Zong Pu's prose is characterized by freshness and elegance, which is aptly described as "clear water gives birth to hibiscus and natural carving". Zong Pu, a graduate of Tsinghua University Foreign Languages Department, comes from a philosophical family in China and is deeply influenced by traditional philosophy and culture. However, her prose creation is not the kind of cultural prose that quotes classics, but the spiritual language that flows from her pen based on her own feelings and experiences. Lilac Knot is such a work.
Anyway, since ancient times, cloves have mostly symbolized noble, beautiful and sad things in literary works. How many poets wrote "sadness" with lilacs, so people feel that lilacs can only be sad. Perhaps, I am also preconceived, because I have read too many poems about lilacs and sadness, so I subconsciously think lilacs can only represent sadness.
Lilacs have always represented a fixed image, that is, melancholy complex. Generally, we call it "lilac knot". So, why is there such a saying as "lilac knot"? That's because the ancients found that lilac buds knot without blooming, just like a kind of complex of human beings, so they took a name called "lilac knot". Since then, lilac knot has become synonymous with melancholy.
Two. Brief introduction of the author
Zong Pu, formerly known as Feng Zhongpu, female, was born in 1928. She is a contemporary writer with the pen name Zong Pu. Her other pen names are Fenghua and Ren Xiaozhe. Party member, a native of tanghe county, was born in Beijing, the daughter of the famous philosopher Feng Youlan. Worked in the Institute of Foreign Literature of China Academy of Social Sciences. Engaged in novel and prose creation.
His representative works include the short story Red Bean, Dream on the String, a series of novels Introduction to Wild Gourd and the essay Wisteria Waterfall. Works: Sanshengshi, Who am I, and Return to the North in 20 18 won the third Shi Naian Prize for Literature? .
Third, the original text and source
1, Lilac Knot is a collection of essays by writer Zong Pu.
Step 2 extract
Lilacs seem to be in full bloom this year, both inside and outside the city. On the streets of the city, between the hubbub, two pieces of white suddenly appeared, which made people shine at the moment. If you look closely, you will know that it is two rows of lilacs. In some houses, half a tree is covered with silver branches, and star-shaped flowers are covered with branches, peeping at pedestrians from the wall and causing passers-by to look back. [ 1]?
There are more lilacs in the campus outside the city. The best is the lilac triangle in the north of the library, where there are more than a dozen white lilacs and lilacs. In the moonlight, white is chic and purple is hazy. There is also a faint sweet fragrance, not osmanthus orchid, which can be distinguished in the night. This is lilac.
There are three white lilacs outside the house where I have lived intermittently for nearly twenty years. Every spring, I look up at my desk and see the snow in front of my eaves. Snow color reflected in the window, incense straight through the tail. People also seem to be lighter, less muddy and clumsy. When I came back from the outside, I first saw the jade-like white, and the uneven green below, and then I saw the two red windows.
Almost all the spring scenes I have experienced are related to these lilacs. The cross is small, but it doesn't look thin. Many small flowers form a cluster, and many clusters of flowers cover a tree, covering my window and shining my thoughts and dreams.
The ancients said: "Bananas don't show lilac knots", "Lilac knots are sad in the rain". In the misty rain, the dripping lilacs are particularly charming. Two purple flowers near the flower wall, like impressionist paintings, have blurred lines and penetrate directly into the white outside the window. People think that lilacs should be associated with light rain.
I only like lilacs for so many years, and I have never understood why the ancients invented the saying of lilac knot. One spring rain this year, I stood in front of the window for a long time, looking at a bud on an oblique lilac flower. Xiaolei is round and bulging, just like a flower button on a skirt. I suddenly realized that it was a lilac knot!
Lilac knot, these three words give people a lot of imagination. When I think of those poems, I really feel that they are burdened with unsolved worries. Everyone has many unhappy things in his life, one after another. So lilac knots are found every year. Heart knot can't be untied; The problems in life can't be solved, otherwise it's too dull.
Xiaowen has been shelved since she became a writer, but in a blink of an eye, spring has passed. You can't see the lilacs all over the city until the next year. There will be new people to solve it next year-who knows if they can solve it?
Extended data
First, the author's readme
I often write travel notes because I like traveling and dating mountains and rivers. Landscape is my friend and bosom friend, which gives me aura and imagination, but it is limited to physical strength, and many people try.
Su Yun: "Tai Shigong traveled all over the world, traveled all over famous mountains and rivers, and made friends with Yan and Zhao heroes, so his prose was sparse. Tai Shigong traveled all over the world, traveled all over the world, and made friends with heroes between Yan and Zhao, so the article was sparse and strange. ) "Famous mountains and rivers are natural, and my footprint is limited; Making friends with Hao Jun is good for the society, and I feel even more lacking.
Generally speaking, you need to be experienced, sit in a cubicle and be dry. No matter how exquisite the carving on the two-inch ivory is, it always feels bound. In addition, it is thicker and has a look. This series is called "Lilac Knot". Although I am very humble, I still know that there are many difficult knots in life, some of which may never be solved, but there will always be people to solve them.
The original text of Lilac Knot was abridged at the end of 1985. When 1987 went to press in the spring, it was included in two articles written by 1986. 198 1 year to 1986 prose comes down to this point.
Second, the background
Zong Pu has been living among senior intellectuals in China, which is closely related to their academic specialization, lofty morality, the joy of career achievement and the anxiety of national peril.
Zong Pu himself graduated from the Foreign Languages Department of Tsinghua University in the early 1950s. Later, I worked in the China Federation of Literary and Art Circles and the Chinese Writers Association, and got the help of many literary predecessors. Since 1960, I have been engaged in editing and research work in the Institute of Foreign Literature. Moreover, the family she grew up in is a generation of scholars, and her father and aunt are both famous scholars in the country.
Fate was very generous to her and immediately placed her in the deepest cultural origin of China. Therefore, it is not difficult to see that her creation is inextricably linked with China's long history, cultural tradition, intellectual temperament, sentiment and lifestyle.
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