The style of Xin Qiji's poetry has always been controversial. As for modern times, scholars mostly use the four words "profound, profound, elegant and healthy" as the conclusion of Jiaxuan's poetry style. From my personal reading experience, this is not necessarily the case. This article briefly comments on the style of Xin Qiji's Ci. The so-called style is also called "ti", "ge" or "pin" in ancient literary theory. In "Wen Xin Diao Long", "If we summarize them all, there are eight categories: one is elegance, the second is profound, the third is precise, the fourth is explicit, the fifth is complicated, the sixth is magnificent, and the seventh is Novelty, eight days of lightness." These eight descriptions of the style of works became a basis for later literary commentators to discuss the style of works. Of course, the discussion of Xin Qiji's style of poetry is also closely related to this. Previous scholars have put forward various opinions on Xin Qiji's style of writing, the main three being: broad-minded, bold and slender. Next, I will enter Xin Ci from three perspectives: personality, composition and works, and comment on these three styles one by one. A writer's works are always closely related to his personality. "The husband's emotions are reflected in his shape, his hair is cut and his writing is revealed, and the edges of his cover are concealed and then revealed, and they match the outside because of the inside. However, there is mediocrity and handsomeness, hardness and softness in temperament, depth of learning, elegance and Zheng in habits, and temperament. Shuo, condensed by Taoran, is the reason why the clouds in the writing area are strange and the waves in the literary garden are strange." This passage clearly discusses the relationship between the style of the work and the writer's talent, energy, learning and practice. Qian Zhongshu also said in his "Talking about Art", "The style of his words often reveals his true nature, and the style of an anxious person cannot always be pure and clear." An anxious person must have Only when you have something to rely on and something to ask for can you really be called anxious. Xin Qiji relied on his talents of "both civil and military talents, public loyalty and self-promise, a nine-level mind without any miscellaneous ideas, and all the horses in his eyes are empty". I cannot bear the wrath of Dai Tian.” Therefore, it can be said to be extremely urgent. Therefore, his works cannot be pure and open-minded. However, after returning to the south, he was idle for ten years at the age of forty. Jiaxuan seems to be a bit broad-minded. Regarding Xin Qiji's broad-minded poetry, on the one hand, it is based on the fact that he often diluted the broad-minded works when he lived in Daihu and Qianshan. On the other hand, his poetry often mentioned Lao Zhuang and Yuan Ming. Let’s look at the first aspect first. According to his lyrics: [Xijiang Yue] "Show Ercao, pay for it with family affairs" Everything is passing by in a flash, and the willows will decline first after a hundred years. What is most appropriate now? It is better to get drunk, to swim, to sleep. I took advantage of the prompting and received the payment early, and the income and expenditure were measured. Nai Weng still took care of things, managing bamboos, mountains and water. In this poem, Jiaxuan not only doesn't care about state affairs, but also doesn't care about family affairs. His ups and downs seem to have understood the so-called "clouds of everything", but he is just "dreaming about the Dahuai Palace while drinking a glass of wine" ([Shui Diao Ge Tou] "Inscribed on Yongfeng Yang Shaoyou Tidian Yizhitang"). Therefore, what he did was nothing more than drunkenness and sleeping. It can be said that no words are not clear and no words are not broad-minded. No wonder Zhuo Renyue commented: "Young An Ning, the leader of the court, supported the chariot, retired bravely, and paid the Cao with family affairs. The meaning of this word is very transcendent, and the person can imagine it." But as a person like Jiaxuan, it was impossible for him to completely put aside family and national affairs. Although he can "manage bamboo, manage mountains and water", however, "Although this old man Jiaxuan can sometimes take advantage of his leisure, he will never be idle in his life. But if we say that he cannot do it, it is better to say that he refuses to know it." After all, people are anxious. As far as the "hundred-year-old willow tree declines first" here is concerned, there is actually an infinite amount of things that cannot be put inside. Although state affairs cannot be left alone, learning from Tao Yuanming's dilution can always be a broad-minded approach. Look at another piece of work: [Qin Yuanchun] "The new house with the lake is about to be completed" The three paths have just been completed, the cranes are resentful and the apes are frightened, and the garden has a bright future. It is said that Yunshan sincerely promises to have a peaceful business life, and people in well-dressed and smiling clothes can bear the dust of death. When the mind is tired, it is necessary to return, and when the body is free, it is better to be early. How can it be used for water shield soup and perch soup! On the Qiujiang River, I watched the wild geese ducking away from the frightened strings, and the boats returning from the rough waves. Donggang renovated the thatched house. It's better to open the windows facing the water. If you want to fish in a small boat, you should first plant willows and sparse fences to protect bamboos so as not to hinder the viewing of plum blossoms. Autumn chrysanthemums are worth eating, and spring orchids are admirable. Leave them to your own hands. I have been pondering for a long time, fearing that the king's favor has not been promised, and this intention lingers. Chen Yifeng commented on this poem in "The Collection of Yun Shao": "The starting point is superb, and the sprinkling is so free, he is a true celebrity. The cadence is ups and downs, and the ups and downs are vivid. The words are elegant and elegant, without losing Tao Ling." Xin Qiji also mentioned Tao Yuanming in many places in his poems. For example, "I have been plucking chrysanthemums on the east fence for a long time, and I have cherished my love for thousands of years, but only Tao Pengze" ([Nian Nujiao] "On the Chongjiu Banquet"), "I have been ashamed of Yuan Ming for a long time, but I still use this old man to wash my hands and write "Return" on the plain wall." ([Shui Tiao Song Tou]) and so on. These many poems about Tao Yuanming, on the surface, reflect Xin Qiji's broad-mindedness, but it does not mean that his works can be tainted with Tao Yuanming's style. After all, "Jia Xuan writes lyrics, and the words flow out from his heart. He is fully aware that his own realm is different from that of Tao Gong, so he only praises, but does not imitate." It seems that Xin Qiji still cannot learn from Tao Pengze's broad-mindedness. Just look at the song above [Qinyuanchun], which is called "Unreduced Tao Ling". It is said that "when fishing in a small boat, you should plant willows first", which is a habit of celebrities. However, this kind of retirement is not voluntary, "Surprise" The geese avoid the string, and the boat returns to the waves." Just as Huang Liaoyuan said, "Jiaxuan was the first emperor of Emperor Gaozong's journey to the south. He rushed from Shandong to Xingzai, exhausted all the passes, and tried to recover. How can he be content with leisure? Since the use of Huiping in Qin Dynasty, Zheng's popularity has declined." It's useless for the time being, but if there is a chance, Jiaxuan will still "ask Lian Po if he can still eat when he is old" ([Yong Yule] "Jingkou Beigu Pavilion Nostalgic"). From this point of view, many of Xin Qiji's seemingly broad-minded works are just superficial articles. In his heart, he still has the ambition of Xie An, "What happened in Dongshan? It was also said at that time that it was for the sake of the common people" ([Shuilongyin] The Marquis of Xin in "Old Lai Zeng Zeng Yuan Ming").
In the lyrics of the poem, this Xinhou "went out with a smile, and the flowers fell thousands of miles away" ([Shui Diao Ge Tou] "I don't need to persuade you to drink"), "The horse is so fast, and the bow is like a thunderbolt string" ([Po Zhenzi] " "Write a heroic poem for Chen Tongfu"), "Who is the rival of the world's heroes? Cao Liu. Give birth to a son like Sun Zhongmou" ([Nanxiangzi] "Dengjingkou Beigu Pavilion Has a Huai"), etc., there are countless bold and unrestrained poems. language. No wonder literary commentators are known for their boldness. "The servant said that Yi An is the ancestor of Wan Yue, and You An is the leader of bold and unrestrained." It has gradually become common knowledge to attribute Xin Qiji to a bold and unrestrained faction. Jiaxuan was an "upright and heroic man" with the style of a "scimitar knight", and he was a veteran from Shandong. However, judging from the style of writing, I think the word bold is not appropriate. This involves the second angle of discussion, which is the composition of lyrics. The characteristics of the bold and unrestrained style are "watching flowers and bandits, swallowing up the wilderness. Turning against the Tao, you can be wild. The sky is windy and billowy, the sea and mountains are green. The true power is full, and all phenomena are beside you. Move the three stars in the front, and the phoenix in the back. Xiao Ce Six Turtle, wash your feet with hibiscus." In Yang Pingzhi's "A Brief Interpretation of Poetry", it is interpreted as "heroic and indulgent. Being bold means the inner word, and letting go is the outer word. Being bold means that I can cover the world, and being bold means that things cannot be restrained by me." From this point of view, being bold and unrestrained is called indulgence. In addition, the "external language" means that when writing the lyrics, "it is crazy" and it is written in a carefree hand, just like Dongpo's lyrics, which are actually works of the spirit. Jiaxuan can't do it. The difference between him and Dongpo lies in this. "Su and Xin are both called Su in the world. Where Su is at home, Xin can even come; where Xin should go, Su will not be able to come." From this point of view, Xin Qiji's lyrics are rarely indulgent, but occasionally there are "freedom" in them, which can be praised as "indulgent". Chen Yifeng has a very insightful discussion on this issue in "Yun Shao Ji": "However, Dongpo has some arrogance, but most of them are out of tune; Jiaxuan is galloping vertically and horizontally, but the troops are extremely strict." What he said about "galloping vertically and horizontally" can be regarded as "heroic", but "the military is extremely strict" can only be regarded as speaking against "indulgence". It can be seen that Jiaxuan's Ci poems cannot be called "bold" in the first place. Of course, some of Xin Qiji's poems can indeed be called "The sky is windy and turbulent, the sea and mountains are blue. The truth is full, and all phenomena are nearby." Therefore, literary commentators often single out his works as "heroic". For example: "Jiaxuan's Ci is heroic, but not the true character of the poet." Chen Mo's "On Jiaxuan Ci" "The heroic Ci written by Xin Jiaxuan and Liu Gaizhi are not elegant. ... Jiaxuan's heroic spirit was not there at the beginning, so how could he leave his mountain desire behind? "It comes out from the table, so it goes like this" Zhang Yuan's "Etymology 61 Miscellaneous Commentary" "The words of the talented scholar Baishi, the words of the hero Jiaxuan" Liu Xizai's "Introduction to Ci" "The twelve volumes of his poems are generous, unparalleled, and talented. "Mai, Yu Yisheng's family is a powerful group." Hu Weiyuan's "Suihanju Cihua" This hero can only be confirmed by analyzing his lyrics. If we can judge Xin Jiaxuan's lyrics just from the words of the above families, Although it is not "liberal", at least it is "generous". This is too simple. Let’s take a look at the source of the heroic sentences we mentioned above: [Shui Diao Songtou] “I don’t need to be persuaded to drink” I don’t need to be persuaded to drink, because I am afraid that the wine will be empty. There is no need to hate separation. Don’t hate the rush. The Diao Chan is the distinguished guest above the head, and the unicorn is among the high tombs outside the flowers. Who is the most powerful person in the world? Go out with a smile, and the flowers will fall thousands of miles away. The descendants of the Liu family can make me not be a public servant. I've seen all kinds of things like this. I'll pay Qu Nong for this matter. But I feel that all my life in the lake and the sea has done nothing but drunkenly singing about the wind and moon. Every hair is the power of the Emperor, and I am even more begging for lessons from the east of the lake. The line in this poem, "When you go out with a smile, the flowers will fall thousands of miles away" is so heroic. However, the rest of the poem can really be described as a work that "changes from gentle to sad". At this time, my friend passed away and my benefactor was demoted. I looked at the high tomb outside the threshold, thinking about the ill-fated official career, and my heroic spirit was fettered by the sorrow of the lake and the sea. The stronger the pride, the deeper the sorrow and resentment. Therefore, the heroic spirit of "going out with a smile" is actually a euphemism for the last sentence of "More begging for lessons from the east of the lake", and the "wind of falling flowers from thousands of miles away" can only blow "unicorns and high tombs outside the flowers". . Therefore, behind the heroism is infinite desolation. Let’s read another song: [Breaking the Array] "Composing a poem to Chen Tongfu as a message". When I was drunk, I lit up the lamp to read the sword, and I dreamed about the horn-blowing camp. Eight hundred miles away, the troops under his command are burning, the sound of fifty-stringed strings turning outside the Great Wall, and the troops on the battlefield being ordered in autumn. The horse moves very fast, and the bow is as frightening as a thunderbolt. To end the king's affairs in the world and gain fame both during and after his life, misfortune happened in vain. The heroic style cannot be mentioned. However, in the end, all this heroic spirit came down to "poor things happened in vain"; therefore, all the heroic spirit became a fantasy. Therefore, behind the heroic spirit, there is still grief and indignation for the unfulfilled ambition. In his comments on this poem, Gu Sui said, "The so-called boldness is also superficial." To say that it is bold and unrestrained is superficial. In the final analysis, the style of bold and unrestrained is just a superficial appearance of Xin Qiji's style of writing. In style, boldness and elegance are two opposite words, but according to many literary theorists, these two words have found their home together in Xin Jiaxuan's poetry. "It is inherently clear and beautiful, graceful and charming", "its slenderness and denseness are not inferior to those of Xiaoyan and Qin Lang". This does not mean that the style of Xin Jiaxuan's poems should be described as "Xiangan". This involves the issue of works. Among Jiaxuan's lyrics, some of them can be expressed with the word "Xiangan", some of which describe the love between men and women, and some of them describe the scene of hurting spring and embracing spring. Analyze these works from three aspects. First, these works themselves require such a style of writing, and no one can escape this category.
Zhou Zhenfu pointed out in "Examples of Literary Style" that "the objects written about in works also have differences in hardness and softness. The author's temperament is strong. If the object he writes about is feminine, the author writes in a strong style and writes it in a strong style. If it is written in a strong way, it will lose the nature of the object it is written about and become distorted. Therefore, when the object of writing is feminine, the author must "blend the energy to make it more gentle". He must blend the feminine energy and write softly. style." The analysis of Xin Qiji's slender works in his poems must also start from this perspective. The love between men and women and the sadness of spring and spring are inherently feminine things, so they need to be written in a more feminine way. Therefore, this cannot be Xin Jiaxuan's unique style. However, it cannot be analyzed simply like this. Let’s look at the second aspect, the quzi, quye. Jiaxuan is a depressed person, and it is normal for him to integrate his emotions into the feelings of love between men and women, and to use comparisons to gain popularity. In this way, its fiber is more than just fiber. Like the following poem: [Manjianghong] "Late Spring" I live in the south of the Yangtze River, and it's time to eat cold food during the Qingming Festival. In the flower path, there is a lot of wind and rain, and a lot of mess. The flowing water darkly follows the red powder, and the garden gradually feels clear and dense. Counting the years, all the eryngium flowers will fall away, and it will be cold and powerless. The courtyard is quiet and empty. There is nothing to talk about, and I am extremely sad. Afraid of wandering orioles and sucklings, I learned the news. Where is the ruler now? There is still no trace of the colorful clouds. Manjiao people, ashamed to go upstairs, flat Wubi. When I first looked at it, "the flowing water followed the red pink darkly, and the garden gradually felt clear and dense." She was really a sad woman. She felt that she was declining when she saw the flowers falling, and she felt sad when she saw the flowing water. However, this poem, written in 1163, was composed just after the Southern Song Dynasty general Zhang Jun failed in his Northern Expedition. That defeat dealt a heavy blow to Xin Qiji, who was only 24 years old. He wrote this poem precisely to express the shock and sadness in his heart. Li Jia said in "Zuo'an Poetry Talk", "It is for hunting in the north and crossing to the south. Therefore, if you don't just write the poem after seeing it, it will not just be cloaking the wind and chanting to the moon." This is true. In addition, poems such as "Who can wear a hairpin on a jiao plate and win the prize, spend all their time fighting for the spring breeze" [Die Lianhua] "The first day of Wushen, the beginning of spring, written during the banquet" is a saying that "honor and disgrace are uncertain, and relegation is impermanent." There is so much sadness behind the words. , "How much doubt and fear", etc. Thirdly, some of Jiaxuan's words are indeed composed purely out of emotion, but the quality of these words is not high. This is also the reason why later generations classify it as the bold school rather than the graceful school. Chen Yanzhuo's "Bai Yu Zhai Ci": "Jia Xuan's most unskilled poem, the chapter 'Looking for fragrant grass', is definitely a laughing stock, namely 'Looking back suddenly, the man was in the dimly lit place' and 'The jade cup was full of tears but stopped drinking it' "I am afraid that I am like a drunk, a man with weak feelings, and no aftertaste." Jiaxuan is not a person here, so why force him to act like a little girl? From the three perspectives of personality, composition and works, I have commented on the above-mentioned styles. So, what is Jiaxuan’s style of writing? The author believes that it should belong to the word "sadness". The sad person said, "Strong winds stir up water, and the trees are destroyed. I feel like dying in hardship, and I can't rest. A hundred years old, wealth and honor are cold and gray. The great road is lost every day, if it is a great talent. A strong man flicks his sword, awe-inspiring and mournful. Xiaoxiao Fallen leaves, leaking rain and green moss." This is like tailor-made for Jiaxuan's words. Let's look at "strong winds blowing water and destroying trees", there is a man in his prime with banners supporting ten thousand men, and he is full of heroic spirit; "I am ready to die in hardship, but I can't find rest", and the Taoist king has not promised his kindness, and his heart is filled with sadness Heaven and earth can be used as a guide; "A hundred years old is like a stream, and wealth is as cold as ashes." In the old age of a strong man, when he is living in seclusion, there are several volumes of books on his case, either old or virtuous; Moss, you might as well try your hand to mend the cracks in the sky; "A strong man flicks his sword, awe-inspiring and mournful", look at this white hair, falling one by one when he wakes up; "The rustling leaves fall, the green moss leaks from the rain", all the various forms, But it was a cool autumn day. Guo Shaoyu annotated the poem: "But where it begins, 'The strong wind swept the water, and the forest trees were destroyed', it is still a tragic scene. Generosity should be shown as generosity, and you might as well sing a long song while crying. As far as 'The leaves are rustling, the rain is leaking and the moss is green', It is desolate and lonely, and this feeling and scene cannot help but make people feel extremely sad.” This writing hits the key points of Xin's diverse styles. It not only has a heroic appearance, but also has a lingering and pathos character. Among them, bei means tragic and sad; emotion means emotion and generosity. When the ancients discussed the style of Xin Ci, many of them were sad and sad. The biography of "History of the Song Dynasty" says that "Qi Ji is elegant and good at long and short sentences, tragic and intense". It is also said in "Si Ku Xiu Yuan": "(Qi Ji's Ci) is generous and arrogant, with a sense of arrogance." Wang Shizhen commented that "Jia Xuan's work was created at the time, and it contains emotions, so it is bright and refreshing." Chen Yanzhuo said: "(Jia Xuan Ci) has a kind of sadness, anger and generosity, which is trapped in it." Although none of the above comments directly use the word "sadness" as a comment, the meaning of the comment is clearly visible. What is Jiaxuan lamenting about? One is sad that the North and the South are divided, and his ambitions have not been realized, so he is generous; the other is sad that time has passed and his fame has gone gray, so he is emotional. These two constitute the most outstanding part of Jiaxuan's lyrics. Xin Qiji wrote in "Nine Comments": "The restoration is for the ancestors, for the country, and for the livelihood of the people. This is also what the Lord Ming has done for the wise and brave people in the world." He took the matter of recovery so seriously that it was difficult to attribute the impassioned nature of his words to it. However, although Jiaxuan had this ambition, the small court of the Southern Song Dynasty had no intention of the Northern Expedition. Therefore, among the impassionedness, there is a bit of sadness and indignation of unrealized ambitions. As Gu Sui said, "In general, when the old man Jiaxuan writes lyrics, there is always a sad seed in his eight senses... A "Jiaxuan Long and Short Sentences", whether it is about looking at flowers and drinking wine, or about being near the water Climbing a mountain, whether it is a generous elegiac song or a euphemistic and delicate one, is always shrouded in the shadow of this sadness.” This is true. This kind of sadness is Jiaxuan's true temperament, and it is also something that later generations of lyricists cannot match. "Jiaxuan Ci is the dragon among Ci poems. It is extremely grand in spirit, but its artistic conception is extremely gloomy. If you are not good at learning it, you will fall into the clamoring school."
The reason for not being good at learning lies in Yu Jiaxuan's grief and indignation over the division between the North and the South and his unfulfilled ambitions. The combination of this emotion and heroic generosity constitutes Jiaxuan's sad style. Among his lyrics, the ones that best express this kind of sadness are those written as a gift and the other written as a gift. If the work is given as a gift to someone else, if the person is a member of the same profession, Jiaxuan will often act with sincerity and a heroic spirit. When he was leading the lake, he sent Chen Liang two poems [to congratulate the bridegroom]. The second poem included the following line: "Everything is the same and people feel farewell. Ask Qu Nong, after all, how many separations have there been in China? No one cares about the sweat, blood, and salt truck, thousands of miles away." The bones of the horse are harvested in the air. The river is cut off. I pity you the most, and my heart is as strong as iron." Of"). It can be said to be the words of a gentleman, candid and frank. Look at the following song again: [Water Dragon Yin] "Jiachen Years Old, Longevity Han Nanjian Shangshu" The horse crossing the river comes from the south, how many people are really good at economics? Chang'an elders, the scenery of Xinting is still pitiful! Yifu people, Shenzhou Shenlu, how many times have you looked back? Do you know that even if you count an army thousands of miles apart, your fame and fortune are true Confucianism? Kuang Youwen is fighting in the mountains, and the courtyard is full of Tongyin in the clear day. I fell to the ground back then, but now I'm trying to see how the wind and clouds are running. Green fields, wind and dust, flat spring vegetation, Dongshan songs and wine. Wait for him to be reorganized in his new year, everything will be done, and I hope he will live longer. A birthday message was originally written to praise his longevity in Nanshan, but Jiaxuan never forgot his ambition in Dongshan. The difference between east and south has a very different meaning. In this poem, his heroic spirit is evident, "I will put things in order in another year, and everything will be done", showing his generosity and heroism. But behind this generosity is deep disappointment and helplessness: "The old people of Chang'an, the scenery of Xinting is still pitiful." The division of the north and the south has suffered the people in Jiangbei, but the "Yifu people" in the south are still in "the scenery of Xinting". "Singing and dancing brought peace. Xin Qiji often mentioned the division of the North and the South in his poems. Every time he mentioned it, he would feel helpless and sad. It’s even easier to appreciate the work of climbing high. "Throughout the ages, people with lofty ideals must climb high to see far away. Once they climb high and look around, they will inevitably leak information and shine brightly... How about this Shandong veteran with extremely high vision and warm heart? "Jia Xuan is often happy when he climbs high. Look northwest, see China”, thus stimulating the desire for recovery in my heart again and again. This feeling of unfulfilled ambition is often sad; and the look from a distance while leaning on the railing is impassioned. Therefore, when climbing high, the words he writes often have a feeling of sadness. Like "I came to pay homage to the past, go up to the dangerous building, and win thousands of sorrows" ([Nian Nujiao] "Deng Jian Kang Shang Xin Pavilion, present the history and stay in the road"), "Forty-three years, I still remember the beacon fire on Yangzhou Road. It is worth looking back, under the Foli Temple, there is a sacred crow drum" ([Yong Yule] "Reminiscing about the Past in Beigu Pavilion, Jingkou"), "Looking from the railing, there is a good atmosphere in the southeast, and China in the northwest" ([Slow Voice] "Chuzhou Travel") The second time he ascended the Dianzhen Tower and wrote "The Rhyme of Li Qingyu") and so on. And Xin Qiji's famous [Water Dragon Song] "Dengjian Kang Shangxin Pavilion" is exactly this kind of work: The Chu sky is thousands of miles away and the autumn is clear, and the water goes with the sky and the autumn is boundless. The eyes are far away, offering sorrow and hatred, jade hairpin and snail bun. The sun sets above the building, and in the sound of broken bells, a wanderer from the south of the Yangtze River. I looked at Wu Gou and took pictures of the railings, but no one understood me. Don't say that the perch is worthy of praise. When the west wind blows, will the eagle return in season? Asking for fields and houses, fearing that he should be embarrassed to see you, Liu Lang is talented. It's a pity that the passing years, the sorrow of wind and rain, the trees are still like this. Who calls Qian, with red scarf and green sleeves, to find the hero's tears? When this poem was written, Jiaxuan was still less than thirty. However, his lyrics are full of sophisticated skills. The reason is not the amount of talent, but the depth of sadness. At this time, Jiaxuan had been returning to the south for six years. He had been working as a subordinate for a long time and could not go north to kill the thieves. It was a shame for the country, so there were all kinds of stagnation, so he had this old and spicy work. Because the author is still young, everything he writes is revealed. The conclusion of this poem has been praised by literary commentators throughout the history: "Who calls Qian, with a red scarf and green sleeves, to find the tears of a hero?" At the age of twenty-nine, it is crazy to compare oneself to a hero; but a young hero is It is sad to be forced to ask for farmland and ask for a place to live. It is not possible to ask for a field and ask for a place to live, and it is impossible to go north, so a beautiful girl holds a scarf to wipe away the tears of the hero. It is both mad and sad, the wind of sorrow. In addition, Jiaxuan's second sadness and indignation is that as time goes by, his fame becomes gray. Jiaxuan, as a man who aspired to recovery, was wasted his years as a local official. Especially when he was in his prime, he was repeatedly reassigned. Therefore, it is very easy to feel that time has not waited for us. Therefore, Jiaxuan has a very keen sense of time. There are two signs of it. One is that Jiaxuan likes to recall the heroic past of his youth. On the other hand, there are constant words such as "old" and "grey hair" in his lyrics. Words appear. Jiaxuan's recollection of the past is not simply to show off his fame, but another expression of his memory of serving the country faithfully and the twilight years of the martyrs. Regarding the past events of youth, including the recollection of the youth who "didn't know the taste of sorrow", and also the past events of that period when "the banner of the prime of life supported ten thousand men" ([Partridge Sky] "Some guests talk about fame and fame with reminiscence of youth") Memories. So, the following words and phrases came into being: "Dreaming into the youth bush, singing and dancing in a hurry" ([Lang Tao Sha] "Wearing the bell at midnight in the mountain temple") "The spring embrace of the young days is like a restaurant, arranging flowers and walking around to drunken the bells" ([Ding Feng Bo] " "Late Spring") "Young people are romantic, young people sing and dance, only when you get older will you realize how admirable it is" ([Magpie Bridge Immortal] "A Proposal with Zhao Jinchen on the Banquet") "Back then, many birds looked at the solitary osprey.
The mood is floating, flying straight across the sky, Cao swallows and Liu grabs" ([He Bridegroom] "Han Zhongzhi visited the judge in the mountains, and used the previous rhyme at the banquet") "Remember the young horse walking Han Lu, overturning Dongguo" ([Manjianghong] "He Kuo Zhi Xue") "The young man is full of energy, and the wine is full of poetry." ([Nian Nujiao] "Shuang Lu and Chen Ren He Yun") These words and sentences may seem high-spirited, but if they come from a person with a troubled career, The words of the old hero who is forced to stay at home seem so generous and sad. The second aspect that gives rise to such a sad meaning is the appearance of words such as "old" and "white hair". "Now that I am old and scratch my white head, I passed Yangzhou. When I am tired of swimming and want to go to the river, I plant a thousand tangerines in my hands." ([Shui Diao Ge Tou] "The boat trip to Yangzhou, rhyming with Yang Jiweng and Zhou Xianxian"), "I am talking about swordsmanship and poetry, and I am drunk and dancing and singing like crazy. I am quite sad. There are seeds of white hair, and they are planted one by one when they wake up." ([Shui Diao Ge Tou] "Tang Chao Mei Si admonished and expressed his gratitude with rhyme"), "The building has just grown up, and the flags are white before they are rolled up. Sighing about life, sorrow and joy turn to each other, the present is still the same as the past" ([Manjianghong] "Jiang Xing and Yang Jiweng") and so on. The sadness revealed in these words and sentences, as well as the emotion about the passage of time, overflows between the lines. All the above , made a simple style analysis of Xin Jiaxuan's lyrics. The so-called style analysis here is, on the one hand, an analysis of its various styles, and on the other hand, it is an analysis of the most important style that may deny boldness, slenderness and harmony. Broad-mindedness, simply affirmation and sadness, are too simple and contradictory.