The History of Sai Ren is a paperback book published by Ye Mei and Jiangsu People's Publishing House. The book is priced at 35, and the number of pages is 11. The article gives some readers' thoughts after reading, hoping to be helpful to everyone.
thoughts on the history of Sai Ren (1): some of my favorite songs in the history of Sai Ren
arranged and edited by: pears
attached with the comments of weina goddess on the history of Sai Ren:
(the copyright belongs to the author, please contact the author in any form.
Author: Ye Mei (from Douban)
Source: //douban/note/65667893/
The Voice of Breaking (Dai Weina)
Ye Mei's writing is a combination of historical writing and body writing. From her steep wording, you can hear the sound of breaking, the "smile of rainstorm" and the "growling in the depths of your throat". Her rare sense of history is entangled with an Internet personality, and she is often thrown out of "Song history again/a few half lives". Her magic lies in exposing the magic, breaking the magic mirror of life and seeing a fierce face. In the chilly lines of poetry, the image of a female martyr who went to history is vividly portrayed.
As a writer with brain holes and banshee potential, Ye Mei's poems consider the strength and toughness of readers' nerves. It is not easy for male readers to understand thoroughly, and often a "mystery" is taken over. She questioned life, like a condescending stay-at-home woman, to wipe a greasy table and clean a trivial floor. Stubborn in daily life, Sai Ren, who confuses navigators with singing, lives in her body and always wants to show her prototype. Thus, she returned to her body and perceived the world with the touch of her skin. Her female consciousness is like a dagger tucked under the text, which is easily hidden, but hidden. Her poems, which are full of electricity, have to be said to be inflamed skulls and silent howls, which are very intense and brave. Many poems are even violent, and readers can often see such shocking and painful sentences as "tearing purity is like tearing a person who gives back and keeps promise" and "leading to non-negotiable retreat, blocking people's mouths". Surprisingly, under the riots, she still maintained a beautiful rhyme, which made everything of her aesthetic. "I must accidentally close two places with similar faces, and you must close the cliffs in the clouds for me." These scattered images and the dismemberment of the soul, no matter how cruel, are done neatly and beautifully. She wants to peel herself off and face the world, like a stretched fish, so that you can read those beautiful fishbones. When she tried to catch her mind, she swam deftly again. This kind of text is inherently violent and rejecting. Like the mysterious species itself, they are unpredictable and have the instinct of rejecting. However, after finding the access, she is completely * * * and open. She even has the ability to "account for thousands of plateaus" in it. Look at this sentence-"the fact is that private feelings, like open conch, belong to political issues." Yes, she stood in front of us with the spirit of * * *, showing no weakness. For her, spirituality is a kind of sexual politics.
I especially prefer Ye Mei to write those intense chapters about women's marriage. Body, Girlfriend and Woman Every capital is in pain. Sentences such as "she drinks all night, like/has to get a handful of water from her stomach, when she tears" and "she is going to draw her ex-husband's face/every time" are distressing. There is a tradition of sadness in China literature, and this "poet's resentment" is inherited from The Book of Songs and Songs of the South. The functions of "Xing, Guan, Qun and Complain" are all played in Ye Mei's poems, while the elements of "Complain" are innovated. Her "resentment" is no longer a classical sadness, but an attack mode based on her own life experience, which is full of explosive energy. In a tense sentence, she opened her posture and waited for a fierce battle in which life and death were uncertain. In any case, no one can avoid the desperate roar of women in these poems. The female consciousness in poems such as "I am a girlfriend", "A group of women", "Event" and "Farewell" is full of the sensibility of women in the new era. On the one hand, she writes about women's sadness and pain, on the other hand, she is always tough and not afraid of sacrifice. The poet dissected the tragedy, instead of indulging in the immediate personnel, he replaced it with a great historical vision: "It's all about a disparity in love/mismatch with this era". In her works, the injury of a woman is equivalent to the crucifixion of Jesus, which is not inferior to any major history. For example, in the poem Event,
"My whole plan lies in an accurate escape
I once realized an understanding in housework, men, and poetry
to gather the flame, tolerance, Bright
to consume the age and fat of marriage "
or" Self-confidence ":
" Everyone can see that
she is destroying one love
creating another love
but she
has no doubt about herself
that she is so fast
with gorgeous clothes and strange behavior,
.
a poetess whose writing is so tangled must have an unfair fate. And uneven, but also extraordinary. Ye Mei wrote a group of poems with the title of ancient Greek mythology, and the title alone shows her tolerance and ambition: (1) Galatia; (2) Sai Ren; (3) Jocasta; (4) antigone; (5) Persephone. Galatia is the most charming fairy in the sea. She fell in love with a prince named Arcas and was also loved by Polyphemus, the cyclops. Later, Polyphemus killed Arcas with jealousy. Sai Ren is a banshee who lures sailors with psychedelic songs; Jocasta was the mother of Oedipus. Later, she married Oedipus and gave birth to antigone. Finally, she committed suicide in shame. Persephone is the wife of Hades, the queen of the underworld. These five goddesses have their own dramatic destiny, and the name of the group poem is Drama. It can be seen that this group of poems by Greek goddesses were written with great effort. Combining the cultural background of ancient Greece and the fate of a new generation of female writers, it is both ancient and new. Based on this group of poems, Ye Mei is the best among this generation of female poets. Poets strive to "forge an excellent relationship between men and women" in their poems, but "people are nothing but the rest of love after all". Every goddess in the poem is the embodiment of the poet's own personality and destiny, and even the five personalities she split in modern Beijing. We will study every personality, and we will take care of her patiently, for the sake of our common dangers.
Reflections on the History of Sai Ren (II): Action is Thought: On Ye Mei's Poems
Although there are some overlapping articles in them, we can still see a progress towards resistance poetics. On the one hand, the poet entered a more political city from the hot and humid south, and had to be involved in a closer relationship between poetry and life, and therefore had to give up a certain innocent attitude; On the other hand, the poet's heart may become more and more irritable because of several twists and turns, and the Medea-style poetic image is vividly portrayed in the poet's serious treatment of the world.
Neutrality may be a declaration of the poet's early attitude. At this stage, the poet adopted a parody of the world. For example, when he was in the whirlpool of heat, the words were "extremely sticky". "Sketch" also shows this attitude: "... behind the counter, I saw priestesses killing fish and sacrificing their lives. They wore black rain boots and tightened their aprons to throw away the belly of the fish, remove their gills and gut them. They treated the fish like a pile of junk, eager to sell it, impatient as if the fish were someone they didn't have the patience to face"
Faced with housewives who were in a hurry, The poet tried his best to take a patient and emotional observation, and his strokes were like genre paintings, each of which constituted a plot to keep a cautious distance from the object of description, so this' priestess' satirized life in the sense of words and the words themselves in the sense of life.
A similar position is also reflected in such poems as The Situation Map, The Island Metaphors Her World, The World.
In The History of Sai Ren, there is a gesture of refuting the world. Ye Mei wrote a poem "The Poet I Met" a few months ago, in which she objected to the prevailing poetic view of "negative freedom", which triggered a wide debate. It is this unyielding, uncompromising, Amazonian spirit of struggle that makes his poems a clear record of consciousness.
This change is also reflected in the titles of poems. "Anniversary" is a private anniversary, while "History of Sai Ren" is a misappropriation of the public myth. My understanding is that this dramatic face seems to imply impersonal efforts, but in fact it is a deepening of private history. In other words, the poet gradually found his ancestors in personality at this stage. From Sai Ren to Jocasta and other mythical figures, these elements, together with the childhood memories of Northeast China implied in Mother's Church and Family Burial and the South China in the Island Series, constitute an identifiable source of gravity in the poet's private galaxy.
There are some recognizable places in Ye Mei's poems, and I think it is this awareness of involvement from a private perspective, which is especially exposed in the last few lines of Faith: "So I learn to love, and I firmly believe that thinking will not precede action, and action means that thoughts come from faith, and labor means faith"
Especially "Action means thought", which can sum up a poetic outline. Ye Mei's poems are not shy about personal gender identity, especially personal gender identity, but also frankly express many radical words and expressions in terms of her own exploration. Bell, Drum and Nest is a highly completed poem, in which "when willows germinate in the fruit of the body/people who are lost in arguments/many doctrines and bridges must be grasped", the poet's reference to politics is careless-political vocabulary seems to be directly introduced into the poet's strange associative dimension as a result of moderate education, and the interesting aspect is that in a few references to politics, the poet implies. On the contrary, just as the description of housewives in poetry is not to exclude them from the poet's own world, allowing politics to appear in his own poetry, allowing the other party to present himself as a relationship, also implies a tolerance for the abstract and huge external world, and shows the courage to accept politics as a fact and live in it. Just like "walking on slippers in the clouds", the relative gap between the clouds and slippers may be the tension that heterogeneous words can be given in poetry, and it is also the space where politics (or actions) can freely enter and exit in poetry.
reflections on the history of Sai Ren (3): Ye Mei, a shrew
Ye Mei was born in 1981 with a master's degree. Wrote two books of poetry. According to what she said, she was subjected to violence by her ex-boyfriend. So I ran away from home. He also said that seven years of living with his ex-boyfriend also suffered a lot of violence. For seven years, living in a room with a violent maniac, Ye Mei obviously suffered an unprecedented blow. She endured her ex-boyfriend for seven years with a crucified heart.
Seven years, tears are shed step by step and blood is shed step by step. It is hard for outsiders to imagine how a feminist, a woman with independent personality, independent thoughts and independent economic status, managed to survive! It's really admirable. This is an unbearable life for women in the 21st century.
Finally, one day, Lu Yemei said that she was hit on the head by her ex-boyfriend with an instrument, and she was bleeding like a big hole! Nobody cared about her, and nobody asked her. She was displaced and went to Dongbei Village, Shenzhen, and found a random man for a while. I tried to invite some men to live in her place, but I didn't achieve my wish. And the injury of ex-boyfriend has obviously penetrated into the bone marrow!
Later, for the sake of love, Ye Mei's love always came so quickly! I don't know how those seven years of hard life can be endured by a bad guy and a violent maniac!
She went to Beijing and met all kinds of poets. Everyone told her that her ex-boyfriend had hit herself and that she was a feminist. There were many people who were indignant! She also changed many boyfriends non-stop, but she broke up soon after falling in love.
She once teased another poet on Douban, but the poet didn't agree. Later, a poetess, who didn't know the inside story, asked her for her ex-boyfriend's micro signal.
at that time, she had run away from home for more than a year.
But there is also the micro-signal of the ex-boyfriend, and there is still a micro-signal that hurts her, ravages her and tortures her. It can be seen that the heart of life is deep.
She gave the girl WeChat, but she fell in love with her vicious ex-boyfriend. And once I didn't let myself attend a poetry party!
this world is so sad! Is it difficult to have justice? She was angry and started her conquering career!
fancy abuse begins.
God said that there is light, and Ye Mei said that there is domestic violence! There is no doubt about this, but anyone who doubts it will be violently and continuously consoled by Ye Mei.
Ye Mei is looking for * * * and cursing her ex-boyfriend while selling poetry collections! The amphibious star is so much! I also love violent photos. Although I am still old after Meitu, I still have frequent outbreaks!
Some people say that Ye Mei is crazy! Some people say that she is a bitch! Some people say that she still loves her ex-boyfriend, otherwise why do you always mention him? Love begets hate! Some people say that she is begging for justice! Ask for people's hearts! To name a few, Ye Mei always threatened to commit suicide to those who questioned her. There is a lot: if you don't agree with me, I will die for you!
How about a poet who is in his late forties? Why did the woman who endured violence for seven years suddenly break out? Why does a poet who talks about sex everywhere occupy the moral high ground? Why is a person who paints and curses every day a person?
these questions are difficult to answer! In short, Ye Mei is not a bitch! She is the virgin Mary, who endured seven years of torture! She's a feminist. She won't work for seven years! She's an adult, and she's swearing and venting her anger! She is a mature person, blaming others for her incompetence!
sometimes, your anger comes from your incompetence! Your unhappiness is due to your immaturity!
people who throw feces when they see other people's happiness are full of feces!
obviously, ye mei is not from above. Ye Mei is a good person! Harmless people! Is a person with a bright future!
Please look at the pictures of Ye Mei's quotations.
Comments on History of Sai Ren (IV): Write two sentences casually
My initial understanding of Ye Mei came from a photo of milosz, the head of her watercress. Based on this head, I concluded that she was a person who didn't demand herself by judging the value of women in a universal sense. Later, when I got along with Ye Mei, I found that she was a very energetic person and a person who could tolerate rudeness.