In the first paragraph of this poem, I lingered on the bank of Dongting Lake for a long time, longing for the arrival of Mrs. Xiang with sincere expectation. This is a very intriguing picture of the environment and atmosphere: the cool autumn wind keeps blowing, the waves in Dongting Lake ripple, and the leaves fall on the shore. I can't see the Iraqi people kowtowing to you. I boarded the plane for a while and arranged the furnishings for a while, but it backfired. Until dusk, Mrs. Xiang didn't come. Compared with the abnormal phenomenon of "what is the bird in the apple and what is the bird in the tree", this situation highlights the disappointment and confusion that fills the hearts of the characters, which is meaningless. Among them, "the autumn wind blows, the waves in the cave are under the leaves" is a famous sentence about scenery, which is very effective in rendering the atmosphere and artistic conception, thus winning the appreciation of later poets.
On this basis, the second paragraph further deepened the desire for you. It is a typical artistic technique of pre-Qin poetry to use the grass beside the water to raise the silent yearning for Iraqis and to use the slowly flowing water to hint at the passage of time in the distance. Its advantage lies in the combination of characters and scenes, which is very infectious. The following elk eating the atrium and dumplings staying by the water are two abnormal phenomena, which are also metaphorical compared with the description of birds and nets in front, and are contrary to the desire to emphasize love again without seeing it. And then like Mrs. Xiang. In the anxiety of waiting, he rode from morning till night, and the result was slightly different from that of Mrs. Xiang: in the eager search, he suddenly had an illusion, heard the call of a beautiful woman and left with her. Therefore, the works have the following most imaginative and romantic brushstrokes.
Art China/
The third paragraph is purely a scene of seeing Mrs. Xiang in your fantasy. This is a dazzling magical world: courtyards built in the middle of the water are all decorated with exotic flowers and fragrant wood. Its colorful colors and rich fragrance are unparalleled. Here, more than ten kinds of plants, such as lotus, sun, pepper, laurel, orchid, magnolia flower, medicinal materials, Ficus pumila, Hui, Zhi and so on, are listed in one breath, showing the splendor of the venue. Its purpose is to set off and reflect the joy and happiness in the hearts of characters with colorful external environment. Therefore, when the gods of Jiuyi Mountain came to take your lover, he suddenly realized that he woke up from this dreamlike beauty and fell into the pain of lovesickness again.
Art China/
The last paragraph is not only the same as the end of Xiang Jun, but also the same sentence pattern. In desperation, as emotional as Mrs. Xiang, she abandoned the other party's gift on the riverbank, but the apparent rejection could not restrain her inner love. He finally recovered his calm, and planned to finish the psychological process of falling in love with acacia through patient waiting and expectation. He picked fragrant Du Ruo from Tingzhou and prepared to give it to Mrs. Xiang in the distance.
In a word, "Xiang Jun" and "Mrs. Xiang" are two tragedies caused by the wrong date time, but together they are a comedy that is congenial. They are said to be tragedies because both parties to the appointment missed the meeting time, and each other was unable to extricate themselves because of the disappearance of acacia, and their hearts and feelings suffered for a long time; They are comedies because men and women really love each other and love each other deeply. Although they have experienced some setbacks, they have not given up their pursuit and expectation, so it is only a matter of time before the happy ending appears. When they finally meet each other after patiently and calmly waiting for each other, the misunderstanding and troubles caused by coming first will inevitably disappear in an instant, and they will be greeted by the joy and happiness that Xiang Jun felt in his illusion.
These two works describe women's love and men's lovesickness from different angles, but the lyrical meaning is equally lingering; In addition, the works absorbed the straightforward lyric way of folk love songs and used the traditional contrast method to further enhance its artistic appeal. Therefore, this kind of passionate, bold, sincere and persistent love, although wrapped in the shell of religious ceremonies and with a strong core of life, has released endless energy for a long time, so that readers and writers of all ages can constantly gain great motivation and pursue their ideals and love without fear of difficulties. This can be best confirmed by the history of countless works influenced by it in later generations.