Reply: 582654878- Beginner in Jianghu Level 2 2008- 1 1-23 06:08
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Respondent: Liang Jitong-probationary period level 1 2008-11-2315: 41.
Tong: It's all travel notes.
Different: different places.
Respondent: 609540448- ranking12008-11-2419: 22.
About the author:
Su Shi (1037 ~11), born in Song Dynasty, was named "Dongpo Jushi", posthumous title Wenzhong, aged 66. In the Southern Song Dynasty, Emperor Gaozong reigned for six years, giving a surname to chase posthumous title's "Wen". Meishan, Meizhou (now Meishan, Sichuan) people, together with their brother Su Zhe and father Su Xun, are also called "Su San". He is a famous writer and painter, and one of the eight masters in Tang and Song Dynasties. He, his father Su Xun (1009 ~ 1066) and his brother Su Zhe (1039 ~12) are all famous for their literature, and they are also called "Three Sus". It is the same as "Cao San and his son" (Cao Cao, Cao Pi, Cao Zhi) at the end of Han Dynasty. "Three Sus" are the general names of eight famous prose writers in Tang and Song Dynasties, namely Han Yu and Liu Zongyuan in Tang Dynasty and Ouyang Xiu, Su Xun, Su Shi, Su Zhe (Su Xun is Su Shi's father and Su Shi is Su Zhe's brother), Wang Anshi and Ceng Gong in Song Dynasty. Three of them (divided into two schools in Tang Dynasty and six schools in Song Dynasty) have works such as Seven Sets of Dongpo and Dongpo Yuefu. Politically, it belongs to the old party led by Sima Guang. After the political reform, Wang Anshi believed that the new law was not unrealistic, so he supported the new party. Su Shi's frustration is closely related to his political choice.
He is knowledgeable and versatile, and has high attainments in calligraphy, painting, poetry and prose. His calligraphy is called "Song Sijia" with Cai Xiang, Huang Tingjian and Mi Fei; He is good at painting bamboo and strange stones, and also has outstanding opinions on painting theory and calligraphy theory. He was a literary leader after Ouyang Xiu in the Northern Song Dynasty. His outstanding prose works mark the victory of the ancient prose movement that began in the Western Wei Dynasty and went through the Tang and Song Dynasties. Prose and Ouyang Xiu are both called "Ou Su". Poems such as Huang Tingjian are collectively called "Su Huang"; His writing is magnificent, bold and unconstrained, and graceful. Known as "Su Xin" with Xin Qiji in the Southern Song Dynasty, * * * is an uninhibited poet.
Su Shi's Night Tour in Chengtian Temple is selected from the first volume of Dongpo Zhi Lin. Su Shi's famous poems include Jiangchengzi and Dingfengbo. Su Shi is the fifth son of his father Su Xun. In the second year of Jiayou (1057), he was a scholar with his brother. Dali was appointed as the judge and signed the book Fengxiang House. In the second year of Xining (1069), he returned to the DPRK after the expiration of his father's funeral system and sued the court for being a judge. Disagreement with Wang Anshi's political views, opposition to the implementation of the new law, self-employment, and imprisonment for General Hangzhou. Move to Mizhou (now Zhucheng, Shandong Province) and Xuzhou. In the second year of Yuanfeng (1079), he was involved in Wutai poetry case, and was responsible for granting Huangzhou (now Huanggang, Hubei Province) an assistant ambassador. He was placed in this state and was not allowed to sign books or official documents. Empress Dowager Zhe Li Zong came to the DPRK and was reinstated as Langfengzhi Dengzhou (now Penglai, Shandong Province); Four months later, he was transferred to the doctor of does; Before the end of his term of office, in addition to his daily life, he moved to the Sheren of Zhongshu, moved to the Hanlin bachelor's office, and learned about the imperial edict and the tribute of the Ministry of Rites. Yuan You went out to know Hangzhou in four years (1089), and later changed to know Yingzhou, Yangzhou and Dingzhou. In the eighth year of Yuan You (1093), Zhe ruled the country and was successively demoted to Huizhou (now Huiyang, Guangdong) and Danzhou (now Danxian, Hainan). Hui Zong acceded to the throne and returned to the north for forgiveness. Yuan (1 10 1) died in Changzhou (now Jiangsu) at the age of 66 and was buried in Tancheng County (now jia county, Henan).
[Edit this paragraph] Original:
On 20061October 12, Yuanfeng undressed at night, entered the house in the moonlight and set off happily. People who have nothing to do go to Chengtian Temple to find Zhang Huaimin. People didn't sleep, so we walked in the yard together. In the moonlight, the courtyard is full of clear water, as clear as clear water. The algae and shepherd's purse in the water are the shadows of bamboo and cypress. What night is there no moonlight? Where is there no bamboo and cypress? It's just the lack of free people like us.
[Edit this paragraph] Note:
Chengtian Temple: In the south of Huanggang City, Hubei Province.
Six years of Yuanfeng: A.D. 1083. Yuanfeng, the year number of Song Shenzong.
Thinking about having nothing to do and having fun: thinking that no one is chatting and having fun. Read, think and consider. People who entertain themselves together.
Zhang Huaimin: The author's friend. Dream of fame, the word Huaimin, Qinghe (now Qinghe, Hebei) people. Yuanfeng was also exiled to Huangzhou in six years and lived in Chengtian Temple.
Sui: So.
Sleep: Sleep.
Walking in the atrium: walking in the yard together, walking together, walking together, walking together.
The courtyard is as empty as water: it means that moonlight fills the courtyard, just as water fills the courtyard from top to bottom, clear and transparent.
As clear as water. Empty and bright, describing the clarity of water.
Algae (xìng): refers to aquatic plants and aquatic plants. Eleocharis tuberosa, a perennial aquatic grass, has heart-shaped leaves, green face and purple back, and yellow flowers in summer.
G: following the above, explaining the reasons and expressing affirmation is equivalent to "probably", which is interpreted as "originally" here.
Idle people: here refers to people who don't seek fame and fortune and can wander around the scene leisurely. At this time, Su Shi was demoted to Huangzhou Yingyong's agreement. This is an official with a position but no power, so he calls himself an idle person. A leisure person, or a person with leisure and elegant taste.
But there are few idle people: just a lack of idle people. But, just. Idle people, idle people.
Ear: That's all.
[Edit this paragraph] Translation:
On the evening of 2006 10 12, when I took off my clothes to get ready for bed, the moonlight entered the door of the main room, and I got up and walked happily. I thought there was no one to talk to, so I went to Chengtian Temple to find Zhang Huaimin. Zhang Huaimin didn't sleep, so he walked in the yard together. On the ground of the courtyard, the moonlight is as clear and transparent as water, and some aquatic plants are staggered in the water, which turned out to be the shadows of bamboo and cypress branches and leaves in the moonlight. What night has no moonlight? Where are there no bamboo and pine and cypress? It's just the lack of idle people like us.
[Edit this paragraph] Appreciate:
The night tour of Chengtian Temple was praised by later generations as "the swan song of writing moonlight". The feelings expressed are subtle and complicated, and the feelings of life, the joy of enjoying the moon and the leisure of walking are all included. When the author "undressed and wanted to sleep", he "entered the house by moonlight", so he "set off happily". Moonlight is rare and can't help but make people happy. However, no one enjoyed the moon with him, so he had to go to Zhang Huaimin and he was demoted. How many sorrows and feelings about life have been relegated! Two people strolled in the atrium, which was very leisurely. Compared with "idle people", it contains all the meanings.
Su Shi's own evaluation of his literary creation, there is a very incisive passage:
My writing is like a fountain, it can be published anywhere. On the flat land, it gurgles, although it is difficult to travel thousands of miles a day. It twists and turns with rocks, shapes with things, and is unknown. The knower always does what he should do and often stops at what he can't do. That's all! Others, although I can't know. ("Wen Shuo")
This passage can be supplemented by another sentence: "A person who used to be a writer can't work for it, but he can't help working for it." There are clouds in the mountains and rivers, luxuries in vegetation, and depression. Although my husband doesn't want anything, can he get it? "("Jiang Xing Chorus Preface ")
The most important point here is that literature is a kind of "depressed" thing and has to be displayed to the public. If you have a "source of springs" on your chest, you can "get away with it at all costs"; Without ambition, you can't write a good article on your own. Su Shi is indeed a great writer with "the source of welcoming the Spring". As far as his prose creation is concerned, "ten thousand yuan" overflows into political theory and historical theory, and Wang Yang is vast; Travel notes, letters, prefaces and postscripts and other essays are all over the mountains, swaying and smoky.
There are only 84 words in the article "Night Tour in Chengtian Temple", which naturally flows from the chest. "What should be done" and "what should be stopped" are not divided into paragraphs. But it is not the "flat ground" of DC. Only a few dozen words. If "On the Flat Ground" is DC, what is its charm without rest? Read this article carefully, although it is natural and popular, but it is "tortuous and rocky" with distinct layers. "On the evening of October 12, Yuanfeng six years." It's like keeping a diary, honestly writing the year, month and day, and then writing the word "night". What should we do next? What the hell are you doing? There is nothing wrong with "undressing and sleeping". But just as I was undressing, I saw "Moonlight Entering the House" and felt that there was nothing to do, so I "set off happily". What are you doing? I have been "walking" alone for a while, but I am not very "happy". It would be nice to have another person; Suddenly thought of a person who can * * * "have fun", so I went to see him. These thoughts and actions are expressed in the following words: "Those who have no enjoyment, go to Chengtian Temple to find Zhang Huaimin". Have you met Zhang Huaimin? What did you say when you saw him? What kind of "fun" did you ask him for? Does he agree? In the pen of ordinary people, this is all to be written. The author only wrote two sentences: "Huai Min is still awake and walking in the atrium." Then write the scene:
The courtyard is as empty as water, and the algae and grass in the water are intertwined and covered with bamboo and cypress.
The water is clear, the moonlight is clear, and the reflection of bamboo and cypress is beautiful and elegant. The author uses highly concise pen and ink to touch and dye a beautiful realm of emptiness, swaying and swaying.
Literary thinking is like a surging river, "twists and turns with rocks". Where is it now "unstoppable" and "stopped"? Because of seeing "moonlight entering the house" and "happily starting", it should stop at the month; Seeing "the intersection of algae and grass" turned out to be "the shadow of bamboo and cypress" and should stop at "bamboo and cypress"; Who appreciates the moon? Who watches bamboo and cypress? It's him and Zhang Huaimin. We should stop him and Zhang Huaimin. So to sum up all this, I wrote the following words and stopped at leisure:
What night is there no moonlight? Where is there no bamboo and cypress? It's just the lack of free people like us.
A few strokes, a piece of life. Narration is simple and clean, picturesque, and lyricism lies in narrative and scenery. Narration, scenery description and lyricism all focus on writing people; When writing about people, it should be emphasized that "leisure" entering "night" means "undressing to sleep" and "leisure"; See "Moonlight Entering the House", then "Set out happily" and "Nothing to do"; With Zhang Huaimin "walking in the atrium", even the "shadow of bamboo and cypress" was seen so carefully and clearly that both of them were "idle". "What night without a month? Where is there no bamboo and cypress? " However, only "the two of us" go out to enjoy the moon and see the bamboos and cypresses on winter nights, because others are busy people and "the two of us" are "idle people". The "idle people" at the end is the finishing touch, comparing the "leisure" of "the two of us" with that of others. Only when he is "idle" can he "swim at night" and enjoy the beautiful scenery on the moonlit night. After reading the whole article, the figures, moods and scenery of the two "idle people" are vivid.
[Edit this paragraph] said Su Shi night tour Chengtian Temple:
Su Shi's own evaluation of his literary creation, there is a very incisive passage:
My writing is like a fountain, it can be published anywhere. On the flat land, it gurgles, although it is difficult to travel thousands of miles a day. It twists and turns with rocks, shapes with things, and is unknown. The knower always does what he should do and often stops at what he can't do. That's all! Others, although I can't know. ("Wen Shuo")
This passage can be supplemented by another sentence: "A person who used to be a writer can't work for it, but he can't help working for it." "Mountains and rivers have clouds, lush vegetation, full of gloom. Although my husband wants nothing, what can he get? " ("Jiang Xing Chorus Preface")
The most important point here is that literature is a kind of "depressed" thing and has to be displayed to the public. If you have a "spring source" in your heart, you can "go out at all costs"; Without ambition, you can't write a good article on your own. Su Shi is indeed a great writer with "the source of welcoming the Spring". As far as his prose creation is concerned, "ten thousand yuan" overflows into political theory and historical theory, and Wang Yang is vast. Travel notes, letters, prefaces and postscripts and other essays are all over the mountains, swaying and smoky.
Come and read an essay "Night Tour in Chengtian Temple".
This article is only 84 words, which naturally comes from the chest. "Do what you have to do" and "Stop where you can't stop" make paragraphs inseparable. But this is not DC on the flat ground. Only a few dozen words. If "On the Flat Ground" is DC and there is no rest, what charm is there? After reading this article carefully, although it is natural and popular, it is a well-defined "stone twists and turns". "On the evening of October 12, Yuanfeng six years." It's like keeping a diary, honestly writing the year, month and day, and then writing the word "night". What should I do at night? What the hell are you doing? "Take off your clothes and want to sleep", there is nothing to do. But just like "undressing", when I saw "moonlight coming into the house", I felt there was nothing to do, so I "set off happily". What are you doing? Have fun. A person "walked" for a while, but he was not very "happy". It would be nice to have another person; Suddenly thought of a person who can * * * "have fun", so I went to see him. These thoughts and actions are expressed in the following words: "Those who have no enjoyment, go to Chengtian Temple to find Zhang Huaimin". Have you met Zhang Huaimin? What did you say when you saw him? What "fun" do you ask him? Does he agree? In the pen of ordinary people, this is all to be written. The author only wrote two sentences: "I don't sleep with the people, I walk in the atrium." Then I wrote this scene: the courtyard is as empty as water, and the algae and weeds in the water are intertwined and covered with bamboo and cypress.
When you walk in the atrium, your eyes are attracted by the moonlight in the courtyard, creating an illusion of "water is empty and bright", so that you can see all kinds of aquatic plants criss-crossing. Why are there algae and water plants in the yard? Looking up, I saw bamboo and cypress, and at the same time I saw the bright moon in the blue sky. It dawned on me that it was not "algae and grass", but the shadow of "bamboo and cypress" under the moonlight! The metaphor of "moonlight is like water" is often used, but its clever use varies from person to person. It can't be said that the author didn't use this metaphor, but his usage is very different from that of ordinary people and his artistic effect is also very different.
Literary thinking is like running water, "twists and turns follow the stone", and now it is "transcendence". Where is the "stop"? Seeing that "moonlight enters the house" and "begins with pleasure", it should end in the month; Seeing "the intersection of algae and grass" turned out to be "the shadow of bamboo and cypress" and should stop at "bamboo and cypress"; Who appreciates the moon? Who watches bamboo and cypress? It's him and Zhang Huaimin. We should stop him and Zhang Huaimin. So to sum up all this, I wrote the following words and stopped at leisure:
What night is there no moonlight? Where is there no bamboo and cypress? It's just the lack of free people like us.
A few strokes, a piece of life. Narration is simple and clean, picturesque, and lyricism lies in narrative and scenery. Narration, scenery description and lyricism all focus on writing people; Write a prominent point: "leisure." Entering "night" means "undressing to sleep" and "leisure"; See "Moonlight Entering the House", then "Set out happily" and "Nothing to do"; Walking in the atrium with Zhang Huaimin, even the "shadow of bamboo and cypress" was seen so carefully and clearly that both of them were "idle". "What night without a month? Where is the bamboo forest cypress? " But in the evening, only "the two of us" went to visit the bamboo forest and cypress trees, because others were busy people and "the two of us" were "idle people". The "idle people" at the end is the finishing touch, comparing the "leisure" of "the two of us" with that of others. Only when he is "idle" can he "swim at night" and enjoy the beautiful scenery on the moonlit night. After reading the whole article, the figures, moods and scenery of the two "idle people" are vivid.
(Excerpted from Reading and Appreciation, Beijing Publishing House 1987, abridged)
[Edit this paragraph] Writing background:
This article was written in the sixth year of Yuanfeng in Song Shenzong (1083). At that time, the author had been demoted to Huangzhou for four years. In July of the second year of Yuanfeng, Li Ding and others picked out Su Shi's poems about the new law, saying that he slandered them. In August, he was arrested and imprisoned. After a long trial and torture, I almost lost my mind. 1February, the author was released from prison and demoted to Huangzhou to be an assistant forever, but he was not allowed to "sign books to do business", that is to say, he was an idle official with positions but no rights. In this case, the author wrote this essay, describing the scenery of the moonlit night beautifully and recording a fragment of his life at that time.
[Edit this paragraph] Graded appreciation: centered
The full text is divided into three layers, the first layer is narrative. The first sentence points out that the time of the incident was "October 12, the sixth year of Yuanfeng", and Su Shi was demoted to Huangzhou as a deputy history because of the four-year Wutai poetry case. That night, the moonlight shone into his room. The author wanted to sleep, but he was fascinated by the beautiful moonlight and got excited. But he thought that no one could enjoy this kind of fun, so he set off for Chengtian Temple not far away to find Zhang Huaimin. When he was in Su Like, he was also demoted to Huangzhou and made friends with Su Shi. That night, Zhang Huaimin didn't sleep, so they went for a walk in the middle of the yard together. This narrative is simple, indifferent and natural.
Write the scenery on the second floor. The author cherishes ink as gold, and only uses eighteen words to create a quiet and charming night scene with clear moonlight, mottled bamboo shadows. Readers can use their imagination: the moonlight is crystal clear, as clear as a pool of empty water. Even better, there are aquatic plants floating and wandering in the "water", and suddenly they are like entering a fairyland. The author's beauty lies in the use of bamboo shadows and moonlight to make each other interesting, and the metaphor is accurate, novel and appropriate, which renders the beauty and solemnity of the scenery.
The discussion began on the third floor. The author regrets that there is no bright moon and bamboo at night, but I'm afraid not many people except him and Zhang Huaimin have leisure and elegance to enjoy the scenery. The crowning touch of the whole article is the word "idle people". Su Shi lives in Huangzhou, "no signing books, no official business", and he is only a nominal official who "helps the world" with Confucianism. On the other hand, the moonlight is beautiful and the bamboo shadow is beautiful, but people can't know it, so it is a pleasure for these two people to enjoy it! Su Shi's thoughts span Confucianism, Buddhism and Taoism, which makes his attitude towards life extremely inclusive and can be said to be modest and comfortable. Of course, his chapters in adversity can better reflect his personality charm!
[Edit this paragraph] Reward:
"Moonlight Entering the House": Lonely on a cold night, "undressing for sleep", at this moment, the moonlight quietly entered the door. The word "into the house" symbolizes moonlight. Moonlight seems to understand the loneliness and boredom of the relocated guest and take the initiative to accompany him.
"set out with pleasure": it is the author's reaction; Write that he was sleepy, put on his clothes, and saw the moonlight greet him with joy like a long-lost bosom friend. A "sinner" who was demoted by the imperial court, we can imagine that he was cut off from friends and left out in the cold; Only moonlight has no snobbery, and still visits him on a lonely cold night. Four words write the author's joy and excitement.
"Go to Chengtian Temple to find Zhang Huaimin when you have nothing to do": The author's good relationship with Zhang Huaimin first thinks of Zhang Huaimin.
"Huai Min is still awake and walking in the atrium." The author and Zhang Huaimin have a deep friendship.
"What night without a month? Where is there no bamboo and cypress? But few idle people are like my ears. "
-it contains the author's sad feelings of ups and downs in his official career and the philosophy of life he gets from it, and gets some comfort from the pain. The last sentence has at least two meanings: first, for those who seek fame and gain, they are stubborn and trapped in the vast sea of officials and cannot extricate themselves. How can they enjoy Leng Yue Wonderland? Secondly, it shows the author's carefree and comfortable state of mind, and of course it also reveals his complaint about not being loyal to the court.
[Edit this paragraph] Enlarge the writing exercise
On the evening of 20061October 12, I just wanted to lie down and sleep when I untied my clothes. Suddenly, I saw the bright moonlight shining on the window. Suddenly, I seem to remember something. I put on my shoes and clothes and went to Chengtian Temple. Thinking on the road, I am so bored that I have no friends to talk to in recent days. Today, I suddenly thought of Zhang Huaimin, who had the same experience as me. Walking to the door of the temple, two monks came out. "Donor, who are you looking for?" I paused and replied affectionately and calmly: "I want to find Zhang Huaimin!" The monk respectfully said, "Please come in, benefactor."
I walked into the temple and saw Huaimin's room open, so I went straight ahead. Knocking gently, I only saw the figure of the room coming to the door. After opening the door, I also stayed for a while. After smiling, Zhang Huaimin packed her clothes and walked in the yard with me.
We walked in the yard together and looked up and saw the sky was gloomy. There is a little star hanging in the distance, and the brightest moon is also hanging in the sky. I can't help but sigh: "Hey, Brother Huaimin, how nice the moon is bright tonight, which reminds me of the past." A faint sadness and grief appeared on my face. Huai Min looked at the moon and shouted, "Who said no? How can such scenery not make people sad! I am worried when I think that there is an 80-year-old mother at home. I wonder if she is doing well now. After listening to this, I kept shaking my head as if I was helpless and said, "I have a wife and children at home. How can I rest assured? I miss my hometown. Now that I have been degraded to this point, I can only vent my homesickness with you. " Huaimin nodded. We sat in court, found wine glasses and drank together in the moonlight.
The plants in the water are criss-crossing and floating, and those bamboos and conifers are also reflected in the water. We can't help but sigh: "where there is no moon, there is no such place as bamboo, pine and cypress." It's just that there are fewer idle people like us now. "
Speaking of which, we are talking about the present emperors and people of the Song Dynasty. Huaimin sighed, "There is nothing we can do, but we can't be reused by the imperial court. After being demoted, we are eager to serve the imperial court, but there is nothing we can do! Pathetic! Pathetic! " We are all sad.
We sat up and suddenly wanted to go for a walk by the lake. When we are on the road, we can't help but feel that it is a great misfortune that we can't contribute to our country.
[Edit this paragraph] Learn the text
1. Why does the author want to visit the temple at night?
Because the moonlight is beautiful, "moonlight enters the house" so "set out happily"
2. Which sentences in the text express the author's feelings?
"Come into the house in the moonlight and start happily"-lonely and desolate, watching the moon send you away "What night is there without the moon? Where is there no bamboo and cypress? But few idle people are like my ears. " -it contains the author's sad feelings of ups and downs in his official career and the philosophy of life he gets from it, and gets some comfort from the pain. The last sentence has at least two meanings: first, for those who seek fame and gain, they are stubborn and trapped in the vast sea of officials and cannot extricate themselves. How can they enjoy Leng Yue Wonderland? Secondly, it shows the author's carefree and comfortable state of mind, and of course it also reveals his complaint about not being loyal to the court.
3. How did the author's mood change during the night tour?
The feeling of "joy", the feeling of "thinking nothing and having fun", a little regret, a little anxiety and a little excitement ... "Walking in the Atrium" is leisurely and carefree.
summary
The author described the beauty of moonlight with poetic brushstrokes, creating a cool and bright artistic conception. It is like a lonely moonlight song, with every note shining with silver cold light, all telling the author's bright and sad feelings. (I am a dreamer ~ ~)
[Edit this paragraph] Translate a poem with a poem.
The evening breeze is soft.
Slight blowing
Tremble with the surrounding scenery
listen attentively
This seems to be good news for nature.
I was just about to take off my clothes and go to bed.
Go to bed and sleep peacefully, expecting a beautiful dream!
I can't believe that the moonlight is like frost and blue, but it is full of affection.
Quietly infiltrated into the screen window, a crystal clear.
No, I'm fascinated.
Wake up from the edge of the dreamland again
So I had to stand up.
Think about this wonderful moment.
Who deserves * * * points?
I won't let it be empty, and I won't let it live up to its moment.
Go, go
I came to Chengtian Temple.
Go find your old friend Zhang Huaimin!
I can't believe he hasn't gone to bed yet.
Just invite him.
Hand in hand, enjoy the beautiful moonlight.
Huaimin, Huaimin ...
Don't you feel this moment?
Look, the yard is empty and packed.
Look at that pine, cypress and bamboo shadow.
Like a piece of seaweed crossing the water.
Wash away your heart and mine.
Ah!
When is there no moon?
Where is there no bamboo and cypress?
Huaimin, Huaimin
There are no two tacit hearts
How can you breed this pure and elegant leisure?
Both of us/We both
It is really the incarnation of the gods! (I am a dreamer ~)
Interviewee: All for Love 2- Assistant Level 2 2008-11-2719: 42
In the story of Xiaoshitang, the fish is written in the open and the water is written in the dark.
In Night Tour of Chengtian Temple, the water is clearly written and the moon is secretly written.
It is described in the introduction.
Interviewee: Gu Weiwen-Magic Apprentice Level 1 2008-1-3016: 24
/7730 1989
Respondent: 77301989-Grade I during the probation period in 2008.