For example, although the autobiographical color of House on the Marsh is still strong, the author's characteristics in using classical myths and biblical allusions are already obvious. Since then, Louise gleeck has gradually stepped out of the writing direction influenced by the "confessional school", constantly forged her own poems under the dual effects of "confessions" and "allusions", and gradually moved towards the road of "post-confessional poetry".
Therefore, Louise gleeck's poems return to symbolism before Rilke to some extent, and tend to make meaningful metaphors for every detail of self-history with a high degree of self-concern, which is mysterious.
Extended data
Most of Louise gleeck's poems use the first person, and their tone is full of dissatisfaction or anger. However, she is also restraining her language and using rhythm and rhyme imaginatively.
For example, in The House in the Marsh and The Eldest Daughter, the author's language looks cold but restrained, which fully reflects Louise gleeck's mastery of language and makes her express different views more and more imaginative.