brief introduction
Zhang (about 660-720) was a poet in the Tang Dynasty. Yangzhou (now Jiangsu) people. Former Yanzhou soldier Cao. The year of birth and death and the font size are unknown. His deeds can be found in He Zhuan, an old Tang book. During the reign of Emperor Zhong of the Dragon (705 ~ 707), He, He Chao, Wan Qirong, Xing Ju and Rong Rong were all famous for their beautiful words in Kyoto, and they were called "Four Scholars of Wuzhong" together with He, Zhang Xu and Rong. Xuanzong kaiyuan was in fashion. There are only two of Zhang's poems in the whole Tang Dynasty. Among them, A Moonlit Night on the Spring River is a well-known masterpiece, which follows the ancient theme of Sui Chen Yuefu and expresses sincere and moving feelings of parting and philosophical life perception. The language is fresh and beautiful, and the rhythm is melodious, which washes away the thick powder of palace poems and gives people a feeling of clearness, emptiness and beauty.
Edit this character's life.
In the Tang Dynasty, there seems to be no Zhang's poems handed down from generation to generation. During the Jiajing period of the Ming Dynasty, Selected Poems of Ancient and Modern Times included Zhang's Selected Poems of Chunjiang River. But gold always shines. After waiting for nearly a thousand years, the fate of Zhang and his masterpiece began to turn for the better. The name Zhang is no stranger to today's poetry lovers. His Moonlit Night on the Spring River (hereinafter referred to as the poem "Spring River") is even more familiar. However, little is known about Zhang, and the only historical materials we can see today are the introduction of 26 words in the volume 1 17: "Zhang was born in Yangzhou and served as a soldier in Yanzhou. There are only six words attached to He, Zhang Xu, Bao Rong and Wu Shi's "Old Tang Book Yi He": "Xu Ruo, Yanzhou soldier Cao." Zhang's date of birth and death is unknown. Some ancient books (such as Selected Poems of Tang Dynasty written by Wang Zuoxu) set his date of birth and death at about 660~720 AD, that is, from Longshuo to the beginning of Xuanzong Kaiyuan, he lived for about 60 years. As for The Complete Poems of Tang Dynasty, saying that he and He (from Yongxing, Yuezhou, now from Xiaoshan, Zhejiang), Zhang Xu (from Suzhou) and Bao Rong (from Yanling, Runzhou, now from Danyang, Huzhou) are called "Four Scholars of Wu Zhong" only shows that their poems are quite famous in Beijing, and their native places are adjacent, and they are called Four Scholars. Zhang, not only his life story is rare, but also his poems have long been forgotten. In the Tang Dynasty, there seems to be no collection of his poems handed down from generation to generation. From the Tang Dynasty to the Yuan Dynasty, his poem "Spring River" was almost neglected. According to the textual research of Mr. Cheng, a literary historian, there are Ten Kinds of Tang Poems, A Collection of Tang Miscellaneous Stories, A Collection of Wen Yuan, A Collection of Tang Poems, A Collection of Tang Poems, Notes on Tang Poems, and A Collection of Yuan Tang Yin, but there are no poems. Not only is the Selected Poems of Tang Poetry not included, but it is also not mentioned in more than 20 kinds of poems from Tang Dynasty to Ming Dynasty. Guo Maoqian's Yuefu Poetry (Volume 47) was the first to include his Poems on the Spring River, and * * included five poems on the same topic, including one by Zhang. However, this is only included as Yuefu Palace poems. Until Yang Gaochun's Selected Poems of Zheng Sheng in Ming Dynasty, his poems were not selected as "Zheng Sheng". Fortunately, however, Zhang's poem Chunjiang has been preserved since the Tang Dynasty. But gold always shines. But after waiting for nearly a thousand years, the fate of Zhang and his masterpiece began to turn for the better. During the Jiajing period of Ming Dynasty, after compiling Ancient and Modern Poems, Zhang's Poems on the Spring River, Three Selections by Suo, Jie and Gui in the Wanli period, Seven-character Ancient Poems and Poems Cang in the Chongzhen period, and Jing in the late Ming Dynasty were included. Hu Yinglin's Poems in Wanli Period was the first to comment on Zhang and his poems. By the Qing Dynasty, Zhang's poetic voice seemed to be better. He was included in important anthologies of Tang poetry, such as Tang Poetry by Kang Xiji, Tang Poetry by Er 'an, Complete Tang Poetry (Volumes 19 and 1 17), Tang Poetry Revision during the Qianlong period, and Tang Poetry Reading in Snow Mountain House by Guan Shiming. Contemporary scholar Zhang Heluo commented on Zhang's literary creation in this way. "During this period (referring to the early Tang Dynasty), the romantic temperament of Tang poetry was increasingly strengthened. On the other hand, it appears in the poems of Zhang, Zhang and others praising youth and expressing eternal longing for life. ..... The whole poem ("Moonlit Night on a Spring River") is written from the rising of the moon to the setting of the moon, from the beginning of the spring tide to the end of the sea, and the jumping of time and space is ethereal, presenting a beautiful and transparent landscape. Moreover, poetry not only provides a pleasing picture, but also gives birth to infinite reverie about the universe and life. Even the lovesickness of wandering women in traditional poetry has been sublimated into a very beautiful and moving artistic realm here. This simple and clear observation of the world and life is full of longing and joy, which makes the whole poem full of rich youth. Since then, these poems with youthful melodies have flooded in and become one of the distinctive features of Tang poetry. " (quoted from Zhang Heluo's History of Ancient Chinese Literature)
Appreciation of the style of editing this poem
Appreciation of Zhang's Poetry and Calligraphy
His poems are exquisite in description, harmonious in syllables, beautiful and elegant, and rich in emotion, which plays an important role in the transformation of poetic style in the early Tang Dynasty. However, influenced by the gentle poetic style of the Six Dynasties, it often reveals the feeling of impermanence in life. There are many scattered poems, and there are only two poems in the whole Tang Dynasty. One of them is "A Moonlit Night on a Spring River", which is a masterpiece through the ages and has the reputation of "one poem overwhelms the whole Tang Dynasty"; Another poem is Answer My Boudoir Dream.
Edit this paragraph to answer girls' dreams.
It's too early to close the fort. Don't look at the balcony. Try on a shirt with heating and open the mirror to find spring. Swallows peep at the curtains and bees draw clothes. Love urges Tao Liyan, and my heart sends strings to fly. Make-up wash each other, and the wind, flowers, snow and moon do not return. Where the dream soul enters, silence covers the heavy door.
Edit this paragraph on a moonlit night in spring.
original text
Lian Haiping is in the spring tide, and the bright moon on the sea is born in the tide. Flowers on the river under the moonlight in spring
I drift with the tide for thousands of miles, and there is no moon by the river. The river flows around Fangdian, and the moonlight shines on the flower forest like graupel. Frost flows in the air, you can't fly, but you can't see the white sand on the pavilion. There is no dust in the sky on the river, and there is a lonely moon in the sky. Whoever sees the moon at the first sight by the river shines at the beginning of the month. Life goes on from generation to generation, and Jiang Yue is just (or "looks") similar year after year. I don't know who Jiang Yue is waiting for, but I see the Yangtze River delivering water. The white clouds have gone, and Qingfeng is at a loss. Whose boat is flat tonight, where to miss the bright moon building. Poor people wander upstairs for the moon, so they should leave someone to fill the mirror. The curtain of the jade pot could not be rolled up, but it was brushed back on the anvil. At this time, I don't know each other. I hope China will shine on you every month. Hongyan flies in the sky, and fish Long Qian jumps in the water. Last night, I dreamed that the idle pool had fallen, and the poor spring had not returned. In spring, the river flows away, and the pond falls in the moon and the west. The slanting moon hides the sea fog, and Jieshi Xiaoxiang Road is infinite. I don't know how many people return home every month, and the moon is full of rivers and trees.
translate
On the moonlit night, the riverside rises like the sea, and the moon rises with the river. She drifts with the current-Wan Li, where the river flows, her light overflows. The river winds through Xiangzhou, and the moonlight by the river is an artistic conception.
All the flowers blooming in her light look like snow. You can't tell whether her light comes from the frost in the air or the white sand on the beach below. No dust pollutes the water that is integrated with the sky; A lonely moon shines brightly. Who saw the moon rise for the first time by the river? When did the moon first see a man by the river? Ah, generations of people have come and gone; Year after year, the moon looks the same, new and old. We don't know who she shines for tonight, but we heard the river say goodbye to the river. Far away, far away is a white cloud sailing; On the farewell beach, pines and cypresses stay away from maple leaves. Where will the wanderer sail tonight? Who will languish on the tracks in the moonlight? Alas! The moon lingers on the tower; It should have seen the dressing table of the Expo. She rolled up the curtains and the sun shone into her gazebo; She washed but couldn't wash away the moonlight there. She saw the moon, but her lover was gone; She will follow it and shine it on the face of her beloved. But the swan that sends the message can't fly out of the moonlight, poetic picture.
A fish that sends a letter can't jump out of its position. Last night, he dreamed that the fallen flowers would not stay. Alas! He can't go home, although half a spring has passed. The spring water carried by running water will pass away; The moon that landed by the pool will sink soon. The moon sets and sinks into the dense fog; The rivers in the south are far from the oceans in the east. How many people can go home in the moonlight and they are missed? The sinking moon sprinkled thoughts on the trees by the river.
Appreciation 1
Moonlit Night on the Spring River follows the old theme of Sui Chen Yuefu, and expresses sincere and touching feelings of parting and philosophical understanding of life. The language is fresh and beautiful and the rhythm is melodious. It completely washes away the thick powder of palace poems, giving people a feeling of clearness, emptiness and beauty. Later generations commented that Zhang's "Moonlit Night on a Spring River" used the style of "Xizhou", which was unique and unique to everyone. Li He and Shang Yin are fresh and moist; As its tributaries, Song poetry and Yuan poetry show their extraordinary lofty status and infinite far-reaching influence. In this poem, "Lian Haiping is in the spring tide, and the bright moon on the sea is born in the tide", "There is no dust over the river, and there is a solitary moon wheel in the sky", "I don't know each other at this time, and I hope to see you in China every month" and "I don't know how many people will return home every month, and the moon will shake the trees all over the river" are all beautiful sentences with delicate descriptions and scenes.
Appreciation 2
Moon Night on the Spring River, praised by Mr. Wen Yiduo as "the poem in the poem, the peak on the peak" (the redemption of palace poems), has fascinated countless readers for more than 1000 years. Zhang Yisheng left only two poems, which were also "a lonely poem, but it was written for everyone". Calligraphy works
The title of this poem is very attractive. Spring, river, flowers, moon and night, these five things embody the most touching beauty of life and constitute a fascinating and wonderful artistic realm. The poet began to compete with the topic, and the topic came to life at the beginning. On the riverside, he drew a magnificent picture of a moonlit night: the river was in the sea and the moon was in the tide. The sea here is empty. The river tide is boundless, as if connected with the sea, with great momentum. At this time, a bright moon was born with the tide, and the scene was very spectacular. A word "destiny" gives the bright moon and the tide a fresh life. The moonlight shines thousands of miles away, where is it not on the bright moon river! In spring, the river winds around Yuan Ye, where flowers and plants are everywhere, and the moonlight falls on the flower trees like a layer of snow. The poet is really a unique skill of Dan Qing. With a slight stroke, he touched the strange "flowers" in the moonlight by the river. At the same time, he skillfully paid the title of "Moonlight on a Spring River". The poet's observation of moonlight is extremely subtle: moonlight washes away colorful things in the world and turns the world into a dreamy Yin Hui color. So "first frost doesn't fly" and "white sand can't be seen", only the bright moonlight. Delicate brushwork creates a mythical and wonderful realm, which makes the moonlit night by the river look extraordinarily beautiful and quiet. These eight sentences, from big to small, from far to near, gradually condensed on a lonely moon. The clear universe of heaven and earth seems to make people enter a pure world, which naturally causes the poet's reverie and meditation: "Who sees the moon by the river?" When did Jiang Yue take the photo at the beginning of the year? "The poet leaps forward in thought, but closely connects with life and explores the philosophy of life and the mystery of the universe. This kind of exploration has existed in ancient times, such as Cao Zhi's Looking at Ying Shi: "Heaven and earth have no end, life is like frost", and Ruan Ji's "Life is dusty, and Heaven has grace", etc., but the theme of the poem is mostly to feel that the universe is eternal and life is short. Zhang is unique here. His thought did not fall into the trap of predecessors, but turned out a new idea: "Life is endless from generation to generation, and Jiang Yue is only similar every year." "Personal life is fleeting, and human existence is long-lasting, so" endless "life and" year after year is only similar "moon can be * * *. This is a comfort that the poet feels from the beautiful scenery of nature. Although the poet is temporarily sad about life, it is not decadence and despair, but because of his pursuit and love for life. The keynote of the whole poem is "sad but not hurt", so that we can hear the echo of the voice of the early Tang Dynasty. " I don't know who Jiang Yue is waiting for, but the Yangtze River sends water ",which is closely related to the" only similarity "in the previous sentence. Life goes on from generation to generation, so does Jiangyue every year. A lonely moon lingers in the sky as if waiting for someone, but it will never come true. In the moonlight, only the river rapids are rushing away. With the flow of the river, poetry is full of waves, pushing poetry to a more far-reaching realm. There is enmity between Jiang and Yue, and running water is ruthless. The poet naturally turned his brushwork from the natural scenery in the first half to the image of life, which led to the separation of men and women in the second half. "Baiyun" four sentences, always write the moonlight on the riverside, thinking about the feelings of his wife and wanderer. "Baiyun" and "Qingfengpu" hold things and express their feelings. The floating white clouds symbolize that the whereabouts of the "boat" are unknown. "Qingfeng Pu" is a place name, but "Feng" and "Pu" are often used as other scenery and places in poetry. The words "whose home" and "where" have different meanings. It is precisely because of more than one place that the poet put forward such a question, a kind of acacia, which led to the separation of the two places, one after another, poetic ripples, twists and turns. The following eight "poor" sentences bear the sentence of "where" and write about thinking about leaving people's memories. But the poet doesn't directly think about a woman's sadness and tears, but uses the "moon" to set off her nostalgia, and the sadness and tears come out. The poem personifies the "moon" and the word "wandering" is extremely vivid: first, the clouds are swimming, so the light and shadow are uncertain; Second, the moonlight lingers upstairs, pitying the thinking woman. It wanted to accompany Sifu and relieve her troubles, so it sprinkled soft light on the dresser, on the jade curtain and on the anvil. Unexpectedly, I miss my wife more than anything. She tried to get rid of the annoying moonlight, but the moonlight "rolled away" and "brushed back" and sincerely attached to her. Here, the two spoony actions of "rolling" and "brushing" vividly show the anxiety and confusion of thinking about women. The feelings caused by moonlight deeply troubled her. At this moment, isn't the moonlight shining on the lover in the distance? * * * Looking at the moonlight, we can't know each other, so we have to rely on the moon to send love to you from afar. Looking up to the sky: Hongyan flies far away, but without the light and shadow of the moon, flying is futile; Look at the river, the fish jump in the deep water, just causing ripples, and jumping is useless. "Feet in the fish intestines, heart full of goose's feet. "I can't send messages to the fish and geese who are responsible for sending messages now-it's time to add more sorrows and sorrows! In the last eight sentences, the poet set off his homesickness with the fading water. " "Flat Boat" dreams of returning home-flowers fall into a secluded pool, spring will be old, people are still far away, what a pity! Rivers flow in spring, not only the natural springs, but also the youth, happiness and longing of wanderers. The moon fell on the pond, setting off his miserable and lonely mood. Thick sea fog hides the falling moon; Jieshi and Xiaoxiang are far apart, and the road is so far. The word "heavy" aggravated his loneliness; Infinite Road also deepened his homesickness infinitely. He thought: I wonder how many people can take the moon back to their hometown on this beautiful night by the river! His feelings of parting, accompanied by the light of the waning moon, spread all over the Woods by the river ... "The falling moon shook the trees all over the river", and the words "shaking feelings"-endless thoughts, intertwined with the feelings of moonlight, wanderers and poets, fell on the trees by the river and also fell on the hearts of readers, with full charm. "Moonlit Night on the Spring River" transcends the previous landscape poems that simply shape mountains and rivers, the philosophical poems that "yearn for the infinity of the universe and mourn the moment of my life", and the love poems that express the feelings of children leaving. Poets have injected new meanings into these common traditional themes, blending poetry, artistic conception and philosophy They praised the beautiful scenery of nature, eulogized the pure love between human beings, expanded their sympathy for stray women, and combined it with the pursuit of life philosophy and the exploration of the mysteries of the universe, thus blending it into a kind of love, scenery and harmony. The poet deliberately hides the profound and beautiful artistic world in a vague artistic atmosphere, and the whole poem seems to be shrouded in an ethereal and confused moonlight, attracting readers to explore the true meaning of beauty. The whole poem takes spring, river, flowers, moon and night as the background and the moon as the main body. "Moon" is a mixture of scenery and scenery in poetry. It beats the pulse of the poet, and it is like a bond of life in the whole poem. It runs through ups and downs, touching the scene, and poetry fluctuates with the birth and death of the moon. The moon went through the process of rising, hanging high, setting in the west and setting in the sun overnight. Under the moonlight, rivers, beaches, the sky, Yuan Ye, maple trees, flower forests, flying frost, white flowers, boats, tall buildings, dressing tables, anvil stones, flying geese, diving ichthyosaurs, sleepless homesickness and wandering wanderers form a complete poetic image, showing a picture full of philosophy and life interest. The color of this picture scroll is light and rich. Although sketched in ink and wash, it is "ink in the colorful", showing colorful artistic effects from the complementary of black and white and the coexistence of reality and reality. It is like an elegant China ink painting, which reflects the beautiful artistic conception of the moonlit night by the river. The rhythm of poetry is also very distinctive. The poet's emotional melody in his poems is extremely tragic, but it is neither a sad bamboo nor a complicated string, but a serenade or dream like a violin, which is meaningful and meaningful. The inner feelings of poetry are so warm and deep, but they are natural and peaceful, as regular and rhythmic as the pulse, and the rhythm of poetry fluctuates accordingly. The whole poem has 36 sentences, four rhymes and nine rhymes. It started with the level of Geng rhyme, followed by the level of Yue rhyme, Zhen rhyme, Paper rhyme, You rhyme, Grey rhyme, Wen rhyme and Ma rhyme, and ended with Yu rhyme. The poet mixed Yang rhyme with Yin rhyme, alternating high and low tones, and the order was loud (Geng, Shuo and Zhen)-subtle (paper)-soft (especially, gray)-loud (literary, hemp)-subtle (encounter). The whole poem changes with the change of rhyme, and the use of flat tones is staggered, singing three sighs and calling around, which is repetitive and continuous, with a strong and beautiful sense of music rhythm. This change in pronunciation and charm is in the same strain as the ups and downs of poetry, which can be described as a harmonious combination of sound and text. Moonlit Night on the Spring River is an old topic in Yuefu's Song of Wu Sheng in Qing Dynasty. Who is the creator? Opinions vary. Or "not detailed"; Or what Chen Houzhu did; Or what the Emperor Yang Di did. According to Guo Maoqian's Yuefu Poems, besides Zhang, there are two poems, one by Zhuge Ying, two poems and one by Wen. They are either narrow in structure or too rich in content, far less than Zhang's articles. This ancient topic, in Zhang's hands, made generate shine brilliantly and gained immortal artistic life. Today, people don't even ask who is the original creator of this old topic, but the real creative right of the poem "Moonlit Night on a Spring River" belongs to Zhang.
Appreciation 3
The whole poem begins with emotion and ends with emotion. Among them, "spring", "river", "flower", "moon" and "night" appear by occurrence method and disappear by elimination method. Moonlight is a clue that runs through, which combines philosophical thinking, thinking about women and wandering, forming a complete realm of organic unity of emotion, scenery and reason. In this realm, emotion is sublimated emotion, scenery is wonderful scenery, and reason is profound reason. At the beginning of the poem, the poet painted a beautiful picture with the pen of genius. The whole poem weaves a colorful moonlight portrait on the riverside with the moon and water as the latitude and longitude, spring as the texture, flowers as the pattern and night as the background. ) turn to the exploration of the eternal universe and limited life. 1, the poet thought of the eternal moon and the life of generations in the ethereal and mysterious scene. In the question "Who first saw the moon by the river and when the river shone on people at the beginning of the year", he showed a deep sense of the universe and showed interest in the mysteries of finiteness, infinity, instantaneity and eternity. At the same time, in the narrative of "life is endless, moonlight is similar year after year", it also shows persistence and praise for life. The poet got a satisfactory answer in the limited, infinite, instantaneous and eternal encounter. 2. The poet's satisfaction with the meaning of life leads to the lovesickness between men and women. "Baiyun" and "Qingfengpu" in the poem symbolize the elusive man and the difference between men and women respectively. Poetry and prose praise the pure and sublimated love between men and women with affectionate strokes, creating a mysterious, wonderful and moving realm of organic integration of emotion, scenery and reason. This is a beautiful lyric poem, which was praised by Mr Wen Yiduo as "the poem in the poem, the peak on the peak". There are thirty-six sentences in the poem, four of which rhyme. The exquisite structure, rigorous and natural, mellow and beautiful rhythm show the author's superb artistic skills. Although the author only left two poems, this one is "an isolated poem for everyone". The hazy moonlight is like running water in a clean stream. Such as gauze, cage the quiet spring river, spring flowers, spring night. There are also sentimental women, waiting for your return in the moon building. A vague feeling, a vague image. Scenes blend, feelings flow in the scene, and feelings contain scenes, which are inseparable. All this is like a gentle serenade, floating on the riverside, like elegant lotus fragrance floating between running water. Implicit and euphemistic but not rigid; Light and delicate, like thinking of a woman's heart, I want to think about it quietly. Rich in elegant, meaningful and harmonious artistic conception. The whole poem was fascinated by the moonlight. Moonlight endows spring night with aura, which connects all images, objects and modality. Become a poem in a poem, a picture in a painting, a peak on the peak, and a swan song that has been passed down to this day. The moonlight rises with the tide, and the tide is wide and the moonlight is quiet. Moonlight floats by the river, sparkling, like a woman's beating heart. The lonely moon hangs in the sky, and time flies like frost. I have accumulated a little coolness in my heart, thinking too much, worrying too much, sighing too much, and feeling a little disappointed. Life is short, but generations are endless; Jiangyue is eternal, but it repeats every year. Jun! Hu Bugui? Drift like white clouds! Do you know that woman is wandering on the moon? The peach blossom is still there. Where's the lovely face? Under the lonely moon on the riverside, the sails are floating, and the women in the boudoir by the river are thin. Yuanyang has been tattooed as a pillow, and tears are wet on the sleeves of the spring shirt beside the candle. Moonlight enters the curtain, but it can't be rolled away and brushed away. The deep acacia is hard to get rid of, lingering and inexhaustible. "If you keep cutting, the reason will be chaotic. It's parting, don't have a taste in your heart. " Spring drifts eastward with the current. Your way home! Thousands of miles away. Looking forward to seeing the clouds, jun? "I don't know how many people will return to the moon", Jun! Come back by the moon! This woman has exhausted her horizons. The waning moon is full of cold light; The river is moving, the branches are moving, and the shadows are separated on the embankment. The Milky Way is vast and the Cowherd and the Weaver Maid are opposite, but I am thousands of miles away from you, so it is difficult to connect with Hong Fei. Look at this situation. Why don't people cry in this situation? This poem has no explicit acacia, no makeup, and has its own pride. The moonlight is charming and leads to meditation. The aftertaste is still there, the meaning is still unfinished, and the tune is changeable, which can be described as a stroke of genius. There is longing and sadness under the moon, a kind of longing and sadness that teenagers know the taste of sadness for the first time. "A person is in a tall building, and someone upstairs is worried" is not a strong worry for assigning new words. Although the whole poem is full of worries, it is still as light as a mountain stream; Although there is a sigh, it will always be as light as the moonlight on the river. The artistic conception is bleak as a flower forest, and the looming outline is full of hazy beauty. Sadness without harm is more effective than silence. Half-covered and half-covered, the light clouds cover the sun, and the taste is endless, giving people room for imagination and a world for readers to gallop. Then I realized that I was adorned with a charming face, and the shadows were broken, and the wine turned into tears. Jiang is heartless, she doesn't want people, she is willing to go her own way. Moon Night on the Spring River, praised by Mr. Wen Yiduo as "the poem in the poem, the peak on the peak" (the redemption of palace poems), has fascinated countless readers for more than 1000 years. Zhang Yisheng left only two poems, which were also "a lonely poem, but it was written for everyone".
Edit this paragraph for later evaluation.
Appreciating Zhang's "Moonlit Night on a Spring River" (Author: Urban Hidden Man) and "The Whole Tang Poetry", Zhang's appearance is really not surprising among the poets in the Tang Dynasty. But those who truly love Tang poetry and Song poetry must know that Zhang He's famous poem "Moonlit Night on a Spring River" is said to have originated from. However, what Chen wrote under this beautiful topic is unknown because the poem has been lost. Yang Di Yang Guang, a dissolute emperor, left two earliest extant poems, Moonlit Night on a Spring River, but only five or four sentences are short and empty. Chen also wrote a poem "Flowers in the Back Garden of Yushu", which is often mentioned by later generations in literary criticism together with "Moonlit Night on a Spring River". This poem still exists in the world. Although it is seven words, there are only six sentences. Besides, it's disgusting, just like Yang Di, and it's a notorious palace poem. Palace poems are centered on the court, with eroticism as the content, red and green, piled with incense and jade, flashy, absurd, empty and boring; From Liang Chen to Sui and Tang Dynasties, he dominated the literary world for more than a hundred years, causing darkness in the poetic country and leaving countless evils. The gentry in the Southern Dynasties lived a relatively comfortable life, and they used to write five-character poems as a means to show that they were literati. If they can't write poetry, they will be despised and unable to participate in social activities. Poetry has completely become an ornament of decadent life, and Jian 'an temperament and Wei and Jin character have long since disappeared. The poetry creation in the early Tang Dynasty followed the style of writing in the Southern Dynasties, and the poet "struggled for the strangeness of rhyme, and the ingenuity of a family." Long text, not the shape of moon dew; The backlog is full of cases, but it is only the shape of the wind and cloud. "Even Li Shimin, the founding father of Britain, can't avoid customs, let alone show the boldness of vision in the poem Sunrise by Song Like Mao and Zhao Kuangyin, that is," it's not dark under the sea, and it's not dark on the ground ". "Li Shimin appreciates the literary works of the poet Zhang Changling, but Zhang Changling and others should be admitted to the imperial examination. Li Shimin asked why, and the examiner said that their writing style was not good material, so Li Shimin acquiesced. He, Yang Jiong, Lu and Luo entered the poetry circle at the same time, and were called the four outstanding poets in the early Tang Dynasty. Four outstanding poets played a pioneering role in the transition from classical poetry to regular poetry. Pei Hangjian, who is both civil and military, looks down upon these four men very much, saying that if a scholar wants to make great achievements, he must first rely on knowledge, followed by literature and art. Although Wang Bo has literary talent, he is superficial and doesn't like to appreciate the materials of Juelu. Yang Jiong can probably be a magistrate of a county, and it's good that we people can die well. These comments show that the development of new poetry is difficult. The four outstanding poets in the early Tang Dynasty paved the way for the development of new poetry. Du Fu commented on the poems of the Four Masters: "Wang Yang, his contemporaries, were frivolous and never stopped. Second, Cao's name is ruined, and he does not waste rivers and mountains. " This evaluation is not only an objective reflection of the basic attitude of the poetry circle at that time, but also an affirmation of these four excellent poems. Under the influence of the flashy style of writing in the Six Dynasties, court officials such as Song and Yan became a group of leading figures in poetry. Lu and Wang Luobin have been circling in the aftermath of Qi Liang, while Yang Jiong died early and went to a distant place to be an official, so the achievements of the four outstanding men in the early Tang Dynasty were not great. Wang Bo, with the highest achievement, left us with only good poems such as "However, China has our friendship and heaven has our neighbors", and there are almost no inspiring good poems, let alone providing a model for poets in the prosperous Tang Dynasty. Perhaps it was Zhang He and his "Moonlit Night on a Spring River" that introduced the Tang Dynasty into the era of poetry.