200 oranges are planted artificially, and new leaves are spread all over the city in spring.
Fang Tongchu pitied Imperial Tree and didn't learn from Limu slave in Jingzhou.
How old are you?
If you wait until the day of the forest, you will taste as good as the old man.
Label: Quality Thought Other
I personally planted 200 citrus trees in the northwest corner of Liuzhou. Spring has come, the branches and leaves are green, and the northwest corner of Liuzhou city is green. I like this beautiful tree of nature as much as Qu Yuan. Don't use orange trees as wood slaves to make profits like Hengli. How many teenagers will it take to smell its white floral fragrance like a snow spray boat? Who would pick a fruit that looks like a pendant? If I wait until the orange tree becomes a forest, its fruity taste will last until I am old.
"Planting citrus reticulata in the Northwest Corner of Liuzhou City" notes that "Fang Tong Chu Ke cherishes imperial trees", and Chu Ke refers to Qu Yuan, an adult of Chu State in the Warring States Period. Qu Yuan loved oranges and wrote Ode to Oranges, enthusiastically praising the beauty of orange trees:
"After the emperor jia tree, orange to take. I was ordered not to move. I was born in the south? " It is said that citrus reticulata is a good tree born between heaven and earth. Different from other trees, it is used to the southern soil and has the advantage of independence and immobility. This is actually Qu Yuan's praise for oranges, comparing himself with the orange tree and expressing his personality by praising the orange tree. Liu Zongyuan said that he should love citrus trees like Qu Yuan, and he also used citrus trees to express his meaning. I like this beautiful tree of nature as much as Qu Yuan. This is from the front.
"Don't Learn from Jingzhou Pear Wood Slave" tells the story of Hengli growing oranges for profit. According to Shui Yuan, during the Three Kingdoms period, Hengli was a native of Jingzhou and a satrap of Wu Danyang. He sent people to plant thousands of oranges in Longyang Prefecture, Wuling (now Changde County, Hunan Province). When he died, he said to his son: There are thousands of wooden slaves in my state, that's enough. He regarded the orange tree as a slave and could make a profit, so he was called a "wooden slave".
Appreciation of citrus reticulata in the Northwest Corner of Liuzhou, a poem by Su Dongpo and Zeng Zongyuan (Dongpo's Inscription Volume II), can achieve the goal of "sending it to taste, but indifferent" (after Huang Zisi's poetry anthology). This poem is such a good poem.
The title of the poem points out that the writing time was in the period of demoting Liuzhou. The content of the poem is to express the feelings of planting citrus trees. At the beginning, I wrote in a narrative way: "I planted 200 oranges by myself, and the city is full of new leaves in spring." The first sentence specifically points out the "hand species" and the number of plants, which shows the poet's love and attention to citrus trees. In the second sentence, the word "new" is used to describe the tender green of orange leaves, and the word "times" is used to describe the prosperity of orange leaves, which not only embodies the tension and harmony at present, but also secretly points out the poet's interest in viewing the corner of the city from tree to tree.
Regarding why he has such deep feelings for citrus trees, the poet said: "Fang sympathizes with Chu people and does not learn from Li Muou in Jingzhou." It turns out that he loves oranges because reading "Songs of Chu Qu Yuan" aroused his interest, instead of trying to make a fortune by planting oranges and leaving some property for his children and grandchildren, as the secretariat of the Three Kingdoms Danyang Hengli did. (For details, please refer to the book of Xiangyang, the fruit of A Scene of Peace. The poet's heart is indifferent to the ancient sages and dried tangerine peel, carefree and does not admire Li Rong. However, through the indifference of appearance, we see the inner waves of the poet. Qu Yuan loved and sympathized with oranges in those days, and thought that oranges had the qualities of "being closed to the outside world, being cautious and not making mistakes" and "being selfless", and once boasted. Today, I am selfless, but I am far from hungry. No one can express this feeling. Only these dumb citrus trees are their bosom friends. The antithesis of this couplet replaces right and wrong with opposition, and pours its complex thoughts and feelings into two allusions with opposite meanings, which not only achieves symmetry in form, but also fluency in content, and can also cause internal contrast and association, which makes people feel profound and profound when reading.
Then, the poet thought of its flowering results from the young citrus tree: "How old were you before you bloomed and smelled the snow?" Who can pick the real pearls? " "How old" and "who" all carry the word "poor". It's a pity, so I'm looking forward to it. Because the orange tree has become the only bosom friend around the poet, the more he writes about his deep sympathy for the orange tree, the more he can show his lofty feelings and his efforts to forget the world. This combination of "snow spraying" describes the flowering of citrus trees, and the next word "smell" describes the wonders of "snow spraying" and the fragrance of citrus flowers, rendering a lively atmosphere; Using "hanging beads" to describe fruitful results shows that the prospects are promising. But this is out of imagination after all. From imagination to reality, the lively atmosphere just reflects the loneliness in front of us. He couldn't help asking himself: How long will it take for this young citrus tree to blossom? Who will pick its fruit in the future? The implication is: Do you really want to stay here until the citrus blossoms and bears fruit?
The couplets could have expressed their feelings directly, but the poet pretended to be philosophical in a gentle tone: "If you teach Lin Tian, you will be like protecting your husband." Literally, if I wait until the orange tree becomes a forest, its fruity taste will last until I am old. But that's an excuse. In fact, it means that I am very sad that I have been exiled for a long time, and I am afraid that I will continue to taste oranges. Yao Nai, a A Qing dynasty man, said, "If you finish saying a sentence, you will hurt yourself and leave for a long time, and you may see what is sweet and turn into a forest. The excuse is flat, so it's good. " The overall tone of this poem is gentle, but behind the gentle tone, there is a restless heart of the poet. This is an important reason for the formation of the artistic style of "dry outside and paste inside, light and beautiful". Its beauty, to borrow Ouyang Xiu's words, is called: "Just like eating olives at first, but the real taste will last forever." ("Ouyang Wenzhong's Public Collection" Volume II) The whole poem is far-reaching and profound. Appreciation 2 Su Dongpo once said that Liu Zongyuan's poem "The cream inside is dry outside, which seems light and beautiful" (Volume 2 of Dongpo's Inscription) can "taste in indifference" (after Huang Zisi's Poems). This poem is such a good poem.
The title of the poem points out that the writing time was in the period of demoting Liuzhou. The content of the poem is to express the feelings of planting citrus trees. At the beginning, I wrote in a narrative way: "I planted 200 oranges by myself, and the city is full of new leaves in spring." The first sentence specifically points out the "hand species" and the number of plants, which shows the poet's love and attention to citrus trees. In the second sentence, the word "new" is used to describe the tender green of orange leaves, and the word "times" is used to describe the prosperity of orange leaves, which not only embodies the tension and harmony at present, but also secretly points out the poet's interest in viewing the corner of the city from tree to tree.
Why do you have such deep feelings for citrus trees? Please listen to the poet's own answer: "Fang pities Chu Ke and doesn't learn from Jingzhou." It turns out that he loves oranges because reading Qu Yuan's Ode to Oranges aroused his interest, instead of trying to plant oranges and leave some property for his children and grandchildren, as Danyang was too conservative in the Three Kingdoms. (See the Book of Xiangyang, the fruit festival of "Peaceful Magnolia") How indifferent the poet's heart is, how he makes friends with ancient sages, how he loves dried tangerine peel, how carefree he is, and how much he doesn't admire Li Rong! However, through the indifference of appearance, we see the inner waves of the poet. Qu Yuan loved and sympathized with oranges in those days, and thought that oranges had the qualities of "being closed to the outside world, being cautious and not making mistakes" and "being selfless", and once boasted. Today, I am selfless, but I stay away from inflammation. Who can express this feeling? Only these dumb citrus trees are their bosom friends. The antithesis of this couplet replaces right and wrong with opposition, and pours its complex thoughts and feelings into two allusions with opposite meanings, which not only achieves symmetry in form, but also fluency in content, and can also cause internal contrast and association, which makes people feel profound and profound when reading.
Then, the poet thought of its flowering results from the young citrus tree: "How old were you before you bloomed and smelled the snow?" Who can pick the real pearls? " "How old" and "who" all carry the word "poor". It's a pity, so I'm looking forward to it. Because the orange tree has become the only bosom friend around the poet, the more he writes about his deep sympathy for the orange tree, the more he can show his lofty feelings and his efforts to forget the world. This combination of "snow spraying" describes the flowering of citrus trees, and the next word "smell" describes the wonders of "snow spraying" and the fragrance of citrus flowers, rendering a lively atmosphere; Using "hanging beads" to describe fruitful results shows that the prospects are promising. But this is out of imagination after all. From imagination to reality, the lively atmosphere just reflects the loneliness in front of us. He couldn't help asking himself: How long will it take for this young citrus tree to blossom? Who will pick its fruit in the future? The implication is: Do you really want to stay here until the citrus blossoms and bears fruit?
The couplets could have expressed their feelings directly, but the poet pretended to be philosophical in a gentle tone: "If you teach Lin Tian, you will be like protecting your husband." Isn't it a pleasure to watch the citrus grow into a forest with your own eyes and one day support the elderly with your own citrus? However, it is not difficult for readers to understand what "taste" it is for a person with lofty aspirations. Yao Nai, a A Qing dynasty man, said, "If you finish saying a sentence, you will hurt yourself and leave for a long time, and you may see what is sweet and turn into a forest. The excuse is flat, so it's good. " (Five quotations from Tang and Song poetry)
It should be said that the whole tone of this poem is gentle, but behind the gentle tone is the poet's restless heart. This is an important reason for the formation of the artistic style of "dry outside and paste inside, light and beautiful". Its beauty, to borrow Ouyang Xiu's words, is called: "Just like eating olives at first, but the real taste will last forever." The appreciation of chanting makes people feel more and more profound.
Liu Zongyuan (773-8 19), the author of citrus reticulata in the northwest corner of Liuzhou City, was born in Hedong (now Yuncheng, Shanxi Province) in the Tang Dynasty, an outstanding poet, philosopher, Confucian scholar and even an outstanding politician, and one of the eight masters in the Tang and Song Dynasties. His famous works include more than 600 pieces, including Eight Chapters of Yongzhou, which were compiled into 30 volumes by later generations and named "Liuhe East Collection". Because he was from Hedong, he was called Liu Liuzhou, and because he was finally appointed as the secretariat of Liuzhou. Liu Zongyuan and Han Yu were both leaders of the ancient prose movement in the middle Tang Dynasty, also known as "Liu Han". In the cultural history of China, his achievements in poetry and literature are outstanding, which can be said to be inseparable.
Liu Zongyuan's Other Works ○ Xiaoshitang
Jiang Xue.
The snake catcher said.
A fisherman
Donkey of money
○ More works by Liu Zongyuan