Ascending is a poem with the word 17: the first couplet and the parallel couplet focus on scenery; Neck couplet and tail couplet focus on lyricism, which embodies the depressed and frustrated style of Du Fu's poems.
The first couplet lists six things, such as wind, sky, ape, bamboo, sand and bird, which are described by urgency, height, sadness, clearness, whiteness and flying, which makes autumn scenery's bleak atmosphere rich. In particular, the word "mourning" is used to point out the tragic crying of the monkeys in Wuxia Gorge, which just melted the local fishing song: "The monkeys sang three times in the Three Gorges of Badong? Tears are stained with clothes. " ("Jingzhou Ji"), write autumn scenery in front of you more specifically and more desolate. The word "mourning" laid the emotional tone of the whole poem: the sad image of nature. The hardships of life. Let the image in the poem suddenly have a strong sad color. The first couplet focuses on the specific environment: what the poet saw and heard when he climbed the mountain, creating a magnificent autumn map of the Yangtze River. Zhuan Xu, on the other hand, put pen to paper from a bigger place, focusing on the overall scenery that the poet saw in front of his eyes and listened to in his ears: "Leaves fall like the spray of a waterfall, while I watch the long river always roll forward." With the word "boundless", the picture of "trees falling and rustling" was unfolded, and with the word "endless", the picture of "the Yangtze River rolling in" was unfolded, describing autumn scenery as solemn, cold and far-reaching. The words "boundless" and "endless" not only describe the typical characteristics of autumn weather, but also show the poet's mood at this time: the leaves fall one after another, the year will be over, and the wandering years will be fleeting. The poet can't help but ask for "looking at the future sadly and spilling tears all over the floor" to express the pain of hard-to-reward ambition. From the lyric point of view, it paved the way for the lyric of the latter two couplets. The first two couplets have two remarkable characteristics: first, the poems of the two couplets are coherent, and the word "wind is urgent" at the beginning of the whole poem is the most important, because the wind is urgent, the apes mourn, the birds fly home, and the trees fall down the Yangtze River; Second, the two couplets are cadenced. The first pair of couplets is about a close-up view, while the couplet is about a long-term view. The word "boundless" means looking up, and the word "endless" means looking down, so that when the distance is near, the level will be clear, and the ups and downs will be "cadence".
The autumn scenery described in the first two couplets is the background of the latter two couplets, which focuses on expressing profound and extensive emotions. "I came from three thousand miles away. Sad this autumn, I climb this high alone after a hundred years of sorrow "is an example of Du Fu's gloomy and frustrated style. The capacity of the word l4 in two sentences is quite large. In the Song Dynasty, Luo Dajing's Record of He Lin Yu was called "one link and eight meanings": "Wan Li", which was separated by thousands of miles and wandered around Wan Li, with one floor; "Sad Autumn", bleak in late autumn, with miserable timing, on the second floor; "Being a guest", sending guests to different places, living in different places, three floors; "Frequent visitor", detained for a long time, helpless, four floors; "One hundred years", age
It's already dusk, which is not enough, five floors; "Sick", sickly, in a difficult situation, six floors; "Coming to Power", looking at my hometown and missing my loved ones, seven floors: "Going to power alone", without any relatives and friends, eight floors are lonely and eight floors are connected. Every sentence goes deep, and the bamboo shoots are peeled off layer by layer, which makes me sad for the autumn of nature and the autumn of life. It can be seen that Du Fu's deep sadness here and now is related to the social unrest of "misfortune, happiness, misfortune, fatigue, wine and dust": the word "bitterness and hatred" describes the poet's complex emotions and hatred to the extreme, and "bitterness and bitterness and hatred" refers to both society and individuals, and melts a wide range of social contents into the poet's emotional towel of mourning for autumn. Heartache and boredom are a thick layer of dust in my wine, but they make Du Fu's bitterness, bitterness and hatred more concrete, and the image of a poet full of worries comes to the fore?
In a word, climbing the mountain expresses the poet's worries and indignation, embodies the gloomy characteristics of Du Fu's poems and has tragic beauty. The whole poem consists of four sections and eight sentences, all of which are antithetical, tortuous and sonorous, and tortuous and tactfully, showing the emotional beauty of singing and sighing. Therefore, in the poems of Hu Yinglin in Ming Dynasty, Denggao was praised as "the first of the seven laws in ancient and modern times".