Du Fu's poem about the prosperous Tang Dynasty is 1. What poems does Du Fu have to describe the history of the Tang Dynasty?
Du Fu is another peak of poetry in the prosperous Tang Dynasty, and he and Li Bai are two giants of poetry in the prosperous Tang Dynasty.
Du Fu is the greatest realistic poet in China. The following are his seven representative works.
Seven poems by Du Fu: 1, from Beijing to Fengxian to recite 500 words (Du Fu), 2. The hut was broken by the autumn wind (Du Fu), 3. To Li Bai (Du Fu) at the end of the sky, 4. Moonlight Remembering Brothers (Du Fu), 5. Deng Yueyang Tower (Du Fu), 6. Hakka dialect (Du Fu), 7. Shuxiang (Du Fu) from Beijing to Fengxian. Why are you stupid? Steal Xiaomi and the deed.
I can't believe I won and lost, but I don't want to be generous. The matter of closing the coffin has already been done, and this ambition is often lost.
If you are poor, you will worry about Li Yuan, sighing for intestinal heat. It's fierce to make fun of classmates.
Without rivers and seas, you can send the sun and the moon smartly. When you give birth to Yao Shun, you can't help it any more.
Is there a lack of corridors and temples now? The fire is biased towards the sun, and the physical properties are difficult to win. Gu Wei is an ant tribe, but he seeks his own opinions.
Hu Weiwei craves whales and wants to suppress the Bohai Sea? Therefore, my understanding of physiology is wrong, and I am ashamed to do it alone. So far, I have swallowed it.
Eventually ashamed of the nest, it failed to change its festival. Drink and talk, sing and break your worries.
At the end of the year, a hundred herbs are exhausted, and the high wind Gorkon cracks. It's cloudy and eventful, and guests are sent at night.
First frost is in rags, and his fingers can't be tied straight. In the morning, I passed Mount Li, and the imperial couch was in the mountain.
Chiyou is cold and empty, and the cliffs and valleys are slippery. Yaochi qi stagnation method, feather forest phase Mojia.
The monarch and the minister stay for fun, and the music moves the Yinjiao Pavilion. Baths are all long tassels, and banquets are not short brown.
All the silks in Tongting belong to cold women. Whip her husband's family and gather in Miyagi Que.
The sage is full of grace and really wants to live in the country. I am both sudden and rational.
Did you give up this thing? Toastmasters will fill the court, and benevolent people should tremble. I heard that the gold plate is in Huo Wei's room.
There are immortals in nave, as ethereal as jade. Warm the mink and fur, pity the tube and clear the throat.
Advise customers to camel's hoof soup, and frost orange presses fragrant orange. The wine and meat in Zhumen stink, and the road has frozen bones.
Prosperity and decline are very different, melancholy and indescribable. The north is completely different, and Guandu has changed its course.
Water from the west down, eyes high. Doubt is coming, I am afraid that I will meet Tianzhu.
The river beam is unlucky and the branches rustle. Travel is climbing, Sichuan and Guangzhou can't cross.
An old lady sent her to a different county, ten doors away from the snow. Who can ignore it for long? Ordinary to * * * hungry.
The novice is wailing and the youngest son is hungry. I'd rather give up mourning? Ryan also sobbed.
Being ashamed of being a father led to come to a bad end. I don't know that the autumn harvest is rising, but poverty has a pale pawn.
Life is often tax-free, and the name is not levied. The traces are still sour and pungent, and people are solid.
Meditate on the unemployed, because they are far away. Worry stops in the south, and the hole cannot be broken.
The thatched cottage was broken by the autumn wind, and the strong wind in August roared, rolling up my three hairs. Mao Fei crossed the river and sprinkled it on the periphery of the river. The highest one hangs a long forest tip, and the lowest one floats to Shentang depression.
The children in Nancun bully me. I can stand being a thief. Openly holding the hair in the bamboo, my lips are dry and I can't breathe, and I sigh when I return.
In an instant, the wind will set the color of the clouds and ink, and the autumn will be bleak and dark. The cloth has been cold and iron for many years, and the pride is cracked.
There is no dry place in the bedside table, and the feet are numb with rain. How can you get wet all night since you are in a mess and don't get enough sleep! There are tens of millions of luxury houses in Ande, which greatly protect the poor people in the world from the spring breeze and the wind and rain! Alas, when I suddenly saw this house in front of me, my family froze to death alone! Li Bai at the end of the sky A cold wind is blowing from the distant sky. What are you thinking, old friend? ②.
The geese never answered me, and the rivers, lakes and seas were flooded by rain. A poet should be careful to prosper, but the devil will trouble a wanderer.
It should be * * * ghosts, and poetry should be gurgling. [Note] ① The end of the day: that is, in the distance.
Gentleman: refers to Li Bai. ③ ChρmèI: generally refers to ghosts, meaning villains.
(4) "English * * *" sentence: Qu Yuan was wronged and threw himself into the river, while Li Bai was wronged and demoted. They have something in common, so this is a proverb. [Appreciation] This poem was written in the autumn of 759, the second year of Gan Yuan.
Du Fu lived in Qin Zhou at that time. In the second year of Zhide (757), Li Bai was arrested and imprisoned. In the first year of Gan Yuan (758), Yelang was exiled (now Tongzi County, Guizhou Province) and released in the middle of the following year.
But Du Fu didn't know that Li Bai was forgiven, so he wrote this poem. This poem was written in the cool breeze, expressing his concern for Li Bai and his indignation at his tragic experience. Du Fu compared Li Bai and Qu Yuan, treated Li Bai and appreciated each other.
The profound friendship between Du Li and his wife can be clearly seen from this poem. Wanderers listen to war drums, remember brothers on a moonlit night, and autumn geese sing.
The dew turns to frost tonight, and the moonlight at home is bright! Oh, my brothers, lost and scattered, what is my life without you? (2).
Letters sent to Luoyang city are often not delivered, and wars often do not stop. [Note] ① Garrison drums: Most of the drums upstairs are drums.
Garrison: Garrison Autumn at the frontier: autumn at the frontier.
(2) Homelessness: refers to the separation of brothers, and the family is not a family. [Appreciation] This poem was written after Du Fu was relegated to Huazhou.
When there was a local famine, Du Fu abandoned his official position and went to Qin Zhou (now Tianshui County, Gansu Province) to write this poem in memory of his younger brother. In the poem, the two brothers were separated by the war and never heard from each other.
Watching the autumn night and the moon dew in a foreign land with drums and lonely geese can only double the feeling of homesickness and missing my brother. Du Fu, an exiled poet, not only misses his elder brother, but also expresses his deep affection for national subjugation in his poems.
He knows that the dew will be frost tonight, and how bright the moonlight is at home! With plain meaning and deep feelings, it has become a famous sentence that has been circulated for many years. Climbing Yueyang Tower, I've heard about Dongting Lake for a long time, and now I'm climbing this building.
There is the Kingdom of Wu in the east and the State of Chu in the south, and you can see the endless drifting of heaven and earth. There is no news from my friends or relatives. I am old and sick, drifting in a boat.
There are wars and mountains to the north of this wall, and how can I not cry by the railing here? (2). [Note] ①: Two ancient country names, about Wu to the east of Dongting and Chu to the west.
Teal: Split. Wu Chu is separated by Dongting Lake.
Gan Kun: the universe, heaven and earth. 2 charger: Warhorse, which refers to fighting life here.
Pingxuan: Leaning against the window. [Appreciation] In the winter of the third year of Dali (768), Du Fu made this excellent lyric poem on the spot after he went to Yueyang from the police and boarded Yueyang Tower.
At this time, Du Fu was 58 years old, sick, extremely poor and depressed. The poet does not stop at personal misfortune, but cares about the fate of the country and sighs for the difficulties of the country.
At the beginning, the poem expresses the happy mood when climbing the building with extremely natural antitheses, and then writes down what you saw and heard when climbing the building. In just ten words, Dongting Lake is magnificent, cheerful and magnificent. Facing the vast lake, the poet forgot his personal poverty and was deeply moved when he was worried about the country and the people and hurt the country.
This poem has similar emotional ups and downs with "The Hut is Blown by Autumn Wind". Hakka ① I'm in the north, I'm in the south, and spring water is flooding. Day after day, I only see seagulls ②.
My road is covered with petals-I haven't cleaned it for others, and my thatched cottage door has been closed-but it's open for you now. It's a long way to the market. I can't give you much, but in my hut, we have old wine in our cups.
Shall we ask my old neighbor to join us and get the rest of the cups through the fence? (1) Hakka: Hakka refers to Cui Mingfu, and Du Fu notes "Happy Cui Mingfu" after the title.
2. Poems describing the prosperous Tang Dynasty
Controlled by Guan Zhen.
Xiangyun first bloomed,
Poetic and picturesque.
I like letting a hundred flowers blossom,
Laugh and listen to a hundred schools of thought contend.
Taizongtu
Big heart, big heart,
Call me Iron Horse.
Read through the ages,
Exclusive in the world.
Someone's original intention
Do not disgrace the future mission,
Across the Song, Yuan, Ming and Qing Dynasties.
Simplify the spectrum of poetry rhythm,
Revive the glory of Datang.
Two for the road (Tang Du Fu)
On March 3rd, Spring Festival, the weather was fresh, and many beautiful people gathered in Qujiang, Chang 'an.
Dignified attitude, lofty and quiet personality, plump skin, thin and moderate figure.
Embroidered gold and silver silk unicorn in late spring.
The delicate leaves hanging far from their temples (turning "uniformity" into "horror") hung down their temples and lips.
The beads behind them pressed the waist [clothes] and weighed the body steadily.
Several of them are relatives of the imperial concubine and two wives of Guo and Qin.
The jade steamer is served with fragrant pots and purple humps, and the crystal plate is served with delicious white fish.
Rhinoceros tendon is tired for a long time, and the finely crafted Phoenix meat cleaver is rarely used.
The eunuch flew away, afraid to raise the dust, and the cook came to the sea, enjoying delicacies.
When the solemn flute and drum call the gods, guests should restore the miscellaneous things to reality.
Finally, ride slowly, a noble knight! Take it off in the pavilion and put it on the embroidered carpet.
Snow-like duckweed is easy to fall and cover, and bluebirds fly to the ground in red silk handkerchief.
Yang Jiaqi's flame is extremely powerful and unparalleled. Please don't go near it, lest the Prime Minister be furious!
3. Poems describing the prosperous Tang Dynasty
Liu Yuxi: Wuyi Lane
There are some weeds blooming by the Suzaku Bridge, and there is only sunset at the corner of Wuyi Lane.
Swallows under the eaves of Wang Dao and Xie An have now flown into the homes of ordinary people.
Year: Tang Dynasty
Author: Du Fu
Works: Two Memories of the Past
Back in the heyday of Kaiyuan, there were thousands of families in the small town. Rice is fat and white, and public and private warehouses are rich.
There are no wolves and tigers on the road in Kyushu, which is a good day to travel. Wan Qi, Lu Mao, driver class, male plow female mulberry.
The sage in the palace plays the cloud gate, and all friends in the world are sticky. There has been no catastrophe for more than 100 years, and Uncle Sun has learned Xiao He's law.
Do you smell a piece of silk worth 10 thousand yuan? Today, a field is bleeding. Luoyang Palace was burnt out, and the Fox and Rabbit Cave was newly demolished in the ancestral hall.
I can't bear to ask my age, but I'm afraid I'll leave at the beginning. My junior minister, Lu Chong, was powerless, and the imperial court remembered his official title.
Zhou Xuan zhongxing looked at my emperor, spilling blood and Jianghan's physical strength declined.
4. What are the poems of Tang Dynasty poets mentioned in Du Fu's poems?
Li Bai appears most frequently in Du Fu's poems, so I won't go into details here. Let me give you a few other examples:
1, recalling a generation of Koryo, on wine making. (Korea refers to Gao Shi and Li Bai respectively)
2. It's sad not to see Li Shengjiu. (Li Sheng refers to Li Bai)
It is common to see the house of the King of Qi, and Cui has heard of it several times before. (Li Guinian)
Wan didn't starve to death, but the Confucian crown made a mistake. ("Wei Zuocheng's Twenty-two Rhymes" Wei Zuocheng refers to Wei Ji)
5. There are many famous people in Jinan. ("Accompany Li Beihai to the Lixia Pavilion Banquet", Li Beihai refers to Li Yong)
6. See clear lake Yin for the structure of the new pavilion. (Going to the Ancient City with Li Taishou, Li Yong)
5. The poets in the Tang Dynasty praised the poems or verses in the prosperous Tang Dynasty.
Du Fu, Recalling the Prosperity of Kaiyuan
Back in the heyday of Kaiyuan, there were thousands of families in the small town. Rice fertilizer, millet white,
Public and private granaries are abundant. There are no wolves and tigers on the road in Kyushu, which is a good day to travel.
Wan Qi, Lu Mao, driver class, male plow female mulberry. The sage in the palace played the cloud gate,
All the friends in the world are stuck. There has been no catastrophe for more than 100 years, and Uncle Sun has learned Xiao He's law.
Do you smell a piece of silk worth 10 thousand yuan? Today, a field is bleeding. Luoyang Palace was burnt down,
The ancestral hall has newly demolished the fox and rabbit points. I can't bear to ask my age, but I'm afraid I'll leave at the beginning.
My junior minister, Lu Chong, was powerless, and the imperial court remembered his official title. Zhou Xuan looked up to my emperor.
Two for the road (Tang Du Fu)
On March 3rd, Spring Festival, the weather was fresh, and many beautiful people gathered in Qujiang, Chang 'an.
Dignified attitude, lofty and quiet personality, plump skin, thin and moderate figure.
Embroidered gold and silver silk unicorn in late spring.
The delicate leaves hanging far from their temples (turning "uniformity" into "horror") hung down their temples and lips.
The beads behind them pressed the waist [clothes] and weighed the body steadily.
Several of them are relatives of the imperial concubine and two wives of Guo and Qin.
The jade steamer is served with fragrant pots and purple humps, and the crystal plate is served with delicious white fish.
Rhinoceros tendon is tired for a long time, and the finely crafted Phoenix meat cleaver is rarely used.
The eunuch flew away, afraid to raise the dust, and the cook came to the sea, enjoying delicacies.
When the solemn flute and drum call the gods, guests should restore the miscellaneous things to reality.
Finally, ride slowly, a noble knight! Take it off in the pavilion and put it on the embroidered carpet.
Snow-like duckweed is easy to fall and cover, and bluebirds fly to the ground in red silk handkerchief.
Yang Jiaqi's flame is extremely powerful and unparalleled. Please don't go near it, lest the Prime Minister be furious!
Overlooking in the Spring Rain —— Poems of the Emperor in the Process from Xianshan Palace to Zenghege, Wang Wei
The Weihe River lingers around the winding east, and Huangshan and the Han Palace have been in the Han Palace for many years.
The emperor's chariot is far away from the palace, and the willow trees are shaded on both sides of the palace gate. The garden is like a beautiful brocade.
The Phoenix Tower is towering in the imperial city, and the spring rain moistens thousands of trees.
Now, when the day is fair, Chen You doesn't feel heavy about China.
6. Du Fu's poem describing the prosperous Tang Dynasty before the Anshi Rebellion in Down the River is
In the Qi family, I often see your performances; Before urging the wine hall, I praised your art many times.
***********************************
Appreciation of Du Fu's Random Encounter with Li Guinian
Meet Li Guinian at the lower reaches of the river
In the Qi family, I often see your performances; Before urging the wine hall, I praised your art many times.
Never thought, in this Jiangnan scenic area; It is the season of falling flowers, and I can meet you, an old acquaintance.
Notes on the title or background of a book.
This poem was written in the fifth year of Tang Daizong Dali (770), that is, the year when Du Fu died. Li Guinian was a famous musician in the prosperous Tang Dynasty, but his birth and death year, birthplace and life experience are unknown. We only know that he lived in the Tang Dynasty from Kaiyuan to Daizong, was good at singing and composing music, and was quite familiar with local music. On one occasion, he heard someone playing the piano in the palace of Qi, and said, "This is a tune of Qin." After a while, he added, "This is the music of the State of Chu." Wang Qi was surprised and asked behind the curtain. It happened. Li Guinian had extraordinary musical talent and was appreciated by Tang Xuanzong, who loved music. "He takes special care of himself and grew up in Du Dong, which is more luxurious than public officials." After the Anshi Rebellion, Li Guinian lived in Jiangxiang. Every time he met the beautiful scenery, he sang a lot of songs and listened to them from his seat, but he didn't cry or drink (Miscellanies of Ming Taizu).
In the late spring of the fifth year of Dali, Du Fu, who lived far away in the south of the Yangtze River, met Li Guinian, who also lived far away in a foreign land, in Tanzhou (now Changsha, Hunan). At this time, due to the eight-year Anshi Rebellion in the Tang Dynasty, the whole society declined rapidly from the prosperity of Kaiyuan Shi Sheng. In the face of bitter reality and bleak dusk, Du Fu, once a brilliant old friend, wrote this seven-character quatrain with mixed feelings, expressing the deep pain of reunion of old friends who had extraordinary experiences in troubled times, which implied infinite nostalgia for the past, deep lament for reality, and myriad feelings for the ups and downs of the past and the gathering and dispersion of human feelings.
Sentence solution
In the Qi family, I often see your performances; Before urging the wine hall, I praised your art many times.
I often watch your performances in the Qi Palace. In front of Cui, I have also appreciated your art many times. Although the first two sentences are reminiscing about past contacts with Li Guinian, they reveal deep nostalgia for the flourishing age of Kaiyuan. The following language seems light, but it contains heavy emotions. "King of Qi", the younger brother of Emperor Xuanzong of the Tang Dynasty, and Li Fan, the son of Tang Ruizong (Li Dan), was named King of Qi, who was famous for his love of learning and talents and elegant temperament. "Cui Jiu" named Di is the younger brother of the secretary of China Academy of Sciences. He frequented the palace, was a favorite of Emperor Xuanzong of the Tang Dynasty, and served as a secretary supervisor. He ranks ninth among his brothers, so he is called Cui Jiu. "Qi Wangzhai" and "Cui" seem to blurt out, but in the eyes of the parties, the names of these two literary celebrities in the heyday of Kaiyuan are enough to evoke good memories of the past. In those days, it was common to meet an art star like Li Guinian, but in retrospect, it was an impossible dream. When two poems are repeated, it seems that they want to prolong the aftertaste. The feelings of heaven and earth contained here need to be combined with the following two sentences to taste.
Never thought, in this Jiangnan scenic area; It is the season of falling flowers, and I can meet you, an old acquaintance.
This is the beautiful scenery of Jiangnan in late spring. I didn't expect to meet your old acquaintance at the time of falling flowers. The past is the past. Dreamlike memories can't change the helplessness in front of you. The last two sentences' feelings about the decline of state affairs and the wandering artists summed up the vicissitudes of the whole Kaiyuan period. Jiangnan, with beautiful scenery, was originally a place where poets yearned for a visit in peacetime. Now, I'm really in it, but what I'm facing is a wandering artist covered in withered flowers and hoary heads. Autumn is not only an impromptu work, but also a kind of intentional or unintentional interest. Readers who are familiar with the times and Du Fu's life experience will definitely think of the declining world, social unrest and the poet's decline and illness, and will not think that the poet is deliberately making metaphors. Therefore, this writing seems a bit muddy. The two function words "exactly" and "you" have ups and downs, but also between the lines, which contain infinite feelings.
Comments and explanations
This seven-character quatrain is well-known and is the swan song of Du Fu's later creative career. It has received a lot of praise in past dynasties. For example, Shao commented in the Qing Dynasty: "The beauty of the child is seven unique, which is the pressure roll." Poetry in Tang and Song Dynasties also said that this poem is "lyrical beyond pen and ink, quietly counting words, which can be equivalent to Bai Juyi's Pipa Travel". ..... this will never change. "
The past, the chaos of the world, the ups and downs of years, the gathering and scattering of human feelings and the desolation of each other are all concentrated in these short 28 words. Language is extremely simple and profound, which contains very rich social life content, condensing the vicissitudes of the times and great changes in life for more than 40 years. The ups and downs of the past constitute a sharp contrast, which makes people feel deep and dignified in their poems. In the Qing Dynasty, Huang Sheng commented on Du Shi Shuo: "The feeling of ups and downs in the past and present is beyond words. See the charm between the lines, the touch between the lines. Even if written by Long Biao (Wang Changling) and Sacrifice (Li Bai), there is nothing wrong with it. Is to know that the public in this body, must be incorrect, never heard. It is also ridiculous to have seven quatrains. "
7. What poems did Du Fu, a poet in the Tang Dynasty, have?
About 65,438+0,500 poems of Du Fu have been preserved, most of which are collected by Du Gongbu.
Du Fu's poems:
Du Fu's poem "There are Sixty Volumes" has long been lost. In the second year of Baoyuan in the Northern Song Dynasty (1039), Wang Zhu collected 1405 volumes and compiled them into 18 volumes, which was named "Du Gongbu Collection". Qian edited The Collection of Du Gongbu. Yang Lun said: "Since the Six Dynasties, Yuefu imitated plagiarism, and Chen Xiangyin was the most disgusting. When Zi Mei came out, she felt what she felt at that time. When she went to Benjamin, she was in trouble. The people there were very poor. She asked questions at random, trying to get rid of the stereotypes of her predecessors.
Du Fu's middle-aged poems are called "the history of poetry" because of his gloomy poetic style and feelings of worrying about the country and the people. Du Fu's poems are composed of 36 poems about immortals in Qing Dynasty, which are characterized by ancient poems and rhythmic poems and have various styles. The word "depressed and frustrated" accurately summarizes his own work style, mainly depression. Du Fu lived in the historical period from prosperity to decline in the Tang Dynasty. Most of his poems involve social unrest, political darkness and people's sufferings. His poems reflected the social contradictions and people's sufferings at that time. His poems recorded the historical changes of the Tang Dynasty from prosperity to decline, and expressed the lofty Confucian spirit of benevolence and strong sense of hardship, so they were called "the history of poetry". Du Fu is concerned about the country and the people, with noble personality and exquisite poetic skills. Du Fu wrote more than 1500 poems in his life, many of which are famous works that have been celebrated through the ages, such as Three Officials and Three Farewells. Among them, the "three officials" are Shi Haoguan, Xin 'an official and Tongguan official, and the "three farewell" are newly married, homeless and resigned. Du Fu's poems handed down from generation to generation are the most extensive in the Tang Dynasty, and he is one of the most outstanding poets in the Tang Dynasty, which has a far-reaching influence on later generations. Du Fu's works are known as the scars of the world and the sages in poetry. The people are in poverty, and the bottom of the pen is turbulent. It is a masterpiece of realistic poetry.
Rhyme plays an extremely important role in Du Fu's poems. The achievement of Du Fu's metrical poems lies in expanding the scope of expression of metrical poems. He not only writes about entertainment, nostalgia, travel, feasts and landscapes with Chang Song poems, but also writes about current events with Chang Song poems. It is difficult to write current affairs with metrical poems, but Du Fu can use them freely. Du Fu writes metrical poems freely, changes as much as he can, conforms to the law without seeing the shackles of metrical poems, and is in neat opposition without seeing the traces of antithesis. For example, there is such a poem in Yang Lun's Ascending the Mountain, which is called "The Seven-character Law of Du Ji": "There is a flurry in the sky, apes crow and birds crow, blue lakes and white sands, and birds crow at home. The endless trees are rustling leaves, and the Yangtze River is rolling unpredictably. Li in the sad autumn scenery, a wanderer all the year round, lives alone on the high platform in today's illness. Bad luck has a bitter frost on my temples, and heartache and fatigue are a thick layer of dust in my wine. " [20] The whole poem is extremely precise and elegant in tone sentence patterns. Eight sentences are all right, so is the first sentence. Strict antithesis is concealed by the fluency of the image, and strictness becomes sparse.
The highest achievement of Du Fu's metrical poems can be said to be that this style is fluent and makes people forget that it is a metrical poem as soon as they are written. Such as "Delighting in Rain on a Spring Night": "Good rain knows the season, when spring comes. Sneak into the night with the wind, moisten things silently. Wild trails and clouds are all black, and rivers and boats are bright. Look at the red and wet place, Jinguancheng flowers are heavy. " The last four sentences use flowing water to write down the charm of spring rain in one breath, unexpectedly and silently, and at the end, write down a surprise that suddenly looks back, which is rigorous and seamless.
Du Fu is good at using many systems of classical poetry and creatively developing them. Du Fu's thought of paying attention to people's livelihood and his achievements in rhythmic poetry directly influenced the creation of new Yuefu by Yuan Zhen, Bai Juyi and others in the middle Tang Dynasty. He is the pioneer of the new Yuefu poetry style. His Yuefu poems contributed to the development of the new Yuefu movement in the middle Tang Dynasty. His "May 7th" archaic novel, which is also a history of poetry, began to narrate and focus on the whole story, marking the high achievement of China's poetic art. The Song Dynasty, full of social contradictions, was the most prosperous time to learn from Du Fu, and the Jiangxi Poetry School with Du Fu as the Sect appeared. Gu and others in the late Ming and early Qing dynasties also had an obvious tendency to learn from Du Fu and Fu. They reflected the anti-Qing struggle at that time with metrical poems and were impassioned.
Du Fu's poems received extensive attention after the Song Dynasty. Yu Wang, Wang Anshi, Su Shi, Huang Tingjian and Lu You spoke highly of Du Fu. Textual research data for nearly a thousand years, the wind of governing Du Fu has been endless. In Song Dynasty, there appeared many specialized works on the chronology, classification and annotation of Du Fu's poems, such as Du Gongbu Collection, Jiu Zi Du's Poems, Notes on Poems of Du Gongbu Caotang compiled by Lu, Poems of Xu and Poems of Du Gongbu. In Du Fu's five poems about historical sites, his works are the peace between the two sides of the Yellow River recovered by the imperial army. There are more than 100 kinds of comments on Du Ji by later generations, among which Du Gongbu's Notes on Du Ji, Qiu's Detailed Notes on Du Shi, Yang Lun's Jing Quan of Du Shi and Pu Qilong's Interpretation are widely circulated. There are biographies of Du Fu in both old and new Tang books. After the Song Dynasty, there were a lot of words to comment and explain Du Fu's poems. Tang and Song Dynasties were edited by Zhonghua Book Company, 1964. At the end of the Ming Dynasty, Wang Siyou had Du Yi, who kept Du Shi Shuo. In addition, Zhonghua Book Company also compiled the more important papers since the May 4th Movement into "Essays on Du Fu Studies". Biographies and new research monographs include Feng Zhi's Biography of Du Fu, Xiao Difei's Study of Du Fu, Fu Gengsheng's On Poetry and Zhu Dongrun's Narrative of Du Fu. More detailed chronicles include Wen Yiduo's Notes on Mr. Shaoling's Chronology and Du Fu's Chronology of Sichuan Institute of Literature and History Research.
8. What are Li Bai's poems describing the prosperous Tang Dynasty?
1. Flute in Los Angeles on spring nights.
Tang Dynasty: Li Bai
Yu Di's dark flying sound scattered into the spring breeze in Los Angeles.
In this nocturne, the willow is broken, and no one can afford to be homesick.
2. Early Baidu City
Tang Dynasty: Li Bai
Early in the morning, I bid farewell to Jiangling city, which is high into the sky, thousands of miles away, and the boat is only one day away.
The cries of apes on both sides of the strait are still unconsciously crowing in their ears, and the canoe has passed the heavy green hills.
3. Join the Army, Part II
Tang Dynasty: Li Bai
The battle was broken, the city was surrounded by the enemy, surrounded by the enemy.
Rushed into the camp, shot General Huyan, and led the rest of the soldiers back alone.
4. Midnight Qiu Ge, Wu Ge
Tang Dynasty: Li Bai
There is moonlight in Chang 'an, and all the families in Yi Dao are there.
The autumn wind blew Yi Dao's voice, and every household remembered the people guarding the border.
When will the border war be settled and when will my husband end his expedition?
5. Guan Shanyue
Tang Dynasty: Li Bai
A bright moon rises from Qilian Mountain and crosses the vast sea of clouds.
The mighty wind blew Wan Li and crossed Yumen Pass.
At that time, Han soldiers pointed at the mountain road, and Tubo coveted the vast territory of Qinghai.
This is a land of wars in past dynasties, and few soldiers can survive.
The garrison soldier looked at the remote border town, and his hometown could not help but look sad.
The soldier's wife looked at the tower and lamented when she would see her relatives far away.
Lipper
The word Taibai, a famous Qinglian layman, was a romantic poet in the Tang Dynasty and was praised as a "poetic fairy" by later generations. My ancestral home is Ji Cheng in Longxi (to be tested), and I was born in Broken Leaf City in the Western Regions. At the age of 4, he moved to Mianzhou City, Jiannan Province with his father. Li Bai has more than 1000 poems, among which Li Taibai Ji has been handed down from generation to generation. He died in 762 at the age of 6 1. Its tomb is in Dangtu, Anhui, and there are memorial halls in Jiangyou, Sichuan and Anlu, Hubei.
Major achievements
Li Bai has the highest achievements in Yuefu, Gexing and Jueju. His songs completely broke all the inherent forms of poetry creation, with no one to rely on and many strokes, reaching the magical realm of vagaries and swaying. Li Bai's quatrains are natural and lively, elegant and chic, and can express endless feelings in concise and lively language. Among the poets in the prosperous Tang Dynasty, Wang Wei and Meng Haoran were good at the Five Wonders, while Wang Changling and others wrote the Seven Wonders well. Li Bai is the only one who is good at both the Five Odds and the Seven Odds.
Li Bai's poems are magnificent and elegant, and his artistic achievements are extremely high. He eulogized the mountains, rivers and beautiful natural scenery of the motherland, with bold and unrestrained style, elegant and fresh, full of romantic spirit, and achieved the perfect unity of content and art, so he was called the "fallen fairy". His poems mainly described the mountains and rivers and expressed his inner feelings. Li Bai's poems have the artistic charm of "the pen is shaken by the wind and rain, and the poem makes the gods cry", which is also the most distinctive artistic feature in his poems. Li Bai's poems are full of self-expression and subjective lyricism, and the expression of feelings is overwhelming. He and Du Fu are also called "Da Du Li".