Looking at the boundless poems of the sea

Judging from the genre of poetry, this is an ancient poem; In terms of expression, this is a lyric poem about the scenery. The words "Jieshi is in the east, looking at the sea" point out the positioning of "looking at the sea": the poet climbed to the top of Jieshi, with a broad vision and a panoramic view of the sea. The following ten descriptions are almost all derived from this. The word "Guan" plays a leading role in the whole article, which embodies the characteristics of this poem's open artistic conception and vigorous momentum.

The first four lines describe the scene of the sea, which is dynamic and quiet. For example, "autumn wind is bleak and the waves are rough" and "what is the water like" describe dynamic scenery, while "trees are full of vegetation" and "mountains and islands are full of scenery" describe static scenery. Guan Canghai is selected from Yuefu Poetry, which is the first chapter of Yuefu Poetry Out of Xiamen.

"The water is full of water and the mountain island is covered with scenery" is the general impression of seeing the sea at the beginning, which is a bit like the outline of a painting. In this rippling sea, the first thing you see is the towering mountain islands, which are dotted on the flat and wide sea, making the sea look magical and spectacular. These two sentences roughly outline the prospect of the sea, which will be described in depth at different levels below.

"There are many trees and plenty of herbs. The autumn wind is bleak, and Hongbo surges. " The first two sentences specifically describe the mountain island: although the autumn wind is bleak and the vegetation is withered, the trees on the island are lush and the grass is flourishing, giving people a poetic feeling. The last two sentences are a further description of the sentence "What is water like?". Look carefully, the sea in the bleak autumn wind is actually a huge wave, surging and undulating. Here, although it is a typical autumn environment, there is nothing bleak and desolate. Facing the bleak autumn wind, the author wrote the vastness and magnificence of the sea: in the bleak autumn wind, the sea is rough and meets the sky; The mountain island is tall and straight, with lush vegetation and no fading and sentimental artistic conception. This new realm and new style embodies his "ambition" mind.

"The trip to the sun and the moon, if unexpected; Xinghan is brilliant, if it is unexpected. " The great ambition of the writer Cao Cao. The previous descriptions are all observed from the plane of the sea, and these four sentences are related to the vast universe, which makes the momentum and strength of the sea stand out in front of readers. The vast sea and sky meet, and the air is turbid; In front of this magnificent sea, the sun, the moon, the stars and the Han (the Milky Way) are all small, and their operation seems to be freely absorbed by the sea. In the rich association, it shows a broad mind, an open mind and great ambitions. It means a mentality of taking the world into your own hands, just like the sea holds everything. The sea described by the poet here is not only the real scene in front of him, but also his own imagination and exaggeration, which shows the magnificent atmosphere of the universe and is full of the momentum of "the five mountains start from the square". This kind of "cage cover breathing atmosphere" is the artistic realm of the poet's "eyes" and "chest". From the heart, if the poet had no grand political ambition, no ambition to make contributions, and no optimistic attitude full of confidence in the future, he would never have written such a magnificent poetic scene. In the past, some people said that Cao Cao's poems were "domineering" (in Shen Deqian), referring to works such as Looking at the Sea. "

"Fortunately, Lian, the song is to be sung." This is a cliche in the chorus, which has nothing to do with the content of the poem. Also pointed out that this was sung by Yuefu.

Jieshi looks at the sea in the east.

"Jieshi looks at the sea in the east." The opening point explains the orientation, place and object of observation. Although these two sentences are not written directly to people, we seem to see Cao Cao's heroism in climbing mountains and looking at the sea. "Jieshi", according to the Records of Geography of Hanshu, was in the southwest of Licheng (now Laoting, Hebei Province) and sank into the sea during the Six Dynasties. The word "Guan" dominates the whole poem and is the clue of the whole poem. The following is what I saw and heard when I climbed the mountain according to the word "Guan".

The first two sentences started smoothly. "Jieshi looks at the sea in the east" means that he climbed Jieshi Mountain and looked down at the sea. The former Jieshi Mountain is in the southwest of Laoting County, Hebei Province, facing the Bohai Sea.

What is the difference between water and water?

"Where there is water, there are mountains and islands." It's about overlooking the sea from Jieshi Mountain. "Lian Lian" is to describe the swaying appearance of the sea; "What", here when "how". "How about water?" , showing the power of the sea and magnificent weather. Among them, there are surprises and praises, which is the first impression of just climbing the top of the mountain. "Ruzhi" is a towering appearance. The meaning of these two poems is: the vast sea is blue and boundless, and only the mountain island at the foot stands high in the center of the sea. As we all know, watching the sea, standing on the shore, sitting on the bow, or climbing to the top of the mountain, our feelings are very different. At this time, when Cao Cao stood on the mountain, the first thing he saw was the panoramic view of the sea. Therefore, he tried to exaggerate the boundless momentum of the sea, giving people a sense of firmness and stubbornness. The towering mountain island suddenly attracted the poet's attention, so he immediately wrote down the scenery on the island: "There are many trees and many herbs." There are thriving scenes everywhere, as if there is infinite life waiting for us to discover. "The autumn wind is bleak, and Hongbo surges." With the bleak wind, suddenly set off a huge wave, people feel amazing a little too late! But when we turned our eyes to the surging waves, the poet stopped describing them.

The six sentences "water" are written in front of the sea. There are only two sentences about the sea. Although there are not many words, the author focuses on the morphological changes of the sea, draws a big outline and writes out the characteristics of the sea. "How about water?" It's about the rough waves of the sea when there is no wind. When there is a strong wind at sea, it will immediately set off an uproar. "Hongbo surges" vividly shows the majestic momentum of the sea in just four words. The word "Yong" is used very well. From this description, we not only see the shape of the sea surging into the sky, but also seem to hear the sound of stormy waves lapping on the shore. Although the author wrote about the sea, he didn't just write about it. If you only write about the boundless and choppy sea water, even if it is well written, it will give people a sense of silence. Therefore, when describing the sea, the author inserted the mountain island vegetation to touch it. With the brushwork of mountain island vegetation, the sea is written with vigor and prosperity, which makes people feel that the sea is not only vast and magnificent, but also beautiful. Let's try to recite these sentences together, and we can appreciate the charm: the vast sea, undulating waves, flapping the coast, towering mountains and islands, lush vegetation swaying in the bleak autumn wind, what a magnificent artistic conception and what a beautiful picture!

Four sentences about traveling to the sun and the moon

In the face of this charming sea scenery, the author launched a rich and strange imagination. "The trip to the sun and the moon, if unexpected; Xinghan is brilliant, if it is unexpected. " The sun, the moon and the Milky Way, which keep running, are all contained in this sea. How energetic! These four sentences are the climax of the whole poem, and the author creates an extremely open artistic conception with exaggerated expression, which adds a positive romantic color to the whole poem. Although highly exaggerated, the author still firmly grasps the majestic characteristics of the sea to write, and exaggeration is reasonable.

The poet's rich imagination has brought us to a more magnificent realm: "If the journey of the sun and the moon comes out from this; Xinghan is brilliant, if you take it by surprise. "This word 16 describes the vastness of the sea and writes a picture of the sun, moon and stars, including pregnant stars. The sky is connected with water, and the water is connected with the sky, which is boundless. It's really spectacular. " Xinghan is the Milky Way in the sky. The meaning of these four poems is: the sun and the moon rise in the east every day, go around once, and then set to the west, as if rising from the sea and falling into the sea. The starry galaxy is oblique in the sky, and its far end is perpendicular to the sea, as if it originated from the sea. The sun, the moon and the milky way are the most brilliant and greatest images in nature, but the poet feels that their operation is still inseparable from the embrace of the sea, which is like the mother of the sun, the moon and the stars. This broad realm is rare in ancient poetry. It is also the climax of the whole poem.

Characteristics of scene blending

In this poem, scenery and emotion are closely combined. Facts have shown that the author expressed his ambition to unify China and make contributions by writing about the sea. This feeling is not directly revealed in the poem, but contained in the description of the scenery. This lyric way is different from many lyric ways of writing landscape poems in ancient times. Many lyric poems describing scenery in ancient times were divided into scenes, or they focused on the scenery above and the emotion below. For example, in Jing Ke's Yi Shui Ge, the sentence "The wind is rustling, Shui Han" focuses on Feng Shui; The next sentence "A strong man will never return" describes the feeling that a strong man will die. For example, Du Fu's "The Story of Climbing Yueyang Tower", the first part of "With Wu in my east and Chu in the south, we can see the endless drifting of heaven and earth", which focuses on scenery and is also very ambitious; The bottom line is "but there is no news from relatives or friends, I am old and sick, alone with my boat", and the focus is on love writing. Looking at the Sea contains feelings in the scenery and feelings in the scenery. The words in Looking at the Sea are full of passion. Although the six sentences in "What's Water" are depicting the vibrant sea scenery, they are actually praising the magnificent mountains and rivers of the motherland and revealing the author's feelings of loving the motherland. Seeing the magnificent scenery of the motherland's mountains and rivers aroused the poet's strong desire to unify the motherland. So with the help of rich imagination, to fully express this desire. The author compares himself to the sea and expresses the poet's broad mind and heroism by writing about the momentum of the sea devouring the universe. His feelings are unrestrained but subtle. Sun and Moon is the climax of landscape writing and the author's emotional development. Poets in the Song Dynasty said that Cao's poems were "as full of vitality as veteran Yan". The poem "Looking at the Sea" has a broad artistic conception and is magnificent, which conforms to the demeanor of an aspiring politician and strategist. Reading its poems really makes people feel like people.

Cao Cao's Looking at the Sea accurately and vividly depicts the image of the ocean, which is simple and full, rich but not trivial, like a thick charcoal brush stroke. What is particularly commendable is that this poem not only reflects the image of the ocean, but also gives it character. Every sentence is a scene, and every sentence is lyric. It shows the sea and the poet himself. The poet is not satisfied with imitating the shape of the ocean, but tries to express the gestation and turbulent character of the ocean through images. The lifeless sea has a personality in the poet's works. Only in this way can we reflect the face of the sea more truly and profoundly.

"Looking at the Sea" is a lyric poem, which skillfully combines the seascape in front of me with my own ambition. The climax of watching the sea is at the end of the poem. Its feelings are unrestrained, but its thoughts are subtle. Not only did the scene blend, but also the combination of reason and emotion. Because it is implicit, it is more enlightening, more stimulating to our imagination and more intriguing. In the past, people praised Cao Cao's poems as deep, full and powerful, which can be confirmed from here. The tone of the whole poem is desolate and generous, and it is also a masterpiece of Jian 'an's character.

Poetry translation:

Climb Jieshi Mountain to the east and enjoy the wonders of the sea. The waves are stirring, and the islands in the sea are listed and towering into the sky. I stood at the top of the mountain, and the waves in my heart fluctuated like waves. Surrounded by lush trees and lush flowers, it is as quiet as meditation. The bleak wind came, the vegetation shook, and the sea set off huge waves, rolling and roaring, as if to engulf the universe.

The sea, what a broad mind, the ups and downs of the sun and the moon seem to come from the chest of the sea; The bright stars in the Milky Way also seem to emerge from the embrace of the sea. Ah, it's okay. It's wonderful. Let's sing and express our feelings freely.