1. What are the poems describing the archway?
1. "Apricot Blossom Sky"
Song Dynasty: Zhu Dunru
Listening to the cicada leaves welcoming autumn Yan. Painted halberds are scattered and gold is spread everywhere. The breeze takes over Qin Zheng's resentment. It's late at the Yapai office upstairs.
The rain has passed and the embroidery curtain has been rolled up. Borrow water to sink, ambergris spin to grind. The golden basin gets water and the fans stop singing. Cool in the ice powder noodles.
2. "Elegy for the Burial of Xi Shi"
Tang Dynasty: Wang Yan
Looking west to the Kingdom of Wu, there is a sign with the word "Feng" written in the clouds. They set up pearl tents across the river and chose a place to bury the gold hairpin.
The ground is covered with red heart grass and there are three jasper steps. The spring breeze is nowhere to be found, and the sadness and hatred are overwhelming.
3. "Ruan Lang Returns"
Song Dynasty: Liao Gang
Because of the play, it was clouded. Yiwei is in the boat among the clouds.
Living beside the moon bridge, wind threshold and water. At the beginning of the third drum period in the painting building. The thatched cottage is packed with books for reading. Start watching the clear night.
Just imagine and hesitate. Jade brand and gold letter shop. Even if the dream soul exists, it will become empty. Nakan and Mengwu.
4. "Manzhou (a poem by Du Mu, titled "Man is drunk in the clouds")
Tang Dynasty: Zhang Ji
Miasma water flows into the cave in Manchu , most people live in bamboo sheds.
There is no city on the mountain and the sea, only the pine pavilion remembers Xiangzhou.
5. "Double-tune Water Fairy Presents to Li Nu's Maid"
Yuan Dynasty: Xia Tingzhi
Li Chun Garden first sent the Thorny Needle Tunnel, and the Yanyue Pai Huangjiang The flames are burning, but the few sincere words are blooming. Who would have thought that there are not many fragrant carriages?
Hidden, Liuhua Pavilion has no way to advance or retreat. The wife is a wife, and the servant is a slave. How can I be a wife? 2. Poems praising Huizhou in Hui rhyme
"Visiting the White Mountains in Huangshan to No Fruit" is a poem written by Tang Xianzu in the Ming Dynasty.
Preface: Wu Xu took pity on him and persuaded him to visit Huangshan and Baiyue, but to no avail.
If you want to know the gold and silver qi, you usually travel from yellow and white.
I have never dreamed of going to Huizhou.
Notes:
①Weijue: down and out, poor.
②Huangbai: Huangshan and Baiyue Mountains in Huizhou. In the mid-Ming Dynasty, Huizhou's business flourished and its merchants were the richest in the world.
The preface to the poem explains Tang Xianzu's career status at that time: those who are inexhaustible are down and out and poor. So why did his friends suggest him to go to Huizhou when he was in poverty. That is definitely not the current leisure experience tour. If your stomach is not full, there is no need to take a break. He just hopes to go to Huizhou to seek a comeback opportunity, and this opportunity should still be pinned on Xu Guo.
In the 19th year of Wanli (1591), Xu Guo retired to his hometown in She County, Huizhou. Just look at the eight-legged archway of Xu State that still stands in the ancient city of Shexian County, and you will know the status of Xu State in the imperial court. Although retired, Xu Guo was both the emperor's teacher and an important minister. As long as he was willing to recommend him, Tang Xianzu's life would change.
Therefore, Tang Xianzu’s friend Wu Xu should have advised Tang Xianzu to go to Huizhou to meet Xu Guo in order to eliminate the gap and rebuild the relationship between teachers and students. As long as Xu Guo was willing to say a word to the emperor, his predicament could be changed. . The poem "Huangbai" clearly refers to Huangshan and Baiyue (Qiyun Mountain), and it is a metaphor for gold and silver, that is, official salary.
No matter what the reason was for the failure of the Huangbai Tour, it cannot be inferred that Tang Xianzu meant praise for Huizhou.
In fact, at the beginning of the poem, Huizhou is described as a place full of the smell of copper: if you want to get rich, you will probably go to Huizhou among the white mountains of Huangshan Mountain. This may be in line with the social reality at that time, because during the Ming and Qing Dynasties, Huizhou merchants were famous all over the world and were as wealthy as the country. Naturally, Huizhou was regarded as a land of gold that the common people envied.
But this has nothing to do with the beauty of the scenery, and what does it have to do with the down-and-out playwright? At that time, Tang Xianzu was advised to go to Huizhou, either to seek help from others, or to seek immortality and Taoism. The person was Xu Guo, and the immortal Taoist was Qiyun Mountain. The most practical way was to seek help from others, so it had nothing to do with the scenery. Therefore, it would be completely wrong to interpret this poem as the author's praise of Huizhou's scenery.
It should express the author's mentality of not bowing his head to ask for help: It is said that wealth lies in Huizhou, but unfortunately I have never thought of going to Huizhou in my life.
If "the most infatuated place in life" is changed to "the most painful place in life", the meaning may be clearer. This is not something I changed. It can be seen in the signed article "Jiang Zehan, the Master of Mathematics" on the Peking University Alumni Network. The original text is "The great dramatist Tang Xianzu left a poem "The most painful place in my life, I never dreamed of going to Huizhou" because of his longing for Huizhou." < /p>
This "pain" seems to come from having never dreamed of Huizhou. Little did he know that Tang Xianzu's pain for the rest of his life came from Huizhou. If he really wanted to go to Huizhou, he would probably imitate the last two lines of the Southern Dynasties folk song "Xizhou Song": "The south wind knows my wishes and blows my dreams to Xizhou." It's not that Huizhou is not beautiful, but that his ancestors were born at the wrong time.
However, it turns out that Wuyuan under Huizhou rule was finally placed under the name of Mr. Tang’s hometown of Jiangxi, which may be regarded as compensation for the misunderstanding.
Extended information:
"A Visit to the White Mountains of Huangshan Mountain Has No Results", the "White Mountains" in the title of the poem refers to Qiyun Mountain in Xiuning.
Qiyun Mountain, together with Wudang Mountain in Hubei, Heming Mountain in Sichuan, and Longhu Mountain in Jiangxi, is also known as one of the "Four Famous Mountains of China", and together with Huangshan, it is also known as "Huangshan Baiyue". In Tang Xianzu's poems, "Huangshan Baiyue" was shortened to "Huangbai". The four sentences in the whole poem actually write "cause and effect". That is, the first two sentences write the reason, and the last two sentences write the result.
The main theme of the whole poem is the front, not the last two sentences that will be valued by later generations. From the perspective of the poet's experience and character, this poem neither praises the beauty of the "yellow and white" scenery, nor expresses his yearning to go to Huizhou, but expresses a lifetime of emotion. When the poet wrote this poem, he was in poverty. His friends invited and advised him many times, hoping that he would go to Huizhou to seek opportunities for prosperity, but they never happened.
The word "yellow and white" in the poem clearly refers to Huangshan Mountain and Baiyue Mountain, which is a metaphor for gold and silver, that is, official salary. Regardless of the reason for its failure, it cannot be inferred that Tang Xianzu meant praise to Huizhou. In fact, at the beginning of the poem, Huizhou is described as a place full of copper odor: if you want to get rich, you will probably go to Huizhou between Huangshan and Baiyue Mountains.
This is in line with the social reality at that time. During the Ming and Qing Dynasties, Huizhou merchants were famous all over the world and were as rich as the country. Naturally, Huizhou was envied by everyone as a place where money flowed. But all this has nothing to do with the beauty of the scenery, nor does it have anything to do with the down-and-out playwright. This poem expresses the poet's unwillingness to bow his head and beg for help: It is said that wealth lies in Huizhou, but it is a pity that I have never thought of going to Huizhou in my life.
Reference materials: Baidu Encyclopedia-Visiting Huangshan Baiyue failed 3. What are the poems about "Ink Huizhou"
1. "A friend took pity on me and persuaded me to be the tour guide for Huangshan Baiyue" "You" - Tang Xianzu of the Ming Dynasty
If you want to know the gold and silver energy, you usually travel from Huangbai.
I have never dreamed of going to Huizhou.
Translation: Only by traveling along the Yellow River and Yangtze River and other fertile places can you see the magnificent scene. I have been crazy about food all my life. I have wanted to go to the fairyland on earth all my life, but I have never dreamed of the fairyland on earth. It turns out In Huizhou.
2. "Huizhou" - Zhao Shixiu of the Song Dynasty
Mountains surround the city, clear streams surround the city, and it is difficult to paint white clouds and blue mountains.
The wild scenery is hidden in every building, and the sound of reading is lit in every house.
Translation: The mountains surround the clear stream, and the clear stream surrounds the city. The white clouds and green-green mountain peaks can only be seen visually, but cannot be attached to the pictures. The balconies in various places hide the scenery of the countryside, and the sound of books lingering in the silence accompanied by the stars and lights.
3. "Ye Bo Tun Xi Ji" Modern Yu Dafu
The water of Xin'an River is green and leisurely, and the people on both sides of the river are scattered like boats.
I dreamed under the Tunxi Bridge for several nights, and the heartbreaking spring scenery looked like Yangzhou.
Translation: The Xin'an River is clear and blue, flowing leisurely eastward. The rural houses on both sides of the river are like scattered boats floating on the water, looming in the clouds and mist; it is like a dream, like a fantasy, like a poem. The Xin'an River in the painting is like a fairyland, which can be compared with the admirable water town of Yangzhou.
4. "Xin'an Beach" - Huang Jingren of the Qing Dynasty
One beach after another, three hundred and sixty beaches.
The beach is ten feet high, and Xin'an is in the sky.
Translation: There are beach after beach in Xin'an River. After passing one beach, it seems to be ten feet taller. To pass through 360 beaches, that is 3600 feet. Then, its birthplace, Xin'an, is in the sky.
5. "Little Taoyuan" - Li Bai in the Tang Dynasty
Xiaotaoyuan in Yixian County is surrounded by hundreds of miles of haze.
The land is full of beautiful plants and trees, and the people still wear ancient clothes.
The city disperses in front of the sun, and the mountains become cold after night.
Translation: The rural landscape of Yi County in southern Anhui Province is like a paradise, with beautiful scenery and scenery that can reach hundreds of miles. There are many spiritual flowers, plants and trees, and people admire ancient customs. The market ended early, and the mountains were deserted at night. 4. Poems describing the memorial arch
I wish I could learn from my teacher, so that I can chant for Father Liang.
——Guo Moruo's inscription on Wuhou Temple This couplet is signed: "At the beginning of 1964, it was titled Zhuge Thatched Cottage in Longzhong, Xiangyang, and was sent to Guo Moruo from Shichahai, Beijing." "Chushi Biao": In the fifth year of Jianxing Period, Zhuge Liang went out from Qishan to attack Cao Wei before taking charge of Liu Chan.
"Liang Fu Yin": the name of Yuefu's "Chu Tune", which belongs to the local custom of Qi. According to "The Chronicles of the Three Kingdoms: Zhuge Liang's Biography": "Xuanzu, Liang worked hard to cultivate Longmu, so that he could sing for Liang's father."
Zhuge Liang used this to pin his ambitions. Kudos to the Liu family and inherited the Han family tradition.
——Li Duo’s inscription on Wuhou Temple Li Duo, a contemporary calligrapher. The signature reads "Li Duo of Xiang Li wrote a couplet for Zhuge's former residence in Longzhong, Xiangyang, and Meng Xia of Jiazi lived in Longzhong".
This couplet is carved on wood and hung in the main hall of Wuhou Temple. Chui: spread.
Liu family: Liu Bei and his son. Industry: the great cause of unification.
Fan: model, model. Three visits to trouble the world; one visit to the past and present.
——Dong Biwu, inscribed in Wuhou Temple in January 1965, is a proletarian revolutionary, one of the founders of the Communist Party of China, and the former vice president of the country. (Note) This couplet is carved on wood and hung in the main hall of Wuhou Temple.
A meeting: refers to Liu Bei and Zhuge Liang's strategy for Longzhong. For thousands of years, "Three Visits to the Thatched Cottage" has been regarded as a model of courtesy and virtuous corporal, and "Longzhong Dui" is an eternal masterpiece.
Mr. Dong greatly praised this. Brothers and sisters meet Yilu; Mr. Xihuang has a secret.
——Li Cai Cai’s Collection of Du Fu’s Sentences and Inscriptions on Wuhou Temple Li Cai Cai, born in 1863, was a general of the Republic of China and once served under Zhang Xueliang. This couplet is carved on wood and hung on the pillars inside the temple.
Tao: Strategies for founding a country and strategies for governing the country. Emperor Xi: An emperor in myths and legends, known as Fuxi, Mixi, and Baoxi.
It is said that he was very holy and taught people how to make nets for fishing, make calligraphy and draw hexagrams. The couplets are a collection of Du Fu's poems. The first couplet is from "Five Poems on Ancient Relics" and the second couplet is from Du Fu's "Songs of Drunkenness".
The second table reveals the military strategy; the third tripod shows the literary talent. ——Wang Xuezhong's inscription on Wuhou Temple This carved wooden couplet is hung on the pillars on both sides of the main hall of the temple.
To reveal. Martial arts: Martial arts, that is, talents in governing the country and the people, strategy and tactics.
Wen Tao: literary talent. The second table: refers to the "departure table" before and after.
Three points refers to the "Longzhong Dui" that predicts three points in the world. Aspire to the throne three times and look at the ground three times; when you go out, you show your heart and mind twice.
——Inscribed by Yan Juntian on Wuhou Temple Wen Juntian, a native of Xishui, Hubei, is a flower and bird painter. This couplet is signed "In the seventh month of Renxu, Yan Juntian was eighty-three years old."
The carved wood is hung on the pillars on both sides of the main hall. Asking for the throne: During the Xia, Shang and Zhou dynasties, the Nine Tripods were regarded as the national treasure. Chuzi asked Wang Sunman for the throne, with the intention of coveting the Zhou Dynasty, and later used the term "asking for the throne" as a metaphor for usurpation.
"Book of Jin·Biography of Wang Dun": "If there is a desire to aspire to the throne, the emperor will be afraid of him and hate him." This is a metaphor for planning to revive the Han Dynasty and unify the world.
In those days, the righteousness supported the vitality; the hearts of all people looked up to him with his sincere heart. ——Jingxuan's inscription on the Sanyi Hall of Wuhou Temple Jingxuan, a native of Xiangfan, has certain attainments in calligraphy, fine arts, literature, history, etc.
This carved wooden couplet is hung on the pillar beside the door of the "Sanyi Hall" in the side hall of the temple. Yuan Qi: a Chinese philosophical concept that refers to the original matter that produces and constitutes everything in the world.
"Yan Du": "All things are born with vitality." This is a metaphor for Han Dynasty.
The apples and algae in the empty mountain dream of Lingze; the pines and catalpas of my hometown dream of Huiling. ——Anonymous inscription at the Wuhou Temple. Holding one's knees and dreaming of returning to Liang's father's chant; bowing and weeping in the heart of the veteran.
——Wang Shuren of Xiangyang inscribed an inscription on Wuhou Temple: Holding the knees: "The Chronicles of the Three Kingdoms: Zhuge Liang's Biography" quotes "Wei Lue": Liang "is calm every morning and night, often holding his knees and chanting". Liu Guangzu of the Song Dynasty wrote in his "Essay on Sacrifice to Prime Minister Zhuge": "When Juju hugs his knees, Yilu will do the same".
Three visits to the thatched cottage will reveal your integrity; two visits to the teacher will reveal your loyalty. ——Inscribed by Wang Shuren of Xiangyang on Wuhou Temple. Ethics: Integrity and conduct.
Zuo Si's "Ode to History": "Success is shameful and rewarded, and high integrity is outstanding." The couplet means: Only by looking at the minister three times can one know his integrity, and by looking at him twice can he reflect his loyalty.
The hills pillow Nanyang, still talking about the countryside; the unification of Western Shu still leaves a noble portrait. ——Anonymous Title Wuhou Temple This couplet was embedded on both sides of the main entrance of the main hall during the construction of Wuhou Temple.
Nanyang: Nanyang County, one of the counties in the Eastern Han Dynasty, governed 37 counties at that time, and the county governed Wan (now Nanyang City, Henan Province). Longzhong is under the jurisdiction of Deng County, Nanyang County, hence its name.
Dayou is the Sutra. To seek the country, read the Longzhong antithesis early. When talking about Bo Mingzhi, Mu Gonghao recited it for Liang Fu. ——The Local Finance Committee of the Xiangyang County Government inscribed the Wuhou Temple. This couplet is inscribed with the inscription "To commemorate the completion of the reconstruction of the Zhuge Wuhou Temple, it is the sincere wish of the Local Finance Committee of the Xiangyang County Government."
Dayou: Taoism, law. Zheng Xuan's note: "You are the Tao".
"Shu Jing·Zhou Huan": "Like the great king of the past, he controlled the country before there was chaos and protected the country before danger." Sutra: A work or religious classic that is promoted as a model.
Two watches are paired, working hard to pay three visits; the tripod has six legs, and its power and virtue will last forever. ——Cao Li'an's inscription on Wuhou Temple This couplet is carved on wood and hung on the pillars inside the temple.
Two tables: the front and back "The Master's Table". A pair: "Longzhong Pair".
Remuneration: reward. tripod: a metaphor for three-part tripod, just like the three legs of a tripod.
"Historical Records: Biography of the Marquis of Huaiyin": "The world is divided into three parts, and they live in tripods." Fu: Be convinced.
"Zuo Zhuan·Ten Years of Duke Zhuang": "If a little faith is not developed, the gods will be blessed." Longzhong Mountain cultivates talents, and talents serve the country; Wuhou Temple honors the sages, and the sages serve as role models.
——Anonymous inscription on Wuhou Temple. The sea is flowing across the sea, and the writing dares to forget the plans of the world. A feather in the sky, plowing mulberry trees, can see the hearts of the ancients. ——Xu Yuanquan’s inscription on Wuhou Temple Xu Yuanquan, a native of Huanggang, Hubei, lived during the Republic of China.
This couplet is signed "The Wuhou Temple was rebuilt and completed in the summer of Guiyou. Huanggang Xuyuan Spring" flows across the river: the sea water flows everywhere, which is a metaphor for political chaos and social unrest.
A feather in the sky: refers to Luan Feng. It is said here that Zhuge Liang's talent and character are like a phoenix flying high in the sky in the long history of eternity.
See: Appear. Painting three points, burning Bowang, and leaving Qishan, his name is immortal; angering Zhou Yu, humiliating Sima, and capturing Meng Huo have been passed down from ancient to modern times.
——Inscribed by Li Yun on the Wuhou Temple. This carved wooden couplet is hung on the pillars on both sides of the main hall, and is signed with the words "Inscribed by Li Yun in Huanggang during the period of Jiawu and Mengqiu of the Republic of China". Painting: planning, planning.
Three points: three points in the world. Bowang: the name of an ancient county, established in the Western Han Dynasty, and is located southwest of the southern city of Henan Province.
Qishan: In the east of Qi County, Gansu Province, the Han Dynasty built a city on the north bank of the West Han River, which is now Qishan Fort. It is a battleground for military affairs. Zhuge Liang attacked Cao Wei in the north and left Qishan six times.
Zhou Yu: A famous general of Wu during the Three Kingdoms period. He helped Sun Ce establish the Sun Wu regime and later assisted Sun Quan. Sima: Sima Yi, the minister of Wei, was very resourceful and good at making changes. He fought with Zhuge Liang several times.
"Book of Jin: Chronicles of Emperor Xuan": "After many challenges, the emperor (Sima Yi) did not come out because the emperor was dressed as a woman." Meng Huo: One of the leaders of the Yi nationality during the Three Kingdoms period.
In the third year of Jianxing, Zhuge Liang went on a southern expedition. He was captured seven times and surrendered seven times. Later he served in Shu.
Grass. 5. Tang Xianzu wrote a poem about Huizhou merchant architecture. Does anyone know what it is?
A trip to the White Mountains of Huangshan Mountain failed. Preface: Wu Xu took pity on me and persuaded him to visit the Baiyue Mountains of Huangshan Mountain, but to no avail.
If you want to know the gold and silver qi, you usually travel from yellow and white. I have been so obsessed with life that I never dreamed of going to Huizhou.
The preface to the poem explains Tang Xianzu's career status at that time: those who are inexhaustible are down and out and poor. So why did his friends suggest that he go to Huizhou when he was in poverty? That is definitely not the current leisure experience tour. If your stomach is not full, there is no need to take a break.
I just hope to go to Huizhou to seek a comeback opportunity, and this opportunity should still be pinned on Xu Guo. In the nineteenth year of Wanli (1591), Xu Guo retired and returned to his hometown in She County, Huizhou.
Just look at Xu Guo’s eight-legged archway that still stands in the ancient city of She County, and you will know Xu Guo’s status in the imperial court. Although retired, Xu Guo was both the emperor's teacher and an important minister. As long as he was willing to recommend him, Tang Xianzu's life would change.
Therefore, Tang Xianzu’s friend Wu Xu should have advised Tang Xianzu to go to Huizhou to meet Xu Guo in order to eliminate the gap and rebuild the relationship between teachers and students. As long as Xu Guo was willing to say a word to the emperor, his predicament could be changed. . The poem "Huangbai" clearly refers to Huangshan and Baiyue (Qiyun Mountain), and it is a metaphor for gold and silver, that is, official salary.
No matter what the reason was for the failure of the Huangbai Tour, it cannot be inferred that Tang Xianzu meant praise for Huizhou. In fact, at the beginning of the poem, Huizhou is described as a place full of the smell of copper: if you want to get rich, you will probably go to Huizhou among the white mountains of Huangshan Mountain.
This may really be in line with the social reality at that time, because during the Ming and Qing Dynasties, Huizhou merchants were famous all over the world and were as wealthy as the country. Naturally, Huizhou was regarded as a land of gold that the common people envied. But this has nothing to do with the beauty of the scenery, and what does it have to do with the down-and-out playwright? At that time, Tang Xianzu was advised to go to Huizhou, either to seek help from others, or to seek immortality and Taoism. The person was Xu Guo, and the immortal Taoist was Qiyun Mountain. The most practical way was to seek help from others, so it had nothing to do with the scenery.
Therefore, if this poem is understood as the author's praise of the scenery of Huizhou, it would be completely wrong. It should express the author's mentality of not bowing his head to ask for help: It is said that wealth lies in Huizhou, but it is a pity that I have never thought of going to Huizhou in my life.
If "life's most infatuated place" is changed to "life's most painful place", the meaning may become clearer. This is not something I changed. It can be seen in the signed article "Jiang Zehan, the Master of Mathematics" on the Peking University Alumni Network. The original text is "The great dramatist Tang Xianzu left a poem saying "I never dreamed of going to Huizhou in a painful place in my life" because of his longing for Huizhou." < /p>
This "pain" seems to come from the fact that he has never dreamed of Huizhou. Little did he know that Tang Xianzu's pain for the rest of his life came from Huizhou. If he really wanted to go to Huizhou, he would probably imitate the last two lines of the Southern Dynasties folk song "Xizhou Song": "The south wind knows my will and blows my dreams to Xizhou."
It's not that Huizhou is not beautiful, it's that it is obvious My ancestors were born at the wrong time. However, it turns out that Wuyuan under the rule of Huizhou was finally placed under the name of Mr. Tang’s hometown of Jiangxi. Perhaps it was compensation for the misunderstanding? . 6. Famous lines from Huizhou poetry
Those words and poems about Huizhou 1. Mountains surround the city, clear streams surround it, and white clouds and blue mountains make it difficult to paint.
The wild scenery is hidden in every building, and the sound of reading is lit in every house. 2. If you want to know the gold and silver energy, you must travel from yellow to white.
I have never dreamed of going to Huizhou. 3. No one from the important door in the deep alley is seen, but Cheng Zhu is still talking to himself by the roadside.
4. I did not cultivate in my previous life and was born in Huizhou. Thirteen or fourteen years old, I threw it outside. 5. The mountains are connected to Wuyue, the clouds are surging, and the water is connected to Jingyang.
6. There are very treasures in the country, and Huizhou merchants hide three of them. 7. When people gather together to form a village, they are the same everywhere, and the order of respect and inferiority shows the true style.
The ancient tombs have been diligently repaired for thousands of years, and the joint sacrifice will be completed in advance. The ancestral hall, community house, and old family home are covered by bamboo trees, pavilions, and water mouths.
The lintels of the world's great valves are constantly changing, and the nobles from far away praise each other. 8. One beach is higher than the other, and one beach is one foot higher.
Three hundred and sixty beaches, Xin'an is in the sky. 9. Kindness and filial piety are unparalleled in the world, the first township in the south of the Yangtze River.
10. At the source of Wujiang River at the foot of Zhanggong Mountain, there are illustrious green mountains and rivers. The dragon-tailed red fish is in Shuxiang County, and the Yangguan horse is whipping again.
11. When you come back from Huangshan, you don’t see the mountains; when you come back from Wuyuan, you don’t see the villages. Outside the village, there are thousands of shade houses, and there are trees growing among the trees all year round.
12. The green mountains are green towards the evening, and the clear water contains spring flowing beside the threshold. 13. Green mountains, clear water and clear springs are a rare piece of pure land; Huizhou customs, Huizhou opera and Huizhou opera have their own thousand-year-old charm.
14. The lush forests and bamboos reflect the village, and the birds and animals sing to each other.
15. Located above Zhejiang, there are deep water and clouds, and the highest bird path in Xin'an is lingering.
16. There is a hill on the mountain that is all planted with trees, and there is not an inch of soil in the wild that can be turned into a field. 17. The ancient road is bordered by flowing water, and the cold suburbs are surrounded by smoke.
Sparse crows sow wheat, and shy women plow the fields. After the personnel truce, Qiu Huai falls in front of the tree.
Xiao Su’s legacy of calligraphy and ink are astonishing to modern and ancient mountains and rivers. 18. We are sailing in a small boat in the misty rain, and the birds are singing and begging for each other.
The red pomegranate flowers reflect the spring breeze, and the green mugwort leaves hang over the old restaurant. The two oars ripple back to the shadow of the tower, and the river is full of golden waves approaching the dragon swimming.
Only when the cold weather reaches this point can it be warmed up, and people will be entertained by music and music along the way. 19. Xiaotaoyuan, Yixian County, is surrounded by hundreds of miles of haze.
The land is full of beautiful plants and trees, and the people still wear ancient clothes. 20. For hundreds of years, people have done nothing but accumulate good deeds; the first-class good thing is just reading.
21. The Emperor of Qin established the county and bestowed it with a good name. The painting of gathering mountains and water was in the middle of the painting; the beautiful birds flew to join their feathers and fell, but they still owe Huizhou when they return.
22. The water of Xin'an River is green and quiet, and people on both sides of the river are scattered like boats. I dreamed under the Tunxi Bridge for several nights, and the spring scenery looked like Yangzhou.
23. I love Yumi Township in the south of the Yangtze River, and Tunxi Ancient Town is even more affectionate. The peach blossom water at the foot of Xiaohua Mountain smells of tea and ink.
24. Looking at the distant sky, the pine trees are leaning against each other, and the lotus flowers are flying to the two peaks. I am holding a dream pen to write about the wonderful scenery, and the sun is breaking through the clouds and waves thousands of miles away.