Zheng Chouyu told me that this poem originated from his childhood flying experience. When he was in primary school, War of Resistance against Japanese Aggression broke out in an all-round way. After graduating from the Army University, my father was sent to the front line of Hubei Anti-Japanese War and transferred to the troops in Zhang Zizhong, Xiangyang. He followed his mother through various escapes and saw many wounded soldiers along the way.
194865438+In February, he went to a village in the south of the Yangtze River, where he recalled the memory of his childhood escape. He artistically wrote these experiences as "mistakes". The hero of this poem is based on Zheng Chouyu's mother. ?
2. Central idea
Cuo is a modern poem written in 1954 by Zheng Chouyu, a contemporary poet in Taiwan Province Province, China. Centered on the image of a small town in the south of the Yangtze River, the whole poem shows people's feelings of missing their wives during the war, which has profound implications and is one of the representative works of modern lyric poetry.
Extended data
The beginning of the poem describes the Jiangnan in March, which is also the season when it is warm and cold at first, and describes that everything in the early spring is quiet and looking forward to the arrival of a spring. Metaphor is the expectation of a bright future in Jiangnan after the war.
In the phrase "the appearance in the season is like the opening and falling of lotus flowers", people's good wishes, from repeated longing for peace to repeated opening and falling, show their helplessness to the ups and downs of life at that time. I don't rule out that some people's expectations are waiting for someone to return, but I prefer to understand that poets express their yearning for a peaceful and beautiful life by writing scenes.
The reason why he used the name "error" also has his inner requirements and desires, so I won't say it here for the time being. Then there is "the east wind doesn't come, and the catkins don't fly in March". The "east wind" here should be moral, or a person or a situation, and the "catkins" appear in a passive relationship. In the description of the scenery, the dynamic and static relationship between them is also skillfully mastered.
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