Thank you:
It is clear at the beginning that "Bodhisattva Man, Hills Overlapping with Gold, Disappeared" is a flower word written by Wen Tingyun. Wen Tingyun, formerly known as Qi, was born in Qixian County, Taiyuan (now Shanxi Province), a poet, poet and writer in the late Tang Dynasty.
According to historical records, Wen Tingyun's "ability to play the notes one by one is a beautiful word", which means that Wen Tingyun is well versed in music and lyrics. His poems are flowery in rhetoric, elegant and exquisite, and mostly about boudoir feelings. They are as famous as Li Shangyin and are called "Wen Li".
There is a great feature in Wen Tingyun's ci, that is, he writes lyrics from a female perspective and describes the emotional world of women. The content of his ci is mainly romance, love and lovesickness.
Wen Tingyun deliberately strives for perfection in his lyrics, pays attention to literary talent and sound and emotion, and is superior to other poets in the late Tang Dynasty. He is the first poet of Huajian School and is regarded as the originator of Huajian School, which has a great influence on the development of Ci. Bodhisattva Man, whose original words are as follows:
The hills overlap and the gold disappears, and the clouds on the temples want to spend the fragrance and snow on the cheeks. Too lazy to paint a moth eyebrow, too late to make up and wash.
look at the front and back mirrors of the flowers, and the flowers face each other. The new post is embroidered with Luo Luo, and both are golden partridges.
The content of this word is very simple. According to the order of women's daily life, it presents a gorgeous picture of grooming and makeup.
From the form of expression, Wen Tingyun made full use of the gentle features of Ci, and integrated vivid interior decoration, costumes and manners with vague emotions, and successfully presented unspeakable moods and sensible beautiful images by means of metaphor.
if you can find two words to summarize the general idea of this word, the word "dressing" is the most representative. The opening sentence is "the hills overlap and the gold disappears", and "the hills" is a kind of eyebrow shape popular in the Tang Dynasty.
Among the female thrushes in the Tang Dynasty, there is a kind of eyebrow shape called "hill eyebrow". Different shades of eyebrows and dais will form overlapping sensory features, which look like undulating hills.
"gold" is a flower ornament made of metal foil on a woman's forehead, that is, a flower bud. Flower buds are available in red, green and Huang San colors. They are made of precious metals such as gold and silver and pasted on the forehead, which is a popular makeup in the Tang Dynasty.
In the second sentence, "The clouds on the temples want to make the cheeks snow", the heroine in the word is lying in bed before getting up, and her hair at the temples presents a flowing beauty. The word "desire" expresses this state. That is, the hair is about to cross the face, but it is about to cross the face.
The heroine's hair is between moving and motionless, and it seems to be in a state of moving and motionless, which is keenly captured by the poet. Her gentle and graceful hair is full of gentle and charming feelings, and the meaning of words also presents a hazy beauty, while the poet's pen is a picture of "sleeping beauty"
The poet's description of this feminine detail is very vivid, which shows that his observation is meticulous and his description is accurate, and the heroine's state is vividly presented in the poet's vivid description.
The above two sentences describe women's faces, following the order of first up and then down, first in the middle and then on both sides, which is very organized. Together, the two sentences mean: she frowned slightly, and the golden light on her forehead flashed on or off; Her hair is like a cloud, gently passing over her white face.
Wen Tingyun obviously made great efforts in describing women's looks in Ci. The first sentence describes the shape of eyebrows with mountains, the second sentence describes her hair with clouds, and compares her cheeks with snow. Poets use natural scenery to compare people's faces, and the clever use of rhetoric enhances the sense of rhythm and rhythm in their works.
"lazy to paint a moth eyebrow, late to make up and wash". The woman was lying in bed lazily, and she didn't want to get up or paint her eyebrows. She just lay quietly, and it was a long time before she got up and began to wash and dress.
From the words "lazy" and "late", it can be seen that the heroine is not interested in grooming. What is the reason? As mentioned earlier, Wen Tingyun's ci works are written in a feminine tone from the perspective of women, so the meaning of the words will not be interrupted. The lazy state of women in the ci is just one of the pictures that the poet wants to describe.
The women in Wen Tingyun's works are gentle and lovely, and their emotions are implicit and obscure. Poets express beauty through a large number of side descriptions or scenery with charm.
The colors and scenes are harmonious, and the lazy image of the woman in the ci reflects the intuitive feeling of beauty, and the affection brought by these scenes is the hope and expectation of the woman.
From the poet's elaborate description of the decorations, we can see that the woman in the poem has a rich and superior family environment, and both her makeup and dress are very fashionable. There must be a reason why she doesn't want to get up, but the poet doesn't want to show it here.
the next two sentences follow the specific situation of the makeup written in the previous one: when putting on the hairpin, the front and rear mirrors are very meticulous and exquisite, and the beauty and face complement each other, which makes people feel more like flowers, charming and gorgeous.
a delicate makeup needs to be carefully sketched. "Look in the mirror before and after the flowers, and the flowers face each other." According to the general makeup steps, after dressing, you should make up carefully in front of the mirror.
Everyone loves beauty, especially the woman in this poem. She is very concerned about her makeup, and the heroine in the poem is different. She has two mirrors, one for the front and the other for the back. The front is a big mirror that can shine on the upper body, and the back is a small mirror that can only shine on a small part of the body.
When the heroine sits in front of the big mirror, she can clearly see her front dressing, but she can't see the bun and hairpin at the back.
So she picked up a small mirror with a handle and reached into the back of her head. The result was that beautiful hairpin flowers and her face appeared in the big mirror. In the mirror was a beautiful woman with exquisite makeup and a confident face.
after grooming and looking in the mirror, what else does the heroine do? The sentence "New Embroidered Luo, Both Golden Partridges" is exactly what she will do next.
After the heroine got dressed, she started her needlework. She wanted to embroider a pattern on the short skirt, which happened to be a pair of partridge patterns.
At this point, it is self-evident why the heroine in the last film is "lazy to paint a moth eyebrow, and late to make up and wash". Even the patterns used in embroidery are partridges that are wing to wing, while the heroine lives alone, alone, how can it not make people feel sad? This description not only fully embodies the rich style of Wen Tingyun's ci, but also describes people with things, which is even more subtle.
What is described here is the heroine's embroidery scene, which is in sharp contrast with the laziness in front, and truly reflects her inner contradiction:
Because her sweetheart is not around and no one appreciates her, she is lazy to get up late, but the woman's beauty-loving nature makes her instinctively paint a delicate makeup. What if a woman is pleasing to herself and admiring herself, and her beloved is not around, so what if she dresses beautifully?
In the last two sentences, there is a sudden change in structure, from the description of women's appearance to clothing, and the focus is on the partridge pattern on women's short skirts. This patchwork expression vividly reproduces the emotional fluctuations in women's hearts.
This poem by Wen Tingyun describes a series of moving pictures with a strong sense of life, such as a woman waking up in the morning, dressing, fitting in front of the mirror, needlework and embroidery.
The subtle plots such as "clouds on the temples", "sweet cheeks" and "moth eyebrows" in the ci highlight the natural beauty of women's appearance, while "makeup" and "looking in the mirror" show the vivid and natural beauty of women through a series of specific actions, create a fresh and vibrant world, and also show the poet's experience and perception of beauty very intuitively.
Wen Tingyun used gorgeous words to create women's images, and he described women's appearance, clothing, daily life and psychology in detail. All these * * * together construct the unique beauty of women, and also constitute the unique artistic aesthetics of Wen Tingyun's ci. It is also because of this reason that Wen Tingyun's ci-poetry won high praise at that time, and it is reasonable that his ci-poetry can win the favor of his contemporaries and even be selected for Flower Collection.