Tuanfan Complex Tuanfan, Feng Junqing Tree Hall. Autumn wind enters the court tree and never meets.
There are women in the world, and there are gray worms all over the net. I will wear sleeves next year, especially in the machine.
2. Yicheng Song Liu Yuxi
Waste water around the empty city, dust from the lonely hillock.
Trees grow on one side of the barren platform, and Yang Shijie's forehead is carved.
Pedestrians are decadent, and the warm wind blows the ears of wheat.
3. "Yang Shunge" Liu Yuxi
I resigned from the army and yearned for Yangshun Road. Wild water gnaws at barren graves and autumn insects carve palace trees.
I once heard that Humaxi was in the south at the end of Tianbao. General Lu, the city guard, pulled out the city and left.
4. "Mo Yaoge" Liu Yuxi
Mo Yao grew up without a name. This city is easy to mix with Jiao Ren, and marriage is a wooden guest.
The stars occupy the eyes of spring, and the fire opens the mountains. Crossing a thousand streams at night, the sand can't be photographed.
5. Song of Man Zi Liu Yuxi
People's language is attractive, and clothes are colorful. Smoked raccoons dig gerbils, and the temple is in Panhu.
Suddenly, when I met a passenger on horseback, I seemed surprised. The waist axe goes up the mountain, and there is no old road.
Literary achievements:
Liu Yuxi's landscape poems have changed the narrow-minded and desolate style of Dali and Zhenyuan poets, and often write a kind of half-empty and half-solid open scene of beyond space's real distance, such as "the distant mountains under water are like snow, and the grass on the bridge is like smoke" ("The fables and plays of Nanzhuang and Niu Xianggong after drinking are presented with lotte"), "The weeds are lush, the gossamer is dazzling, and Luotian is dazzling". Another example is "Wang Dongting"; In this quiet and ethereal landscape, the poet's subjective feelings are integrated, which constitutes a quiet and peaceful atmosphere. However, although Liu Yuxi said that "if he can leave his desire, his heart will be empty", he actively participated in Yongzhen's innovation, in fact, he still had to realize his life ideal in society; His personality is also stubborn, influenced by Taoist thought, but his poems often show a high-spirited, cheerful spirit. For example, one of the two poems "Autumn Poetry" and "Climbing the Tower with Lotte" has a high-spirited power. Liu Yuxi's poetry is clear because of its implicit and deep connotation, open and generous realm and lofty and upward emotion. Liu Yuxi was demoted to the south many times, where folk songs prevailed. Therefore, Liu Yuxi often collects folk songs and learns their styles to create poems. For example, the poem "Egret Son" describes his lonely feelings figuratively, but uses a faint folk song style. There are also some works that are completely modeled after folk songs, such as ci, ci, line, tower ci, Langtaosha ci, Xibaoshan old time and so on. , simple and natural, fresh and lovely, emitting a folk-like rich flavor of life. The following two songs are particularly vivid: Xing II and Ci II?
Writing style:
Liu Yuxi and his poetic style are quite unique. He is resolute and heroic. During his years in exile, he felt heavy psychological depression and sang a lamentation for lonely ministers. But he never despaired, he has the soul of a fighter; He wrote several poems, such as Yuan He Ten Years Lang invited Beijing Opera to present a gentleman to see flowers, revisiting Xuanduguan Jueju, White Snake, Chrysanthemum Mosquito Ballad, Flying a Kite, Hua Tuo Lun, and so on, which repeatedly satirized and attacked his political enemies, causing repeated political repression and blows, but such repression and blows aroused his stronger anger. He said, "As a Shandong native, I have a lot of feelings all my life" (Meeting the Zen Master in Zhu Qiao Mountain).