2. Play in Qingquan Temple, the temple is next to Lanxi, and the stream flows westward. The newly-grown buds at the foot of the mountain were soaked in the stream, and the sand road between the pine forests was washed spotless by rain. In the evening, it rained lightly and cuckoo calls came from the pine forests. Who says life can't go back to adolescence? The stream in front of the door can still flow to the west! Don't lament how time flies in your old age!
3. Appreciation: Dongpo is broad-minded and good at adapting to circumstances. He was imprisoned by Luo Zhi because of the so-called "mocking the imperial court" in his poems. After the Wutai Poetry Case, he was exiled to Huangzhou in February 18 (the third year of Yuanfeng). At the beginning, although he also recited a nervous poem like "The real taste in drinking is stronger, and the madness in drunkenness is terrible" ("Ding Hui Yuan lives in the moonlight and occasionally comes out"), when his life settled down, the woodcutter's wild help, relatives and friends' old concern, the courtesy of state and county officials, and the attraction of mountains and rivers prompted him to open his eyes and open his heart. This song of optimism calling for a youthful life should be sung in this mood. In the first three sentences, write about the elegant scenery and environment of Qingquan Temple. The stream is gurgling at the foot of the mountain, and the bluegrass on the shore has just sprouted delicate buds. The sandy road between pine forests seems to be washed by a clear spring, spotless and extremely clean. It was drizzling in the evening, and cuckoo crowed outside the temple. This school is picturesque, washing away the filth of officialdom, and there is no noise in the market. It is beautiful, clean and chic, full of poetic interest and spring vitality. It is refreshing and refreshing, and induces poets to love nature and persist in life feelings. The environment inspires, and the inspiration grows. So the poet set out in the next place to make an exciting discussion. This kind of discussion is not abstract and conceptual, but an impromptu metaphor, writing about life philosophy in an emotional language. The sentence "Who is the Tao" is evoked by rhetorical questions: answered by metaphor. "People hate water growing in the east", and time is like running water day and night, rushing to the east, never to return. Youth is only for people once, as the ancients said: "Flowers will reopen, and people will never be less." This is an irresistible law of nature. However, in a sense, people can't be old and vigorous, and they can always glow with youthful brilliance. Therefore, the poet made an exciting comment: "Who says that life is no less?" The flowing water in front of the door can still go west! " People often use "white hair" and "yellow chicken" to refer to the fact that the world is in a hurry, and the situation urges the new year and sends out sad songs. Bai Juyi sang in "Drunken Songs" that year: "Whoever tells you that you can't understand the song, listen to the yellow chicken and the day. The yellow chicken urges the dawn to be ugly when it sounds, and the daytime urges the year to be unitary before it. The red ribbon at the waist is unstable, and Zhu Yan has lost it in the mirror. " Du Fu also used lotte poems to recite the sentence "Try to feel Qiu Ren spontaneously, and make the yellow chicken sing a song to remind you of dawn". Here, the author uses it in the opposite direction, hoping that people will not sigh at self-injury and aging. "Who says there is no less life"? "Don't sing yellow chicken with white hair" has the same meaning as the saying "Don't sing yellow chicken with white hair" in another "Huanxisha". It should be said that this is a declaration against senility, a yearning and pursuit for life and that future, and a call for youthful vitality. In the life of relegation, Su Shi's love for life and broad-minded optimism are reflected in his ability to sing such inspiring songs against the tone of sadness and sadness.