It is said that all the poems in The Book of Songs are lyrics that can be sung at that time. According to the nature of music, it can be divided into wind, elegance and praise. The "Wind" is composed of Nan Zhou, Zhao Nan, Gao Feng, Yong Yufeng, Feng Wei, Feng Wang, Qifeng, Wei Feng, tang style, Qin Feng, Martin, Guifeng, Cao Feng and Zhuifeng, and is called the Fifteen-Country Wind. Most of them are folk songs in the Yellow River valley, and a few are works processed by nobles. "Elegance" includes Xiaoya and Daya, *** 105.
Ya is basically a noble work, and only a part of Xiaoya comes from the folk. Ode includes Zhou Song, Truffle and Shang Ode, with a total of 40 articles. Ode is a lyric used in court sacrifice. Generally speaking, folk songs are lively and lively, and the poems of court nobles are dwarfed by them, and there is not much poetry.
The Book of Songs is the source of China's poetry and the glorious starting point of China's poetry history. It has many forms: epic, satirical poem, narrative poem, love song, war song, carol, holiday song and labor ballad. Rich in content, it reflects all aspects of social life in the Zhou Dynasty, such as labor and love, war and corvee, oppression and resistance, customs and marriage, ancestor worship and feasting, and even astronomical phenomena, landforms, animals and plants. It can be said that The Book of Songs is a mirror of Zhou society. The language of The Book of Songs is the most important material to study the general situation of Chinese from the 6th century BC to the 6th century BC.
The Book of Songs is China's first collection of poems. From the early years of the Western Zhou Dynasty to the middle of the Spring and Autumn Period, that is, from1/kloc-0 to 600 years ago, 305 poems of about 500 years were collected.
The Book of Songs was called "Poetry" in the pre-Qin period, or the number of poems was called "Poetry 300". It was originally just a collection of poems. However, since the Han Dynasty, Confucian scholars have regarded the Book of Songs as a classic and honored it as the Book of Songs, ranking first among the Five Classics.
The poems in The Book of Songs originally had music lyrics. According to the nature of primitive music, they are divided into three categories: wind, elegance and ode.
"Wind" is the local wind, wind ballads, that is, folk songs around the country. "Wind" contains 15 national folk songs, namely "The Wind of Fifteen Countries", with *** 160 articles. It accounts for more than half of the Book of Songs. Compared with elegance and fu, wind is lively and full of life. For example, the opening novel Guan Ju is about young people's first love. Dream is about the sadness of a woman being abandoned by her husband. The subtle psychology of writing love in Jing Nv.
"Ya" is a formal and elegant music and an orthodox court music song. "Ya" can be divided into "Ya" and "Ya". "Elegance" is the ceremony of grand banquet; "Xiaoya" is a general banquet ceremony.
Ode is a kind of music song for sacrifice, which is used to worship ancestors, pray and praise the gods in the imperial ancestral temple. There are 40 existing songs.
The Book of Songs is the source of China's poetry and the glorious starting point of China's poetry history. It has many forms: epic, satirical poem, narrative poem, love song, war song, carol, holiday song and labor ballad.
It is rich in content and reflects all aspects of social life in the Zhou Dynasty, such as labor and love, war and corvee, oppression and resistance, customs and marriage. Known as the encyclopedia of life in ancient society.
The Book of Songs has been widely circulated as early as the Spring and Autumn Period. It is a cultural textbook widely used in aristocratic education in China for thousands of years. In the Analects of Confucius, Confucius also said that "if you don't learn poetry, you have nothing to say", and you often use poetry to educate your disciples. Since then, it has been called "Five Classics" with Shu, Li, Yi and Chunqiu. Confucian figures after Confucius used the Book of Songs as a textbook and taught it endlessly. Although the book was burned by Qin Shihuang, the poem was handed down by the literati.
The Book of Songs occupies an important position in the cultural history of China and even the world, and has a great influence on later literature.
The expressive techniques of The Book of Songs: 1. The expressive techniques of Fu, Bi and Xing are widely used. Second, the second way of expression of The Book of Songs: four characters, repeated chapters and repeated reciting.