On the occasion of Li Qingzhao's 935th birthday, let's read another of her poems about longing for spring.

Throughout the ages, marrying love is every woman's expectation for her marriage.

However, in the long history of China, only a few people can really meet the right person. Even talented women like Zhuo Wenjun and Xue Tao have to face the reality that "Sima Sheng has second thoughts and Yuan Zhen is too affectionate". Moreover, in ancient times, marriage often paid attention to the right match and was more of a political victim.

But-Li Qingzhao is an exception.

Li Qingzhao (1March 084 13—— about 1 155), a poetess in the Song Dynasty, is a representative of graceful and restrained ci school, and is known as "the first talented woman in the ages" and "the queen of ci country". His father is Li, a student of Su Shi and a member of the official etiquette department.

Zhao Mingcheng, Zidefu, epigraphist, researcher of ancient Chinese characters, and the husband of Li Qingzhao, a poet. His father is Tingzhi Zhao, an official minister.

Therefore, Li Qingzhao and Zhao Mingcheng are not only suitable for each other, but also like-minded, and their married life is full of joy. As the saying goes, "a good-looking skin is the same, and an interesting soul is one in a million." Obviously, they met the right person.

In that feudal era of flattering parents' orders, it was a godsend for Li Qingzhao to marry her lover.

According to Biography, Volume 1 of nirvana in fire, Zhao Mingcheng had a dream in which he recited a poem. After waking up, I only remember three of them: "The word" He Lian "is out of safety. Pull up the grass." At that time, he was puzzled and asked his father for advice. His father smiled and said, "Our son needs to be able to write words and words." Ming cheng is still puzzled. His father then explained: Yan Yusi is a word, a device has been removed, it is a female word, and Zhifu Caoba is her husband. Taken together, it is a woman's husband.

It's a rumor. It's Zhao Mingcheng's intention to use crossword puzzles to suggest that his father ask relatives and friends for it. But who can be sure of fate?

In this way, 18-year-old Li Qingzhao married Zhao Mingcheng, a 2 1 year-old Taiwanese student. Both of them are talented and beautiful, and they are really a perfect match.

After marriage, besides poetry, chess, calligraphy and painting by literati, there is a more like-minded career, that is, the study of epigraphy. Both of them love literature and often write poems for each other and learn from each other, which adds a lot of interest to their love life. In their spare time, they enjoy flowers, recite poems and write poems, and the couple also want to play some intellectual games.

The couple often sit in the cloister to make tea after supper. Two people pointed to a room full of books and tortured each other. They guessed right first and drank tea. Li Qingzhao always wins in competitions. Whenever Zhao Mingcheng turned over the books for verification, Li Qingzhao had already raised his glass and looked confident. When he learned that the result was only his own answer, he clapped his hands and smiled happily until the tea spilled from the cup and his skirt was wet. Later, Nalan Xingde quoted this allusion in Huanxisha: Reading makes tea fragrant. It is infinitely desirable.

There is such an interesting story about their love life.

Once on the Lantern Festival, Zhao Mingcheng was just in time to go home. As soon as he got home and sat down, the maid told him that there was a business boy asking for an audience. When the son approached, Zhao Mingcheng saw' him' wearing an embroidered Confucian scarf, a light blue robe and pink satin boots, with soft and beautiful eyes and elegant manners. Zhao Mingcheng hurriedly got up and asked your name. I saw the scholar bow down and replied, "My brother and I have always been friends. Why didn't my brother forget me after half a month? " Zhao Mingcheng suddenly woke up, grabbed his beloved woman disguised as a man's wife and laughed heartily.

At this time, Zhao Mingcheng was still studying in a business school, and he rarely became a monk. Although they are all in the same place, Li Qingzhao still feels that the two reunions in this month are too short, and she also cherishes this precious time between two people.

If Li Zhao's life has always been so happy, bento is really envious of Yuanyang rather than fairy. But at the end of the Northern Song Dynasty, the country was in turmoil, treacherous, stormy, broken mountains and rivers, and there were eggs under the nest.

One should be loyal to his country. In the second year of Chongning (1 103), Zhao Mingcheng began to be an official, but his career was not smooth, and his life was often impacted by the inner-party struggle in North Korea. More importantly, two people who were originally happy and loving had to live apart for a long time. Li Qingzhao's feelings for her husband are naturally self-evident.

So on a sunny day, Li Qingzhao recorded her inner feelings of "spring day" with a pen:

Dead Hua Lian, warm rain, sunny wind and breaking the freeze for the first time.

Song liqing Zhao

Warm rain, sunny wind, the beginning of breaking ice, the eyes of willow leaves and the cheeks of plum all feel the heart of spring.

Who and * * *? Tears melt powder, and the buds are heavy.

At first, I tried to sew a shirt with gold thread. The pillow was inclined, which damaged the hairpin and the phoenix.

There is no good dream when you are alone in grief, but you still have to cut your snuff in the middle of the night.

In China's creation of ancient poems, boudoir and sadness are probably one of the eternal themes. However, before Li Qingzhao, there were few works written by young writers that could write boudoir affairs in a pure and elegant style, let alone reflect the history of a person's mind and the vicissitudes of a certain era through boudoir affairs.

Li Qingzhao's "Die Lian Hua" is about leaving love in the boudoir. In her works with the same theme, there is neither the unique pain of parting and lovesickness between young couples described in her early works "A Prune, a Sweet Lotus Root and an Autumn Jade". Unlike her lonely goose, rattan bed and paper curtain sleep in her later years, Yongmei was used to express her sadness of suffering from war and displacement, and the couple were separated by life and death.

The first part of the poem depicts the warm spring scenery outside, renders the intoxicating environment and expresses the feelings of longing for spring; The next film, connecting the past with the future, focuses on the poet's specific lonely life in the boudoir.

The whole poem is written from day to night, depicting the image of a homesick woman who loves life, yearns for happiness and deeply misses her husband. The last two sentences, in particular, borrowed the ancient saying of good news from snuff, not only to dispel deep worries, but also to reveal the eager expectation of her husband's early return. He Shang, a critic of Qing Ci, evaluated these two sentences as "ecstasy sentences" in Wrinkled Shuixuan Ci.

But I especially like the phrase "warm rain, fine weather, fine wind, just breaking the ice, full of plum blossoms, already feeling the heart of spring." Li Shangyin said in the poem "February 2nd" that "flowers must be rogue, and purple butterflies and wasps have feelings", while Su Shi described willow leaves in the poem "Shui Long Yin" as "lingering on the soft intestine, sleepy and eager to open". If it is only "warm weather and sunny weather", it is not enough to express the characteristics of spring, but the beauty lies in the poet's eyes. Semantically speaking, "I feel my heart is in spring" is a summary of the coming of spring and an expression of my love for spring.