China's new poetry naturally developed from China's classical poetry and was not influenced by foreign countries.

China's new poems naturally developed from China's classical poems without external influence. The development track of China's new poetry can be traced back to the poetry revolution in the late Qing Dynasty and autumn, which advocates that "I write by hand, and the ancients can't be restrained", making poetry "popular today and suitable for the common", advocating breaking through the classical form of poetry and advocating the colloquialism and popularization of poetry.

The development of China's modern poetry began with Hu Shi, and he constantly explored the language and form of poetry. Moreover, in the initial exploration stage, Zhou Zuoren's Little River was born as a relatively mature work. Subsequently, more and more poets and poetry schools made many contributions to the poetry creation in modern literature, which greatly promoted the development of China's new poetry.

Combined with job analysis

Hu Shi called for "great liberation of poetic style" in articles such as Talking about New Poetry, in order to get rid of many constraints of new poetry in meter, but his works in the trial compilation were not very successful. From the trial compilation, people can see the trajectory of the transformation of new poetry from old poetry to new poetry.

Most of the poems before "Can't be caged" are old poems, written in vernacular, with a semi-literary and semi-white color. Although some of the poems in Try Collection have the color of classical Chinese, most of them are the vernacular language after artistic processing, which is easy to understand, close to spoken language and the first to set the trend.