The position of The Book of Songs in the history of China literature is self-evident. For example, from Guanju? Guan Heming's osprey, accompanied by the small continent of the river. My Fair Lady, Gentleman? This is already a well-known poem. Another example? Return the favor Idioms or allusions like this are also widely used by people. So, maybe sometimes people don't know that what they say comes from the Book of Songs, but it is actually closely related to the Book of Songs. The literary talent of the Book of Songs is very good.
Judging from the history of poetry development, the Book of Songs is mostly four words, and there are many overlapping words and sentences to rhyme. This is the true nature of poetry. In the Han Dynasty, poetry gradually changed from four-character poetry to five-character poetry. Nineteen Ancient Poems is a mature representative of literati's five-character poems, which shows the foundation and position of The Book of Songs in the history of poetry development.
In addition, the cultural analysis of The Book of Songs can also show the rich levels and significance of The Book of Songs. Looking at Meng from a feminist perspective, we can see that there was actually a simple feminism at that time, which supported women to properly vent their emotions and safeguard their rights, but it was still difficult to achieve complete victory in a patriarchal society; Many images and stories in The Book of Songs have also been used by later generations and become allusions. In the words of literary anthropology, it can be called myth-prototype, such as inductive myth: Jiang Yuan gave birth to a child by stepping on the footprints of giants.
Thus, The Book of Songs has a very important position in the history of literature. For poetry, this is a basic collection of poems.