Teaching objective: 1. Understand the content of poetry on the basis of reading many times.
2. Read the poet's deep affection in the process of analyzing poetry.
3. Recite poems in class.
4. Cultivate students' habit of reading poems and improve their interest in life.
Teaching emphasis and difficulty: in the process of analyzing poetry, read out the poet's hatred of home and country and life experience.
Teaching hours: one class hour.
Teaching process:
First, import:
There are three famous buildings in Jiangnan: Yellow Crane Tower, Yueyang Tower and Wangtengting Pavilion. Among them, Yueyang Tower, which is known as "Dongting is the world's water and Yueyang is the world's building", has attracted many literati in past dynasties to express their feelings with its majestic momentum and style.
Meng Haoran looked at Dongting and described: "The fog of Yungu and Menggu has surrounded Yueyang City." Magnificent scenery; Fan Zhongyan climbed to the top of the building and said, "Worry about the world first, and enjoy it later." Ambitious.
Chen Ye, a famous poet in Song Dynasty, once boarded Yueyang Tower. So, what did he express? Let's hurry into today's class. (Show theme)
Second, read poetry correctly.
1, read poetry for free. As the saying goes, "Read 300 Tang poems by heart, even if you can't write, you will recite them." Only by reading more books can we feel the beauty of poetry. Then let's go and read this poem now.
2. Ask the students to read aloud. Pronunciation: Beijing, migration
3. Read poems together.
4. Clarify the rhythm of poetry. Correct pronunciation is only a prerequisite for reading. When reading poetry aloud, we should also pay attention to the rhythm. Especially metrical poems. Let's look at the rhythm division of this poem. (showing the division of poetic rhythm)
5. Students can read freely according to the rhythm of PPT.
6. Read together and ask for a time-out.
Third, read poetry.
1, explanation keywords: curtain, migration, relying on danger, hanging in the past.
2. Students can roughly understand the meaning of poetry according to the text notes.
3.PPT shows the main idea of this poem, and students read it together.
Fourth, read poetry through.
1, looking for poetic eyes.
There is literary grace in writing and poetic sentiment in poetry, which is the aura of a poem and often the most refined and vivid word in it. Please find out the poetic eye of this poem.
Clarity: sadness
2. Where is "sadness"?
That is, the eyes of poetry must penetrate every angle of poetry and permeate this kind of "sadness" everywhere, so please find out where this kind of "sadness" can be reflected.
Analyze poetry, read aloud to complement each other, and make clear the word stress.
Summary: The sadness of the scene-one's own sorrow-the sorrow of the country.
3. Circle the stressed words, combine the pause, make clear the emotional tone of the poem, and read the poem with music.
As long as we accurately read the stress and rhythm of poetry, then the charm of poetry will come out.
Verb (short for verb) challenges yourself.
The whole class recited the poem "Climbing Yueyang Tower"
Sixth, the summary of poetry.
Mr. Zhu Guangqian once said: "Life is not a boring thing since there was poetry." I hope that students who are in a sensitive and sentimental poetic life can make themselves a noble person and make their lives full of poetry through poetry.
Writing on the blackboard: Deng Yueyang Tower (Part One)
Jingbei
Feel sorry for yourself
National sorrow
Climb Yueyang Tower (1) ①
the Chen Dynasty
Dongting Dongjiang River is in the west, the curtain remains the same, and the sunset is late.
Deng Wu Shu is divided into two parts, leaning against the lake and mountain until dusk.
Wan Li road is still long, but it is more difficult than three years.
In the ancient wind and frost, the old man has no complaints or sorrows.
(1) from Chen. Chen (1090- 1 138) was a poet in the Song Dynasty. Qu Fei, nicknamed Jian Zhai, was born in Luoyang (now Henan) and was a famous poet at the turn of the Northern and Southern Song Dynasties. "Climbing Yueyang Tower" is two songs. (2) 【 curtain sutra 】 The cover of a hotel or teahouse. The sunset slowly sets. Too late, too slow. (4) 【 Wu Shu divided the land equally 】 During the Three Kingdoms period, Wu and Shu fought for Jingzhou, and Lu Su, the general of Wu, led 10,000 troops to Yueyang City. Horizontal segmentation, here refers to segmentation. (5) [Migration] Wandering. ⑥ 【 More than three years difficult 】 The Northern Song Dynasty perished in the spring of the first year of Jingkang in Song Qinzong (1 126), and it has been three years since this poem was written. ⑦ refers to the stairs. By, by. Danger means height
Teaching reference:
Climb Yueyang Tower (1)
First, the overall understanding
In the spring of the first year of Song Qinzong Jingkang (1 126), the nomads from the northern song dynasty broke through Kaifeng. Like most poets (such as Li Qingzhao) at the turn of the Northern Song Dynasty and the Southern Song Dynasty, Chen's life experience and literary creation are divided into two periods by the difficulty of Jing Kang. Before that, he took the usual path of becoming famous in official career. At the age of 24, he was awarded the title of Song Huizong Zhenghe Scholar for three years (113). He is good at painting and calligraphy and is famous for his poems. He was deeply appreciated by the emperor, and his official position changed repeatedly, but he was unconsciously involved in the whirlpool of political struggle. When the Jingkang disaster occurred, Chen was demoted to be a small official of Chen Liu (now southeast of Kaifeng, Henan Province) to be a wine tax supervisor, and naturally joined the ranks of refugees, and went south to Hunan, drifting from Hunan to Hunan and being displaced. He went into exile in Dongting Lake, boarded Yueyang Tower several times, grieved for national affairs with his friends, drank wine to drown his sorrows, and wrote several poems to commemorate his events. This lesson is one of them.
This is a seven-character poem, the first of two poems about Yueyang Tower, and the opening work of the poet's writing about Yueyang Tower, so it is carefully crafted and serious. The first part describes the geographical location of Yueyang Tower, which is grandly launched from a macro perspective with Dongting Lake and the Yangtze River as the background. In a seven-character poem, the poet skillfully uses the two directional words "East" and "West" and connects them with lakes and rivers, which shows the location of Yueyang Tower. Then write what you see when you look up, "The curtain is still and the sunset is late." This sentence is a colorful stroke of the whole poem, which seems ordinary, but in fact it is delicate. "Curtain Scene" is a close shot, "Sunset" is a long shot, and the close shot and the long shot are combined into one. As you can imagine, the poet's line of sight scanned from near to far, gradually released and merged into the boundless twilight. The static curtain shows that the lake is calm; The sunset reminds us of the tranquility of the night. How can such poetic imagery not arouse the poet's rich reverie?
The couplets in the poem are produced from the static and soothing description of the scenery and transformed into strong lyricism. Like variations of music, these two poems seem to repeat the above themes, but their styles are quite different. "Landing with Wu Chu and sharing the land equally" is also about the geographical location of landing, but it adds a heavy sense of history; "By the lake and the mountain, I want to see the scenery at dusk", but I feel a little disappointed. This gradual change is a contrast, a transition, and a description of the integration of things and me. Here, the subject image of the poet appears in the poem inadvertently and naturally. He is thinking, wandering, blending into the scene and expressing his feelings through the scene.
After gaining momentum ahead, the poem's neck couplet finally issued the loudest and strongest cry in a way close to direct call: "Wan Li is still looking forward to a long journey, and it is more difficult to rely on risks for more than three years." These two poems express the resentment in the heart of the minister. The antithesis of "Wan Li" and "Three Years" tells their stories from the span of space and time respectively, and has received the artistic effect of double superposition, which makes people feel deeply. The poet's "visit from Wan Li" is just an elegant expression of Wan Li's escape, but what can it do? The anguish in my heart had to be dissolved in the "vision". "More than three years is difficult" has been overwhelming, but the mountains here still have to climb. How can people stand it? At this point, poetry has been full of twists and turns, pushing feelings to the extreme.
In the last couplet of the poem, Gu Ying felt sorry for himself and ended the whole article with infinite sadness. At this time, the poet has reached the age of forty and has reached the age of no doubt, so he said "hoary head"; Not to mention hurting today, but "hanging over the past" is implicit and meaningful; "Wind and frost" clearly refers to natural things, which is a metaphor for social reality, pun intended; And "Old Mu Cangbo" is the coat that wraps the poet's image. Full of sadness and hatred, it can be said that "one scene is difficult to write." For example, at present, it contains endless meanings, which can be seen outside the words "(Ouyang Xiu's poem of June 1 day, quoted from Mei).
Second, the problem research
On Chen's rhyming style from this poem
Du Fu's poet Chen, especially his regular poems, clearly shows the characteristics of Lao Du, which can be described as both form and spirit. The reason for this is that there are similar experiences in life besides deliberate imitation and pursuit. Du Fu fled to Chengdu and never returned to his native land in the north. He is heartbroken and has almost no horses. Chen experienced the pain of Jing Kang, and also felt the pain of national destruction and death. Although the severity of his suffering is not as serious as that of Du Fu, and his "prognosis" is good-he later dabbled in politics and was in the position of Zaifu, but his perception and experience of troubled times are similar to Du Fu's, which inevitably has Du Fu's shadow. When talking about this poem, predecessors thought that it was similar to Du Fu's Ascending the Mountain and was the best. That is, compared with the three poems of Du Fu that we have just learned, we can also see the Du Fu style of Chen's poems. Du Like Fu, he is good at refining words, but also good at description and discussion. The rest, such as magnificent scenery, heroic lyric, loud rhyme and skillful workmanship, have many similarities. However, pure imitation cannot achieve Chen's status as a great poet in the Song Dynasty. While imitating, he is also full of changes, focusing on personal feelings and specific situations, innovating and forming his own style. That is to say, as far as this poem is concerned, the same "ge" can't be found in Du Fu's poems, because it has delicate control, light operation and delicate feelings. It can't be said that Du Fu disdains this. After all, there is a poet in an era. "Jiangshan has talented people and has been leading the way for hundreds of years."