The rest of the original text is close to Ji Kang and Lu, and they are not unruly. And Ji Zhiyuan is sparse, Lu Shu, Shu Shu. Later, he looked at the law in his own way. Gilbert's comprehensive skills are especially wonderful in silk and bamboo. Speaking of life, watching the shadow of the sun and playing the piano. I will go to the west after I die, and I will pass by my old house. It was thin and gloomy, frozen and bleak. There is a flute player in the neighborhood, and his pronunciation is very bright. Looking back, I sighed and pretended to give a cloud:
I will adapt my life to the distance from Beijing, but I will turn to the north.
Rowing for the Yellow River, passing through Yang Shan's former residence.
Looking forward to the depression in the wilderness, I was driving on the corner of the city.
The body of Jian's second son passed through the empty alley.
Sighing millet, sad wheat is beautiful in Yin ruins.
Only the past, I cherish the present, wandering in my heart.
The existence of the building was destroyed, and both form and spirit were destroyed.
Yesterday, Li Sizhi lamented the yellow dog and sang for a long time.
Mourn the eternal death and play the piano regardless of the shadow of the sun.
Consignment meets understanding, which makes my life in the shadow.
Listen to the generous whistle, and the wonderful sound will be discovered again.
Don't open it again, saying it will be a great progress, so I will help John and write my heart.
This essay was written by Xiang Xiu, a writer in Wei and Jin Dynasties, in memory of his old friends Ji Kang and Lu An. This poem is divided into two parts: preface and text. Straight and honest lines. In addition to my deep condolences to my dead friends, I also showed my grief and indignation at the dark politics at that time. It can be said that true feelings are sincere, grief and indignation are intertwined, and feelings and scenes are intertwined, which is intended for the distance.
According to the preface, Xiang embroidery heard the neighbor's flute when passing by Lao Lu, and could not help but think of Ji Kang's death and the way he played the piano before his death. "Take care of the shadow of the sun and play with Suoqin." At that time, my late friend Ji Kang looked at the shadow of the sun and was dying, so Suoqin played Guangling San, which only he could play. His calm bearing of "being a thousand miles away, being a thousand miles away", his heroic spirit of dying before his execution, and his extreme contempt for the butcher are vivid, just as they are now. According to the Book of Jin, "it will be punished in Dongcheng, inviting 3,000 students as teachers, and promising. Kanggu looked at the Japanese shadow and said,' Yuan Xiaoni wanted to learn Guangling San from me, and every time I strengthened it, Guangling San was defeated today', and people in the sea were all suffering. " Therefore, Guangling San is Ji Kang's masterpiece of playing the piano, the condensation of Ji Kang's dying thoughts and the key to our understanding of Ji Kang's life consciousness. Some people say that Ji Kang "humanized Zhuangzi's ideal life realm" (Luo Zongqiang's words), because for Ji Kang, the sound of the piano once condensed the fairy complex of "riding the clouds to sign dragons, but traveling around the world" ("Wandering around Zhuangzi"). With this mentality, Ji Kang won't care how many unsatisfactory places there are on the road of life, even if he "puts his life in an inch of shadow", he won't forget to play the music of "feeling the harmony between heaven and earth", so that Qin can transcend the poetic realm of life's predicament, create a kind of nature and expand an empty valley. In this way, the author wrote the dramatic and touching performance of Ji Kang when he was killed, with the aim of praising the virtue and grace of his late friend.
The "main text" is mixed with reality, lyrical with scenery, and sad and sad. "The Yellow River to boating xi, sanyo's former residence. Looking forward to the depression in the wilderness, I was driving on the corner of the city. The remains of the second son of the sword are embarrassing and empty. " The verbs used here are Ji, Jing, Zhan, Xi, Practice and Reason. On the one hand, it shows the author's own difficult situation incisively and vividly, on the other hand, it expresses his feelings through the specific scenery at a specific time. Lu Xun said that Xiang embroidery wrote "Poems of Thinking of Old Friends" to "commemorate forgetting". Xiang embroidery traveled thousands of miles to Yang Shan to pay tribute to his old friends and say goodbye to them. This is because Xiang embroidery, one of the seven sages of bamboo forest, was forced to apply to Luoyang under the pressure of Sima family after Ji Kang was killed. At that time, he and Ji Kang traveled back and forth between Yangshan and Luoyang along this road. The wind is very cold, and the past is like smoke ... Now the place where Ji Kang, a good friend, once existed has changed. Sigh Li Shu, Sad Mai Xiu, East in the Village, and Lost in Form and Spirit. The former residence and scene are still the afterglow of the sunset, and the sound is still the same, but since Ji Kang's death, his wife and children have moved to other places, leaving only an empty house here. Although the building was not destroyed, the owner was dead. Looking from a distance, it is as desolate as a wasteland. These realities and past events have evoked the great sadness of Xiang embroidery. At this time, Xiang Xiu remembered the unjust case that Lisi was beheaded in the history: Lisi was sentenced to death and said to his son, "If I want to lead the yellow dog again, I will go out to the East Gate of Shangcai to chase the sly rabbit. How can I get it? " (Historical Records) The parting conversation between Li Si and his son about the yellow dog is sad to read, and it is a complaint of blood and tears. Xiang Xiu used this metaphor and metaphor, which was unfair to Ji, so he recalled the matter of "playing the piano and worrying about the shadow of the sun". Suddenly, there was a loud and intermittent flute in the distance. It turned out that a strange neighbor played a sad song, which made him even sadder on this cold night. So, "listen to the generous whistle, and the wonderful voice will be found again." "It echoes the characters and music of Ji Kang described at the beginning of the preface, and at the same time forms the empathy technique of scene blending. Mr. Lu Xun once said, "When I was young, I read Xiangzi's Fu and wondered why he only had a few lines, but he didn't write well at the beginning. However, now I understand. "It turns out that the mood of' singing low eyebrows and not writing' is so similar. Some people also commented that "Xiang embroidery thinks of Lao Fu, the country is endless, the vitality is chaotic, and it is invincible. "However, depressed people want to say that they are still resting and it is difficult to stop." Perhaps this is the touching part of that lyric poem-the best interpretation of "short songs can't be long" (Cao Pi's Ge Yanxing).
In Liu Yuxi's "Appreciating Lotte at the First Meeting in Yangzhou", there is also an application of "homesickness singing flute, going to the countryside is like rotten science"
In a word, homesickness expresses deep affection for friends with implicit brushwork. Use short pen and ink to express your grief and indignation in a subtle and tortuous way. In particular, the tragic allusion of "Yang Shan's neighbor Xiao" became one of the aesthetic images of later literature.