Liu Yong Yulinling
Cold and sad. The pavilion was late and the shower began to rest. All the accounts are not in the mood. I miss places and Lanzhou to urge me to
Liu Yong Yulinling
Cold and sad. The pavilion was late and the shower began to rest. All the accounts are not in the mood. I miss places and Lanzhou to urge me to send them. Holding hands and looking at each other, tears swirled in my eyes until there were no words at last, and a thousand words stuck in my throat and I couldn't say it. Thinking about thinking, thousands of miles of smoke, dusk, chutiankuo.
Since ancient times, feelings have hurt and left, and the autumn season is even more worthy of being left out! Who knows where I am when I am awake tonight? Yang Liuan, Xiao Feng and the waning moon. This is a long time, people who love each other are not together, and I even expect to be satisfied with the good weather and scenery in name only. Even if it is full of emotions, who can enjoy it together?
Reading "Lin Yuling, Cold and Sad"
Reading "Lin Yuling, Cold and Sad"
The cicadas in autumn are so sad and urgent, facing the pavilion, it is in the evening and a sudden rain has just stopped. Farewell outside Kyoto, but not in the mood to drink, reluctant to leave, the people on board have been urging to start. Holding hands and looking at each other, tears swirled in my eyes until there were no words at last, and a thousand words stuck in my throat and I couldn't say it. Missing thousands of miles of smoke and waves, the evening is heavy.
Affectionate since ancient times, parting hurts the body, more comparable to the cold autumn festival! Who knows where I am when I am awake tonight? Yang Liuan, Xiao Feng and the waning moon. This is a long time, people who love each other are not together, and I even expect to be satisfied with the good weather and scenery in name only. Even if it is full of emotions, who can enjoy it together?
The tune of this word is Yulin Ling, which is copied from an old Tang Dynasty song. According to Ming Taizu Miscellaneous Notes, during the Anshi Rebellion, Emperor Xuanzong of the Tang Dynasty took refuge in Shu, and when he heard the bell ringing in the rain on the plank road, he remembered the idea of mourning for Yang Guifei, and "chose his voice as" Yulin Order "to show his hatred". There are five lines in Wang Zhuo's "Biji Manzhi": "Today's two-tone" Lin Yuling Slow "is quite sad, and the original song still exists." Lin Yuling, the earliest two-tone slow ci work in the history of ci poetry, should be the first one. Liu Yong makes full use of the sad tone and sky of the word, and writes euphemistically and sadly, which can be described as incisively and vividly, making people feel extremely sad and fascinated.
Or this endless ancient road, outside this unchanging pavilion, lasted for so long.
The sudden wind and rain swept away the last trace of warmth. In silence, I walk with you in this rustling autumn wind. Only the cicada's voice is sad and serious. I can only accompany you here-this autumn waters, although fate, and love like the wind, but how can this parting not hurt! Listen, the ship that's taking you away says it's going to sail. From now on, you and I live far apart. All that can be left is endless yearning for us. Helpless or helpless, come! Come on! Come on! Let's finish this cup. I really don't want to let go of your hand, but I don't know what else to hold. Is there only a thousand words left in this heart? It is the hand that says goodbye, and the tears that say goodbye. My eyes are full of sadness, a river of smoke and fog. And your lonely soul will drift away in the foggy south of the Yangtze River and the empty Chu land.
I don't want to wake up with a hangover. How much I want to forget, but it is the cold autumn wind that breaks the willow on the shore under the moon, carrying the hook on the horizon. It's a pity that so many people are so different. How can I go back to China? Why is parting always in this cold and sad autumn night! If, if next year today, there are lilacs in the rain. Perhaps the twilight is still there, just because of the change of rings, which makes my heart more vicissitudes. I believe that you are still full of amorous feelings after you leave, but you stand alone in the cold wind and are inseparable from you.
Enjoy 1
This word is an eternal masterpiece to express the feelings of parting, and it is also an outstanding representative of Liu Ci and graceful Ci in Song Dynasty. In the poem, the author expresses his true feelings when he leaves Bianjing to say goodbye to his lover, which is touching. The first one is about the scene of parting, and the second one is mainly about the scene of parting. The whole poem is full of ups and downs, which is one of the "Top Ten Songs of Song and Jin Dynasties" popular in Song and Yuan Dynasties. Write the first three sentences about another time, and point out the place and order of the festivals. Book of Rites &; S226 The Moon Order says, "The moon in Qiu Meng is chilling." It can be seen that the time is probably July of the lunar calendar. But the poet does not describe the natural scenery purely objectively, but through the description of the scenery, the rendering of the atmosphere, the feelings come out of the scene, and the meaning is deep. Autumn, twilight, showers and cold, what the poet sees and hears is bleak everywhere. The phrase "the pavilion is late", with a knife inserted in the middle, was very depressed and swallowed, which more accurately conveyed this bleak situation. The description of these three sentences also paves the way for the "not in the mood" and "in a hurry" in the following two sentences. In Doumen Drinking on Credit, Jiang Yan wrote: "Du Dong drinks on credit, and Jingu sends guests off." His lover held a farewell banquet for him in the pavilion outside Doumen, but the poet was not interested in wine and food. Next, I said, "homesickness, urging hair in Lanzhou". These seven words are completely realistic, but they describe the typical environment and typical psychology with refined pens: on the one hand, I miss it, on the other hand, I urge hair in Lanzhou. How sharp such contradictions and conflicts are! Here, the "blue boat urges hair" uses a straight pen to write the urgency of parting. Although not as touching as they are, it is straightforward and helps to deepen feelings. Then the words "holding hands and staring with tears, but speechless and choking" came out in generate. There are only eleven words, the language is popular, the feelings are deep, and the image is realistic, just like the present. What a close call! The poet's inner monologue of "reasoning" stuck in his throat. The word "year" is used very well here. When you read the sound, as a leadership case, you will naturally turn from "choking" to "thousands of miles" below. After the word "read" is used with the word "go", it shows more and more strong feelings. After reading a word, I feel that the road is endless, and the road is Xiu Yuan. "A Thousand Miles Down" has harmonious colors and picturesque scenery. It is called "smoke wave", "twilight" and "heavy", and the coloring is as thick as one layer; It is both "a thousand miles" and "wide", and a journey is far like a journey. It tells the parting feelings of lovers when they break up.
The first movie says goodbye, and the next movie says goodbye. Let's make a general discussion first, from individual to general. "Affectionate sadness and parting have existed since ancient times" means that sadness and parting have existed since ancient times, not from the beginning. Then the phrase "more worthy of being left out in the cold and clear autumn festival" means that when it comes to the cold and desolate autumn, the feelings left behind are more important than usual. The word "clear autumn festival" is mapped to the first three sentences. Before and after taking care of it, the needle and thread are extremely dense; The three empty words titled "Gengnakan" strengthen the emotional color, which is more obvious and profound than the first three sentences. "Tonight" comes from the last sentence, which is the early warning strategy of the whole article. It became a famous sentence in the history of Liu Yong's Guangyao Ci. These three sentences should be to imagine the situation on the journey tonight. I think that a boat is about to dock, and the poet wakes up after drinking, but he will only know that Xi Xiaofeng blows the rustling willow and the waning moon hangs high on the willow. The whole picture is full of sad atmosphere. The coldness of the guests, the quietness of the scenery and the sadness of parting are all completely condensed in this picture. This scene is like a small meticulous picture frame, which is beautiful. Liu Xizai, a Qing Dynasty man, said in Introduction to Art: "Words are a bit erotic. Liu Yiqing's Yulin Order says:' Since ancient times, feelings have been hurt and separated, and it is even worse to neglect the Qing Autumn Festival. Who knows where I am when I am awake tonight? The last two issues of' Yang Liuan, Xiaofeng and the waning moon' were cold, and the last two sentences were stained with' Tonight'. Between points, there can be no other words separated, and aphorisms become dead. "In other words, these four sentences are inseparable, set off each other, set off each other. If you insert another sentence in the middle, it will destroy the integrity of artistic conception and the unity of image, and the next two epigrams will lose their luster. "It's going to be a year" has been changed into a love story. In the days of gathering, they will always feel happy in prosperity; But another day, year after year, even if there are good days and good scenery, it will not arouse the interest of appreciation, but will only increase the trouble. Even if it is full of emotions, who can enjoy it together? The remote control should "read" the film; The word "nian" is similar to "tonight", closely linked in time and thought, and advanced step by step. "Even if there are thousands of customs in Qian Qian, who should I talk to? "To sum up the whole word with questions is like running to rein in the reins, with a tendency to live but not live; Another example is that many people have returned to the sea, and there are still unfinished things.
The reason why this word is used in moxibustion is because it is quite unique in art and has achieved great success. As early as the Song Dynasty, it was recorded that in touching and graceful words, "Only one hundred and seventy-eight girls got married, with red teeth, singing' Yang Liuan, the wind is dying. The formation of this style depends on the creation of artistic conception. Poets are good at applying the traditional scene blending technique to slow words, and express their feelings of parting through the picturesque realm, which constitutes the realm of poetic beauty and causes readers a strong artistic infection. Although the whole poem is written directly, the narrative is clear and the scenery is well written. The theme is rendered with concrete and vivid natural scenery pictures that can touch sadness, and the difficult scenery is hard to reach and natural. The last two sentences make the finishing point and add color to the whole word, which is an eternal famous sentence among the moxibustion population.
Appreciate II
Liu Yong was one of the dazzling stars in the Northern Song Dynasty. Ye Mengde in the Southern Song Dynasty recorded in "Tales of Summer" that "where there is well water to drink, you can sing willow words" is proof. Among the numerous Liu Ci poems, Yulin Ling is one of the most popular masterpieces. Later generations have a joke that "the wind and the moon change three times, and the powder drops and leaves a message". Liu Yong, formerly known as Sanbian, was named Qing. When I was a teenager, I went to Bianjing to take the exam. Because I am good at lyrics and songs, I am familiar with many geisha, writing lyrics and composing music for them, showing a prodigal style. At that time, he was recommended to Injong, who only approved four words and said, "Let's write lyrics." After being hit, Liu Yong was helpless and jokingly called himself "Liu Sanbian" and lived a wandering life in Bianjing, Suzhou, Hangzhou and other cities. Frustrated and bored, with the encouragement of musicians and geisha, this melodic lyricist created a large number of new Yuefu (slow words) suitable for singing, which was welcomed by the general public.
Since ancient times, there have been endless poems and songs expressing the feelings of men and women's parting, and Liu Yong's unique slow word "Yulinling" is enduring for a long time, which is really worth studying. The reason is closely related to the author's bumpy life experience, but I think the success of Ling lies in its unique expression techniques: clear hierarchy, clear meaning, description of scenery, pouring out feelings and little concealment; Good at using the "spot dyeing" method, repeatedly smearing and rendering the effect. The following is a superficial analysis of Ling:
This poem about parting love can be described as well prepared. The whole word revolves around the idea of "parting from sorrow", which is particularly clear in level and concise in language. Before writing farewell, focus on outlining the environment; When writing farewell, we should focus on describing modality; Don't imagine after writing, focus on depicting psychology. Three levels, in-depth, writing all the parting feelings from different levels can be amazing.
The first three paragraphs of a sentence indicate time, place and scenery, and the event is to say goodbye to the beloved. At night, the shower stopped, cicadas moaned and the pavilion said goodbye. How can people bear the pain of parting! This cicada song helps to add sadness. Say "sadness" from the beginning and set the tone for the word. This floor has formed a bleak atmosphere. The sentence "Doumen" is very tactful and tortuous when writing a farewell dinner. When the two feelings are inseparable, the passenger ship is constantly urging. Psychological contradiction, want to drink, no mood, want to stay. From this, we can see the strong nostalgia. The sentence of "holding hands" is further discredited, which makes people feel even more sad in "holding hands", "looking at each other" and "being speechless". This floor is full of nostalgia. The above two layers are full of cycles, setbacks and throughput, which is enough to make people sigh. After thinking about going, the atmosphere is exemplified, such as the river flowing out of the gorge, and the text is straightforward. Prefixed with the word "year", it means that the road after departure is far away, "a thousand miles of smoke and waves, deep and wide dusk". The smoke and waves are vast, the twilight is heavy and the sky is boundless, and they all talk about scenery. In fact, they all talk about feelings, which sets off an infinite future, endless lovers, boundless scenery and infinite feelings for travelers. I changed my head with emotion and lamented the sad parting from ancient times to the present. "Sad parting" pointed out the main idea of this word. The phrase "what's more, it's as cold as clear autumn festival" has been upgraded to a higher level, not to mention that I can't stand the cold in clear autumn! This is a combination of Jiang Yan's Biefu and Song Yu's sadness about autumn, and these two sentences are extracted. Melt this feeling of the ancients into their own words and give it new meaning. The sentence "tonight" further infers the desolation after leaving, but the scenery is beautiful and real, just like what others saw on the boat after waking up. This sentence lies in the scenery. "I often go. Willow is Yiyi." (The Book of Songs &; S226 Picking EU ") is also a parting. As soon as the parting person sees the willow, he will think of the parting scene, and the scene of giving away the willow will emerge, and his heart will swell with sadness. The word "Yang Liuan" clearly describes the prospect and secretly describes the feelings of other times, which is implicit and has a aftertaste. I stayed there for a while and forgot that it was an idea. The sentence of "a visit here", think about the long-term loneliness after leaving, and waste a good time. Judging from the experience of the last two sentences, the sentence "I will have it" will go deeper. It's hard to sigh, and no one told me to push the feeling of parting to a climax artistically. The third layer above is really "endless resentment and endless aftertaste" (Tang Guizhang's A Brief Introduction to Tang and Song Ci).
This word is about parting, parting, and all kinds of thoughts after parting. It describes the scenery in simple terms, pours out feelings, has distinct levels and clear meaning, and rarely covers up false borrowing. In particular, the scene description after parting is more real than reality. Taking it as a scene makes people not think it is fiction, which shows the subtlety of Liu Yong's artistic techniques. So some people call it "subtle and thoughtful, but the scenery is affectionate." .....' Yang Liuan Xiaofeng waning moon', so it is also very popular. "(Xie" Gambling Chess Villa ") Some people think that" A Thousand Miles of Smoke "is a good mood to say goodbye; Various', willing to credit. What an expressive person. "(Li Panlong's" Caotang Poetry ") All this shows the beauty of this word. But I think Liu Xizai's stippling theory in An Introduction to Art is more commendable. He thinks:
The words are a little dirty, and the three sentences of "missing" in Qi Qing's "Lin Yuling" point out that it is cold to leave; The sentence "tonight" is dyed from the last three sentences. There must be no other words between points, otherwise the epigram will become lifeless.
In fact, Liu Xizai's comments mainly focus on the description of Ci, showing the skills of deepening description and repeated smearing in Liu Ci. It is subtle and bold. In other words, the clever use of lyricism and scenery description in Liu Ci can be described as painting in Ci. Lyricism, especially philosophy. The so-called "sentimental injury since ancient times, but it is more worthy of being left out in the clear autumn festival." What's so sad about parting in autumn? The feelings were extremely painful, and I was infected with "Where are you awake tonight?" "Yang Liuan and Xiaofeng Canyue" is even more sad, and the scene is integrated. This parting scene is obtained by adding the three sentences of "I want to leave", which are taken care of before and after and euphemistically. Liu Ci's stippling skill is really successful, especially this poem. (Duan Bingwu)
Appreciation 3
Yulinling is Liu Yong's famous masterpiece. This poem was written when the poet was frustrated in his official career and had to leave the capital (Bianjing, Kaifeng, Henan). It is a very representative article, which shows the feeling of wandering in rivers and lakes. This word is written in parting feelings, reaching the artistic realm of scene blending. The main content of the ci is to set off the bleak and desolate autumn scenery and express the inseparable relationship with the lover. Frustration in official career and parting with lovers are intertwined, which makes the poet feel more bleak and uncertain about the future.
The whole word is divided into two parts.
Shang Juan mainly wrote the inseparable farewell scene when she left home, expressing her feelings of parting.
At the beginning, I wrote three sentences about the environment, that is, "it's cold and lonely, the pavilion is late, and the shower begins to rest." I pointed out that the season of parting is bleak and cold autumn, the place is the pavilion outside Bianjing, and the specific time is the cold dusk after the rain. Through the description of these scenes, the feelings are integrated into the scene, which touches the atmosphere, accurately reflects the sad mood of lovers when they leave, and sets the sad tone for the whole word. Really do the scenery every word, every word is full of emotion.
Drinking at the Door is a scene about parting. Outside Beijing, he ate and drank, secretly frustrated in his career and broke up with his lover. "No clue" means that you can't think of a clue, that is, "if you keep cutting, you will still be confused." Wrote some thoughts that I can't bear to leave. "Homesickness, Lanzhou urges." When we were inseparable, the boatman laughed and "reminded". Reveals the cruelty of reality and the poet's inner pain.
"Holding hands and looking at tears, I was speechless." It is necessary to have other scenes. A pair of lovers, holding hands tightly, looked at each other tearfully, and no one could say a word. These two sentences vividly describe each other's feelings of sadness, attachment and helplessness. A pair of lovers are heartbroken and lose their souls. This is a line drawing technique, as the saying goes, "the language is not strange, the meaning is not dense."
"I miss it. It's a thousand miles away. It's heavy and vast." Write down the expectation of missing after parting. The gloomy mood of the hero in the poem casts a shadow over the sky and the water. A word "read" tells readers that writing the following scenery is fictitious. "Go" means to go further and further. The word "I don't want to go and have to go" is extremely well used and contains infinite sadness of leaving people. As long as the Lanzhou ship sets sail, it will go further and further, the dusk will be deep, the smoke will be Wan Li, and finally it will float to the vast south. The sadness is beyond words. Don't hate it. Judging from the structure of words, these two sentences have changed from real writing to virtual writing, which has the function of connecting the preceding with the following.
The next part focuses on the sad scene of imaginary parting.
The author put pen to paper from the beginning, giving his feelings a universal meaning: "Love hurts and leaves since ancient times." It means that since ancient times, sentimental people will be sad because of parting. The word "since ancient times" has been promoted from a special phenomenon to a universal and extensive phenomenon, expanding the meaning of this word. But then again, the phrase "neglecting the autumn festival is even worse" emphasizes that he suffered more and more than ordinary people and the ancients. Jiang Yan said in Beppu: "Those who are ecstatic just leave!" The author melts this feeling of the ancients into his own words, and adds layers of code to create new ideas.
"Where to wake up tonight? Yang Liuan Xiaofeng has a broken moon. " This is the state of mind after waking up, and it is also his feeling of wandering in the rivers and lakes. The beauty of these two sentences lies in writing feelings with scenery, which truly achieves the homonym of "scenery language is love story", "Liu" and "Liu", and writes feelings that are hard to give up; Xiao Feng chilly, write chilling after parting; The broken moon means that it will be difficult to make a circle in the future. These scenery words fully and truly express people's feelings of sadness and loneliness and create a unique artistic conception. No wonder it was praised and became a famous sentence.
In the long run: "After the New Year, it should be a good time to exist in name only. Even if there are thousands of customs in Qian Qian, who should I talk to? " These four sentences further speculate on the miserable situation after parting. How should I endure the long and lonely days in the future? Even if there is a good time, it is equal to no, because no one you love returns it with yourself; To say the least, even if you can feel the beauty, who can you tell it to? In a word, everything is boring. These words describe the poet's thoughts and sadness to the extreme, and also convey the feelings of mutual concern. The ending sentence is in the form of a question, which makes the feelings stronger.
Yu Linling's whole ci is conceived around "sadness and parting". Before writing farewell, it is important to outline the environment; Writing parting moments focuses on describing modality; Don't imagine after writing, focus on depicting psychology. No matter how to outline the environment, describe the modality and imagine the future, the poet pays attention to the care before and after, coexists with reality and reality, so as to go deep into each other, describe incisively and vividly, blend scenes, read like flowing water, and see no trace in the ups and downs. The emotional appeal of this word is too sad and low because of the portrait, but it vividly depicts the poet's depressed mood and the pain of lovelorn. Throughout the ages, people who have the pain of parting will have a strong * * * sound when they read this song "Lin Yuling".
Appreciation 4
Ci is a special poetic style in the history of literature, which originated from ancient Yuefu and rose in the Tang Dynasty. After the development of the late Tang and Five Dynasties, it was extremely prosperous in the Song Dynasty. "Song Ci" has become a special term in the history of China literature. There were not only many poets in Song Dynasty, but also various styles. Ci was mainly graceful and restrained until Su Shi founded the uninhibited school in the Northern Song Dynasty. Liu Yong is a representative poet of graceful and restrained ci school in Song Dynasty. He inherited and developed the graceful ci style, emphasizing the love between men and women and not hating parting. He cut red and carved green "Ke Yan" and charming and gentle "love words", which became the theme of Liu Ci. Yulin Ling is the representative work of Liu Ci, which can best embody this style.
The word Yulinling was written when the author left Bianjing (the capital of the Northern Song Dynasty at that time) to bid farewell to his lover. From the description in the last film, we can imagine that on a late autumn evening, a man and a woman were drinking goodbye in a makeshift tent on the outskirts of Bianliang (now Kaifeng, Henan) in the Northern Song Dynasty. Outside the tent, cicadas wailed as if crying for their farewell. Not far from the pavilion, it is faintly visible that we will be late, and a heavy rain has just stopped. It's getting late and the rain has stopped. From time to time, there is a cry from the river: "Get on the boat quickly, it's time to sail!" " "They had to stand up slowly and move out of the account. When they are so attached, they really want to break up at the moment. You see, they embrace each other with their hands and look at each other with tears in their eyes, but they can't say a word. The ship has gone, the people have gone, and they have drifted away. My lover stood on the shore with tears in his eyes, raised his hand and watched the blue boat disappear into the endless twilight.
This is the scene of Liu Yong, a poet in the Northern Song Dynasty, saying goodbye to his lover 940 years ago, which was written in the last film Yulinling. The first sentence is "cold sadness", which points out the festivals-late autumn, "cicada" and "cold" and sings "sadness", which renders the sad environment and atmosphere and lays the emotional tone for the following chapters. "Arriving at the pavilion late" indicates the time and place, "Shower" describes the weather. It's raining, just staying; It will be late and the stay time is limited. How they wish the rain would not stop and not be late! Drinking the door shows that writing Kyoto means saying goodbye. A table of good wine and good food, but two feelings hurt each other, full of sadness and no idea. It tastes really bad, but it tastes bad. This is called "not in the mood". Lovers on the boat can't bear to say goodbye, and punters can't keep feeling bad at dusk and leave in a hurry. This contradiction between subjective will and objective situation makes the feelings of parting reach a climax. The sentence "hand in hand" is vivid, delicate, vivid and wonderful. As if I saw the hero on the stage, his hands folded, his shoulders shrugged, he was speechless, he wept silently, and there were thousands of words, and he was sobbing and mourning. On the surface, it is about breaking up, but in fact it is about their extremely complicated and subtle inner activities. There are ten thousand kinds of tenderness, only at the moment of tears. The sentence "I want to leave" is connected by close-up and long-term, and the virtual scene is integrated with the real scene. Smoke Wan Li, chutian boundless, boundless horizon. Where is the return trip? How much is the parting? The wind blew, surging and melting the twilight. This not only reflects the emptiness after leaving, but also implies the author's confusion about the future after being frustrated politically.
The word "rain" mainly talks about the pain after leaving. It is natural to leave with injuries since ancient times, but it should never be in this cold autumn season. How can people stand it? The second sentence takes care of the first sentence, "clear autumn" should be "chilling", which shows that a person's feelings of separation are deeper than those of the ancients, and their meanings are newer and unconventional. Tonight is a famous sentence that has been passed down through the ages. The remote connection between "Sobbing Up" and a passage "Drinking in the Account" shows that although I was "not in the mood" at that time, I was drowning my worries with wine. The ship was delivered at night, and I was drunk and suddenly woke up. It must be dawn. Looking up in astonishment, where is the lover? All you see is the breeze on the Liuan and the waning moon. The clear autumn breeze is cool, and the word "residual" is in front of "month", and there is no realm. It also set off the poet's sad mood at that time. At this moment, the sadness of parting is overwhelming. It's really "sadness surging in Yang Liuan, parting wind lingering by the moon".
The following four sentences, "I have been here for many years", are about the imaginary scene after I left. The author thinks of Time from Tonight, Thousand Customs from A Thousand Miles of Smoke, and Who to Talk to from Silent. The author left his lover, lonely and desolate, even if there are beautiful scenery in the future, it will only exist in name only. However, the more beautiful the scenery, the more hurtful it is. I'm afraid the rest of my life can only be wasted in "cold and clear, miserable and miserable" The last two sentences, one is "convenient" and the other is "much", indicate the desire and deep love for reading.
The word "Lin Yuling" mainly uses the cold and desolate autumn scenery to set off the feelings that lovers can't give up. It can be seen that the author was frustrated in his official career and had to leave Beijing for a long trip. This depressed mood is intertwined with the pain of losing love comfort, which has become the main theme of this word. His success lies in writing his true feelings, but his style is low and his mood is too sad. In addition, in terms of expression, the word is mainly descriptive, and it is good at sketching, sketching the environment and describing modality. When writing a scene, the close shot and the long shot are connected together, and the virtual scene and the real scene are combined together; Writing about love is extremely exaggerated and pushed forward layer by layer. Emotion moves with the scene, the scene moves with the scene, and it is touching to be integrated with the scene.
Niannujiao Chibi Nostalgia
Su Dongpo
The river of no return, a romantic figure with a long history.
To the west of the old base, humanity is the Red Cliff of Zhou Lang in the Three Kingdoms.
Rock clouds break, waves beat the shore, and thousands of piles of snow are rolled up.
As picturesque as a mountain, how many heroes there are at one time!
Looking back on Zhou Yu's spring breeze era, young and beautiful Joe just married him, and he was full of heroic spirit.
Feather fan nylon scarf, talking and laughing, lost in the smoke.
Old country fugue, affectionate Ying Xiao Wo, early life in France and China.
Things are like a dream, a bottle or a month.
Make an appreciative comment
"One river does not return, one person has endless waves and eternal love": writing from the Yangtze River is quite imposing and has a huge space; Romantic figures through the ages, vast historical time and space, countless heroes; Connect the two to form an extremely broad and long-term space-time background; The waves are exhausted and the long river of history is washed away. It is sadness, and it is also an inclusive link between the past and the future.
"To the west of the old base area, humanity is the Red Cliff of Zhou Lang": If the front is an extraordinary big scene, then what appears at this time is a detailed and accurate small scene. As the ancient battlefield of the Three Kingdoms, there have always been different opinions, but what is certain is that the Chibi in Su Dongpo's works is definitely not the same as the Chibi in Battle of Red Cliffs in history. Dongpo is self-aware, so he points out that "Zhou Lang Red Cliff" is in the west. This sentence plays a great role in the text, which not only matches the title of the word, but also indicates the memory of Zhou Gongjin in Xiaque.
"Rocks go through the air, stormy waves beat the shore and roll up thousands of piles of snow": Focus on the magnificent scenery of Chibi: steep cliffs rise into the clouds, rough waves violently impact the river banks, and rough rivers roll up thousands of rough snow waves. The vivid description of different feelings from different angles and the vivid description of different emotions swept away the mediocre and depressing atmosphere, and immediately brought the reader into a thrilling and dangerous realm, which made people's brains wide open and their spirits high.
"A picturesque scenery, how many heroes are there at a time": always tie up the top and bring up the next one. The wonderful picture described for us in the last article can't help but make people exclaim "picturesque"; Beautiful rivers and mountains, outstanding figures, picturesque rivers and mountains will give birth to heroes who have passed through the ages. The Three Kingdoms period is an era of heroes and wizards: Cao Cao who wrote poems, Sun Quan who rushed tigers, Zhuge Liang who was right in Longzhong, and Zhou Gongjin who was resourceful. ...
The last film takes the scenery as the background, paving the way for the emergence of heroes.
"Thinking about Gong Jin's past ... vanishes into nothing": On the historical stage of the Three Kingdoms, heroes will meet in the wind and cloud. What Dongpo yearns for most is Zhou Yu, who focuses on Zhou Gongjin, a young and talented person, in five sentences. Since it is the author's yearning, we should choose the material that can best express the characters. In the third year of Jian 'an, Sun Ce personally married 24-year-old Zhou Yu, awarded the position of "Jianwei corps commander" and captured Anhui City with him. Zhou Yu took Xiao Qiao with him when he won the battle of Wancheng, and it was ten years before he commanded Battle of Red Cliffs. Here, ten years of events come together. Before writing Battle of Red Cliffs, I suddenly inserted this detail and set the beautiful woman as the leading actor. (Shihe is boating on the lake. ) Next, Zhou Yuru wrote from his appearance and manners that he would be romantic. The enemy is now laughing, commanding calmly, and the strong enemy collapses instantly.
"Wandering in the old country ... Fahua": There is sorrow for the failure of political ideals. The hope of reviving the dynasty and the strong ambition of serving the country are in great contrast with the dark political reality and the bumpy situation of being relegated. In sharp contrast, Zhou Gongjin has profound thoughts, rich feelings, frustrated career and an old poet.
"Life is like a dream, a bottle is like a moon": historical reality shocks each other, and the poet has an epiphany. Since life is like a dream, why not put down your smile, gallop in the mountains and rivers, the breeze and the bright moon, and feel free and easy here. (Poxian)
This word is extremely beautiful, ups and downs, and absolutely ancient. Knowing that life is like a dream, it is written about the glory of life, and it is difficult to distinguish between negative and positive. Although the achievement of life is brilliant, and eventually ends in a dream, even if it is brilliant after all, perhaps a brilliant life like a dream is more worth cherishing and more desirable. From the past to the present, philosophy and life, in the grand atmosphere, are full of lingering feelings.
Composition: get on the bird: get up high and walk low. After the smooth transition, it was extremely passionate and dignified; Xiaque: Shake the pen and wave it away. The long sound is curling, getting tighter and stronger. After repression, it returns to silence and vastness.
Rhyme: rhyme, short and powerful. Poetry is verse, and it pays attention to the beauty of rhythm. When there is a fairyland in the dream of Tianmu Mountain, it is changed from seven characters to four characters, which makes the accident and mutation more intense. Another example is "cleaning up the mountains and rivers, all sides are empty!" After a long journey, the desert is flat, the mountains are stacked and the Yangtze River is rolling. But when I see cold clouds, fog and sadness, I can't complain about endless hardships and sadness. This is magnificent and peaceful. Who knew I would go to Xiangyang with a gourd ladle and a hat! "Bold and vigorous, fierce and tragic.