Qiu Ge Roland

Ode to Autumn is Roland's poem praising autumn. With fresh and lively brushwork, he praised the beauty and customs of autumn and expressed the author's feelings and thoughts on autumn. This paper analyzes Roland's creative style, as well as the significance and value of autumn, and shows her unique attitude and emotion towards life.

1. This poem depicts the beauty of autumn with fresh and lively brushwork, and its beauty lies in the car. This beauty is not only reflected in the maple trees in autumn, but also in the frosted plain red and cool breeze. When the leaves gradually became sparse, Lin Qiu showed its elegance, that kind of free and easy without any modification, detached from the worldly prosperity.

The most touching thing is that the sunset is reflected in Lin Qiu. It was so drunk that it set off the deepening dusk in the sky. The cool evening breeze, accompanied by dusk, is a beautiful and sad beauty, which makes you want to shed a few tears for your life experience, but you are awed by the fading drunken red heart and willing to condense your unrestrained feelings.

In addition, the poem also mentions a deep sense of loneliness. There was once a painter who painted a frosted Autumn Courtyard. The tall maple tree quietly covers the silence of a garden, and the heavy door behind the tree is hidden deep. It is endless loneliness, as if the author had lived in it and tasted the silence of autumn. This undoubtedly adds depth and charm to poetry.

Roland's relevant knowledge is as follows:

1, Roland, formerly known as Zheng Zhenduo, is a famous modern writer, translator, literary critic and educator in China. 1903, from Shaoxing, Zhejiang. He studied at St. John's University in Shanghai and Harvard University in the United States in his early years. After returning to China, he served as a professor and president of many universities such as Peking University and Tsinghua University.

2. Roland's literary works are mainly novels, including Spring Silkworm, Midnight, Red Rose and White Rose. Among them, Spring Silkworm is regarded as a classic of modern literature in China, which describes the tragic fate of rural women in a feudal society and reflects the darkness and injustice of the society at that time.

Besides novel creation, Roland also devotes himself to literary research and translation. He translated foreign literary masterpieces such as Shakespeare and Tolstoy and introduced them to readers in China. At the same time, he also wrote a lot of literary criticism and research papers, which made important contributions to the development of modern literature in China.