Li Bai became the representative of the spirit of the times with his sharp and aggressive spirit, demanding equal freedom spirit and mutual self-confidence and pride in appreciating famous mountains and valleys. Floating clouds, rich dust, noble character, persistent pursuit of ideal life, fighting will to overcome bad luck and unyielding heroism!
Since God has given talents, let them be used! , spin one thousand silver, all back! !
-"will enter the wine"
Prosperity is ups and downs, and poetry becomes a smile.
-"On the River"
I brush my clothes and dangle around Cangzhou.
-"Princess Yu Zhen Bieguan gave a bitter rain to A Qing, Zhang Weiwei"
It is precisely because of this affirmation of self-worth, self-confidence in his talents, and persistence in his ideal of "retiring after success" that Li Bai is open-minded and does not fall into the world; Wild cranes float in the air, pursuing an absolute self-will and a realistic realm of freedom. Dapeng spirit is the expression of Li Bai's self-affirmation and pursuit of freedom. Fu Dapeng, written in his youth, initially shaped his life image of "grey upper body and long lower body". "Between the eight wild places, it is half the world." "Jets are six rivers and clouds, and hair flies thousands of miles." "Take trance as the nest and nothingness as the field." This is a self-portrait of Li Bai who pursues freedom and smiles proudly. When "Dapeng rises with the wind one day and soars in Wan Li", his broad spirit of Wang Yang's wanton and octupole roaming has once again been vividly demonstrated. Even before his death, despite the ups and downs of his life, he was "reduced to a gentleman" (Bai Juyi). Although he lamented his ill-fated, his self-confidence never died, and he still believed in himself.
Li Bai pinned his extraordinary ambition and reckless ambition on the wings of Dapeng, a carefree universe, and traveled freely in the infinite realm. He got rid of dust and refined, and smiled proudly. "All the five mountains are sacred, and I have no idea of the distance, according to my unchanging habit all my life" ("Lu Shan Ge Yu Shi Lu Xuzhou") shows my affection for mountains and rivers, and compares myself to "The moon came out of the bottom of the sea and once took photos" ("Ancient Style"). He is full of enthusiasm, full of ambition of Ji Yi at home in Shen Yan Talk. "Laugh and watch the sky go out, are we Artemisia people?" ("Nanling children don't go to Beijing") ... His enthusiasm is almost "bossy". If great enthusiasm is a surging river, then Li Bai is an endless sea; If ambition is a towering tree, then Li Bai is an endless forest! In front of Li Bai, any exaggerated words need infinity to imitate his spirit. His poems, under the guidance of a noble spirit, hold up the spirit of mountains and rivers from beginning to end, have the courage and courage to surpass everything, and have the tall and straight momentum of overlooking the world and admiring everything. He endowed rivers, mountains, fairyland and heaven with great power, unattainable, unstoppable, indomitable and standing tall:
On a straight line leading to heaven, its peak enters heaven, above the five sacred peaks, and casts a shadow on China. It is here that the ladder mountain range is 100 miles long and begins to turn to the southeast.
-"Sleepwalking in the sky, grandma sings goodbye"
Have you seen how the water of the Yellow River flows from the sky to the sea and never returns?
-"will enter the wine"
Xiyue is magnificent, and the Yellow River is like a silk sky. These three peaks stand as if to be destroyed, while the Cuiyadan Valley is high.
-"Xi Yue Tiantai sends Dan Qiu Zi"
This forms the magnificence of Li Bai's poetry, which transcends everything and is magnificent. A lofty Dapeng spirit, accompanied by the poet's crazy climbing, riverside, breathing the songs of the sun and the moon. This is a horn, enough to arouse the anger of the pine forest. This is a strong wind, enough to stir the sea, but also enough to cross the river and boil the Dead Sea! This kind of power is just an unattainable sublimity and majesty, which comes with it. It is the poet's lofty life realm of pursuing realistic freedom and his unyielding will to participate in realistic struggle! This is the spirit of Li Bai, which can represent the spirit of the prosperous Tang Dynasty!
Li Bai's spirit is also the spirit of Dapeng, which is perfectly expressed in Li Bai's poems about immortals and landscapes.
Li Bai, with his brilliant imagination, opened up the magnificent scene of immortals' poems, opened up a broad road leading to the fairyland created by Qu Yuan and Zhuangzi, sublimated the magnificence of Qu Yuan and the elegance of Zhuangzi into Li Bai's ideal realm, and created a free spiritual realm. This is what Gong Zizhen said in Li Bai's Poems. "Zhuang Qu 12 can't be half, and he takes it for granted. Li Bai's poems do not have Qu Yuan's deep sense of hardship, but they retain his magnificence. Without Zhuangzi's extremely barren logical speculation and self-trading, he kept his elegant talent and turned his profound philosophy into a broad poetic realm. It's like Qu Yuan's Li Sao expressing his pursuit of realistic freedom in his spiritual freedom world.
Dream on Mount Tianmu is Li Bai's famous fairy poem. With the help of dreams, the poet conjured up a wonderful fairyland, which stood out from the crowd and went straight into the sky. There, "halfway through the sunny ocean, the sacred rooster crows in space." Thousands of rocks are uncertain, flowers lean on stones, and suddenly they have disappeared. Bears, dragons, storms on mountains and rivers, deep forests and shocking tops, rain with dark clouds, and pale fog on rivers. " This is the scenery seen in Feiteng Mountain: the stone path hovers, the sea rises, pheasants sing and the morning light shines. See also the blooming flowers, the rugged rocks and the twilight. In the twilight, bears are roaring and singing, and the valley is shocked. The sudden gathering of rain and smoke is an ethereal and fantastic realm, which blends with the poet's emotions. However, this romantic lyricism has not yet reached its climax. With the disillusionment of love in The God of Thunder and Lightning, the poet's romantic expression in the sinkhole reached its peak: an impenetrable shadow, but now the sun and the moon illuminate the gold and silver platform, wearing rainbow costumes and riding the wind, and all the queens of the clouds come one after another, with tigers as the violinist and phoenixes as the dancers. Rows of fairy figures are arranged like hemp fields, such a grand and rich figure. This is the free world that the poet pursues, and this is the ultimate paradise for the five mountains to seek immortality. This spiritual kingdom of freedom is the reappearance of Li Bai's realistic ideal of freedom in his dream. However, just like Qu Yuan's "How to ascend to the emperor and suddenly come to his hometown", his wandering in fairyland was shattered by his pillow. Although the poet also expressed his helplessness and emotion that "thousands of waters flow eastward in Qian Shan", he pursued freedom. When I need you, I will ride to you, great mountain ".He is still obsessed with the free realm of traveling, and he still abides by his noble aspirations. Oh, how can I seriously bow and scrape to those high-ranking people, who will never stand being shown an honest face", expressing his free spirit of equality with nobles.
If "Climbing Mount Tianmu in a Dream" is a poet's yearning for famous mountains and fairyland, expressing his demand for equality, expressing the feelings of a scholar without talent, and expressing his democratic thought of not giving in to the powerful and unwilling to be buried in obscurity, then "Song of Fu Liang" is a battle song that dares to struggle, makes positive progress and shows his participation in the real struggle!
"I want to see the Lord, tripterygium wilfordii bang. There are many beautiful women throwing pots around the emperor. At three o'clock, I smiled and turned on the lightning. It was raining and I couldn't get in the door. I'm angry about the amount and the shovel ... "
This is the pursuit of reality in the fantasy world. This is the lava-like anger of the struggle spirit in the face of reality in heaven. This is exactly what Li Bai inherited from Qu Yuan's fighting spirit. However, Qu Yuan's grief and anger did not disappear, but was replaced by the fighting heroism of death: "Fight the tiger hand in hand and fight the tiger with the other foot" once again expressed his tenacious will to fight bravely for the ideal, although "a wise man can roll up a fool." But in the end, I also comforted myself optimistically, "roll with the punches, roll with the punches." In the ups and downs of feelings, the poet showed the world his tenacious spirit of struggle and persistent optimistic attitude towards life.
Li Bai's poems about immortals perfectly combine the spirit and creative intention of Qu Yuan and Zhuangzi, creating a life realm of seeking freedom through dreaming, which is a vivid portrayal of his pursuit of realistic freedom. He embraced the famous mountains and valleys with the belief of "Oh, how can I bow and scrape to the high officials?". Li Bai's spirit can be embodied and carried forward in landscape poems.
Li Bai's landscape poems are also a reflection of Li Bai's spirit. His landscape was shaped by his self-confidence and pride, and became an ideal realm to embody Li Bai's spirit everywhere. His landscape poems have become a limited expression of his infinite thoughts, which are far from the secular and detached things. It was Li Bai's hand that made Gan Kun, who was born at will, put reality in front of him in a unique world and write about Lushan Waterfall:
The red spring falls, the atmosphere is half purple, the trees are washed down, the clouds are scattered again, the sunshine is like red neon, the clear sky is listening to the wind and rain, the apricot is in Lingshan, and the air is dense.
Zhang Jiuling's "Looking at Lushan Waterfall and Lake Mouth" is full of clouds, but it is only slightly exaggerated, which can be said to be a slightly exaggerated realistic brushwork, while Li Bai's "Looking at Lushan Waterfall" is flying and hanging down, magnificent and amazing. "Hanging 300 feet, spraying for dozens of miles, swishing like flying electricity, looming from Bai Hong, seeing the river fall first, half sprinkling the sky, looking up at the situation, making a strong chemical industry, the sea breeze blowing constantly, and the moonlight on the river is still empty." As if the waterfall of flying water spewed out from the poet's chest, it gave this hanging water an inner breath, an imposing manner to break through the shackles and forge ahead. Lushan Waterfall is written here, and future generations don't have to be brilliant. No wonder Su Shi praised "the emperor sent the Milky Way to hang down, and there were fairy poems in ancient times".
Among the stars in the Tang Dynasty, Wang Wei was an expert in landscape poetry, but Li Bai was different from Wang Wei in poetry creation. In his poems, Wang Wei outlined a series of quiet, distant and natural ink paintings, revealing fresh and cordial pastoral interests, such as the most vivid and vivid "Mountain in Autumn Night":
The empty mountains are bathed in a new rain, and feel the early autumn at night. The bright moon shed clear light from the cracks and cleared the fountain on the rocks. The bamboo forest is sonorous, the washerwoman returns, and the lotus leaves are swaying to get on the canoe. Spring spring might as well give it a rest, and the autumn sun can stay on the hills for a long time.
There is a refreshing and cordial feeling after reading it. An autumn rain, refreshing empty mountain, makes people feel the existence of autumn. The moonlight is pouring, the spring is ringing, the girls are laughing and the lotus leaves are swaying. It is a quiet style as quiet as the moon and as light as tea. Reading makes people want nothing. However, Li Bai's landscape poems, with sharp edges and strong desires, give readers an impulse to conquer. If the human heart is a lake, Wang Wei's poems are like plucking the strings, producing intoxicating ripples, and then restoring calm, while Li Bai is like a war drum, emptying his breath and causing an uproar.
In Li Bai's works, mountains and valleys are not only natural products, but also spiritual sustenance. The end of thinking, the difficult road and the strange mountain peak are the corridors of his spiritual world. They are extremely dangerous and demanding, depicting their infinite scenery and vividly describing their official career and life. In the final analysis, only when a poet has such an inclusive mind can he write "Fear of wind and rain, make the gods cry" and write about risks. There are also tigers and snakes, showing their teeth and not moving, and there are "Huang Yun is blown by the wind for hundreds of miles, and Xuefeng is surrounded by the vortex of nine streams." "Its shadow in the Crystal Lake deepens the green water." "Another cloud rises in the Asahi" (Song of Lu Jinshan's suggestion and Lu Xuzhou). Write a strong "climb the spectacular land, and the general will never return" (same as above), "Genie growls and splits two mountains, and Hongbo spews and shoots at the East China Sea" (Xiyue Yuntai sings farewell to Dan Qiu Zi), and write a broad realm "The mountains are finally flat and primitive, and the river winds across the wilderness" (seeing off at Jingmen Ferry) and "Three mountains and a half fall into the sky, like this Egret Island divides the river" (visiting Jinling Phoenix Station).
From beginning to end, Li Bai was not describing, but creating, not exploring, but directing. Mountains and rivers are all chess pieces in his hand, which can be placed on the ideal chessboard at will. It is this self-confidence that makes Gan Kun's poems full of masculinity and creates a magnificent world of power, which is also the expression of self-affirmation in Li Bai's personality. From Shu Road, we can feel Li Bai's courage to overcome bad luck despite difficulties, from yellow river of the song, we can feel Li Bai's praise for strength, and from "I want to cross the Yellow River, but I am choking on ice", we can feel Li Bai's desire for conquest.
Li Bai devoted his whole life to mountains and rivers, spreading lofty sentiments and ambitions in the magnificent rivers and mountains of the motherland, and realized the pursuit of realistic freedom. He will always be a strong man, a conqueror, lonely and unyielding, which perfectly embodies the spirit of Li Bai.
Speaking of Li Bai's spirit, the moon and wine are indispensable. Li Bai always conquers reality with a strong attitude. He is always proud and confident. It's just that when he talks about the moon, he often whispers his doubts: "I didn't know the moon when I was a child, so I called it a white jade plate." I suspect it is Yao's platform, flying in the sky. The fairy hanged, Guiying reunited. The white rabbit smashed the medicine and asked who brought the rice. These naive questions show the poet's simplicity and childlike innocence. The moon became the most reliable companion for the poet to pour out his heart and mind: "From from a pot of wine among the flowers, drink alone. No one was with me until I raised my cup, and I asked the bright moon to bring me my shadow, so that the three of us "…" got drunk and made love together, and then woke up and dispersed. Will goodwill be guaranteed? I see the Milky Way is a long way "(Solitude with the Moon), and the moon has become a loving partner and sincere friend. He sent his homesickness" Looking up, I found that it was moonlight and sank back, and I suddenly thought of home for him "(Night Thoughts). Not only that, through the moon, the poet also saw the alternation of ancient and modern mulberries, but the world has changed. " Today, people can't see Gu Yue, and today, people used to be like the ancients, like water, * *. ("Bringing prostitutes to the Peach Blossom Garden in Qixia Mountain") issued a plaintive cry that ambition is hard to pay and elegance is fleeting. The poet left a fragile space in his heart and filled it with the moon. No matter the anguish in his chest or the parting of his friends, he pinned his hopes on the eternal moon, which became the most intimate companion in the poet's natural creation. Mountains and rivers are the objects he conquered, only the moon, just like a wise man.
Li Bai was addicted to alcohol all his life. Li Bai's poems always smell of wine, and he has a Taoist style that is free from dust and refined, elegant and bold. He used wine to express his ambition, so he had "the ancient people forget the sages, only the drinkers leave their names" ("Into the wine"). He lamented that his career was difficult and he saw through fame and fortune, so he had "Drink a glass of wine while you are alive! I don't care if your reputation will survive! " Happy but forgot to return "but got the host drunk and didn't know where my hometown was" (Travel Bank). Looking at the country with wine, I never tire of watching it, staying away from the hubbub and indifferent to the distance: "Two people drink flowers in the mountains, one cup after another" ("In the mountains, I drink with you"). He makes the eternal sorrow float with the wine (selling the eternal sorrow with you)
The poet melted the disillusioned shadow in the moonlight and mellow wine, which did not diminish Li Bai's heroic spirit of doggedly pursuing his ideal, but added a solemn and tragic look like a hero's frown. Li Bai's loneliness and depression in Sending the Moon and Wine reflects the poet's courage to surpass himself and his persistent pursuit of ideals and freedom.
Li Bai is the representative of the spirit of the times. Therefore, Li Bai, a great romantic poet, is inseparable from the open and enterprising national strength of the Tang Empire. The civilization and prosperity in the heyday of feudal society gave people the spirit of enterprising, self-confidence, pursuit of ideals and achievements, and the idea of being at ease. Li Bai, as the proud son of the times, is particularly prominent. For example, Du Fu wrote "Li Bai has a bucket of poems, Chang 'an sleeps in a restaurant, and the son of heaven doesn't get on the boat, saying that he is Brewmaster", which is rare in other times. Du Fu, a realistic poet who cares about the country, praised this, which shows his civilized and open social atmosphere, which is the social root of Li Bai's romantic poetic style.
Secondly, Li Bai traveled all his life. The famous mountains and rivers of the motherland, the splendid rivers and mountains, "All the five mountains are sacred, and there is no distance, according to my unchanging habit all my life" broadened his mind, cultivated his sentiment, and made his works magnificent.
Thirdly, Li Bai, as a Taoist, was deeply influenced by Taoism's pursuit of "absolute spiritual freedom", and walked with the wind. Lapras was in the clouds, traveling overseas, soaring in the universe, walking with creation, staying with heaven and earth forever, resisting nature and flying bravely. Under the influence of these spirits, Li Bai has his own style and elegance. This is an indispensable source of his romantic poetry style.
Then there is China's long tradition of romantic creation, as well as the spirit of struggle from Qu Yuan, the spirit of freedom from Zhuangzi and the influence of * * * on Li Bai. Li Bai followed in his footsteps, absorbed the spiritual essence of the two men, and formed the spirit of Li Bai's active romance, participation in reality and pursuit of freedom.
Li Bai's poems have always been praised for their extraordinary demeanor and brilliant talent. For example, Du Fu's "pen falls in shock, poetry makes ghosts and gods cry", and Pi Rixiu's "speaking out of heaven and earth, thinking out of ghosts and gods." "Spit out the words in the sky, guest on the earth." ("Seven Love Poems"), when He Zhangzhi first met him, he read his poem, namely "The Scarf Becomes Wine", which is called "The Immortal". It can be seen that his charm is elegant and his temperament is extraordinary. In "Hanging Li Bai", Kao Ru of the Ming Dynasty also praised him. "I didn't see you, Li Bai's history of TEDA in the Tang Dynasty. Although he died, his voice stayed between heaven and earth. Who is like a Millennium blast? " Sing a poem today, and your hair will float with the wind. If it weren't for the vastness of the lake and the sea, there would be nine songs on the dragon plate ... no matter how the ghost cries, poetry has its own clouds, and my husband is really open-minded and his mouth will change. Mount Tai is high and the sea is deep and dry. Only Li Bai's genius can grasp nature. How can the world get a glimpse of it? "This shows that the artistic charm of Li Bai's poems is well-known and has been passed down through the ages.