Ancient literature paper topics
1 Research on the classification of "The Book of Songs" (love poems, poems about wives, farewell poems, etc.)
2 Research on the literature of pre-Qin scholars ("The Book of Songs") "The Analects of Confucius", "Zhuangzi", "Mencius", pre-Qin fables, etc.)
3 Research on Qu Yuan and Chu Ci (life, causes of tragedy, identification of forgeries of works, thought and art, etc.)
4 Research on monographs and monographs of experts on the history of Chinese literary criticism
5 The sound of the country’s subjugation is sad and thought-on Li Yu’s Ci
6 The elegance and vulgarity of Liu Yong’s Ci
7 On Liu Yong’s influence on Su Shi’s Ci
8 Su Shi’s character and style of Ci
9 The difference in emotional expression between Li Qingzhao’s early and late Ci
10 Comparison of the bold poetry styles of Su Shi and Xin Qiji
11 On the artistic characteristics of Qin Guan's poetry
12 On Huang Tingjian's thin and tough poetry style
13 "The Romance of the Three Kingdoms" and historical literary creation issues
14 Analysis of the theme of "Water Margin"
15 Research on Tang Xianzu's view of opera
16 Theory of love themes in "Strange Stories from a Chinese Studio"
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17 On the image of the main characters in "A Dream of Red Mansions"
18 A brief discussion on the romantic legend of the Middle Tang Dynasty
19 Looking at Li He's reputation as a "ghost" from his poems
20 A brief discussion on Li Shangyin’s epic poetry
21 The artistic characteristics of Li Shangyin’s “untitled poems”
22 A brief discussion on the amorous legends of the Mid-Tang Dynasty
23 Evaluation of Li Yu’s Ci My opinion
24 On the artistic characteristics of Li Qingzhao’s poetry
25 The graceful poetry of Su Shi, the bold master " and "Wangjiang Pavilion"
27 A preliminary discussion on the artistic image of women in classical novels (choose one)
28 The anti-feudalism of love works in "Three Words" Tendency
29 A preliminary study on the love and marriage tragedy of Bao, Dai and Chai in "A Dream of Red Mansions"
30 The female tragedy of the "Twelve Hairpins of Jinling" in "A Dream of Red Mansions"
< p>31 Discussing the spirit of the times and contemporary consciousness of historical-themed works in film and television dramas32 Discussing the artistic experience of Zhuge Liang in shaping Zhuge Liang in "The Romance of the Three Kingdoms"
33 Discussing the war description in "The Romance of the Three Kingdoms" Artistic Features
34 On the image of Sun Wukong in "Journey to the West"
35 On the image of Du Liniang in "The Peony Pavilion"
36 On the expression of "three words and two beats" Characteristics of citizen life
37 On the image of Li Xiangjun in "The Peach Blossom Fan"
38 On the structural art of "The Peach Blossom Fan"
39 On "The Scholars" Criticism of the eight-part imperial examination system
40 On the satirical art of "The Scholars"
41 On Li Ruzhen's "Flowers in the Mirror"
42 Essay 2 Yan Ci
43 On Su Shi’s prose characteristics
44 On Lu You’s thoughts and poetry creation in his later years
45 From Lin Bu’s poems about plum blossoms to Jiang Kui’s poems about plum blossoms
46 The relationship between Xin Qiji’s poetry and Neo-Confucianism in the Southern Song Dynasty
47 On the image of Bao Gong in Yuan dramas
48 On the image of Zhang Sheng in "The Romance of the West Chamber"
49 The image of Li Kui in the Yuan drama
50 On Jia Yi
51 The aesthetic taste reflected in the biographies of "Historical Records"
52 "Historical Records" Analysis of character images in biographies
53 Analysis of Han Yuefu poetry
54 Tao Yuanming’s personality and poetic style
55 Comparison of artistic styles of Yuefu folk songs in the Southern and Northern Dynasties
< p>56 On the similarities and differences between Zhengshi literature and Jian'an literature57 On the overall style of Cao Zhi's poetry
58 Wei and Jin hermits and Wei and Jin literature
59 "Shi "Speaking of New Languages" to portray characters
60 The status of Wei, Jin, Southern and Northern Dynasties novels in the history of Chinese novels
61 Comparison of the poetry of Tao Yuanming and Xie Lingyun
62 The spread of "The Romance of the West Chamber"
63 Correcting the titles of Yuan dramas
64 Character issues in Yuan dramas
65 Tragic characteristics of "The Injustice of Dou E"
66 Problems with the writing of the Romance of the Three Kingdoms
67 The image of women in "Water Margin"
68 The spread of "The Peony Pavilion"
69 Problems with name changes in "A Dream of Red Mansions"
70 The legend of the stone and the image of Jia Baoyu
71 The legend of the stone and the image of Sun Wukong
72 The problem of the literatiization of legendary drama
73 Opera Desk-based research
74 The changes and significance of the image of businessmen in Ming and Qing novels
75 Women’s issues in "The Peach Blossom Fan"
76 Li Bai’s poems The spirit of immortality and chivalry.
77 On the heroic plot of Xin's poems
78 On the melancholy and frustrating style of Du's poems
79 On Xin Qiji's "writing as words"
80 On Han Yu’s “writing as poetry”.
81 Baishi’s poems are “empty and elegant” and “soft and cold”.
82 Comments on Bai Juyi's "New Yuefu"
83 The image of women in Guan Hanqing's dramas
84 The artistic style of Han Yu's prose
85 The artistic style of Yuan Sanqu
86 Liu Zongyuan's allegorical creation
87 The artistic achievements of "The Romance of the Three Kingdoms"
88 The image of women in Tang legends
89 The artistic achievements of "Water Margin"
90 On Du Mu's seven-character quatrains
91 On Gui Youguang's prose
92 On Li Shangyin's Untitled poem
93 The artistic achievement of "The Peony Pavilion"
94 Comparison of Western Shu Ci and Southern Tang Ci
95 On the humorous style of "Journey to the West"
96 The artistic style of Ouyang Xiu's Ci
97 Character theory of "Jin Ping Mei"
98 On Nalan Xingde's Ci
99 Ouyang Xiu's prose The beauty of emotion
100 Wang Anshi’s later poetry