Lyrics or poems about tolerance, urgent

"Forgiveness" and "Hypnosis" are both lyrics, and lyrics are also a type of poetry. Since they both belong to poetry, we can study these two lyrics from the perspective of poetry.

Poetry, as a literary style, has its own rules and requirements. First of all, the rhythm and meter of poetic language are a distinctive feature that we are familiar with. Obviously, the characteristics of Chinese classical poetry in this aspect are more prominent. Most of us can recite several "five-character quatrains", "seven-character quatrains", "five-character rhymed poems" or "seven-character rhymed poems", or we are all familiar with "Niannujiao" "", "Manjianghong" and other word brands, the format of these poems or words requires strict regularity, and the language is also relatively strict, which makes the poems have a strong sense of rhythm. Modern Chinese poetry is a liberated poetry that can be unconstrained and free in the format of poetry, which gives modern poetry a freer space to express personal emotions. But this does not mean that modern poetry can ignore the rhythm and meter of poetic language. Modern poetry, especially good modern poetry, still has a very strong sense of rhythm and conveys a very strong sense of musical rhythm. It can be said that only with language rich in rhythm and meter can poetry have the form of poetry.

Secondly, the imagery of poetry is another indispensable feature of poetry. If the rhythm and meter of poetic language are formal requirements, then the imagery of poetry should be a content requirement. The artistic conception of poetry is the blend of scenes created by the poet using language in the poem. According to Baidu Encyclopedia's "Poetry Imagery" article, "Image is something with some connotation and sentiment that is a fusion of objective image and subjective mind." Or "Image is an objective object created through the unique emotional activities of the creative subject. An artistic image. "The "scenery" in this "scene blending picture" refers to objective natural scenery, that is, "object image". The poet uses language as the referent of "objects", arranges "objects" by arranging language, and then reflects the poet's subjective intensity through the spatial connection between "objects" or through the connection in the inner meaning of "objects" emotions. This kind of "object image" with the poet's subjective emotional color is internalized into the "image" of the pure spiritual world. It can be said that the image of poetry is the soul of poetry.

We usually praise a poem for its "artistic conception", which means that the image of "situation blending" created by this poem is endlessly memorable. There are three taboos in poetry: avoid straightness, avoid exposure, and avoid mystery. This is the artistic conception requirement of poetry. Imagery is a kind of "creation" carried out by poets through poetic language. At the same time, when readers interpret a poem, imagery also leaves ample room for "recreation" for readers. The better the poem, the broader the space for this kind of "re-creation". When poets create poems, they must "not make people unaware, but they must not make people suddenly aware of them." Good poetry should give readers ample space to experience the flavor beyond the words, the rhyme beyond the sound, and the meaning beyond the topic.

Third, we must understand that although lyrics belong to the genre of poetry, lyrics are different from poetry. Lyrics are different from poetry in two characteristics. First, the lyrics are sung to the public, so the language of the lyrics is required to be easy to understand, simple and smooth, so that people will get excited as soon as they read (or hear) them. ; Both, lyrics must be matched with music. Poems can be matched without music, but lyrics must be matched with music. No matter how good the lyrics are without good music, they are like gems whose light has been obscured. Of no value at all. Because of this characteristic, lyrics have stronger requirements for language rhythm and meter than modern poetry. The most taboo in lyrics is the rigid stacking of words. Lyrics that use the most common and common words to construct unexpected and refreshing images are the best lyrics.

The above is my experience of poetry and lyrics. So let’s analyze the lyrics of “Forgiveness” and “Hypnosis” based on these experiences.

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Forgiveness

This is what I heard,

Admiration is more painful than secret love,

I will go your way,

< p>A man cries,

A daughter cries,

I am your obsessive believer,

You are my grave,

It is up to you whether you are born or dead,

You protect me and I return your blessings,

You, a hero, need ambition,

But you owe me happiness,< /p>

What can we do to make up for it?

Is love more difficult to forgive than hate?

This is what I heard,

Love comes from hate.

Hu Han's point of no return,

One loses,

One cries,

I would rather you hate and be confused,

p>

Being poisoned by love,

on the one hand satisfied,

on the other hand cruel.

You protect me and I return your blessing.

You need ambition as a hero.

But you owe me happiness.

Get What to make up for?

Is love more difficult to forgive than hate?

Is love more difficult to forgive than hate?

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Hypnosis

p>

The taste of the first cake

The comfort of the first toy

The sun goes down

The sun goes down

Crying over ice cream

The taste of the second cake

The comfort brought by the second toy

Strong wind blowing

Strong wind blowing< /p>

Popcorn is so beautiful

From beginning to end

Forgot someone

Remembered someone

From beginning to end< /p>

Count again

Count again

Is it abandoned?

La...

First Kissing someone else's mouth for the first time

Drinking potion when you are sick for the first time

The sun goes down

The sun goes down

Ice cream tears

Kissing someone else’s mouth for the second time

I need to drink potion when I’m sick for the second time

Strong wind blows

Strong wind blows

Popcorn is so beautiful

From beginning to end

Who I forgot

Who I remembered

From beginning to end

Count again

Count again

Is it deserted

Suddenly it’s dawn

It’s suddenly dark

< p>And so on

Go far away

One, two or three years old

Four, five or six years old

Long live forever

Start from the beginning To the end

Forgot who

Remembered whom

From beginning to end

Count again

Count again

Is it abandoned?

La...