It is said that it is the sorrow of lonely autumn.
They all say it's acacia in the far sea.
If someone asks me what I'm worried about,
I dare not say your name,
If someone asks me about my concerns.
They all say it's acacia in the far sea.
It is said to be the sadness of lonely autumn. Required reading reasons
China's famous modernist works are an organic combination of classical rhythm and modern sadness.
Appreciation of masterpieces
In the history of China literature, the poet Dai Wangshu is undoubtedly a unique existence. He wrote a small number of poems (but more than 100), but he occupied an important position in the poetry world; He has no systematic poetics, but his Zero Zagreb Poetics and Wang Shu Poetics compiled by his friend Du Heng are highly praised. He appeared as a modernist in poetry, but at the end of his life, he wrote a real chapter soaked with blood and tears.
In the history of new poetry, Dai Wangshu has his own position, but his position is not very high.
Around the May 4th Movement, the torrent of science and democracy awakened generations of intellectuals. The fierce contradiction between the beautiful ideal and the dark reality hangs over their sensitive hearts. The sense of social mission of "knowing what you can't do" has enveloped a huge "worry" group. From the real world to poetry, Dai Wangshu is one of the most loyal worriers in the world. He wrote many poems that bothered people. This outstanding poem "Worry" made a concentrated observation and description of the mentality and spirit of this group.
This poem comes from Dai Wangshu's collection of poems, Wang Shucao. As an important poet of Modernism, an important school of China poetry in 1930s, Dai Wangshu's poems focus on describing the spiritual track of modern people's life perception and emotional experience. In the journey of life, there are sunny euphoria and excitement, as well as rainy distress and worry. So, what are the worries that are smouldering in the poet's mind at the moment? The poet didn't show it directly.
Clear autumn is a season that people yearn for, and the sea is full of endless lovesickness, which makes people sad to read. Coupled with "loneliness" and "remoteness", the poet's lonely and helpless lovesickness is more profound and detailed, and a feeling of "heartbroken people in the end of the world" arises spontaneously. However, in this sad and lonely time, it occurred to the author that someone came to ask you about your troubles and your worries. What would you say at this moment? Do you want to come clean, tell each other all your worries, or keep it a secret? Although you have the freedom to choose, but you are asked by a caring friend, can you play dumb? So, how to express this embarrassing psychology? "I dare not say your name." The word "dare not" really expresses the author's contradictory mentality and leads readers to endless reverie. The above four sentences, just 36 words, vividly depict the author's deep nostalgia, fierce struggle, the taste of "wanting to say goodbye" and the unforgettable acacia, which is both meaningful and emotional.
The following four sentences, the above four sentences are reversed. They are rough and seemingly palindrome poems, but when you think about it, they are not simple repetitions, nor are they mysterious as postures. Instead, it is the author's endless and increasingly surging yearning, which is the catharsis of addiction. The first sentence is like repetition and truth, and contact and concern are impenetrable. Although it is a fierce and contradictory "dare not say". But the hope of expressing feelings is so urgent. Here, the author provides us with a broad imagination space, and you might as well have a perceptual fugue here. The whole poem ends with "clearing one's worries", but it properly expresses the unusual way for mature thinkers to express their complex mentality with the saying "Good autumn is good for enjoying the cool"
There are two groups of eight sentences in the whole poem, which are symmetrically arranged, neat in form and harmonious in syllables. This is the result that the author is deeply influenced by China's traditional cultural metrical poems. The rhyme of the first four sentences sets an opportunity for the repetition of the last four sentences, so it is catchy to read and gives people a pleasant feeling of leaving fragrance on their teeth and cheeks.
Bian Zhi Lin took it out of context.
You stand on the bridge and watch the scenery.
The landscape observer is watching you upstairs.
The bright moon decorated your window,
You decorated other people's dreams.
The great uproar caused by this poem in the poetic world and its interpretation made the latecomers almost speechless. However, its artistic charm is between "nothing to say" and "something to say". When you understand a state of life, you seem to think of it; When you cling to a specific situation, you may think of it; Even when you are doing some metaphysical thinking, you will inevitably think of it. Just four poems can make people think so much, and poets should masturbate.
Huang Zhong, a poet in the Qing Dynasty, said: "Independent Shiqiao people don't know, and a week is like a bean." Two hundred years later, when the poet Bian was looking at the scenery, he found himself as someone else's scenery. This is the progress of art, and its philosophical basis is the theory that everything in the world is interrelated, which can be described as "everything is romantic."
I think this poem describes a handsome young man standing on the bridge, intoxicated by the beautiful scenery in front of him, obsessed with the running water under the bridge and the weeping willows on the river bank. The girl in "Seeds of Love" upstairs wanted to see the scenery and went to the window, but her heart did not stop at the beautiful scenery, but was deeply attracted by the young man. What fascinated the girl's eyes and deeply touched her heart? Maybe this is a kind of infatuation. And how many such casual encounters are unforgettable on the road of life? I think the beauty of this poem lies in the first two sentences, which make people only give us the location and protagonist of the story in just two lines, leaving the rest of the scenes and artistic conception to us to imagine. When we read poetry, we will unconsciously blend in between the lines and feel the back of handsome young people and the amorous eyes of spoony girls. Will such poems make others feel unattractive?
And the last two sentences of the poem, the time has reached the moonlit night. The young man is watching the scenery during the day, and the bright moon decorates his window at night; When the girl looked at the youth during the day, the youth walked into her dream at night. As you can imagine, the moonlight in front of the window of youth must be bright, because the clouds around it are hazy and ethereal. But what about the dream in the girl's heart? I'm afraid only girls know. But I believe it must be a beautiful dream. The young man noticed someone staring at him upstairs, and his eyes stayed on the girl. Maybe just one second is enough to make his heart as nervous as a running deer.
But the next day, the dream woke up, and the dream could not replace the reality. The decoration also reveals an illusory face. Just like "falling flowers are intentional, flowing water is ruthless", they are like two lines. One line is desperately close to the other, but there is no intersection, and it is slowly drifting away. But the helplessness of life does not stop there.
"Broken chapter" brings me picturesque artistic conception, rich and meaningful feelings, and it is really "a taste in my heart" to savor it carefully.
There is no choice.
Frost (USA)
There are two roads in the yellow forest.
Unfortunately, I can't participate at the same time.
I stood at that intersection for a long time,
I looked at a road that I could see,
Until it disappeared into the jungle.
But I chose another path,
It's lush and lonely,
Appear more attractive and beautiful;
Although on this road,
There are few travelers' footprints.
The leaves fell to the ground that morning,
Neither road is polluted by footprints.
Ah, leave a way, see you another day!
But I know this road has no end,
I'm afraid I can't go back.
Maybe in a few years, somewhere,
I will sigh softly and look back:
There are two roads in the forest-
I chose a lonely one,
From then on, it decided my life path.
Poetry criticism
Central idea: On the surface, this poem seems to describe the road of nature, but in essence it implies the road of life. It tells us that there are thousands of roads in life, but a person can only choose one in his life. Therefore, we must be cautious; Don't go with the flow on the road of life, but make an independent choice through your own thinking.
Detailed explanation of each paragraph:
Section 1: He stands at the crossroads of his life. He wants to take both roads. He sees a road leading to the end.
Section 2: He chose a road with few people, which is full of challenges.
Section 3: He wants to leave a way and come back another day, but it's a long way. He knew he couldn't come back.
Section 4: He recalled his past and the forest, the road he had no choice.
Why choose the road with fewer people: That road may be more difficult and needs to be explored, so it is more valuable. The poet has always yearned for a more challenging and better life.
"The Road Not Taken" uses the natural road to write the road of life, only one can be chosen, and it must be carefully chosen, and it cannot be turned back, and the poet's imagination of the future is written.
The first three paragraphs of this poem seem to only describe the difference between two roads in the forest, but they contain great metaphorical significance. In the fourth quarter, the poet made a change, from the road in the forest to describing the road of life, "and I chose the one with less people,/which decided my road of life." This sentence contains the poet's infinite feelings about life, which is deeply symbolic and philosophical. The poet reproduces the beautiful natural scenery with a subtle and fresh artistic style, and reflects the emotional waves in people's hearts through the description of natural scenery. The poem also pays attention to arousing people's association, and combines rationality and indifference in a short poem, which deepens the meaning of this poem and gives people rich enlightenment. Poets convey philosophy to readers through beautiful artistic conception creation and rich lyric expression.
In this poem, the poet expresses his thoughts on life with simple and natural language and rhythm. This unpretentious style makes this poem like a cool and soft wind on a summer night, full of fresh and natural interest, giving people a refreshing feeling.
This poem describes a person's choice and his mentality when he makes a choice. As for the specific content of choice, the poet pays attention to the choice itself. Every reader can find his own life experience and appreciate the philosophical content in this poem.
Because this poem has the openness of connotation, it is like a huge framework, and its content needs readers to fill in, in which they can review their life trajectory, thus being touched and causing deep thought.
This article writes that life should treat the "road" in front of us correctly. He has influenced our lives.
Artistic features:
The Road Not Taken adopts symbolic artistic techniques. "Road" symbolizes the road of life, and symbolism is a common artistic technique in poetry. The Road Not Taken is a philosophical lyric poem, which is simple on the surface, but contains profound philosophy. It seems to pour out personal experiences, but in fact it expresses people's feelings. In this poem, Frost captures the concrete image of the fork in the forest, evokes people's rich and vivid associations by metaphor, and sets off the philosophical symbol of the fork in the road in life. The poet chose the common fork in the forest to explain the philosophy of life and how to choose the road of life.
What is the main idea of the article (what does this poem tell us):
This poem is about the road of life. There are many roads in life. You can only choose one in your life. When you set foot on this road, you may find many unsatisfactory places. So I yearn for the road I have no choice, and I yearn for a better life. It tells us that the choice of life is very helpless. We should not only be brave in choosing, but also be cautious.
Original English version
The road that frost has not taken.
Robert lee Frost wrote it.
Two roads diverged in a low forest,
Unfortunately, I can't have both. I am a lonely person. I try my best to look down at a tree bent in the bushes.
And took the other one, and to be fair,
Maybe there's a better way to put it,
Because it is covered with grass and needs to be worn;
Although they are really the same after passing there.
I lay in the leaves for two mornings without stepping on the black.
Oh, I saved the first one for the next day!
But knowing how the road leads to the road,
I doubt whether I will come back.
I will tell this story somewhere in the future with an old saying:
The two roads diverged in the Woods, and I-
I chose the less traveled one,
This makes everything different.