"Goddess Peak" was written by the contemporary female poet Shu Ting on the Yangtze River. The poem is mainly divided into three sections. The author describes his actions in the first paragraph, expresses his emotions in the second paragraph, and expresses his emotions in the third paragraph. Goddess Peak is a small mountain peak standing on the cliff by the river. It has a beautiful and sad legend. This rock standing on the bank of Wu Gorge has been praised as the embodiment of female steadfastness and has been sung for thousands of years. However, it can be seen from the actions and emotions that the legend of the Goddess Peak did not obtain a beautiful status in the author's mind. But in front of this "scenery" that tourists are eager to see, Shu Ting felt sad and unbearable: "Among the various flower handkerchiefs waving to you/whose hand suddenly withdrew/covered her eyes tightly/when People dispersed, who was still standing at the stern/dresses flying like endless clouds/Jiang Tao: high and low/" The poet saw the pain and cruelty behind the "landscape" with the compassion and kindness of women, and responded to Chastity in male vision is deeply doubted: "Can the heart really turn into stone?" It expresses infinite regret for the fisherwoman who missed "countless spring river moonlights" "in order to gaze at the cranes in the distance." And further thoroughly deconstructed this "feminine virtue" exuding a patriarchal atmosphere: "It is better to cry on the shoulder of your lover for a night than to display it on the cliff for a thousand years." "Goddess Peak" is an excellent poem, regardless of It has achieved great success in terms of both the artistry and thematic meaning of the poem. First of all, let’s appreciate the artistry of the poem itself: the subtle expressions of emotion such as “waving the flower handkerchief”, “suddenly withdrawing it”, and “covering the eyes”. This shows that the lyrical protagonist is a sentimental and delicate woman. Only women can have such delicate and expressive expressions and movements. The seemingly parallel arrangement of the three movements here is actually a very orderly progression, "waving, waving, The three actions of "suddenly, covering up" are connected and contrasting. They vividly show the process of psychological changes of the lyrical protagonist. "Jiang Tao / high voice / low voice" is also a display of poetic art. Showing the poet's superb and mature poetic art, these three simple tangible arrangements greatly increase the "architectural beauty" effect of the poem. "High sound, low sound" itself does not contain much meaning, but it does It is an important footnote to the musicality of the whole poem. The whole poem is originally very musical, as graceful and moving as a soft serenade, but not everyone can easily appreciate this, "Gao "One sound, one low sound" This simple, bright, repetitive and obvious musicality is a window into the musicality of the poem, from which people can deeply feel the flow and variation of the musicality of the whole poem." Rudenberg The torrent of Ligustrum lucidum / is inciting new betrayals. "As a sincere and authentic female poet, Shu Ting clearly shows the female position in this poem, and her entire poem also permeates with a distinct Female consciousness. This poem reflects a deep understanding and concern for women. Its euphemistic and delicate expression is completely female. Moreover, Shu Ting did not directly shout slogans against feudal ethics. It uses "the torrent of coneflowers and ligustrum" to preach to women their pursuit of liberation. "It is better to cry on the shoulder of your lover for a night than to hang out on the cliff for a thousand years." This is the main theme of the whole poem, and it is also the lyrical part of the whole poem. The highest peak. This is the call of women in the new era based on the authenticity of life. She calls on women to boldly pursue worldly happiness, cry for love and laugh for love, and not sacrifice for the false name of "virgin and chaste women". My own happiness. As a member of Misty Poems, Shu Ting's "Goddess Peak" embodies the artistic characteristics of Misty Poems, and the last sentence is a focus of this hazy feature. It gives people the impression that "the words are complete, but the meaning is endless." The artistic characteristics of "Goddess Peak" are also reflected in the novelty of observation angle and the precision of tailoring life. For an old problem that has troubled people for thousands of years, the poet allowed a natural wonder and cultural monument to bear it. The poet has a unique discernment and a new approach, and the problem is revealed through a moment of life on the cruise ship. When the poet clicks the shutter of inspiration, he captures a huge amount of time and space, making the momentary scene echo and reflect a series of thousands of sighs. Out of the darkness of the old morality and the sparkle of the new morality. Furthermore, the poet is good at combining images with sharp contrasts, such as the enthusiastic cheering of everyone and the sad thinking of one person, the vision of dreams in the distant sky and the miss of the happiness in front of you, the ridiculous thousand-year exhibition on the cliff and leaning on the shoulder of the lover. He cried heartily. This combination makes the image more vivid and highlights the sadness and heaviness of the problem. In addition, the poet's contrasting and symbolic techniques are also excellent. The dress flutters in the wind, not only using movement to contrast stillness, highlighting the thinker's sculpture-like standing, but also using movement to complement movement, suggesting the intense trembling of her soul. "The waves are louder and lower", symbolizing the "passing down from generation to generation" of the tragic story. The "flood of coneflowers and ligustrum" not only reflects the obsolescence of chastity, but also symbolizes the awakening of new morality. The use of these techniques enhances the artistic appeal of poetry. After reading this poem, I feel that the poet has thought so deeply about a millennium-old disease in Chinese culture and his criticism is so pertinent. It is like a sad and melodious tune that can cleanse people's souls, inspire people's epiphany, and provide a shocking creativity for moral reshaping.
In terms of the theme of "Goddess Peak", it is very profound. It reflects the pursuit and declaration of social women's freedom and liberation of life. In the patriarchal human society, women have been in a passive and subordinate position since ancient times. Men require and transform women according to their own value system and aesthetic standards, assign them the role of "good wives, good mothers, and filial wives", and create and Cut out some "eternal women" as standards and models of women's morality, so that women not only identify with these norms and definitions, but also gradually internalize them into their own moral laws. "Wushan Goddess Peak" is such a "model". In the poet's view, an exhibition on a cliff for thousands of years, although it can be praised as a model of chastity, cannot enjoy the joy of survival and experience the real life process and emotional experience. It can only be an illusory sacrifice that is dried in the air. "It's better to cry on your lover's shoulder all night." This yearning and calling based on the authenticity of life is a betrayal of traditional moral admonitions and a betrayal of the female self that has been alienated and distorted by patriarchal culture. For thousands of years, traditional morality and patriarchal culture have set up an invisible altar for the "fisherwoman". Now, Shu Ting rescues her from the long years of loneliness, desolation and silence, boldly liberating her life consciousness, and for the first time This novel reveals the tragic nature of this love legend from the perspective of female life, and subversively rewrites the patriarchal consciousness. This poem is sentimental. The author expresses his sorrow associated with Goddess Peak in a tactful way. Finally, he subverts thousands of times with the new concept of "it is better to cry on the shoulder of your lover for one night than to hang out on the cliff for a thousand years." The ancient interpretation of loyalty and betrayal in recent years is the sober abandonment of flesh-and-blood women for the cruel glory of being worshiped. The awakening of Hongzhang’s humanitarian feelings and personality, only by using human dignity and value as the standard, is the true criterion for judging civilization and progress. For thousands of years, Goddess Peak has always been considered a symbol of steadfastness in love. The poet Shu Ting has a different view on this. It shows reflection and criticism on "orthodox" morality in love and marriage. "Goddess Peak", as a representative work of Shu Ting's poetry, has achieved quite high achievements in both poetry art and theme exploration. This poem embodies the value of female poetry text. The ancient myth that promotes ethics is deconstructed, making the youthful female life come alive. In the rebellion and rejection of traditional female concepts, modern female consciousness can be fully realized. Publicity. "Goddess Peak" is a betrayal of the feudal view of integrity that requires women to be consistent.
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