Chain tone, also known as lianzhuti, lianzhuti, lianju and title-ending, is a traditional nursery rhyme form that uses special rhetoric, structure and rhyme techniques to construct poetic style. Its rhetorical feature is "pushing the needle to continue numbness", that is, the last word of the previous sentence is the first word of the latter sentence. Its structural feature is "bonding with rhyme", that is, two sentences are at one level, each level rhymes with the first sentence, and the next sentence rhymes with it, and the two sentences are not related in content.
In order to achieve harmony in sound and rhyme, modern poetry generally balances the sound and rhyme, and most modern poems (that is, poems from the Tang Dynasty and later, called ancient poems before the Tang Dynasty) also comply with this requirement.
However, there are still some classic works of intonation, such as Liu Zongyuan's five-character quatrain "Jiang Xue", the full text of which is intoned (short sound): a hundred mountains and no bird, a thousand paths without a footprint; A boat on the river, a fisherman in his bagworm moths; Fishing alone, not afraid of snow and ice attack. No matter whether this poem is read with the rhyme ending of the ancient entering tone or with the rhyme of ie and ue in Putonghua today, there is no suspicion of a mouthful.
Extended materials:
Modern Poetry:
Let's take the simplest method to see how to compose a complete modern poem.
basic sentence pattern "every double will be reversed"
The basic sentence pattern of modern poetry is formed by interlacing flat and flat tones in two syllables.
The basic sentence patterns of five-character sentences are: flat and even, or flat and even, such as "after rain the empty mountain" and "moonlight in its groves of pine".
The basic sentence pattern of the seven-character sentence is: flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat
The level of the fourth word is opposite to that of the second word, and the sixth word is opposite to that of the fourth word, but it can be reversed in every single word, because the stress falls on even syllables, and the singular syllables are relatively unimportant. This is the so-called leveling "regardless of the 135, the 246 is clear."
Baidu encyclopedia-rhymes