation
It’s a beautiful spring outing on the shores of Surabaya, and the boundless scenery takes on a new look.
Everyone can see the face of spring. The spring breeze blows flowers into bloom and becomes a riot of purple and red. Spring scenery is everywhere.
Notes
1. Kasuga: spring.
2. Victory day: A good day with sunny weather, which can also show people's good mood.
3. Xunfang: spring outing, outing.
4. Sishui: the name of the river, in Shandong Province.
5. Bin: waterside, riverside.
6. Scenery: scenery.
7. Easy: ordinary, easy. "Easy to recognize" means easy to recognize.
8. Dongfeng: spring breeze.
Appreciation
People generally think that this is a Wing Chun song. Judging from the scenery written in the poem, it is very similar to this. The first sentence "Shengri seeks the beauty of the Surabaya coast", "Shengri" refers to a sunny day and points out the weather. "Surabaya Shore" points out the location. "Xunfang" means looking for beautiful spring scenery, which highlights the theme. The following three sentences are all written about what is seen and gained in "Xunfang". The second sentence, "The boundless scene is suddenly new," describes the initial impression gained from watching the spring scenery. Use "boundless" to describe all the scenery within sight. "A moment of newness" not only describes the return of spring to the earth and the natural scenery taking on a new look, but also describes the author's refreshing and joyful feeling during an outing. The third sentence "Easy to know the Dongfeng side", the word "knowledge" in the sentence inherits the word "find" in the first sentence. "Easy to recognize" means that the face and characteristics of spring are easily identifiable. "Dongfengmian" also refers to spring.
The fourth sentence "Everything is always spring" means that all the scenes are dyed with spring light, and people know spring from these thousands of purples and reds. Feel the beauty of spring. This specifically explains why we can "know the east wind side easily". The word "a thousand purples and reds" in this sentence echoes the word "a new situation" in the second sentence. The third and fourth sentences use figurative language to specifically describe the new situation and the gains from seeking fragrance.
Literally, this poem seems to be about the impressions of spring outing, but upon closer inspection, the location of the search for fragrance is the shore of Surabaya, which had long been occupied by the Jin people when the Song Dynasty was crossing south. Zhu Xi had never gone north, so of course it was impossible for him to travel to the shores of Surabaya to sing and sing in spring. In fact, the word "Sishui" in the poem refers to Confucius, because in the Spring and Autumn Period, Confucius once taught students by singing string songs between Zhu and Si. Therefore, the so-called "seeking" refers to seeking the way of saints. "A thousand purples and reds" refers to the richness and variety of Confucianism. The poet compares the way of the saint to the spring breeze that stimulates vitality and ignites all things. This is actually a philosophical poem that embodies truth and interest in images.
Creation background
People generally think that this poem is the author's spring outing when he was outing in spring. According to the age of the author's life, it can be known that the place of Surabaya was when this poem was written. It had long been occupied by the Jin people, and the author had never gone north to reach Surabaya. 7. 10 ancient poems about spring and their appreciation
1) Appreciation of Du Fu's "Spring Night Happy Rain" Good rain knows the season, and spring will happen.
Sneak into the night with the wind, moisturizing things silently. The wild paths are all dark with clouds, but the river boats are only bright with fire.
Looking at the red and wet place at dawn, the flowers are heavy on the official city. "Joyful Rain on a Spring Night" expresses the poet's love and praise for the quality of selfless dedication of the drizzle on a spring night.
One or two sentences with the word "good" are affectionate, praising the spring rain. "Knowing the season" gives the spring rain human life and emotions. In the author's opinion, the spring rain is considerate, knows the season, and comes when people are in urgent need, stimulating vitality.
What a wonderful spring rain! The first couplet not only talks about the "occurrence" of the spring rain, but also implicitly conveys the author's anxious mood for the spring rain to come. The couplets are obviously the poet's auditory experience.
The spring rain comes, coming with the wind in the vast night, quietly, nourishing all things, with no intention of seeking "good", but only seeking dedication. Look, how carefully the author observed the scene of listening to the rain. Even the sprinkling of spring rain and the silence were heard by the poet.
It can be seen that the poet was surprised by the subtle influence of spring rain and could not sleep all night. The neck couplet tightly holds the chin couplet. The poet only hopes that the spring rain will last all night, but he is afraid that it will stop suddenly. He is both happy and worried. He pushes the door open and stands looking into the distance. He sees that the usually clear-cut field paths have also melted into the night. It is pitch black, and it can be seen that there is night. How dark and how heavy the rain was.
The dazzling red of the boats and boats on the river reflects the vastness and darkness of the spring night, and also highlights the dense spring rain from the side. At the end of the poem, the poet witnessed the continuous spring rain and thought with relief that at dawn the next day, Jinguan City will be a colorful spring.
The redness and vitality of the flowers are the result of the subtle, moistening and condensation of the silent drizzle... 2) Appreciation of Bai Juyi's "Spring Journey to Qiantang Lake" North of Gushan Temple and west of Jia Pavilion, the water surface is initially flat The clouds are low. In several places, early orioles compete for warmth in the trees, while new swallows peck at the spring mud.
The wild flowers are gradually charming the eyes, and only Asakusa has no horse hooves. My favorite part of the lake is the east side of the lake, where the green poplar trees shade the white sand embankment.
The first couplet writes from a broad perspective, describing the scenery seen in Gushan Temple. The first sentence is the location, the second sentence is the perspective.
"Chuping" refers to the beginning of spring water, which is slightly level with the embankment. "Cloud feet are low" refers to white clouds hanging low, connected with the lake, and outlines the outline of early spring.
The calm water below and the low clouds in the sky form a tranquil ink painting of the West Lake. The chin couplet writes about Ying Yan, which the poet saw during his travels.
Warblers are the singers of spring, and they all fly to the sunny trees to sing; swallows are the messengers of spring, and they have begun to build nests with mud in their mouths, and they are full of vitality. Using "Zhao" to describe Huang Ying reflects Bai Juyi's sincere love for these vibrant little lives.
The word "struggle" makes people feel how rare and precious spring is. Using the word "pecking" to describe the busy and excited expression of the swallow seems to bring the little swallow to life.
These two sentences deliberately depict the dynamics of warblers and swallows, making the whole poem filled with the vitality and vitality of spring. The neck couplets write flowers and plants, focusing on expressing the poet's feelings.
The horse walks very briskly on the shallow grass. If you look at the flowers for a long time, your eyes will be filled with colorful flowers, which will make people dizzy and make you feel confused. This couplet and the first couplet are the core part of the poem, and they are also the finishing touch in Bai's poem describing the spring scenery, especially the description of the spring scenery in the West Lake.
This is a description of scenery that is full of emotion and vitality, which fully demonstrates Bai Juyi's meticulous observation of the objects he describes and his ability to accurately grasp their characteristics. The last couplet describes the scene of the white sand embankment, expressing his heart directly and expressing the poet's joyful mood.
"Insufficient action" means not seeing enough, indicating that the poet lingers on. From the north of Gushan to the present Pinghu Qiuyue and Baidi, the poet has walked all the way to report the news of spring to people: the spring water is new on the lake, the spring orioles are singing on the trees, the spring swallows are carrying mud in the air, the spring flowers are gradually blooming on the embankment, and the spring grass is just green. The poet The sharp and delicate brushstrokes allow people to realize that West Lake is wearing spring clothes in a relaxed manner.
The poet praised the spring scenery of West Lake and pointed out that he loved walking on the white sand embankment most. There is water on both sides of the Baidi, and both sides of the embankment are filled with willows and peach trees.
When you walk on the Baidi in spring, the bleak lake water is at your feet, and you seem to be walking on the water; the willow branches in early spring are like smoke, like mist, like threads, floating in your lap. The face makes infinite tenderness and infinite love surge in your heart, making you feel like you are in a dream or a fairyland. When walking on Baidi in spring, you can better appreciate the feeling and mood of the poet when he wrote this poem.
The title of the whole poem is mainly based on the word "行", which is closely connected with the word "春行" to describe the scenery. However, the area of ??West Lake is too large and the journey is too long, so the poet only cut out one section to write - starting from the north of Gushan Temple and ending at Baisha Embankment.
Reading this poem, we naturally have the feeling of following the poet as he enjoys the scenery of West Lake in early spring. The whole poem has a strict structure, rigorous rhythm, neat dialogues, fluent language, vivid and natural language, and a simple tone, which reflects the characteristics of popular and smooth.
The poet described the flourishing spring on the lake from an overall perspective, and was good at describing the scenery during the journey, selecting typical examples and combining them with classification: in the middle, he wrote four words: orioles, swallows, flowers, and grass. This is the most beautiful scenery in spring, with unique combinations of animals and plants. He is also good at grasping the characteristics of scenery and using the most expressive words to describe and render it.
3) Appreciation of Du Mu's "Jiangnan Spring Quatrains" The orioles are singing thousands of miles away, reflecting the green river, and the wine flags are blowing in the mountains and rivers of water. There are four hundred and eighty temples in the Southern Dynasty, and there are many towers in the mist.
This is a poem describing the scenery of Jiangnan. How charming and desirable Jiangnan is. "When the sun rises, the flowers on the river are as red as fire, and when spring comes, the river is as green as blue." Bai Juyi has painted us gorgeous pictures, but they are only macroscopic, and Du Mu's "Jiangnan Spring" It was relatively specific and seemed to lead us to visit several scenic spots, which made our impression even more profound.
In this poem, Du Mu not only depicts the bright spring scenery in the south of the Yangtze River, but also reproduces the misty and rainy terrace scenery in the south of the Yangtze River, making the scenery in the south of the Yangtze River more magical and confusing, and has a special interest. "Thousands of miles away, the orioles are singing, the green is reflected in red, and the water village is in the mountains, and the wine flag is winding." First of all, the poet brings us into the world of red flowers and green willows in the south of the Yangtze River.
Look, there are singing and dancing birds everywhere, green trees and red flowers everywhere; the village in Dishui, the city wall on the mountain, especially the wine flag fluttering in the wind, how fascinating it is! "Thousands of Miles" means that the whole Jiangnan is written, but the whole is expressed through specific images. "There are four hundred and eighty temples in the Southern Dynasties, and there are so many towers in the mist and rain." Here are the temples, an important part of the transition to the scenery of the south of the Yangtze River, adding a sense of vicissitudes. Many Buddhist buildings left over from the Southern Dynasties are looming in the spring breeze and rain. , adding to the confusing beauty. 8. Ancient poems, poetic meaning and appreciation of spring, summer, autumn and winter
Ancient poems describing spring:
Spring Dawn (Meng Haoran)
Spring sleeps without realizing the dawn,
Crying birds can be heard everywhere.
The sound of wind and rain comes at night,
How many flowers have fallen.
Yong Willow (He Zhizhang)
The jasper is as high as a tree,
Thousands of green silk ribbons hang down.
I don’t know who the thin leaves are. Cut out,
The spring breeze in February is like scissors.
Happy rain on a spring night (Du Fu)
Good rain knows the season,
When spring is Happened.
Sneaking into the night with the wind,
Moisturizing things silently.
Dalin Temple Peach Blossom (Bai Juyi)
April in the world is beautiful At the end of the year,
The peach blossoms in the mountain temple began to bloom.
I always regret that spring has nowhere to go,
I don’t know where to turn.
In early spring, Zhang Shiba of the Ministry of Water (Han Yu)
The light rain on the sky street is as moist as crisp,
The color of grass looks far away but not up close.
The most spring of the year Benefits,
The imperial capital is full of smoke and willows.
Ancient poems describing summer:
Pastoral excitement in four seasons (Fan Chengda)
The plums are golden, the apricots are fat,
The wheat flowers, white snow and cauliflower are sparse.
No one passes the fence during the day,
Only dragonflies and butterflies fly.
What I saw (Yuan Mei)
A child rides an ox,
The sound of singing shakes the forest.
Wanting to catch the chirping cicada,
suddenly shut up and stand.
Small Pond (Yang Wanli)
The spring is silent and cherishes the trickle,
The shade of the trees shines on the water and the water is clear and soft.
The little lotus has just revealed its sharp corners.
A dragonfly has already stood on its head.
Summer in the Mountain Pavilion (Gao Pian)
The green trees are dense and the summer is long,
The balcony is reflected in the pond.
The crystal curtain moves and the breeze rises,
The shelves are full of roses and the fragrance of the courtyard is filled.
Seeing off Lin Zifang (Yang Wanli) from Jingci Temple at dawn
After all, in the middle of June, the scenery of West Lake is different from that of the four seasons.
The lotus leaves touching the sky are infinitely green,
The lotus flowers reflecting the sun are uniquely red.
Ancient poems describing autumn:
Reminiscing about the Shandong brothers (Wang Wei) on September 9th
Alone as a stranger in a foreign land,
During every festive season, we miss our loved ones even more.
I know from afar that my brothers have climbed to a high place.
There is one less person planting dogwood trees everywhere.
Looking at the Moon and Huaiyuan (Zhang Jiuling)
The bright moon rises on the sea,
The end of the world is at this time.
Lovers complain about the distant night,
They start to miss each other in the evening.
Mountain Walk (Du Mu)
Far up the Hanshan Mountain, the stone path is sloping,
There are people living in the white clouds.
Stop and sit in the maple forest at night,
The frost leaves are as red as the February flowers.
Autumn Eve (Du Mu)
The autumn light of silver candles paints the screen coldly,
A small light fan flutters at the fireflies.
The sky is as cold as water at night,
Sit and watch Altair and Vega.
Presented to Liu Jingwen (Su Shi)
There is no rain cover when the lotus is gone,
There are still proud frost branches among the chrysanthemums.
You must remember the good times of the year,
It is the time of orange and green.
Ancient poems describing winter:
Jiang Xue (Liu Zongyuan)
Thousands of mountains and birds have disappeared,
Tens of thousands of people have disappeared.
A man with a coir raincoat in a lone boat,
Fishing alone in the snow in the cold river.
Farewell to Dong Da (Li Bai)
Thousands of miles of yellow clouds in the white sun,
The north wind blows wild geese and snow.
Don’t worry about the road ahead without friends.
No one in the world knows you.
Night Snow (Bai Juyi)
I was surprised to feel the coldness of my quilt,
I saw the light from the window again.
I know the snow is heavy late at night,
I hear the sound of breaking bamboo.
Yong Mei (Wang Anshi)
There are several plum trees in the corner,
Ling Han blooms alone.
I know it is not snow from a distance,
Only the faint fragrance comes.
Xuemei (Lu Meipo)
The plum and snow refused to fall in the spring, so the poet spent money on commentaries.
The plum blossoms are less white than the snow, but the snow is less fragrant than the plum blossoms. 9. Ancient poems describing spring. Poetic meaning, annotation, appreciation
Spring Dynasty: Song Dynasty Author: Zhu Xi Original text: The sun is shining brightly on the shore of Surabaya, and the boundless scenery is new.
It is easy to recognize the east wind, and it is always spring with its colorful colors. Translation: It’s a beautiful and beautiful spring outing on the shores of Surabaya, and the boundless scenery takes on a new look.
Everyone can see the face of spring. The spring breeze blows flowers into bloom and becomes a riot of purple and red. Spring scenery is everywhere. Note 1. Kasuga: spring.
2. Victory day: A good day with sunny weather, which can also show people's good mood. 3. Xunfang: spring outing, outing.
4. Sishui: the name of the river, in Shandong Province. 5. Bin: waterside, riverside.
6. Scenery: scenery. 7. Easy: ordinary, easy.
"Easy to recognize" means easy to recognize. 8. East wind: spring breeze.
Appreciation People generally think that this is a Wing Chun song. Judging from the scenery written in the poem, it is very similar to this.
The first sentence is "Shengri seeks the beauty of the Surabaya coast". "Shengri" refers to a sunny day and points out the weather. "Surabaya Shore" indicates the location.
"Looking for fragrance" means looking for beautiful spring scenery, which highlights the theme. The following three sentences are all written about what is seen and gained in "Xunfang".
The second sentence, "The boundless scenery is new for a while," describes the initial impression gained from watching the spring scenery. Use "boundless" to describe all the scenery within sight.
"A new moment" not only describes the return of spring to the earth and the natural scenery taking on a new look, but also describes the author's refreshing and joyful feeling during an outing. The third sentence "Easy to know the Dongfeng side", the word "knowledge" in the sentence inherits the word "find" in the first sentence.
"Easy to recognize" means that the face and characteristics of spring are easily identifiable. "Dongfengmian" also refers to spring.
The fourth sentence "Everything is always spring" means that all the scenes are dyed with spring light, and people know spring from these thousands of purples and reds. Feel the beauty of spring.
This explains in detail why we can "know the Dongfeng side easily". The word "a thousand purples and reds" in this sentence echoes the word "a new situation" in the second sentence.
The third and fourth sentences use figurative language to specifically describe the new situation and the gains from seeking fragrance. From a literal point of view, this poem seems to be about the impressions of spring outing, but if you look closely, the location of the search for fragrance is the shore of Surabaya, which was occupied by the Jin people when the Song Dynasty was crossing south.
Zhu Xi had never gone north, so of course it was impossible for him to travel to the shores of Surabaya to sing and appreciate spring music.
In fact, the word "Sishui" in the poem refers to Confucius, because in the Spring and Autumn Period, Confucius once taught students by singing string songs between Zhu and Si.
Therefore, the so-called "seeking" refers to seeking the way of the saint. "A thousand purples and reds" refers to the richness and variety of Confucianism.
The poet compares the way of the saint to the spring breeze that stimulates vitality and ignites all things. This is actually a philosophical poem that embodies truth and interest in images.
Creation background People generally think that this poem is the author's spring outing when he was outing in spring. According to the author's life, it can be seen that when this poem was written, the land of Surabaya had long been occupied by the Jin people. He never went north to reach Surabaya.