Poetry about interest 1. What are the poems about interest?
Poems about interest are:
1, hold me to play, pick chrysanthemums and find each other. -Tang Baorong's "Gong Linting"
2. The fun is in space bound recovery day, but the fun is not over. -"Leave a gift at Longmen Xiangshan Temple in Autumn Night Wang Fangcheng 17 Zhang Feng Guo Ying" Tang Libai
3, bringing wine suits my feeling, and the fun is getting less and less. -"The Winter Boat in Bashan and the Public" Don Wang Zan
4. Xing Zhong Yuan is a far-reaching interest, and there are new poems on the famous China list. -"Siting" Wang Song Anshi
5, the machine forgets the gulls and birds, and the piano book is poor. -"Book Huai" Liu Song Xue Ji
6, surprised and interested in juvenile treatment, flower arrangement drunk. -"The Riverside Scene at Qingming Festival" Song and Zhou Dynasties
7. The book is interesting. Last night, Ye Zhou went to Xiangjiang Beach. -"Give Dan to the Hermit" Tong Mingji
8. I have never traveled, and I am more interested in Jianghu. -"Looking for Caotang in Xizhi Village, Stay in Zangong Earth House" Tang Du Fu
2. Ask for interesting ancient poems
In the mountain village of Yonghuai (Song Dynasty), Shao Kangjie walked 23 Li, and there were four or five smoke villages.
The pavilions are six or seven, and the flowers bloom in eighty or ninety. Xu Zaisi's Narcissus Double Tone Night Rain: A Ye Qiu, a banana and a little sorrow, the third night after the dream.
Snuff, chess is not closed, sigh Xinfeng stay for a long time. After ten years on the pillow, two old worries in Jiangnan came to mind.
Repeat the numbers "one" and "three". It is said that digital poetry, a poetess in Qing Dynasty, wrote very well.
She wrote such a poem: "A flower, a willow, a fish and a bird are flying in the sunset. A mountain, a water and a Buddhist temple, a touch of yellow leaves and a monk return. "
Chen Yuan also has a song "A sail, a paddle, a fishing boat, a fisherman and a hook". Li, a writer in the Qing Dynasty, wrote a seven-character poem: "Ada Qiao and Xiao Qiao, with a waist of three inches and a golden lotus of four inches, bought five or six packs of powder and dressed beautifully."
Zheng Banqiao, one of the Eight Eccentrics of Yangzhou, wrote a poem about snow: "One piece, two pieces, three or four pieces, five pieces, six pieces, seven pieces, eight pieces, ninety pieces, a thousand pieces and countless pieces. You will never see it if you fly into the reed flowers. " A famous poet in Song Dynasty hated the misdeeds of corrupt officials plundering people's fat paste under feudal rule, and wrote a jingle of Ode to Sparrows: "One, two, three, four, five, six, seven, eight, ninety.
After eating all the royal millet, how much is Phoenix? "ZQQ boxing, an upright official. His book No Feeding had a great influence at that time.
The article said: "One is my honor; A penny is the essence of the people. One point wider, one more point for the people; Take a penny, I am not worth a penny. "
There is an ancient poem that satirizes clay tires among the people: "Without saying a word, your eyes are dull. I don't eat three meals, and my limbs are weak.
The five senses are incomplete, and the six relatives are helpless. I don't know anything, and I am awesome.
Nine (long) sit still, ten (solid) feet are useless. Liu Shahe, a contemporary poet, wrote a poem "Reunion": "A gust of wind knocks at the door, and a name misses the old; Some hesitate, some are stupid, some shake hands, some are crazy.
Emperor Qianlong of the Qing Dynasty once wrote a riddle poem: "Who is Tiannu?" I hate Wang Lang for no reason. If I want to stop, I will hold my tongue. Friendship is not bad.
It's hard to say an innocent word when dyeing soap. Obviously, a pair of good mandarin ducks were cut off by a knife and exhausted.
Come to think of it, the mouth and heart are fake. "It is even more wonderful to skillfully combine the ten answer numbers from one to ten in each poem. Sima Xiangru sent a letter of 13 to Zhuo Wenjun: 1,234,567,891 million.
Clever Zhuo Wenjun burst into tears after reading it. There is only one "100 million" missing from a row of figures. Isn't it a hint that my husband is not interested in himself? She quiet inside, with great sadness, wrote a poem complaining about Lang.
His poem says: After a farewell, the two places hang together. Although it is March and April, who knows five or six years.
The lyre has no intention to play, the eight lines have no transmission, the nine-ring chain has never been interrupted, and the Shili Pavilion wants to wear it. I can't understand it, I can't understand it, so I have no choice but to blame Lang.
There are thousands of words to say, and you are bored. On the ninth day, you can see the lonely geese, and the full moon in August is not round.
In July and a half, incense is burned to ask the sky, and it is cold in the dog days of June. Pomegranate is like water in May, but it is watered by cold rain.
April loquat is not yellow, and I want to be confused in the mirror. In a hurry, the peach blossoms floated with the water in March, and the kite string was broken in February.
Hey, Lang Lang, I wish you to be a woman's man in your next life. Numbers from one to ten are simply boring. If we skillfully use them, carry out artistic processing and embed them in poetry with exquisite structure, we can make poetry unique in form, catchy in reading, interesting and unique.
For example, poems describing the rural landscape and rural changes since the reform and opening up, one to two or three miles, four or five smoke villages, six or seven pagodas, and eighty or ninety flowers. Secondly, two incomes a year, three rooms and more than four feet, within five or six miles, and eighty or ninety high-rise buildings.
Another example is a poem published in an evening paper in Chongqing, Sichuan, describing the hungry and cold life of middle school teachers before liberation: "A suit of cheap cloth, two sleeves of chalk dust, three meals are not enough, the four seasons often frown, get up at five o'clock, the sixth hall wants you to blow, seven days a week, go around in all directions several times, nine days without pay, and ten families don't cook." From one to ten, I used it freely in the above poems, which made people applaud.
There is a classic story that after many twists and turns, Sima Xiangru and Zhuo Wenjun finally got married and returned to Chengdu. Soon, Emperor Wu of the Han Dynasty summoned him to bid farewell to Wen Jun.
Years have passed, and it has been five years. Wen Jun misses her husband's letter very much.
What Wan didn't expect was a letter from home with thirteen numbers written on it: "one, two, three, four, five, six, seven, eight, nine, ten, hundred, thousand and ten thousand". Wen Jun read the letter again and again to understand her husband's meaning.
There is no "billion" in the number, which means there is no "meaning" for her. Zhuo Wenjun was sad and resentful, so he immediately wrote back and asked someone to bring it back.
The content of the letter is like this: "A farewell, two places miss, say March and April, but a farewell is five or six years. The lyre has no intention to play, the eight-part essay cannot be passed down, and the nine-ring chain breaks from it.
Shiliting is anxious to see. All kinds of grievances, all kinds of thoughts, and all kinds of helplessness are strange.
I'm tired of having a thousand words to say. Chongyang climbs to see the lonely geese, and the full moon in August is not round.
In July and a half, I burned incense and held candles to ask the sky. In the dog days of June, everyone shakes my heart. In May, durian is like fire, drenching flowers. In April, loquat turned yellow. I want to be confused about the mirror. Peach blossoms follow the water in March, and kite strings break in February. Hey! Lang Lang, I really hope that you are a woman and I am a man in the next life. "
Sima Xiangru read this poem with numbers several times in a row, and the more he read it, the more ashamed he felt, and the more sorry he felt for his spoony wife. Finally, I personally returned to my hometown and took Wen Jun to Chang 'an.
Wang Shizhen, a poet in A Qing, wrote "A picture of Qiu Jiang fishing alone", also known as digital poetry: a boat with a leaf, a silk thread and an inch hook; Sing a song, drink a bottle of wine, and catch a river alone. Another poem is similar to this one: a sail, an oar, a fishing boat, a fisherman and a hook.
A bow and a smile, a bright moon and an autumn. In the Yuan Dynasty, the nameless geese did not win, year after year, day after day, autumn after autumn, and one generation urged another.
Meeting and parting, we have happiness and sadness. Lying on the sofa, dreaming all my life.
Find a group of acquaintances, meet for a while, play for a while, and sing for a while. The word "one" is embedded in the whole song.
3. Interesting poems
Yuan Zhen's "Li Si (Part IV)" was once a water disaster, and it will always be amber.
Hurried through the flowers, lazy to look back; This reason is partly because of the ascetic monk, and partly because of who you used to be. Appreciation of Yuan Zhen's Lisi (IV) Yuan Zhen was a famous poet in Tang Dynasty. His poems are numerous, and he divides them into ten categories, such as ancient satirical poems, musical satirical poems, ancient poems, new Yuefu poems, regular poems and colourful poems.
This poem "Leaving Thinking" (one of the five) belongs to Yan Shi. The so-called "erotic poems" are poems describing the love between men and women.
Of the author's ten poems, this one is better written. And this song "Congsi" is especially passionate, moving and has unique artistic characteristics.
It is also a masterpiece among the classical poems describing the theme of love. The most prominent feature of this poem is to express the hero's deep love for his lost sweetheart in a clever way. It uses water, clouds and flowers in succession, and it is written in a tortuous and euphemistic way, with far-reaching artistic conception and intriguing.
There are only four sentences in the whole poem, that is, three sentences are used figuratively. A sentence or two, from a surprise, is so figurative that it is almost impossible to understand the author's intention.
In the past, it was difficult for seawater to touch water. From Mencius, it is hard to find water if you look at the sea, and Mencius' Dedicated Articles.
On the surface, the poem says that if you have seen the vast sea, you can't see the stream. It compares the sea with rivers.
The sea is vast and magnificent. This river is just a trickle, you can see through it by raising your eyes.
The artistic conception is profound and meaningful. However, this is only superficial, and it also contains profound thoughts.
The second sentence uses the allusion of "Wushan Yu Yun" in Song Yu's Gao Tang Mi. "Gao Xu" said: During the Warring States Period, the "former king" of King Xiang of Chu swam to the platform of Gaotang, "sleeping in the daytime, dreaming of a woman ... willing to recommend pillows, Wang Xing".
This woman is the "daughter of Wushan". When she left the king of Chu, she said, "My concubine is in the sun of Wushan, but she is blocked by high hills.
In the morning clouds, in the evening rain, under the balcony. "Wang Chudan looked at it and said, so he made a temple name for her and wrote" Towards the clouds ".
Obviously, Song Yu's so-called "Cloud of Wushan Mountain"-"Chaoyun" is just the incarnation of a goddess. On the surface, Yuan Zhen's so-called "eternal amber" said: Except for the colorful clouds on Wushan Mountain, other clouds are not worth observing.
In fact, he skillfully used the allusion of "Chaoyun" and compared it to a beloved woman, fully expressing his sincere feelings for that woman. The poet shows that no other woman, even a beautiful woman, can touch his heart and win his favor and admiration.
Only that woman can make him fall in love. Write enthusiastically and implicitly.
The third sentence, "looking back at flowers lazily", is to compare flowers with people. In other words, even if I walked into the blooming flowers, I didn't pay attention to the past and didn't bother to look back.
Why can't he bear to see the blooming flowers that meet his eyes? The fourth sentence "half-edge gentleman and half-edge gentleman" gives the answer. The implication is that he saw through the world and went to the monastery, which is one of the reasons.
Secondly, because of the loss of her beloved, he never wants to see other "flowers" again. Looking at the whole poem, it is not difficult to see that the reason for "picking flowers and looking back" is still because of the loss of "Jun".
The theory of "half-edge monasticism" is just a kind of speech that avoids the important and takes the light. Ancient poetry critics once said that this poem is the author's mourning poem for Wei Cong, who once fell in love with him, or it is supposed to be a self-portrait of the poet "Yingying in the Boudoir" (Bian Yuan Zhen Chronicle).
These statements lack historical data. In this poem, the author uses various metaphors to express his deep affection for the female companion who once fell in love. The first three sentences are closely related to the theme, step by step, and the last sentence reveals the theme with the finishing touch.
This writing is focused, clear and visible, and there is little emotional beating. Unlike some works in classical poetry, the emotion beats too much, like a montage of movies, which is almost invisible.
For example. Xin Qiji's "Nian Nujiao" (Tang Ye Hua Luo) describes the complex feelings of nostalgia and yearning for the singer, and the emotional jump is particularly great.
It suddenly wrote the "light farewell" of the past; Suddenly wrote today's "revisiting the old place", and the building was empty. Things are different, and suddenly he wrote a fantasy of the Ming Dynasty, "Respect only when you see it again, but it is difficult to fold flowers in the mirror."
Among them, many connections are omitted, which makes people look forward to it. Of course, this does not mean that the size of emotional jump can be used as a standard to evaluate the quality of a work.
Xin Qiji is also a well-known masterpiece with high aesthetic value. In the classical poems describing love, there are many excellent works, which have always been loved by people and aroused people's * * *.
For example, Wang Wei's "Acacia" poem: "When those red berries come in spring, they will appear on the branches of your southern country, and I advise you to collect more as a symbol of our love." It uses bright red beans to symbolize beautiful and faithful love.
Li Shangyin's poem "Spring silkworms will weave until they die, and tears will be exhausted every night" ("Untitled") expresses his heartfelt feelings for love with a persistent spirit, which will never change. The phrase "the sea is difficult for water, but amber lasts forever" is different from Wang and Li's love poems. This is a vivid metaphor of absolute affirmation and negation.
To express sincere and single-minded love. It is precisely because it is different that it can arouse the strong sense of * * * of those who have lost their loved ones for various reasons.
Someone wrote these two poems in literary works. Some people write letters to express their infatuation with each other.
This fully shows that Yuan Zhen's poems have great influence and artistic appeal. The exact writing date of this poem is unknown.
It may be a self-portrait of the author's own life. It is said that the author's first love was "Cui Yingying", and later she had a new love.
Therefore, some people think that Yuan Zhen is frivolous in his love life, thus denying the due value of this poem "Self-Thinking". I think that when we comment on the value of classical literature today, we can't judge the author's literary works by his private life.
Literary works often break through the ideological limitations of the author and produce great social effects. When we evaluate Yuan Zhen's poems, we should also focus on its positive social effects and fully affirm its artistic value.
Instead of contacting the author's private life, it devalues its objective aesthetic significance.
4. Poems describing interests
Looking for Caotang Land in Xizhi Village (Du Fu)
When you leave this country, you will find a path full of hazelnuts. The stream is like flowing water, and it will cross again and again.
Zan Gong Tang stopped the apprentice, so quiet and thoughtful. Yesterday, I wasted my work in Xia Xia and talked about the fun in the rocks.
Happiness * * * hand in hand, willing to keep pace with each other.
It is required that Yangshan is warm, bitter mountain is gloomy, old vines are melancholy, and deep songs bend the trees.
The meaning of Buju is not obvious, and the staff returns to dusk. Sunset on the roof, early vines have been exposed.
The cold bird has returned, and the moon is quieter. The earth room is white and the door is sparse.
The days of climbing are short, but words and music stay forever.
Mr Guo Jing is old, and he has good virtues. He has never been on many business trips and is very interested in Jianghu.
A few strange things, the road is boundless. I didn't know the military was connected to a dust net.
You can find it all the way, and there are mountains in the distance. The morning light is slightly swaying, farther west to south.
The wind enters the pine and sings Yu Shaoan's autumn toad platform (Shen Xi)
The terrace is high, the potential is high, and the rocks are separated. Don't sing and dance wildly, play with silver toad in late autumn night. For the sake of love, you can see the shadow and gloom of loneliness. Sweet-scented osmanthus can increase your interest. The dew is cool and the clothes are thin, and it is getting deeper and deeper. Play the lyre three times, and you will also pay attention to the jade tube.
The wind enters the pine and sings Yu Shaoan's autumn toad platform (Shen Xi)
The terrace is high, the potential is high, and the rocks are separated. Don't sing and dance wildly, play with silver toad in late autumn night. For the sake of love, you can see the shadow and gloom of loneliness. Sweet-scented osmanthus can increase your interest. The dew is cool and the clothes are thin, and it is getting deeper and deeper. Play the lyre three times, and you will also pay attention to the jade tube.
Poetry of the Poor (Tang Yin)
If the wind and rain in the ten dynasties are in a coma, eight wives will be hungry together.
The letter played a trick on me, and no one came to buy fan poems.
Green hills are old and stubborn, and writing about life is bitter.
The paddy field people on the lake don't want it. Who will buy me to paint Zhongshan?
A deserted village cries in the wind and rain, and a kettle shames an old wife.
Try to write a new bamboo for sale. The price of bamboo shoots in the city is as low as mud.
Painting, calligraphy, poetry and prose are always useless, and they make a living by accident.
If you are willing to fight for less money, Mr Ji Ye will become poor one day.
Whiteboard door red fence, wife and children beside geese and ducks.
Natural interests are hard to describe, and you won't feel hungry without smoking for three days.
Gi Bao Jue (Wang Anshi)
Master old Beijing, ambitious Jianghu.
Consult your peers and stay at the top of Jinshan for one night.
I feel bitter and nostalgic. The king has an invitation from the court.
If not, how long will it take?
I suddenly met today, and my eyes were clear and bright.
The soft words in the middle of the night are thought-provoking. The city is half the horizon and the mountains are in the distance.
Baishi is against Tingzhou, thinking about smoke boats.
5. China's interesting topics and poems
First, Chinese interesting questions
1. Guess the name of this city.
(1) Fragrant Garden in August (Guilin)
(2) Gobi is just sand (Changsha)
(3) Wear cotton-padded jacket in summer (Wuhan)
(4) Have a safe trip (Lushun)
(5) The ship leaves the Changjiang Estuary (Shanghai)
(6) Two fat people hug (Hefei)
(7) Smooth sailing (Ningbo)
(8) Everyone laughs at you (Qiqihar)
2. Crossword puzzles
(1) Broken Moon (Heart) of Three Stars
(2) The day when two people broke through (husband)
(3) Fire burns ears (G)
(4) transmit (sound)
3. Xie Houyu
(1) Boss, slacker, second child, diligent-(Don't stop!
)
(2) the rooster lay eggs is difficult-(There is nothing in my stomach.
)
(3) The old sow chased the rabbit-(don't hold your breath when you are out of breath)
Second, poems describing flowers and spring.
orchid
Blue is grass and pine is wood.
Orchid fragrance is calm, and the cold does not change. -Li Bai
lotus
It is the scenery of the West Lake in June, which is really different from other seasons.
Lotus leaves will not turn green the next day, and lotus flowers are particularly bright red in the sun.
chrysanthemum
The west wind is rustling all over the courtyard, and cold butterflies are hard to come by.
If I were Di Qing next year, I would report to Taohua.
Chinese plum
The branch in the corner is plum, and cold ling opens alone.
I knew from a distance that it wasn't snow, because there was a smell coming.
Sometimes it rains at three or two, and there are ten five flowers everywhere. This is a description of the scenery during the Qingming Festival. Two Kinds of Cold Foods in Tang Dynasty
* branches are easy to fall, and buds are cautious. Tang Du Fu's Seven Flowers Alone by the Riverside
* The forest is wet with the swift, and the water grows with the wind. Yan Zhi: Rouge. Water shepherd's purse, an aquatic herb. Tang Du Fu's Qujiang Duyu
* The snow color invading the mausoleum is also day lilies, and there are wickers in the leaking spring.
Hemerocallis: a kind of grass that the ancients thought could make people forget their troubles. This sentence is about the day lily sprouting and invading the snow color of the mausoleum. Leak: Leak. Du Fu's La Ri in Tang Dynasty
* Jianghan spring breeze, frost last night. Tang Du's Farewell to Sister Guan Ying and so on.
It's spring, but it's a little cold. Tang Du Fu's "Seeing off the 19 th Cao Chang": "Last night, there was a loud thunder in Jiangpu, and the spring city was slightly cold."
* New fire and new smoke are coming to the passenger ship, and the lake is a clean spring scenery. Chao: Good morning. Two Qingming Poems by Du Fu in Tang Dynasty
Like the spring breeze, it will blow off a few flowers at night. Tang Du Fu's "Nine Poems Wandering"
* Dongfeng is a good messenger of the sun, and every grass and tree meets flowers. Yang He: The warm wind in spring. Qi's "Spring Suburb"
* Swallows don't come back in the Spring Festival Evening, and it's a misty rain and cold apricot blossoms. Ting: The seashore is flat. Don Dai Shulun's Suxi Pavilion