In the dance work "Ailian Shuo", the characteristics of China's classical dance "circle" are more prominently reflected, that is, by waving hands and circling the field. These movements all follow the regular characteristics of the circular movement route, which is also consistent with the image of the lotus. In terms of combining rigidity with softness, we pay attention to combining rigidity with softness, paying attention to ups and downs, being dynamic and quiet, and interspersed with "appearance" in flowing movements, which is famous for its toughness. The lotus flower blooms for a while, and then becomes a graceful woman dancing with her graceful posture on the lotus leaf, sometimes squatting, sometimes standing, sometimes lying flat, sometimes cheerful, sometimes shy, sometimes elegant, which combines the beauty of the lotus flower with the extraordinary temperament of the woman, making us enter the fairyland for a while, then return to reality, and then return to the fairyland. The theme of this work is "kneeling on the ground with one leg, hitting the chest with a small flower, and hooking up the hind legs and leaning back into a" lotus "shape", which has appeared three times and formed a unique visual dynamic picture image. I think the images that appear three times are similar, but they are not exactly the same, so the meaning of performance is also different. The appearance of three theme movements is an emotional change.
This classical dance work is different from the previous lyrical classical dance works. It has a philosophy in it, giving the audience a space for imagination and a feeling of living in a fairyland. The dancers are immersed in this wonderful state with us, * * to appreciate and * * to revel. . . . . . Generally speaking, the poem is not externalized into action, but based on the description of the lotus shape and temperament in the poem, the "Lotus" is portrayed as a female shape with the beauty of China tradition by anthropomorphic methods.