Liu Bowen's poems are as follows:
1. "The Ancient Fortress"
The ancient fortress is surrounded by mountain fires, and the new city is full of fire. There are still tigers and leopards in Kyushu, and there are no mulberry trees in the whole world.
The sky is different, the clouds are hanging down, and the river is covered with snow and sand. The wild plums cannot be burned out, but two or three flowers can be seen every now and then.
The first couplet of the appreciation poem describes the post-war scene, the chin couplet expresses the author's worries, the neck couplet depicts lonely scenes such as decaying grass, lonely clouds, and fishing boats, and the last couplet expresses the author's hope for the recovery of all things after the war. confidence. In the poem, emotions are used to see the scene, and the scene is used to see the meaning. The virtual and the real are intertwined. What is seen in the eyes and what is in the heart encourage each other, which expresses the poet's hope for the future and his ambition to rebuild the mountains and rivers.
2. "Water Dragon's Roar, Rooster's Crow, Wind and Rain"
The rooster crows and the wind and rain are heard, and the sky and the earth are sideways. The cuckoo bursts into tears, the fallen flowers float with hatred, and the broken soul flies around.
The moon is dark in the sky, the stars are sinking in the mist, and the horns are ringing loudly. I asked Wang Can when he climbed the building. He saw white hair in the mirror. How many more were there tonight?
Where in Jimu Xiangguan, there are tiny green mountains and low snails. Several good dreams went back with the wind and were covered by it.
The strings of Baose are stiff, the fingers of Yusheng are cold, and the sky is deep and dark. But the sedge invades the steps, and the courtyard is full of green trees, and I don't know the dusk.
Appreciate a poem by Liu Ji, a poet in the late Yuan Dynasty and early Ming Dynasty, which is sentimental, sad and self-expressive. It best represents the "deep and gloomy, gloomy and desolate" style of Liu Ji's poems. Liu Ji In the poem, he expresses his worries about the fate of the imperial court and thinking hard about his personal future. He has a heroic character with endless ambition, deep ambition and long writing.
3. "Lv Xing"
The tired bird hopes to make its nest, and there is no tranquility in the wind forest. The road is long but the wings are short. How about the sunset?
Climb high and look in all directions, only to see mountains and rivers. I would rather know that the rain in the sky will go away as waves.
Be generous to the wind and feel your hair shining brightly when you sit there. The water is weak and cannot be navigated, and the layers of the city are precarious.
The desolate flowers look like cranes, and the sigh of relief becomes a tragic song.
4. "Dan Ge Xing"
The cool breeze comes from the west, the sky is clear, the clouds are flying, the water is falling, and the mountains are majestic. The hair and skin are peeled off and the bones are raw, and the fresh fragrance is reduced to dry stems.
A hundred insects howl and a hundred orifices chirp, and all shapes and forms are uneven. The hole is difficult and easy to break, and it makes people walk at night with sorrow.
The sky is full of stars and the river is horizontal, and there are many thoughts and dramas in the five soldiers. How could the sky be high enough to express his feelings? When he comes back, he would like to ask for his sincerity.
Liu Ji (July 1, 1311 - May 16, 1375), Han nationality, named Bowen, was from Nantian Township, Qingtian County (now Wencheng County, Zhejiang Province), so he was called Liu Qingtian. A military strategist, politician, and writer in the late Yuan and early Ming Dynasty, he was the founding father of the Ming Dynasty. He was granted the title of Uncle Chengyi in the third year of Hongwu in the Ming Dynasty (1370), so he was also called Liu Chengyi. In the ninth year of Zhengde reign of Emperor Wuzong, he was posthumously awarded the posthumous title of Grand Master, Wencheng. Later generations called him Liu Wencheng and Wencheng Gong.