Seek the translation, appreciation and understanding of many poems.

The first four sentences of the poem "Spring Hope" are all one word, and the poet's vision is from far and near, from big to small, from viewing scenery to feelings.

The words "broken" and "deep" in the sentence "Although the country is divided, the mountains and rivers will last forever, and the vegetation will turn green in spring" are very expressive. Talk about his expressive function.

At the beginning, I wrote what I saw in spring: the capital fell and the city was broken. Although the mountains and rivers are still there, there are grass everywhere and the trees are gray. A word "broken" is shocking, and another word "deep" is sad.

The Stone of the Trencher is an outstanding realistic narrative poem, and its most remarkable artistic feature is that it contains praise and criticism in the narrative. This poem 120 words tells a complete story, without lyric words or comments, but it expresses feelings and indignation through narration. Secondly, this poem is very concise, comprehensive and expressive. The beginning and end of the poem are very concise, focusing on the middle part, centering on the old lady's complaint, and written in detail. If you only write about accommodation in one sentence at the beginning, immediately turn to the theme of "arresting officials". When I wrote about accommodation, I only said "I was in Shihao Village at dusk", but I didn't write about the scene at that time. Then with the development of the plot, I naturally know that I live in an old woman's house. Another example is to write "the old man walks over the wall", not when he will come back; Just write "please come back at night", not whether she was taken away. However, when I read the phrase "being alone with the old man" at the beginning and end of the whole article, I fully realized that the old woman was taken away after "Christmas Eve" and the old man probably went home after the official departure. The image of the old woman in the poem is mainly accomplished through her complaints, and it is vividly portrayed. Others, such as tenants, police, old people, daughter-in-law, etc. Although there is not much pen and ink, it is very vivid and left a deep impression on people.

Guiyuanju (3) Tao Yuanming's Guiyuanju has five songs, and this is the third one. On the surface, this poem is about the joy of pastoral work and the idea of seclusion in the mountains; But comparing this poem with other poems, the author's "wish" actually has its special connotation.

I planted beans at the foot of Nanshan, and the weeds in the field were covered with peas. These two sentences are about planting beans in Nanshan, with lush grass but sparse bean seedlings. The first sentence is very plain, just like an old farmer standing there talking, which makes people feel very cordial. Although the author is interested in the countryside, the first time he came back, the labor effect was not ideal, the crops were not growing well, and the bean seedlings were not as good as grass. On the one hand, it is difficult to eradicate because the land is barren, overgrown with weeds and sparsely populated; On the other hand, it also shows that he is not good at labor. It is reasonable and inevitable that a feudal scholar-bureaucrat, a county grandfather who has just left the official position, has neither farming experience nor farming ability, and can't grow crops well. He is not satisfied with the situation that "grass is full of beans and seedlings are scarce", but he does not exaggerate, which is in line with his consistent "Ren Zhen complacent" character. Xiao Tong said that he was straightforward and didn't lie. He once shared a drink with others, regardless of the cost. If he gets drunk first, he says to the guest, "I'm drunk and sleepy, so go!" " The poet is very liberal.

Get up early in the morning to get rid of weeds, and come back with hoes in the moonlight at night. In order not to make the bean field barren, the poet went to the fields early in the morning and came back in the moonlight at night. Although it was hard, he didn't complain, which can be seen from the beautiful scenery of "the moon and the lotus returning home". Chen Xing was written early; "With the Moon" was written very late, and we can see him working at sunrise, working hard every day. "Managing waste and filth" describes the difficulty of reclamation after he returned to the farm. Although the working hours are very long every day, and the body is very tired from sunrise to sunset, the poet has no complaints, but writes about his lightness after work in a leisurely style of "picking the moon lotus and hoeing home". Tao poetry is plain and interesting. The interest of Tao poetry comes from freehand brushwork. "Go home with the moon hoe", the poet who returned from work is alone, but accompanied by the bright moon. The poet under the moon walked through waist-deep grass with a hoe on his shoulder. Returning to the countryside on a moonlit night, what a beautiful picture! It is full of the poet's happy mood and seclusion pride. We seem to see the poet strolling home with a hoe on his back and humming a poem after coming out of the mountain in the middle of the month. At this time, man, the moon and the natural environment constitute a harmonious and unified whole, and the poet's spiritual comfort is purified into a noble natural beauty, spiritual beauty and poetic beauty through artistic brushwork, and a beautiful and quiet artistic conception and leisurely image emerge. The sentence "take the moon" can be said to be a stroke of genius. It turns hard work into joy, turns drowsiness into relaxation, and has a little dyeing effect. . The plain language of "planting beans in Nanshan" and the beautiful sentence of "bringing lotus home in the moon"; The first sentence is real, and the last sentence is empty. The whole poem is soft and perfect with the mutual complement of simplicity and reality.

The narrow path covered with vegetation, the night dew wet my clothes. It's not a pity to get wet, but I hope it won't be against my will. The road is narrow and the grass is long, but the clothes are wet. What's the pity? These two sentences are further written that the countryside is barren and difficult to return to farming. The above six sentences describe farming life, which is true and simple, just like in the eyes. The sentence "clothes are not enough" seems dull, but this dullness just reflects the ending sentence "but I will not violate my wishes", which makes "I will not violate my wishes" fully emphasized. The "wish" here contains the meaning of not losing yourself in the dirty real world. It not only has the Confucian thought of leading an honest and clean life, but also has the Taoist thought of returning to nature and conforming to nature, and the two are often integrated. The language of this poem is very plain and natural. "Planting beans in Shannan" and "Dew on my clothes" are all random, without any modification. This natural and simple poem is integrated into the artistic conception of the whole poem, which turns spoken language into poetry, harmoniously unifies simple spoken language and poetic mellow beauty, and forms the artistic characteristics of Shi Tao's simple and mellow beauty.

This five-character poem mainly uses the method of "Fu" to express thoughts and feelings through narration. There is no description of scenery, no contrast of atmosphere, and no use of metaphor. Almost all of them were described, and finally only a little discussion was made to point out its main idea. The whole poem tells the truth and comes from the heart, so "Houshan Poetry Talk" says: "Yuan Ming is not a poem, but a wonderful thing in the chest." "Poems on Tibetan Sea" said: "Narrating Tao poems,' dry outside and fat inside, rich in quality', is meaningful." Cui Yuan Kondo, a Japanese scholar, said that this poem is "the essence of gold and jade in the Five Ancient Dynasties". Tao's poems have been praised by Chinese and foreign poetry critics, showing his artistic power to conquer people's hearts.

In the 25th year of the 1st century (737), Wang Wei was ordered to visit our embassy in Xihe to express condolences to the soldiers. This poem was written by the poet on his way to Xihe. This is a travel poem. The poet went to the frontier fortress on the orders of the imperial court. This poem describes what he saw and felt on this trip.

The first two sentences explain why and where this poem was written. "I want to ask over there" is the purpose of the task. "Bicycle" means that there are few followers and the festival specifications are not high. Poetry reveals frustration in the chronicle, which is triggered by the word "bicycle". The last sentence said that I had been to this special area of Juyan, which became the basis of the scenery described in the poem.

Three or four sentences contain multiple meanings. From the sentence of "returning to the wild goose", we can see that the time to go to the frontier fortress this time is spring. When the grass is ripe, the branches and leaves are dry, and the roots leave the earth and float with the wind, so it is called "signing the crown". This sentence is the poet's feeling of falling from the grass. When Cao Peng is mentioned in ancient poems, he mostly laments his own life experience. For example, Cao Zhi's miscellaneous poem (the second part) called "Turning from the Root, Gone with the Wind" is a famous example. "Going out to the Han Dynasty" in this poem just reflects the poet's itinerary. Moreover, these three words are very affectionate abroad, which deepens the feeling of occupation. When you leave your hometown, your feelings are always complicated, whether it is because of a difficult home, a difficult country to vote for, or a mission, as this poem says. Regarding the poet's mission this time, he has been in a bad mood, which is different from Sima Xiangru's prestige and demeanor when he was favored by Emperor Wu of the Han Dynasty in the early Han Dynasty and sent to the Southwest. The poet's frustration was related to the political struggle in the imperial court. Zhang Jiuling, the prime minister who has always attached importance to poets, was demoted to Jingzhou secretariat in April this year.

Poetry is written in contrasting expressions. "Zheng Peng" is in direct proportion to the poet, and "Returning to the Wild Goose" is in contrast to the poet. In spring, it is a good place for Yanbei to return to its old nest to raise chicks. Facing the desert sandstorm, the poet drifted to the Great Wall like a loose grass, and the situation was very different.

Five or six sentences describe the scenery, with broad boundaries and vigorous weather. This couplet consists of two paintings. The first picture is a lonely smoke in the desert. Being in the desert, the poet is presented with such a scene: the yellow sand is boundless and endless. Look up at the sky, there is not a cloud in the sky. Without vegetation, there is no travel. Looking from a distance, I saw a wisp of solitary smoke rising at the end of the sky, and the poet's spirit did it one brace up, as if this desert had a little vitality. It is a lighthouse, which tells the poet that this trip is about to reach its destination. The beacon smoke is a typical frontier fortress scenery, and "solitude and straightness" highlights the atmosphere of frontier fortress. Judging from the composition of the picture. Adding a column of white smoke between the blue sky and the yellow sand becomes the center of the whole picture, which is the finishing touch. Kunya: "ancient fireworks, with wolf smoke, gather straight, although the wind is not oblique." Zhao Diancheng, a Qing Dynasty man, said: "Only when you see the scenery with your own eyes can you know the beauty of the word' straight'." This is from words.

The other is a sunset over a long river. This is a close-up shot. The poet stood on the hill overlooking the winding river. In the evening, the sunset lowered the river, and the river was sparkling. What a wonderful moment it is! The poet only quoted a word "circle", which accurately described the scenery characteristics of the sunset on the river. As a result of choosing such a perspective, the red sun suddenly enters and exits in the long river, adding to the magnificence of the river swallowing the sun and the moon, thus making the whole picture more magnificent.

The last two sentences end with things: at this time, the mission of the poet is about to be completed. Poetry, let nature take its course.

Although this poem is a chronicle, it is natural to express feelings or describe exotic scenery all the way. The couplets of "Long River" and "Sunset" are excellent and have always been recited as famous sentences about scenery.

That's the best I can do. I don't have enough time. Hope to give points!