(Liu Zongyuan's "Jiang Xue") The mountains cover the day, and the sea drains the golden river. (Wang Zhihuan's "In the Heron Villa") Once you climb to the top of the mountain, you will see that all the other mountains look short under the sky. ..
(Du Fu's "Looking at Yue" is full of spring grass trees in the city, although the country has broken mountains and rivers. There seems to be no one on the empty mountain, but I think I heard a voice.
(Chai Lu by Wang Wei) The bright moon rises from the mountains in the sky, in the infinite haze of the sea of clouds. (Li Bai's Guan Shanyue) Never tired of looking at each other, only Jingting Mountain.
(Li Bai's Sitting Alone in Jingting Mountain) Beans are planted at the foot of Nanshan, and the grass is full of bean seedlings. (Tao Yuanming's Tian Yuan Tian Ju) Castle Peak can't be covered, after all, it flows east.
I don't know the true face of Lushan Mountain, but I am but toward which corner of the mountain. (Su Shi's topic Xilinbi) The so-called Iraqis are on the water side.
(The Book of Songs) What is water, mountains and islands? (Cao Cao's "Looking at the Sea") White hair floats with green water, and Anthurium stirs clear waves.
(Luo "Singing Goose") Tianmen cut off the Chu River and Higashi Shimizu River. (Li Bai's "Looking at Tianmen Mountain") The mountains and rivers have not recovered, and there is another village.
(A land tour of Shanxi Village) Taohuatan is deeper than thousands of feet, but not as good as Wang Lun. (Li Bai's "To Wang Lun") Yangliuqing Jiang Shuiping, listen to the song on the Langjiang River.
(Liu Yuxi's "Zhuzhi Ci") At sunrise, flowers on the riverside are better than fire, and spring comes to the river. (Bai Juyi's "Remembering Jiangnan") Spring eyes are silent and cherish the trickle, and the shade of trees shines on the water and loves softness. (Yang Wanli's "Little Pool") Peach blossoms outside the bamboo are three or two, and the spring river warms the duck prophet.
(Su Shi's Night Scene of the Spring River in Hui Chong).
2. There is a poem in ancient poetry, which smells like people and white clothes. Tang Liyuan wrote in the poem "Wen Ming's master died to send a friend away": "Tourists are fascinated by beauty, and the guest day is leisurely."
Tang Du Mu's poem "Houchi, Qi 'an County": "No one sees the light rain all day long, and Yuanyang bathes in red."
Song Zuke's poem "Bodhisattva Man" said: "Yuanyang is like a proverb, and the red goes to the bath."
Tang Xu Hun's poem "Autumn Night Yunyang Yi Xi Ting He Tang" says: "Smoke is clear, wind is clear, cement is red and white."
Tang Zhao wrote in the poem "Late Autumn in Chang 'an": "The purple flowers are half open, the chrysanthemums are quiet, and the red clothes are full of lotus worries. "
Song Jiangkui's poem "Cherish the Red Lotus" says: "The monster of the rainbow beam, the fish is fragrant, and the red dress is half a wolf."
There are three things in Tang county (one is "beating the lotus"), "all the red clothes are dark and fragrant, and the leaves are white and cold."
There seems to be no one on the empty mountain, but I think I hear a voice.
Chai Lu by Wang Wei in Tang Dynasty
There is no figure in the empty mountain forest, only the voice of people talking.
[Appreciation]: There is no figure on the mountain, which means it is a deep mountain forest. "However, I think I heard a voice" shows the quiet atmosphere of this "empty mountain", but the situation here is just the opposite. As long as we consider it carefully, we will feel that it is the phrase "however, I think I heard a voice" that makes the "empty mountain" more peaceful. The word "but smell" means that there is no sound except occasionally hearing human language; Because there is no other sound, human language is particularly loud. This expression, called dynamic contrast, is obviously much more real than describing how the empty mountain is quiet and serene.
[Original]: There seems to be no one on the empty mountain, but I think I heard a voice. The shadow of the sunset shone into the depths of the forest, and the scenery on the moss was pleasant.
Drinking (Tao Yuanming)
Building a house is human, and there are no horses and chariots.
What can you do? The heart is far from being self-centered.
Picking chrysanthemums under the east fence, leisurely see Nanshan;
The mountains are getting better and better, and the birds are back.
This makes sense. I want to distinguish right from wrong and get carried away.
There seems to be no one on the empty mountain, but I think I heard a voice. Poet: Wang Wei Age: There seems to be no one on the empty mountain in Tang Dynasty, but I think I heard a voice. The shadow of the sunset shone into the depths of the forest, and the scenery on the moss was pleasant.
Chai Lu is the work of the Tang Dynasty poet Wang Wei. This poem is about a lonely empty mountain and towering ancient forest, which is intended to create an ethereal and profound realm. The first sentence first describes the empty mountain positively, focusing on the empty mountain and cold mountain. After that, the second sentence comes out, using local and temporary "sound" to set off the whole and long-term emptiness. The third and fourth sentences describe empty mountains and then deep forests, from sound to color.
This poem depicts the quiet scenery of empty mountains and deep forests near Chai Lu in the evening. The beauty of poetry is that it is dynamic and static, local and global, fresh and natural, unpretentious. Put pen to paper to write about the lonely place of the empty mountain, and then smell it with Dan, attracting people's voices. The more empty the valley, the more empty it is; After human language, the more empty it is. Finally, I wrote some reflections of the sunset, which triggered a feeling of darkness.
Generally speaking, writing landscapes is inseparable from specific scenery, or describing rugged rocks, or depicting towering ancient trees, or rendering waterfalls and suspended springs, with the focus on the strangeness of the scenery. The poem begins with a strange phenomenon: "There seems to be no one on the empty mountain, but I think I hear a voice." The rocks are stacked on top of each other and look empty. But sometimes I suddenly hear loud laughter, but because of the repeated reflections of the echo, it is difficult to judge where the human voice comes from. People have had similar experiences, which is normal. But it is a kind of creation to express this method of observing things with complementary vision and hearing in the form of poetry. Judging from the performance of poetry, it is innovative and unconventional; From the receiver of the work, it is so novel and interesting, just like being there, causing positive emotional activities. The first two poems were written in plain language, touched slightly and the realm came out. The word "empty mountain" at the beginning of the poem is relative to no one, and it also shows that the poet's vision is broader and he can take in everything in a glance; If you are in a virgin forest, you can't get the image of an "empty mountain". From these two sentences, we can also get a glimpse of the characteristics of the scenery situation in the mountains. The word "ring" in the antithesis echoes the word "empty mountain": only when there are not too many obstacles can the sound echo back and forth in the valley, and people can say "human voice". So the surrounding scenery must be sparse. The first two sentences are quiet because of sound and move because of sound; The last two sentences are written deeply, with the color of light. The scenery on the mountain will change from time to time because of dusk and wind and rain. This poem chooses the scenery in the evening as the description object. At this time, the sunset shone back into the depths of the forest, and some light fell on the moss. It's getting dark, and all kinds of scenery are many-hued, with sharp contrast between light and shade. Not far away, the gloomy shadow cast on the ground gradually elongated; Deep in the Woods, it's quiet because of the darkness. The best time for this kind of landscape is late summer and early autumn, and it must be sunny evening, so it can't rain all the time. The first perspective of this poem is deep in the forest. People's senses can't directly perceive the depths of the forest. This poem describes deep affection with "infinity" and "mystery" that are invisible or unimaginable. And that affection is deepest in the sunset in late summer and early autumn. The second perspective point is moss. This scene is at the bottom of your eyes. You can observe its shape and distinguish its color. Moss lives in dark and humid places. Its growth is the result of dense trees blocking the sun, but now it is in the sunset. These two perspectives are combined and reflect each other, which makes poetic truth and reality coexist.
This poem creates a deep and bright symbolic realm, which shows the author's sudden enlightenment in the process of deep meditation. Although there is Zen in the poem, it does not resort to discussion and reasoning, and is completely permeated in the vivid description of natural scenery.
Wang Wei is a poet, painter and musician. This poem embodies the combination of poetry, painting and music. Based on the musician's perception of sound, the painter's grasp of light and the poet's refinement of language, it depicts the unique silence and thought-provoking moment of the empty valley people's language and oblique photos.
5. Is there a poem that nobody seems to be on the empty mountain, but I think I heard a voice poem "Walking on the Mountain" 2. Original text?
Chai Lu
Wang Wei
No one can be seen in the silent valley, only the voice is heard.
The shadow of the sunset shone into the depths of the forest, and the scenery on the moss was pleasant.
3. Translation
The mountain was empty and silent, and no one could be seen, only people's voices could be heard.
The golden light of the setting sun went straight into the deep forest and shone on the moss in the dark.
4. Brief analysis
Chai Lu is the work of the Tang Dynasty poet Wang Wei. This poem is about a lonely empty mountain and towering ancient forest, which is intended to create an ethereal and profound realm. The first sentence first describes the empty mountain positively, focusing on the empty mountain and cold mountain. After that, the second sentence comes out, using local and temporary "sound" to set off the whole and long-term emptiness. The third and fourth sentences describe empty mountains and then deep forests, from sound to color.
6. Who seems to be nobody on the empty mountain, but I think I heard a voice poem by Chai Lu: Wang Wei Age: There seems to be nobody on the empty mountain in Tang Dynasty, but I think I heard a voice.
The shadow of the sunset shone into the depths of the forest, and the scenery on the moss was pleasant. Chai Lu is the work of the Tang Dynasty poet Wang Wei.
This poem is about a lonely empty mountain and towering ancient forest, which is intended to create an ethereal and profound realm. The first sentence first describes the empty mountain positively, focusing on the empty mountain and cold mountain.
After that, the second sentence comes out, using local and temporary "sound" to set off the whole and long-term emptiness. The third and fourth sentences describe empty mountains and then deep forests, from sound to color.
This poem depicts the quiet scenery of empty mountains and deep forests near Chai Lu in the evening. The beauty of poetry is that it is dynamic and static, local and global, fresh and natural, unpretentious.
Put pen to paper to write about the lonely place of the empty mountain, and then smell it with Dan, attracting people's voices. The more empty the valley, the more empty it is; After human language, the more empty it is.
Finally, I wrote some reflections of the sunset, which triggered a feeling of darkness. Generally speaking, writing landscapes is inseparable from specific scenery, or describing rugged rocks, or depicting towering ancient trees, or rendering waterfalls and suspended springs, with the focus on the strangeness of the scenery.
The poem begins with a strange phenomenon: "There seems to be no one on the empty mountain, but I think I hear a voice." The rocks are stacked on top of each other and look empty.
But sometimes I suddenly hear loud laughter, but because of the repeated reflections of the echo, it is difficult to judge where the human voice comes from. People have had similar experiences, which is normal.
But it is a kind of creation to express this method of observing things with complementary vision and hearing in the form of poetry. Judging from the performance of poetry, it is innovative and unconventional; From the receiver of the work, it is so novel and interesting, just like being there, causing positive emotional activities.
The first two poems were written in plain language, and when touched slightly, the realm came out. The word "empty mountain" at the beginning of the poem is relative to no one, and it also shows that the poet's vision is broader and he can take in everything in a glance; If you are in a virgin forest, you can't get the image of an "empty mountain".
From these two sentences, we can also get a glimpse of the characteristics of the scenery situation in the mountains. The word "ring" in the antithesis echoes the word "empty mountain": only when there are not too many obstacles can the sound echo back and forth in the valley, and people can say "human voice".
So the surrounding scenery must be sparse. The first two sentences are quiet because of sound and move because of sound; The last two sentences are written deeply, with the color of light.
The scenery on the mountain will change from time to time because of dusk and wind and rain. This poem chooses the scenery in the evening as the description object.
At this time, the sunset shone back into the depths of the forest, and some light fell on the moss. It's getting dark, and all kinds of scenery are many-hued, with sharp contrast between light and shade.
Not far away, the gloomy shadow cast on the ground gradually elongated; Deep in the Woods, it's quiet because of the darkness. The best time for this kind of landscape is late summer and early autumn, and it must be sunny evening, so it can't rain all the time.
The first perspective of this poem is deep in the forest. People's senses can't directly perceive the depths of the forest. This poem describes deep affection with "infinity" and "mystery" that are invisible or unimaginable.
And that affection is deepest in the sunset in late summer and early autumn. The second perspective point is moss.
This scene is at the bottom of your eyes. You can observe its shape and distinguish its color. Moss lives in dark and humid places. Its growth is the result of dense trees blocking the sun, but now it is in the sunset.
These two perspectives are combined and reflect each other, which makes poetic truth and reality coexist. This poem creates a deep and bright symbolic realm, which shows the author's sudden enlightenment in the process of deep meditation.
Although there is Zen in the poem, it does not resort to discussion and reason, and is completely permeated in the vivid description of natural scenery. Wang Wei is a poet, painter and musician.
This poem embodies the combination of poetry, painting and music. Based on the musician's perception of sound, the painter's grasp of light and the poet's refinement of language, it depicts the unique silence and thought-provoking moment of the empty valley people's language and oblique photos.
There seems to be no one on the empty mountain, but I think I hear a voice "Chai Lu".
Author: Wang Wei
No one can be seen in the silent valley, only the voice is heard.
Go back to the depths of the forest and shine at me from the green moss.
Wang Wei (70 1-76 1), a great poet in the Tang Dynasty, is the same age as Li Bai. He is a great painter, who is best at describing landscapes and pastoral scenery and has become an outstanding representative of the pastoral poetry school. Su Shi, a great writer in the Song Dynasty, said: There are paintings in Wang Wei's poems, and there are poems in the paintings.
(1) Chai Lu-a scenic spot in Wangchuan. Wangchuan is located in Lantian County, Shaanxi Province, where Wang Wei lived in seclusion in his later years. He runs a big villa with beautiful scenery here.
(2) but-just.
(3) Return to the scenery-the glory of the sunset.
(4) reply-again, then.
Rhyme translation:
Shan Ye is empty,
I only heard loud voices.
The golden light of the sunset shone deep into the forest,
There is a dim lamp on the moss.
Deer wood, a wooden fence with deer sound. Why is this scenic spot so named? Some people explain that it is because of the dense forest, so it is a place where elk haunt. Judging from Wang Wei's poems, this explanation may not be far-fetched. But what the poet sings is not the elk in the mountains, but the quiet and profound natural environment here.
The first two sentences of the poem are mainly from the perspective of acoustics: a person is sitting in an empty mountain and a dense forest, and no one is seen all day. Ran Ran is boundless silence. Only occasionally did someone walk through the forest, and the noisy conversation broke the silence. However, after a moment of noise, isn't the silence in the forest getting deeper and deeper? "The cicada forest is quieter, and the Tona Palace Mountain is more secluded" (the poem "Entering Ruoyexi" by Wang Ji, a Liang man in the Southern Dynasties), the ancients had this scene long ago.
The last two sentences describe the light from another angle: the forest is deep and the trees are dense, and the sunshine is not balanced. As the sun sets, only a few corner lights come in obliquely, making the moss on the ground shine. Just like lightning can reveal the darkness at night, it lights up the light and makes people feel the darkness and profundity here more clearly. And the ground is covered with moss, which is also the result of long-term sun exposure.
Wang Wei is a versatile poet. His profound attainments in music and painting make him particularly sensitive and interested in sound and light. In this little poem about scenery, he used the principle that the noise and quietness of nature, light and darkness complement each other, and used the noise of human language and the oblique halo of sunset to set off the quietness and profundity in Chai Lu forest, which is exactly what poets who are tired of the noise and officialdom yearn for!
Su Shi praised Wang Wei for "painting in poetry". His writing is not comprehensive, and there is music in Wang Wei's poems. The reason why this quatrain is talked about is that it is a harmonious unity of poetry, painting and music.