Autumn poems in the second volume of the second grade. Our poetry culture in China is very prosperous. In such a crisp autumn weather, many poets have created many ancient poems, which are worth appreciating. Next, I will take you to know about the autumn poems in the second volume of Senior Two.
Autumn poems in the second volume of grade two 1
1, Su Muzhe Song Fan Zhongyan
Blue sky, yellow leaves, autumn colors, cold smoke, green waves.
The mountain reflects the setting sun and the sky meets the water, and the grass is ruthless, even outside the setting sun.
Dark homesickness, chasing travel, every night unless, good dreams make people sleep.
The bright moon tower is lonely, and the wine turns into sorrow and tears.
2. The Fisherman's Pride Song Fan Zhongyan
The scenery in Qiu Lai is different, and Hengyang Goose is unknown.
The four sides are connected with each other.
Thousands of miles away, the long smoke closes.
A glass of turbid wine is Wan Li's home, but Ran Yan hasn't come home yet.
The pipe strength is covered with frost.
People don't sleep, and the general has white hair and tears.
3, "Eye-catching" Song Luyou
On the evening of July 16, climb the Happy Pavilion and see Nanshan in Chang 'an.
Autumn came to the border town, the sound of the horn sounded, and the peaceful bonfire lit the bonfire. Sad songs hit the floor and lean on high wine. This is leisure!
Who can push away all the layers of twilight like the amorous Nanshan bright moon? The smoke from the kitchen near Baqiao Bridge and the beautiful scenery near Qujiang should stand in the moonlight, waiting for our army to recover lost ground and win.
4. Autumn Moon Song Chengyu
The Qingxi River crosses Bishantou, and the empty water is fresh in autumn.
Three miles away from the world of mortals, white clouds and red leaves are two long.
5, "Autumn Night" Tang
At the beginning of the month, the moon rises, the autumn tea is thin, and the thin silk gown does not change clothes.
The long night is full of affectionate silver, guarding the empty room with fear and jealousy, and can't bear to sleep.
6, "Autumn Wind" Yuxi, Liu Tang
Where is the autumn wind? Xiao Xiao sent the goose. When the morning light enters the courtyard, lonely guests smell it first.
The second volume of the second grade, autumn ancient poetry 2 1, Tang Dynasty poet Du Mu's "Mountain Walk"
As far away as Hanshan, the stone path is oblique, and people are in Bai Yunsheng.
Stop and sit in the maple forest late, and the frost leaves are red in February flowers.
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This is a seven-character quatrain that describes and praises the scenery of mountains and forests in late autumn. The first sentence: "Hanshan stone path is far away." From the bottom up, write a stone road, winding to the mountains and autumn. The word "cold" points to the late autumn season; The word "far" describes the length of the mountain road; The word "oblique" takes care of the word "far" at the beginning of the sentence and writes a high and slow mountain. Because the slope is not big, you can travel by car.
The second sentence: "Someone is in Bai Yunsheng" describes the distant scenery that the poet saw when he was hiking in the mountains. The word "someone" will remind people of the smoke curling up in the kitchen, the cock crowing and the dog barking, making them feel that the mountains are full of vitality and there is no dead terror. The word "home" also takes care of the "stone path" in the previous sentence, because this "stone path" is the passage for residents in the mountains.
The third sentence: the word "sit" in "Sitting in the Night in Fenglin" is interpreted as "because". Because the evening scenery of the sunset maple forest is so charming, the poet deliberately stopped to watch it. The word "late" in this sentence is exquisitely used and contains multiple meanings: (1) points out that the first two sentences are seen during the day and the last two sentences are scenes at night. (2) Because there is a sunset glow in the evening, the gorgeous sunset glow and the flaming maple leaves reflect each other, and the maple forest is particularly beautiful. (3) The poet lingered, and in the evening, he reluctantly boarded the bus and left, showing his love for red leaves. (4) Because you stop and observe carefully for a long time, you can realize it.
The fourth sentence: "Frost leaves are red in February flowers" is the central sentence of the whole poem. The descriptions of the first three sentences are all paving the way for this sentence. Why do poets use "Yu Hong" instead of "Hong Ru"? Because "red as" is like spring flowers, it is nothing more than decorating natural beauty; And "Red in" can't be compared with spring flowers. It is not only brighter in color, but also more cold-resistant and can stand the test of wind and frost.
This little poem is not only an impromptu ode to scenery, but also an expression of ambition. It is the expression of the poet's inner spiritual world and the sustenance of his interest, so it can enlighten and inspire readers.
This poem depicts the colors of autumn and shows a touching autumn color map of mountains and forests. The poem describes mountain roads, people, white clouds and red leaves, forming a harmonious and unified picture. These scenes are not juxtaposed in the same position, but are organically linked, with the master and the slave, some in the center of the picture and some in the background. To put it simply, the first three sentences are the object, the fourth sentence is the subject, and the first three sentences describe the background, which creates an atmosphere for the fourth sentence and plays a role in paving the way and setting off the background.
"Far away from the cold mountain, the stone path is inclined", writing about mountains and writing about mountain roads. A winding path winds to the top of the mountain. The word "far" describes the length of the mountain road, and the word "oblique" echoes the word "up" to write a high and gentle mountain.
Someone in Bai Yunsheng is about clouds and people. The poet's eyes have been looking up along this mountain road. Where the white clouds float, there are several stone houses with walls made of stone. The "people" here take care of the "stone path" in the previous sentence. This mountain road is the passage for those families, right? This organically links the two kinds of scenery. There are white clouds around, which means the mountain is very high. The poet used the technique of breaking through clouds and mountains, so that these white clouds covered the reader's sight, but left room for imagination: there must be another kind of scenery besides white clouds, right?
The poet is only describing these scenery objectively. Although the word "cold" is used, the following words such as "late" and "frost" are just sorted out, which does not show the poet's emotional tendency. After all, it is only to prepare for the following description-to outline the environment where Fenglin is located.
"Stop and sit late in the maple forest" is different, and this tendency is very obvious and strong. Mountain roads, white clouds and others did not impress the poet, but the evening scenery of Fenglin surprised him. In order to stop and enjoy the scenery of this mountain forest, I don't care to drive on. The scenery written in the first two sentences is already beautiful, but the poet loves the maple forest. Through the background, I have made a good preparation for describing the maple forest, so it comes naturally and leads to the fourth sentence, pointing out the reasons for loving the maple forest.
"Frosty leaves are redder than flowers in February" complements the third sentence, and a beautiful view of maple forest in late autumn is displayed in front of us. The poet was pleasantly surprised to find that under the sunset glow, the maple leaves were about to drip and the forest was dyed. It is really full of mountains and clouds, just like bright rosy clouds. More fiery than the spring flowers in February in Jiangnan! What is commendable is that the poet saw the vitality of autumn as spring through this piece of red, which made Lin Qiu present a warm and vibrant scene.
Unlike ordinary feudal literati, this poet did not sigh sadly when autumn came. He praised the beauty of autumn in nature, embodied the spirit of being bold and uplifting, and showed the poet's talent and insight with a wave of his pen. This is an autumn hymn.
The fourth sentence is the center of the whole poem, written by the poet with strong colors and coherent brushwork. Not only did the sparse scenery in the first two lines set off gorgeous autumn colors, but even the seemingly lyrical narrative of "stopping to sit in the maple grove late" actually played a role in setting off the scenery: the poet who stopped to watch, Tao Ran drunk, became a part of the scenery, and only with this scene did autumn colors become more charming. After a rewriting, it came to an abrupt end, and it seemed melodious and memorable.
2. Looking at the Sea by Cao Cao, a poet in the Eastern Han Dynasty.
On the east coast, climb Jieshi Mountain to see the vast sea.
The sea is so vast that the islands stand high on the sea.
Trees and paraquat are very lush. Autumn wind makes trees make sad sounds, and the sea is surging.
The movement of the sun and the moon seems to come from the vast ocean.
A trip to the sun and the moon, if unexpected;
Han is a talented star, if you take him by surprise.
Fortunately, even! Sing with ambition.
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Judging from the genre of poetry, this is an ancient poem; In terms of expression, this is a lyric poem about the scenery. The words "Jieshi is in the east, looking at the sea" point out the positioning of "looking at the sea": the poet climbed to the top of Jieshi, with a broad vision and a panoramic view of the sea. The following ten descriptions are almost all derived from this. The word "Guan" plays a leading role in the whole article, which embodies the characteristics of this poem's open artistic conception and vigorous momentum.
The first four lines describe the scene of the sea, which is dynamic and quiet. For example, "autumn wind is bleak and the waves are rough" and "what is the water like" describe dynamic scenery, while "trees are full of vegetation" and "mountains and islands are full of scenery" describe static scenery. Guan Canghai is selected from Yuefu Poetry, which is the first chapter of Yuefu Poetry Out of Xiamen.
"The water is full of water, and the mountains and islands are all scenery" is the general impression of seeing the sea at the beginning, which is a bit like a thick line in the painting. In this rippling sea, the first thing you see is the towering mountain islands, which are dotted on the flat and wide sea, making the sea look magical and spectacular. These two sentences roughly outline the prospect of the sea, which will be described in depth at different levels below.
"There are many trees and plenty of herbs. The autumn wind is bleak, and Hongbo surges. " The first two sentences specifically describe the mountain island: although the autumn wind is bleak and the vegetation is withered, the trees on the island are lush and the grass is flourishing, giving people a poetic feeling. The last two sentences are a further description of the sentence "What is water like?". Look carefully, the sea in the bleak autumn wind is actually a huge wave, surging and undulating.
Here, although it is a typical autumn environment, it is not as bleak and desolate as autumn. Facing the bleak autumn wind, the author wrote the vastness and magnificence of the sea: in the bleak autumn wind, the sea is rough and meets the sky; The mountain island is tall and straight, with lush vegetation and no fading and sentimental artistic conception. This new realm and new style embodies his "ambition" mind.
"The trip to the sun and the moon, if unexpected; Xinghan is brilliant, if it is unexpected. " The great ambition of the writer Cao Cao. The previous description is observed from the plane of the sea. These four sentences are related to the boundless universe, showing the momentum and strength of the sea to the readers: the vast sea is connected with the sky, and the air is turbid; In front of this magnificent sea, the sun, the moon, the stars and the Han (the Milky Way) are all small, and their operation seems to be freely absorbed by the sea.
The sea described by the poet here is not only the real scene in front of him, but also his own imagination and exaggeration, which shows the magnificent atmosphere of the universe and is full of the momentum of "the five mountains start from the square". This kind of "cage cover breathing atmosphere" is the artistic realm of the poet's "eyes" and "chest". From the heart, if the poet had no grand political ambition, no ambition to make contributions, and no optimistic attitude full of confidence in the future, he would never have written such a magnificent poetic scene. In the past, some people said that Cao Cao's poems were "domineering" (in Shen Deqian), referring to works such as Looking at the Sea. "
"Fortunately, Lian, the song is to be sung." This is a cliche in the chorus, which has nothing to do with the content of the poem. Also pointed out that this was sung by Yuefu.