The appreciation of Song of Eternal Sorrow is about 1000 words in terms of theme and artistic features.

Song of Eternal Sorrow is a well-known work, composed by Pipa Xing.

Bai Juyi's sentimental poems are both narrative poems and long poems. In the first year of Yuanhe (806), Bai Juyi.

When I was a county magistrate in Mi County (now Zhouzhi, Shaanxi Province), I traveled with my friends Chen Hong and Chen Hong.

Xianyou Temple was inspired by the story and creation of Li Longji, Emperor Xuanzong of the Tang Dynasty, and his imperial concubine Yang Taizhen.

This poem "Song of Eternal Sorrow" was written according to the folklore and folk singing at that time.

Li Yang's love tragedy in history was written in a circuitous and tearful art form.

From the first sentence of the book to "happiness when giving birth to a girl instead of a boy" is the first layer of the poem. poetic sentiment

Starting with "the emperor of China, longing for the beauty that may shake an empire", these seven words dominate the whole article, revealing.

The tragic factor of this story. "Thinking deeply about the country" is one's lifelong emotional desire.

This is human nature, there is nothing wrong. "But grace cannot be hidden" seems dull.

As soon as the pen is closed, a word hides Yang Yuhuan's shameful and painful remarriage experience (Yang Ben

The concubine of Li Mao, the son of Emperor Xuanzong of the Tang Dynasty, also wrote about her later robbery.

The profound root of tragedy-beauty. This beauty forced her to leave.

Her husband, incestuous ugly father. Is it someone else's mental journey?

I can feel it.. "As long as she turned to smile, there were one hundred spells, and the powder and paint of six palaces disappeared without a trace. Chunhan ci

Bathe in Huaqing Pool, warm and smooth her creamy skin. Because she was very tired, a maid helped her up? Cloudy temples and beautiful faces.

In Jin Buhuan, the poet described Yang Guifei with admiration from different aspects.

The beauty of the princess. Sadly, people who love beauty are the highest in the Ninth Five-Year Plan.

The position of the emperor and the lust of the characters formed a sharp opposition, group

There is a fierce conflict between the norms of social order and the beauty of personal life.

This kind of confrontation and conflict laid the tragic foundation of Li Yang's love. Therefore, when the author

Describe that Li Yang is intoxicated with the sweet happiness of love, and "the warm curtain of hibiscus in spring night provides shelter from the wind and rain".

"The king didn't go to court early" directly led to Li's dereliction of duty as an emperor. Yang Ji's "three thousand loves one" and enjoys the honor of "all sisters and brothers are listed", which also caused

The aversion of the world and the variation of social mentality-"Having a girl is happier than having a boy". two

There is an age gap between individuals who can almost act as grandfathers and granddaughters. this

How much is true love? On the one hand, it is the possession of beauty and whatever.

The other side of the forest is passive Nuo Nuo, fawning, vain and enjoying the success!

The first layer of this poem is beneficial to Yang and his brothers and sisters, and it is not without derogatory criticism.

In the description, the tragic root of Li Yang's love has been faintly revealed.

From the memory of "... Gao Rose Li Palace, entering Yun Lan and" going ",that depression. Where is her jade-white face? "Is the second poem.

After the An Shi Rebellion broke out, the monarch of the Tang Dynasty and his subjects fled to West Shu, and Yang Guifei was hanged.

Passing by. "Soldiers in the army stopped, no one is willing to stir, witty beauty died in front of the horse. No one on the Bud Committee.

Take it, and there is a green and white Hosta and a golden hairy bird. The emperor couldn't save her, but covered his face. Later, when he turned to look, the land of blood and tears ",

I wrote a scene of Li Yang in Where Are You Going, Maweipo, which left an irreparable ending.

A nuisance. Tang Xuanzong put her cousin Yang in charge for the sake of love.

State affairs. So in the Tang Dynasty, the world was smoky, and there was "Zhumen wine stinks."

There is a situation of frozen bones, which leads to "all the people in the army stopped, and no one moved, tactfully."

Death. "There is no doubt that the sin of Emperor Xuanzong of Tang Dynasty far exceeds that of Yang Yuhuan. If he

After killing Yang, he committed a crime in front of the guards.

His performance should save Yang Yuhuan. However, in fear and panic.

In the crisis atmosphere of Zhang's escape, Emperor Xuanzong of the Tang Dynasty immediately abandoned the infatuation that once fascinated him.

Beauty, in the past, "we want two birds to be one, fly in the sky, grow together on the earth, two branches of a tree." Vows,

Became a lie that didn't need to be fulfilled. When death and disaster befall you.

In an instant, it can fully test whether the love between men and women is reliable and faithful. plum

Shang Yin's poem "Ma Wei" said: "Today, the six armies are stationed in Malaysia together, and at that time, they laughed at Tanabata.

Cow reveals the cowardice, selfishness and hypocrisy of Xuanzong in Tang Dynasty from different comparisons before and after.

He can sacrifice his son's happiness and the interests of ordinary people for his own selfish desires. For his own safety, he can sacrifice his favorite beauty, dictatorship.

Actors are bound to become such the most selfish roles. He can't have real feelings.

Love, there are only selfish desires and possessiveness.

From "rulers and lords, when their eyes meet, they cry on their coats" to "but no beloved soul has visited his dreams" is the third in the poem.

Layer, with a sour and sad style, euphemistically described and described what Xuanzong saw and heard after returning to the palace.

Thinking of people, touching the scene. "Ponds, gardens and palaces are the same as before, too liquid lotus lake, Weiyang Palace willow. Kapok hibiscus

Such as Liu Rumei, which was written by burning hibiscus from Taiye Pool and leaving Weiyang Palace. "

The weeping willows seem to see Yang Guifei's gorgeous face and brow, and the old scenery is leisurely, but I don't know where people are.

This superb description fully shows the complex and subtle inner life of Xuanzong.

Move it. "Fireflies were flying on the throne, while he was meditating in the twilight. He will extend the wick to its end and still never fall asleep ... bells and drums will slowly ring the long night,

The Milky Way is long and sharp in the sky, and the sky is just dawning. "From dusk to dawn, it describes Xuanzong's dead of night.

The lovesickness that is difficult to sleep in silence. Facing the firefly, I picked a solitary lamp and heard it.

The sound of bells and drums is "delayed"-extremely long; The stars you see are the same as

The silver-haired people in the distance are "bitter"-especially bright, with psychological time and psychological color.

It is really touching to write about the long night of quietly thinking about love. This unforgettable hardship

Miss, day and night ",spring breeze, peach blossom, cordate telosma" is like this ",autumn rain, buttonwood leaves fall.

"Isn't that right! See the "disciple of Liyuan" and "Jiao Fang Ajian" with gray hair.

The aging of the face evokes happy memories of the past, and thinking about it day and night is nothing in reality.

Find a beautiful Yang Guifei, then you can always have a pillow with her in your dreams!

However, no lovely soul visited his dream. On this floor, the poet from day to night,

From spring to autumn, from reality to the dream of the soul, with rich imagination and fiction, deliberately

Described the loneliness and loneliness in his later years, and rendered his yearning for Yang, from many aspects.

This paper vividly describes the suffering of Xuanzong's lovesickness from different aspects. This can easily lead to.

A kind but simple man shed a tear of sympathy and forgot him.

The other side of violence and debauchery. But this is just fiction, not real reality.

The fourth layer of poetry, from "Lingqiong lived a Heavenly Guest Taoist" to "a pear blossom in spring"

Rain, a Taoist priest goes to Haixian Mountain to find Yang Guifei, and the beauty is on the other side of the celestial world. "

The boundary has been reproduced and sublimated. The poet spread his wings of romantic imagination and suddenly went to the blue flower garden.

Falling, sudden death, all gone. Finally found the illusory sea.

Shang, pavilions and exquisite, fairies like clouds, happy ever after, on the pearl screen.

Suddenly opened, surrounded by colorful clouds. In this dusty fairyland, Yang

The image of the imperial concubine is so holy and elegant. "The wind blew the fairy's robe and floated like a feather."

Clothes dance ". She "came along the platform wearing a flowered hat" and took "Jade Rong" to see the "Han Emperor".

Lonely tears dried up, just like a rain in spring, the sad image of pear flower appeared, and its splendor lies in.

After leaving the real world and entering the fairy world, beauty reappeared.

And sublimation, its sadness lies in the loneliness after losing sincere love. author

Instead of letting Li Yang have a vulgar happy ending in the celestial world, they will be beautiful.

The contradiction that cannot coexist with love is left to the reader to chew and think.

From "but when she asked him to thank her monarch, her eyes shone with deep love" to the end, this is the fifth layer of this poem, written by Yang Guifei.

Entrust things to send feelings, and point to "long hate." She lovingly asked the Taoist priest to tell Xuanzong and Zhao

There is dust and fog in the palace, which not only destroys beauty, but also destroys love. Penglai palace

It is the fairy kingdom in the sky. Although beauty lasts forever, it is not sent. "So she excitedly took out the oath he had given.

, through his special envoy, sent him back a shell box and gold hairpin ","she gave it to him, through his messenger, reminding him in a word that only their two hearts know the oath ",let.

The ancient golden hairpin consoled Xuanzong's painful soul by whispering at midnight on Tanabata.

This also soothed her depressed heart and realized her beautiful wish. "We hope to fly in heaven, and two birds will be one and grow together on the earth, two branches of a tree." In endless lovesickness. However, this is beautiful.

After all, the realization of a wish is an illusory imagination, and the poet does not want to deceive himself or others.

By Yang Guifei's words, she said, "The earth will last forever, and the sky will last forever; One day both will end, and this hatred is endless. "

Period. "

When Bai Juyi and Chen Hong describe the story of where you will go in this palace.

At that time, he was obsessed with the love story he had just experienced.

Thing: Just after thirty, he fell in love with Xiangling, a beautiful woman, and still lingered after breaking up in a hurry.

Around the chest, like "two hearts are unknown" and "one sword cuts off the branches", it will make

People will immediately think of similar poems in Song of Eternal Sorrow. Use one's own psychology and experience

Calendar, explore the inner conflicts of characters, that is, write poems and articles.

Naturally.

Bai Juyi's own views on the creation of Song of Eternal Sorrow are also contradictory. On the one hand,

He belittled the Song of Eternal Sorrow: "The poems of today's servants are nothing more than miscellaneous poems and" long "that people love.

"Under the ear hate songs. When the time is heavy, the servant is light. " On the other hand, he put the long

Hate Song is his masterpiece: "A long hate has amorous feelings, and ten Qin sounds are close to the truth."

Sound. "("Play for Yuan Jiuli Twenty ") and some later critics regard it as.

Political satires, while others are regarded as love songs. The author believes that even if

It's a work praising love, not the true love between the emperor and the imperial concubine.

Love-because there can be no real love between them.

The contradiction of this understanding is mainly due to the fact that poetry materials are between history and reality.

There is a tension between legends. In the second year after Mayiyi Incident, Du Fu's "Northern Expedition"

It is described as follows: "I don't smell the decline of Xia Yin, but praise myself." Zhou Han was resurrected and announced.

Fruit alone is wise. "And Han Guangwu, who call Su Guo Yingming, released.

Bizan and da ji. Du Fu's view represents the orthodox view of Confucianism on this period of history.

Real value orientation: women are a disaster. In the era of Bai Juyi, it was popular among the people.

Legend has greatly transformed Yang Guifei's story, highlighting the love between Li Yang.

Love tragedy. Bai Juyi borrowed a little historical shadow, according to the legend at that time, and.

If poetry is composed of Song of Eternal Sorrow, it will naturally have this dual value orientation.

Secondly, this conflict is reflected in the author's own contradictions. On the one hand, the white pony

Yi is an orthodox Confucian scholar. So, in the first chapter of Song of Eternal Sorrow,

On the first floor, the author criticized Yang Guifei, thinking that she was flattering and pleasing, and should bear certain responsibilities.

The responsibility of the wrong country. In Hu, Yang Guifei and An Lushan are put together.

It was denounced as the two main culprits of the Anshi Rebellion: "Lushan Hu Xuan lost your eye and the soldiers were too yellow."

Doubts are not reversed. Princess Hu Xuangui has confused your heart, and she abandoned Ma Wei deeper. "At the same time, the White House

Yi is also a poet, pursuing beauty, eulogizing beauty and pursuing artistic intuition and vision.

The supreme king, the imperial concubine, is an ordinary person and puts them in a position of being pitied.

Therefore, "Song of Eternal Sorrow" praised the "color of praise" and praised it with infinite affection.

The reappearance and sublimation of beauty on the other side poured sympathy for the destruction of beauty. from

It broke through the barrier between Confucian orthodoxy and imperial historiography.