Before crosstalk, Mr Li Wenhua was a painter in a machinery factory. He was born in July 1927. Before crosstalk, he was a painter in a machinery factory. Mr. Li became a monk halfway and studied under Mr. Guo Qiru in his early years. 1962 transferred to the rap group of the China Broadcasting Art Troupe, and in the performance practice with Hou, Ma Ji, formed an artistic style famous for its cold face.
There is no doubt that his qualifications are a treasure of a generation. Perhaps Li Lao felt that he had no formal knowledge and could not be included in the wall door. In fact, a large number of actors in that era did not know. Because of the job assignment, in fact, everyone has acquiesced that he is Guo Qiru's apprentice, and his qualifications are undoubtedly a treasure. From then on, Li Lao wanted to learn from Ma Lao all his life. In fact, he made a mistake himself. If he asks to worship Ma Lao's wall gate in a formal ceremony, I don't think anyone will object. But after Guo Qiru's death, he worshipped Ma Lao's wall door, so some people will have something to say and think that he broke in. This is not only in the cross talk industry, but also in other traditional industries. Because, to be honest, Li Wenhua is old enough, there is no such thing as a mistress, and he can be elected as one of the top ten comedians, which shows that everyone in the industry still recognizes him.
Finally, Li Wenhua was seriously ill in his later years. Once Li Wenhua became a treasure generation, it was equivalent to parachuting an granduncle to a group of writers and an adulterer to the Ming Dynasty. Therefore, there is a reason why Ma Zhiming said that someone would stop this matter. Finally, Li Wenhua was seriously ill in his later years. In order to realize his last wish, Jiang Kun ran around and persuaded Ma Zhiming. Finally, he made a witness ceremony, which enabled Li Wenhua to complete his oral alliance with Ma Lao. He didn't leave with regrets.
Without the traditional responsibilities and obligations of mentoring, the actors who joined the National Quyi Troupe after liberation could not establish mentoring relationship according to the old rules. Although there is also the name of master and apprentice, it is generally the leader who designates the master to perform with the apprentice. There is no responsibility and obligation of traditional mentoring, just completing the tasks assigned by the leaders. In fact, the same is true of Jiang Kun and Feng Gong. Because the relationship between apprentices and jobs is confused, these "apprentices" have not experienced special basic skills training. Today, with the restoration of tradition, the relationship between artists and solemn ceremonies has been re-established, which is very important for cultivating the basic skills of apprentices.