Li He's "Dragon's Ridge Style" poetry became the representative of the complete turn of aesthetics in the whole Tang Dynasty. His tragic and mysterious poetic style not only became an unprecedented development and innovation, but also became a creative model of direct imitation of poetry in the late Tang Dynasty, and also became an artistic monument that countless famous poets in later generations constantly imitated.
"Changji Style" poetry has novel and unique characteristics in conception, image, diction and color setting. His conception and artistic imagination are very original. He is good at using myths and legends and grotesque and gorgeous words to create whimsical and unprecedented images.
In terms of diction and color, words such as "weeping", "fishy", "cold", "blood" and "death" and the style of "Leng Yan's wonderful beauty" are often used, which makes poetry have a sad Leng Yan style.
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Li He is unique in the field of poetry with his "long auspicious style", which enriches the romantic tradition and has a far-reaching influence on later poets. For example, Li Shangyin, Wen and others all created the "Dragon Auspicious Style".
The strange and tragic style in Li He's poems can still be regarded as the inheritance of Du Fu's Han Meng school of poetry, but those poems with "long auspicious style" which obviously show melancholy and gorgeous style directly opened the third transformation of aesthetic art in Tang Dynasty. With Li He as the boundary, the Tang poetry entered the middle Tang realistic into the late Tang quasi-soul.
At first, the poetic theory put forward by the wooden and stubborn Han Yu was only an unforgettable call to the heroic spirit of the Tang Dynasty before the Anshi Rebellion, but Li He, who had been called out for a long time by his hand, turned Du Fu-style sublimity into irresistible sentimental charm in the late Tang Dynasty.