Beauty of music: beautiful sound and rhyme, full of rhythm, and the melody echoes.
The rhythm is brisk, soft, cadence and catchy. For example, in section 12367, the rhyme of every even sentence
Is consistent. The rhymes of various rhymes have internal unity, overall correlation and differences. Reading aloud can not only make people feel comfortable and beautiful music, but also the degree of syllable suppression. The whole poem constitutes a complete piece of music, reaching a perfect artistic realm, which is the best practice of musical beauty in Wen Yiduo's theory of three beauties.
Beauty of painting: bright colors and flowing pictures.
Bright colors: clouds, golden willows, sunset, waves, bright shadows, green flowers, rainbows, grass and magnificence. The beauty of flowing pictures: dancing, rippling, swaying, smashing, depicting, dancing ... The painting beauty of Farewell to Cambridge is mainly reflected in the second to fifth sections, in which the image features range from gentle and charming to Leng Yan's bright and beautiful, the perspective from the riverside to the bottom of the water, and then to the integration of heaven and earth, and the lyrical features range from subtle lingering to unrestrained. It can be said that these four paragraphs are the essence of this poem. For example, the important image of "willow", we are easily captured by this image and fall into a lingering state of mind in the lingering beauty of willow branches. Xu Zhimo compared the willow to the bride, which gave her graceful willow more delicate and feminine at once. Under the golden light of the setting sun, the willow posture and the reflection in the waves complement each other, just like the bride in front of the toilet mirror. This dazzling scene, like the first picture in memory, is intoxicating
(3) Architectural beauty: the lines of the poem have changed, but they are relatively neat, paying attention to the symmetry of the knot and the neatness of the sentence.
Four lines and one section, arranged at will, with similar words, echoing before and after. The poem consists of seven sections with four lines and four sentences. The number of words is in the form of 6767, 6767, 7878, 7868, 7868, 6878, 6767, showing a circular pattern and hiding fluctuations. In addition, the poet indents the even sentences in each section into one box, forming a rugged layout, which is visually pleasing to the eye and will also form a natural momentum when reading. The lines of the poem are arranged in pairs, which are neat in the uneven changes and give people the aesthetic feeling of architecture.