1, which expresses the character's character through his language and actions.
Some adopt the form of dialogue, others adopt monologues, paying attention to the action and detail description of characters, making the realization more direct and real.
2. The language is simple, natural and full of emotion.
The language of folk songs in Han Yuefu is generally colloquial, but it is also full of feelings and people's love and hate. Even narrative poetry is a combination of narrative and lyric, so it has a strong appeal.
On the one hand, the folk songs of Han Yuefu are mostly about the people themselves, and the author of the poem is often the hero in the poem; On the other hand, because the author and the characters he describes have the same fate and life experience, narrative and lyricism naturally blend together to achieve "shallow and profound". ?
3. Freedom and diversity of forms
The folk songs of Han Yuefu have no fixed rules and syntax, and their length is random, scattered and informal, and their forms are rich and diverse, which is undoubtedly very helpful to express complex ideological content.
4. Romantic color
Most of the folk songs in Han Yuefu are accurate descriptions of realism, but some works are romanticized to varying degrees and use romanticism. ?
Extended data
The influence of Han Yuefu folk songs
1, which shows its realistic spirit of "feeling sadness and joy, starting from events".
This spirit, like a red line, runs through the history of poetry and songs from Jian 'an to Tang Dynasty, forming a realistic tradition with Yuefu as the system. The continuous relationship between them is so clear that we can make the following statement with lines:
The folk songs of the Han Yuefu originated from the event-"writing current affairs through an excuse" (Jian 'an Cao Cao Ancient Yuefu)-that is, a famous story, with nothing to rely on (the new Yuefu initiated by Du Fu)-and poetry was combined into an event (the new Yuefu movement advocated by Bai Juyi).
2. It is also reflected in the creation of new poetic forms.
The main forms of folk songs in Han Yuefu are miscellaneous words and five words. Since Jian 'an, the influence of miscellaneous language has become increasingly significant. Li Bai's songs, such as Shu Dao is difficult, the city is difficult to fight, etc. It is even more spectacular, all from the Han Yuefu.
The influence of five-character style is earlier and greater than that of miscellaneous words. According to the existing literature, it is certain that literati began to write five-character poems from the early years of the Eastern Han Dynasty, such as Ban Gu's "Ode to Historical Poems". By the end of the Han dynasty, there was a situation of "five words surging" Since then, it has been an important traditional form in the history of China's poetry to take four words from The Book of Songs in one to replace the poetic style of Chu Ci.
3. In terms of artistic techniques, especially in the writing skills of narrative poems, the influence of folk songs in Han Yuefu is also very significant.
Such as the use of dialogue or monologue, psychological description and detailed description of characters, simple and vivid language, etc. It has become a learning model for all poets who reflect reality in later generations. Yuefu folk songs in Han Dynasty reflect reality, and the criticism of reality is usually through an objective and concrete description of reality, but sometimes the purpose of writing is revealed at the end of the poem, which is also enlightening for Bai Juyi's "dying to show his will".
To sum up, Han Yuefu folk songs are an emotional liberation in the history of China's poetry. Han Shuzhi refers to this feature when he says that the folk songs of Han Yuefu are works of "mixed sadness and joy". This is also very important for the development of poetry. Poets with strong feelings in later generations are often inspired by this. Li Bai's Battle of the City is an imitation of the folk songs of Han Yuefu.
Baidu Encyclopedia-Han Yuefu Folk Songs