The language of poetry is concise and implicit, which makes people intoxicated in the wine of poetry. Poetry is implicit and evil. China poets have always regarded implicit beauty as an important creative principle. This is also the unique national psychology of the Chinese nation. The so-called implicit beauty, as Su Shi said: "Those who say more than enough are the best in the world." Jiang Baishi said, "Words are expensive but implicit". Liu Dakui, a Qing Dynasty man, also said: "There is a sentence on the sentence, a sentence under the sentence, a sentence in the sentence and a sentence outside the sentence. There are few people who say it, and there are many people who don't say it. " The artistic realm described by everyone above is implicit beauty. Hint is an artistic expression, which implies the deep meaning of the author in the image depicted in the work. Its main feature is implication. Poetry with implicit beauty is not only concise and concise, but also vivid and full of artistic charm. Throughout the long river of China's ancient poetry, poets in past dynasties created implicit beauty in various ways, and the common ones are:
First, the combination of realism and fiction makes the foreground of the eyes and the middle scene of the mind juxtapose at the same time.
Lu Ji pointed out in Wen Fu that the author can "look at the past and present in an instant and caress the whole world in an instant" when conceiving. Liu Xie also said in "Four Articles of Literary Mind Carving Shenlong": "The thinking of literary ambition is also far-reaching. Therefore, I am silent and worried, thinking about the Millennium; Quietly, see Wan Li. " They show that Si Wen is not limited by time and space and is the most active. Therefore, in the poet's pen, in the same space, different times can be presented; At the same time, it can also present different spaces. For example, in Wang Wei's "I miss my brothers in Shandong on vacation in the mountains", "I am a stranger, and I miss my relatives twice every holiday." . I know from a distance where my brother climbed, and there is one person missing from the dogwood. "The first two sentences have almost no circuitous, but go straight to the core, quickly forming a climax, and there are epigrams. However, this kind of writing often makes the last two sentences unsustainable, resulting in insufficient stamina. If the last two sentences of this poem extend in a straight line along the line of "I miss my relatives more during the festive season", it will inevitably lead to snake feet; It is also difficult to find new ideas and form a new climax. The author found another way: let the surging emotional torrent turn around in three or four sentences, and put pen to paper from the perspective that brothers miss themselves, but the poet thinks: "One person misses everywhere." (If you just think about how brothers climb mountains and wear dogwoods on the Double Ninth Festival, and you are alone in a foreign land, you can't participate. Although you write about homesickness in the festival, it will appear straightforward and lack freshness and affection. Brothers who are far away from home are wearing dogwood when climbing the mountain today, only to find that one brother is missing-he is not one of them. It seems that it is not a pity that I failed to spend the holidays with my brothers in my hometown, but that my brothers failed to reunite completely during the holidays; It seems that it is not worth saying that a person is a stranger in a foreign land, but the shortcomings of brothers need to be understood. This is full of twists and turns, which is unnatural-it expresses deep yearning for brothers in diplomacy, and this unnatural place is precisely its deep and implicit beauty.
The same example is Wei's Autumn Night Message for Autumn. I walk in the cool autumn night, thinking of you and singing my poems. I heard pine cones fall on the mountain. You shouldn't.