Correction: Cui Hao.
This poem describes what the poet saw and thought when he went upstairs to look into the distance, and expresses his feelings of wandering in a foreign land and homesickness.
This poem is a masterpiece of nostalgia. The poet boarded the historical site Yellow Crane Tower and got a panoramic view of the scenery before him. His poems are full of emotion, blurted out and beyond words. It is both natural and magnificent, full of personality. Poetry is not harmonious, but the syllables are clear and not awkward. It's really one step at a time, and it has become a treasure admired by all previous dynasties. Legend has it that Li Bai boarded this building and witnessed this poem, which impressed him deeply. He said: "There is a scene in front of me, with Cui Hao's poems on it." Yan Canglang also said that the seven-character poems of the Tang Dynasty should be the first. It shows that poetry is precious to nature, even if it is metrical.
2. Cui Hao's basic knowledge is urgent.
Cui Hao was born in Bianzhou (now Kaifeng City, Henan Province) in the Tang Dynasty. -754) Tang Xuanzong was a scholar in Kaiyuan 1 1 year (AD 723). He is quick-witted, good at writing poems and a poet in the prosperous Tang Dynasty. He was compared with Wang Changling, Gao Shi and Meng Haoran in the Biography of Old Tang Dynasty, but his official career was ups and downs and ended in failure. There are not many accounts about him in history, and there are few legends and stories about him in his hometown of Bianzhou. Tang Hao's old biography is so brief that even his literary achievements are not mentioned. What are these for? It is worth thinking about. The works are passionate and magnificent.
Cui Hao (704? -754), Bianzhou (now Kaifeng City, Henan Province). In the 11th year of Kaiyuan (723), he was a scholar. He used to be a member of Taibu Temple. In Tianbao, he was the foreign minister of Si Xun.
Cui Hao is famous for his talent. He likes drinking and gambling, and his erotic stories with women are often ignored by time. The early years were poetry, and the mood was erratic. Later, I visited the mountains and rivers, experienced the frontier fortress, broadened my spiritual vision, and became vigorous and natural in style. The poem "Yellow Crane Tower" is said to have been written by Li Bai, who once praised it as "there is a scene in front of me, on which Cui Hao inscribed a poem". There are 42 Complete Poems of Tang Dynasty.
3. Cui Hao's basic knowledge is urgent.
Cui Hao was born in Bianzhou (now Kaifeng City, Henan Province) in the Tang Dynasty. -754) Tang Xuanzong was a scholar in Kaiyuan 1 1 year (AD 723).
He is quick-witted, good at writing poems and a poet in the prosperous Tang Dynasty. He was compared with Wang Changling, Gao Shi and Meng Haoran in the Biography of Old Tang Dynasty, but his official career was ups and downs and ended in failure. There are not many accounts about him in history, and there are few legends and stories about him in his hometown of Bianzhou. Tang Hao's old biography is so brief that even his literary achievements are not mentioned. What are these for? It is worth thinking about.
The works are passionate and magnificent. Cui Hao (704? -754), Bianzhou (now Kaifeng City, Henan Province).
In the 11th year of Kaiyuan (723), he was a scholar. He used to be a member of Taibu Temple. In Tianbao, he was the foreign minister of Si Xun. Cui Hao is famous for his talent. He likes drinking and gambling, and his erotic stories with women are often ignored by time.
The early years were poetry, and the mood was erratic. Later, I visited the mountains and rivers, experienced the frontier fortress, broadened my spiritual vision, and became vigorous and natural in style.
The poem "Yellow Crane Tower" is said to have been written by Li Bai, who once praised it as "there is a scene in front of me, on which Cui Hao inscribed a poem". There are 42 Complete Poems of Tang Dynasty.
4. What are the characteristics of the Yellow Crane Tower in Cui Hao?
Cui Hao's Appreciation of the Yellow Crane Tower A long time ago, a yellow crane carried a saint to heaven, and now only the Yellow Crane Tower is left.
The yellow crane never revisited earth, there have been no long white clouds for thousands of years. Every tree in Hanyang has become clear due to sunlight, and Nautilus Island is covered with sweet grass.
But I looked home, and the twilight was getting thicker. The river is shrouded in mist, which brings people deep melancholy. Of course, The Yellow Crane Tower is a masterpiece mainly because of the aesthetic implication of the poem itself.
First, the artistic beauty of combining image with reality. The former site of the Yellow Crane Tower is in Huanggu Jitou, HuangHeshan (Snake Mountain), Wuchang. According to legend, it was built in the Wu period of the Three Kingdoms and was repeatedly destroyed and repaired.
The balconies, pillow mountains and rivers in the past were magnificent and ethereal, and there were some doubts about the "Fairy Palace". According to legend, the immortal rode the yellow crane here (A Record of Qi Xie), and rode the yellow crane here every time he escaped and ascended the immortal (A Record of the Taiping Universe).
The poet climbs the building and looks into the distance, imagining things. The first four sentences of the poem begin with legends, which lead to inner feelings. The scenery contains feelings and images. Immortals ride on cranes and never return. Immortals go to empty buildings, leaving only blue sky and white clouds, which are long for thousands of years.
It not only contains the feeling of the passing of time and the vastness of the world, but also vaguely reveals the vastness and heroism of the Yellow Crane Tower, and the beautiful legend of the fairy crossing the crane adds magical and charming colors to the Yellow Crane Tower, which makes people daydream far and wide. The Yellow Crane Tower is named after its Yellow Crane Mountain. The so-called "immortal riding crane" is a myth attached to the name.
However, the poet skillfully uses these legends to grow out of the void, thus making this poem attractive in art. Then I wrote a real scene, and the scenery on the other side of the river is beautiful: the sunny river, the clear and numerous green trees in Hanyang, and the grass on Nautilus Island is very lush.
Parrot Island in Hanyang was originally a sandbar in the Yangtze River southwest of Wuhan. Legend has it that it was named after Mi Fei wrote "Parrot Fu" here at the end of the Eastern Han Dynasty, and it was gradually washed away by the river. Today's Nautilus Island is no longer the hometown before Song Dynasty. The scenery in front of us is bright and open, full of vitality, which makes people feel relaxed and happy, and they linger, even until the sunset on the riverside and the dusk strikes.
Cui Hao roamed the south. After a long absence from home, I feel homesick in the face of the heavy twilight and the boundless kitchen smoke: "But I look home, and the dusk is getting dark? There is a sad mist on the river waves. "
The poet goes with the flow, which not only shows the author's rich and complicated inner feelings, but also shows the colorful natural scenery, changing feelings and changing scenery of the Yellow Crane Tower, resulting in a beautiful and moving artistic conception. As A Qing poet Shen Deqian commented on this poem in the thirteenth volume of "Collection of Tang Poems": "The meaning is like the first, and the words are written in a vertical pen, so they are good at making great achievements through the ages."
The second is the magnificent weather and colorful painting beauty. Painting in poetry has always been regarded as an artistic standard of landscape poetry, and the Yellow Crane Tower has reached this wonderful realm.
In The Legend of the Fairy Riding a Crane, the first couplet depicts a close-up view of the Yellow Crane Tower, which means that the building is surrounded by mountains and waters and the situation is magnificent. In the lyric poem lamenting that "Yellow Crane will never come to earth again", Zhuan Xu described the prospect of Yellow Crane Tower, showing the spectacular sight of towering buildings and white clouds.
The beautiful scenery of the neckline directly outlines the bright sunshine on the river outside the Yellow Crane Tower. The tail couplet echoes around the beam, whispering tactfully, indirectly showing the hazy evening scene on the lower reaches of the Yellow Crane Tower.
On the whole picture shown in the poem, the close view, distant view, sun view and night view of the Yellow Crane Tower appear alternately, with wonderful changes and magnificent weather. Against each other are the immortal yellow crane, the famous building resort, the blue sky and white clouds, the Qingchuan sandbar, the green trees and grass, and the sunset river, which are vivid and colorful. The whole poem is full of artistic meaning and aesthetic feeling.
Third, the musical beauty with natural timbre and clear syllables. Rhyme has strict metrical requirements. In fact, the Yellow Crane Tower is not the standard seven laws.
The fifth and sixth words in the first and second sentences are actually "Yellow Crane", the third sentence is finished with six strokes, and the fourth sentence is finished with three tones. It's almost the syntax of ancient poetry without antithesis. The words "Hanyang Tree" and "Nautilus Island" in the fifth and sixth sentences seem to be right or wrong.
The reason why it is considered as the masterpiece of "Seven-character Rhyme" lies in its natural tone and clear syllables, in addition to the artistic conception and painting beauty analyzed earlier. The first four sentences of this poem are blurted out, followed by letters, in one go, and go straight down with the trend, so there is no time to take into account the metrical antithesis of the seven laws.
"Although the scenery is broken on May 6, the gas is overflowing and the income is the same, so it is valuable." (For Fang's comments in the Qing Dynasty, see Poetry in Tang and Song Dynasties, Volume 5.
) Because the whole poem is finished in one breath, it reads naturally and smoothly. In addition, the repeated use of disyllabic words, rhymes, reduplicated words or sentences, such as "Yellow Crane" and "Return", disyllabic phrases, reduplicated words such as "Here" and "On the River", and reduplicated words such as "Youyou", "Lili" and "Lush" all contribute to the sound of this poem.
5. Knowledge of Yellow Crane Tower
The first floor (the first two sentences) explains the geographical location of the Yellow Crane Tower.
In the southwest corner of the city, there is the Yellow Crane Tower. ]
In the southwest corner of Ezhou City, there is a Yellow Crane Tower.
State: refers to Ezhou, now Wuchang, Wuhan City, Hubei Province. Corner: corner.
The first two sentences of the article point out that the Yellow Crane Tower is located in the southwest corner of wuchang city, which makes people have a clear impression on the Yellow Crane Tower from the beginning.
The second layer (3-8 sentences) explains the origin of the naming of the Yellow Crane Tower.
[The Book of Pictures says: "It's a famous building because it's expensive to climb to the top of the world and enjoy driving the Yellow Crane back here to rest." This story is an immortal biography. Pursuing Yi Shu's ambition. ]
"Illustration": "During the Three Kingdoms, Fei Biao, a general of Shu and Han Dynasties, became immortal. He once rode a yellow crane back here to rest, so he named the building after the yellow crane. " This matter is recorded in the Biography of Immortals, and related deeds are still preserved in different recorded narratives.
Tujing: A book or geographical record with pictures and maps, which was written for the generals of Shu and Han during the Three Kingdoms period. Immortality. Ride: Ride, ride. Rest: rest. Named after the building: The building is named after "Yellow Crane". Take, preposition, use and omit the object "zhi" after it. Refers to the yellow crane. Names, verbs, naming. Biography of Immortals: Biography of Immortals written by Ge Hong in Jin Dynasty recorded the story of immortals at that time. Strange Tales from a Lonely Studio: that is, "talking about strangeness". What Liang wrote in the Southern Dynasties was probably a collection of anecdotes in ancient note novels.
The Yellow Crane Tower was built in the second year of the Three Kingdoms (223). According to Li Jifu's Records of Yuanhe County in the Tang Dynasty, "In the second year of Wu, (Sun Quan) set up a city in Jiangxia to guard the land with security. There is a big river in the west of the city, and the southwest corner is built by rocks, named Yellow Crane Tower. " The military watchtower originally built to defend against border congestion: Although the Yellow Crane Tower is a military post, its name is elegant, and the romantic life of the Chu people will naturally give it another saying: Based on this, the author of this article quotes the cloud in Illustration: "It is a shame to ascend to the immortal and want to drive the Yellow Crane back here, so it is named the famous building." This paper explains the origin of the name of Yellow Crane Tower, and quotes a lot, and puts forward that the story about Yellow Crane Tower is contained in Ge Hong's Biography of Immortals and Liang's Different Records of Jin Dynasty, which proves the fact and strengthens the persuasiveness of the origin of the name of Yellow Crane Tower. The crane crosses nothing, and the author does nothing. In this way, the building was painted with mysterious colors. The reason why the author uses myths and legends is to highlight the unusual features of this building. This used to be the haunt of immortals. This writing also serves the main purpose of this paper and lays the groundwork for the following.
On the third floor (sentences 9 to 17), write about the towering Yellow Crane Tower and what you saw and felt when you climbed it.
[Look at its towering structure, with high standards, leaning on Hehan and going downstream; Double-eaved wing pavilion, with four clouds towering into the sky, is the best place to sit quietly and peek at the scenery, shoot clouds and smoke. ]
Look at this towering building, standing tall and magnificent. Its top is close to the Milky Way and its bottom is close to the river: there are two eaves, and the cornices are as high as the wings of birds on the house. The doors on all sides are tall and spacious. Sitting upstairs, you can overlook the urban and rural scenery and bow your head to slap the clouds: this is also the most beautiful place in the mountains and rivers of Chu.
Shroud: a standing building (referring to the Yellow Crane Tower). The meaning of "covering up" is the same as "high standard". Majestic: a tall and majestic appearance. Yi Cong: Towering appearance. Tilt: tilt. Hehan: Galaxy. Double eaves: Two eaves. Wing: cornices of ancient buildings. Lu: At the door. Xia Chang: Open higher. Keiichi: Urban and rural areas. Jason Wu: Chu and Wu refer to the middle and lower reaches of the Yangtze River. Shaping victory: landscape scenery. Most: the best things.
The first six sentences describe the appearance of the building: a set of duality of "towering structure and high standard", depicting the overall image of the building. In the sentence, "Song" and "Gao", "towering" and "Yi Cong" all mean high, and they are used repeatedly to spread the height of buildings. "Leaning against Jianghan" describes the top of the building, which is extremely exaggerated: "Down the river" describes the bottom of the building, further explaining the geographical location of the building, and the antithesis of "building on the river, with double eaves and a pavilion with four wings" is a concrete description of the building structure. At this point, the author's description of the architectural appearance is magnificent and refreshing. A group of antitheses "Looking at the scenery and shooting clouds" describe the feeling of going upstairs. It is precisely because the Yellow Crane Tower is high in the sky and close to the river that you can overlook the surrounding cities and villages, and you can bend down and beat the clouds and smoke lingering in the building. The word "sit" means "shoot from above", which has a panoramic view of the surrounding scenery and a unique concept, while "clouds and smoke" can "shoot from above". From the height, we can know that although these two sentences don't talk frankly about the height of the building, they paint a series of high-rise buildings soaring into the sky vividly, and the Yellow Crane Tower is like a fairyland. No wonder the author laments that "the form of Jingwu is the best" is a brief and weighty summary of the importance of architecture.
The above description of the scenery of the Yellow Crane Tower, from top to bottom, from far to near, from inside to outside, from real to virtual, is changeable and interesting.
6. The Yellow Crane Tower is full of poems by Cui Hao.
People went by yellow crane yesterday, and there is a yellow crane tower here. The yellow crane does not return, and the white clouds are idle for a thousand years. Qingchuan calendar is full of Hanyang trees and grass. Where is the sunset township? The smoke waves on the river are worrying. It is said that Li Bai's visit to this building is also full of poetry. When he found this poem by Cui Hao, he even called it "wonderful". He wrote four limerick poems: one punch at the Yellow Crane Tower and one kick at the Parrot Island. There is no scenery in front of him, and Cui Hao's poems are on it. So he stopped writing, and then a good-hearted man built a Li Bai "writing pavilion" on the east side of the Yellow Crane Tower. Now there is a poem wall of Cui Hao in the Yellow Crane Tower Park. Opposite is Li Bai's writing pavilion. There are no fewer than five poems related to the Yellow Crane Tower written by Li Bai, one of which is "Listening to Xiao on the Yellow Crane Tower with Shilang Zhong Qin": "One is to move a guest to Changsha and look at Chang 'an in the west without seeing home. The Jade Emperor plays the Yellow Crane Tower, and plum blossoms fall in Jiangcheng in May. Since then, "Jiangcheng" has become the laudatory name of Wuhan. Yan Boli, a great writer in the Tang Dynasty, described "Yellow Crane Tower". No wonder Li Bai expressed his feelings with "Yellow Crane Tower West Building Moon, Yangtze River Wan Li Love, Spring Breeze 30 degrees, Wuchang City Empty Memory". It's hard to send you, but the cup is not crooked. The lake is connected with the music place, and the mountain is boating. It is said that Chu people are important, and poetry spreads to Xie Tiao. Canglang, I have a song. I send a message to sing it. "There is a poem" Farewell to Meng Haoran to Yangzhou "on the mural of the main building of the Yellow Crane Tower.
7. What are the artistic features of Cui Jing's poem The Yellow Crane Tower?
Yellow Crane Tower/Yellow Crane Tower Dynasty: Tang Dynasty Author: Cui Hao Original: A long time ago, a yellow crane carried a saint to heaven, and now there is nothing left but the Yellow Crane Tower.
The yellow crane never revisited earth, there have been no long white clouds for thousands of years. Every tree in Hanyang has become clear due to sunlight, and Nautilus Island is covered with sweet grass.
But I looked home, and the twilight was getting thicker. The river is shrouded in mist, which brings people deep melancholy. This poem is written with an open artistic conception, great verve, picturesque scenery and sincere feelings.
And simple and vivid, just like spoken English, can't help but be amazing. This poem is not only Cui Hao's masterpiece and handed down from generation to generation, but also laid the foundation of his poem name.
With rich imagination, readers will be introduced into ancient times and returned to reality. All kinds of feelings and natural scenery blend together, and no one can but feel its sadness and desolation. This poem has always been highly praised by people and is listed as the first of the seven laws in the Tang Dynasty.
This poem is full of scenery before writing, and lyrical after writing, which is natural. Even a generation of Li Bai, who is known as the "Poet Fairy", can't help admiring again and again, and thinks it is better to stop writing for a while. To this end, Li Bai also sighed with regret and said: "There is no good scenery in front of me, and Cui Hao wrote a poem on it!" .