Many of gary snyder's poems, from conception to materials, from grammar to rhetoric, all reveal a strong "Chinese flavor", which can be said to be a generation of literary masters with the "literary heart" of China literature. First of all, gary snyder's poetry creation mostly involves the intimate relationship between man and nature, with a weak style and full of the charm of China's classical poetry. Such as a poem on the top of a pine tree in Kameyama:
On a blue night, on a blue night
Frost haze, the sky is slightly frosty and the sky is scattered with light.
With the moon, the moon is bright.
The top of the pine tree is bent, the snow blue is drooping, the pine crown is snow blue,
Disappear in the sky, frost and starlight. Into the sky, frost, starlight.
The crunch of boots, the sharp sound of boots.
Rabbit footprint, deer footprint, rabbit footprint, deer footprint.
What we know. ②? How can we know?
The first six acts of the poem describe the scenery. The narrator hides and doesn't see it. The scenery naturally appears at his own pace. The blue night sky is shrouded in a faint fog, and the moonlight pours down, and the stars are all over the sky, adding a layer of haze. The crown of pine trees is covered with a thin frost. Against the blue sky, Yue Hui presents a pale blue arc, which blends in with the background. Harmonious, quiet, hazy and illusory images render the ethereal and quiet artistic conception in China's classical poems. The seventh line introduces human activities, but it seems that no one on the empty mountain only hears the "harsh sound of boots", which shows the emptiness of self in nature, and the sound of silence highlights the faint emptiness. The "boot ring" and "rabbit's footprint, deer's trail" echo side by side, suggesting the harmony between man and other life in the natural world and embodying the concept of harmony with things. In this ethereal and quiet ...