1. Correct pronunciation: The mountain road in the mountains turns to the cliff, and the mountain visitors and monks come from the mountains. The mountain visitors see the beautiful scenery of the mountains, and the apricots and peaches are blooming all over the mountains.
2. Pagoda poems can be divided into single pagoda poems, double pagoda poems and deformed pagoda poems according to their shapes. In terms of reading method, people call pagoda poems that are read from top to bottom, and have different names for interleaved reading, backward reading, palindromic reading or roundabout reading, such as flame style poems and flying goose style poems (clear sky). Poems about flying geese with spread wings), poems about greenery, etc.
3. The pagoda poem starts with one sentence, increases the number of words in sequence, and forms a rhyme one by one from one to seven-character sentences, and then folds into two sentences to form a rhyme. From one to seven words, the contrast is neat and clear, making it catchy to read, with harmonious rhymes and a lively rhythm, just like "Kunpeng spreads its wings and soars upward". Like this, the number of words increases sentence by sentence. If the whole poem is written horizontally, the shape will be like an ancient pagoda, with a wide base and a pointed top, and the middle will shrink layer by layer like an isosceles triangle.
Extended information:
Single Pagoda Poetry
The Pagoda Poetry was originally called "One and Seven Style Poems". Because it ranges from one-character to seven-character poems, from one-character sentences to seven-character sentences, or two sentences are selected as one rhyme. The first sentence is one word, which is actually a title, rhyming to the end. Because of the uneven sentence patterns and the emphasis on meter, the pagoda poem was composed by later generations into lyrics and named "Yi Qi Ling" as a symbol. Later, this style was increased to cross sentences or fifteen-character sentences, and the number of words in each sentence or every two sentences increased by one character. Such as:
One to Seven Characters (Minaret Poetry)
Stay
Scholar
Eating Long Fast
Full Beard Gill
The scriptures cannot be uncovered
Arrange the pen and paper by yourself
Next year you will come without me
——Wu Jingzi<
Double Pagoda Poetry
The most common is the Double Pagoda Poetry. The two towers confront each other, which evolved from the one and seven bodies in the single tower. The left tower does not need one. The rhyme is completed by the right tower. It also started with a maximum of seven characters, and later developed to nine characters. It is said that "Reminiscence of the Past and the Present" written by Du Guangting, a Taoist of the Five Dynasties, has increased from one to fifteen words, and each sentence is a two-word sentence, with a total of 240 words. It is considered to be the longest pagoda poem.
When this kind of poetry first appeared in the Tang Dynasty, the first sentence was a single word, and every two sentences thereafter added one word. From now on, every two sentences form a group, just like a neat couplet with a profound meaning. The first sentence is still one word, which is actually a title, rhyming to the end, such as "Mountain" by Linghu Chu in the Tang Dynasty:
< p>Mountain.Towering and looping.
Across the sea, among the white clouds.
Businessmen search deeply, and Xie Gong goes far away.
The mountains and rocks are dripping with springs, and the valleys are full of birds.
The island is connected to Longsai in the west, and the sound of apes reaches Jingman in the south.
The people of the world only care about hairpins and trains, and the grass is empty and the elk are idle.
Reference materials:
Pagoda Poetry_Baidu Encyclopedia