"The Red Army is not afraid of difficult expeditions, and Qianshan has only leisure" comes from the ancient poem "Seven Laws and Long March" written by contemporary poet Mao Zedong. The full text of his ancient poems is as follows:
The red army is not afraid of the expedition, and Qianshan is just idle.
Wuling makes waves, and Wumeng takes mud pills.
Jinsha River is warm in the clouds and cliffs, and Dadu Bridge is cold in the iron bars.
I'm glad to see that Minshan Mountain is covered with snow and stretches for miles. Our soldiers crossed it and showed a bright smile.
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The Red Army is not afraid of all difficulties and hardships on the Long March, and Qianshan is just an ordinary thing in the eyes of the Red Army. Wuling Mountain is so undulating and endless, but in the eyes of the Red Army, it is like a small wave. Wumeng Mountain is as tall, majestic and magnificent, but in the eyes of the Red Army, it is like a small mud ball rolling under its feet.
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The Seven-Method Long March vividly summarized the battle course of the Red Army's Long March, and enthusiastically praised the heroic and tenacious revolutionary heroism and revolutionary optimism of the Chinese Workers and Peasants Red Army.
56 words, full of hardships and dangers on the Long March, full of all kinds of lofty aspirations of China * * * production party. It is a magnificent epic of China's revolution and a bright pearl in China's poetry treasure house. This is a milestone in the history of revolution and poetry. The Long March is such a great and complicated topic. Chairman Mao condensed its landscape with a short seven-step song, which contains many thrilling, tortuous and tragic stories. Poets have written the themes of the Long March, such as commemorating the Loushanguan Pass in Qin and Hubei, the 16-character Three Orders, the Niannujiao Kunlun Mountain, www.slkJ.orG, and the Qingpingle Liupanshan Mountain. These poems are all about a scene and a place, and they focus on the side to express their feelings. As can be seen from the title, this "Seven Laws Long March" is about the whole process and feelings of the Long March. The poet took a step from the front, wrote in all directions with a fluent pen, and the scenery changed forward. A poem with eight lines and seven methods has traveled 25,000 miles, presenting a huge all-encompassing theme.
"The Red Army is not afraid of the expedition, and Wanshui Qian Shan is only idle." The first couplet comes straight to the point, praising the revolutionary spirit of the Red Army, which is not afraid of difficulties, brave and tenacious. This is the central idea of the whole article and the artistic tone of the whole poem. It is the beginning of the whole poem spirit and the end of the whole poem artistic conception. The word "not afraid" is the poetic eye of the whole poem, and "just waiting for leisure" strengthens and reiterates "not afraid"; Difficulty in Expedition covers this extraordinary historical process, while Wan Shui Qian Shan outlines the internal and external meaning of "difficulty". This couplet is like a falling stone, rolling down, affecting the whole article and hanging over the whole poem. "Waiting for Leisure" is as easy as lifting weights, showing the commander-in-chief style of the poet who regards gold as a ladder and deals with the enemies of society. "Only" strengthens the firmness of tone and has a strong emotional color. It highlights and emphasizes the revolutionary spirit of the Red Army's contempt for difficulties, and shows the iron army style that the Red Army is leisurely, comfortable and invincible in the sword. The first couplet is the general leader of the whole poem, and the following triplets are closely related to the first couplet.
The whole poem begins with the first couplet, develops two ideas and constructs two time and space. One is the objective reality: "Expedition is difficult" and "Qianshan" is full of dangers; One is subjective psychology: "not afraid" and "just idle". This constitutes a strong contrast, casting a vast physical space and magnificent psychological space, laying a bold and broad tone for the whole poem.
The four sentences "Zhuanlian" and "Jinglian" describe the Red Army's victory over difficulties from two aspects: mountain and water, which are inherited from the above "Qianshan" and "Wanshui". According to the route of the Red Army's Long March, the poet selected four typical place names, all of which are famous natural disasters, and highly summarized the "Qian Shan Wanshui" on the way of the Red Army's Long March. There are many place names in Mao Zedong's poems, most of which are used to indicate the marching route. For example, The Battle of Gui Jiang in Qingpingle, The Red Flag Leaps over Longyan under Tingjiang River to Shanghang, Liangzhu from Tingzhou to Changsha, and millions of workers and peasants joined forces to sweep Jiangxi and attack Hunan and Hubei, and so on. These are true records of the military activities of the Red Army of Workers and Peasants. This shows how Mao Zedong's poems are closely linked with the China Revolution. Compared with other poems, the practice of entering poems with place names is more concentrated in this paper and shows a greater spatial distance. What is particularly unusual is that the four words listed above should emphasize that the Red Army is moving very fast and unstoppable, and the Red Army has a strong sense of movement in the picture; In this poem, the poet emphasizes the Red Army's contempt for difficulties around the central idea of "Red Army's expedition is not afraid of difficulties", which is the presentation of the inner world of Red Army commanders and soldiers. Therefore, the description of the Red Army is hidden, and the merits of the Red Army are compared with mountains and rivers. The verbs "Teng" and "Zou" make the mountains turn from static, which is an explicit expression of the spirit of the Red Army. Generally speaking, it is difficult to put land names into poetry, and too many place names are easy to fail. However, Mao Zedong used it very successfully. This is not only because he has the poetic power to overcome everything in words, but also because he has a poetic power to express himself in his heart. At the same time, it also reflects Mao Zedong's ability to temper the language of the motherland.
"Wuling makes waves, and Wumeng takes mud pills." There is a couplet about mountains, but it is also called "Mud Pill". This is also about the revolutionary spirit of the Red Army's Wan Li expedition, and it is also the method commonly used by Chairman Mao to imitate things. The first two sentences are the general outline of the whole poem, and the first three or four sentences are detailed in clauses. Wuling and Wumeng are objective beings, but when they enter the poet's field of vision, they become aesthetic objects. So it is no longer a simple mountain, but an emotional object. Wuling mountain range twists and turns, high and low, stretching for thousands of miles. The winding and majestic mountains are towering and endless. In the eyes of the Red Army, they are just tiny waves. The tall Wumeng mountain range is just a small mud ball rolling backwards. What a novel metaphor! The ups and downs of Wuling Mountain are also small waves, and the Wumeng Mountain, which pretends to be tall, is compared to a small mud ball rolling under its feet. Imagination is strange and exaggerated. Through two groups of opposition, the poet fully demonstrated the tenacity and heroism of the Red Army. Technically, this is exaggeration and contrast. It is very clever to describe the mountains as bright lines and the Red Army as dark lines, combining movement and static, combining light and shade, and making each other interesting.