Silkworms will weave until they die in spring, and candles will drain the wick every night. What is the rhetorical device?

This poem uses puns, metaphors and personification.

1, the word "silk" and "Xiang" are homophonic puns.

2. "Candles will drain the wick every night" is a metaphor and personification.

Original poem:

Untitled time was long before I met her, but it was longer, because we broke up.

It was a long time ago that I met her, but since we separated, the time has become longer, the east wind is blowing and a hundred flowers are blooming.

Silkworms in spring will weave until they die, and candles will drain the wick every night.

In the morning, she saw her hair cloud changing in the mirror, but she bravely faced the cold of the moonlight with her evening song.

There are not many roads to Pengshan. Oh, Bluebird, listen! -Give me what she said! . (Pengshan Zuo Yi: Penglai)

Explanation:

It's hard to meet each other, and it's even harder to leave, not to mention in this late spring when the east wind is weak and the flowers are withered.

Spring silkworms don't spin silk when they die, and wax oil like tears can drip dry when candles are burned to ashes.

Dress up in the morning and look in the mirror. I'm only worried that the clouds in my hair will change color and my face will disappear. I can't sleep alone in the long night, so I must feel Leng Yue's aggression.

Penglai Mountain is not too far from here, but there is no road to cross. Please visit me diligently by a messenger like the bluebird.

Extended data:

At the age of fifteen or sixteen, Li Shangyin was sent to Yuyangshan by his family to learn Taoism. In the meantime, he met and fell in love with Song Huayang, a female Taoist priest in Yuyang Mountain, but their feelings could not be known to outsiders, so he could only remember them with poems. Most of Li Shangyin's poems on Untitled are about their love. This poem is one of them.

This poem is full of pain, disappointment, lingering and persistent feelings from beginning to end. Every couplet in the poem is a reflection of this emotional state, but the specific artistic conception of each couplet is different.

They repeatedly show the complex emotions throughout the poem from different sides, and at the same time reflect the psychological process with this complex emotion as its content vertically with their close connection. This continuous, implicit and profound lyricism successfully reproduces the deep affection in my heart.

Li Shangyin had similar descriptions in the first, third, fourth and fifth sentences of his previous poetry creation. The poet was inspired, inherited and used for reference by his predecessors.

However, he did not simply imitate his predecessors, but took a big step forward with high creativity, transforming the original simple means of expression into more tortuous and vivid, so as to reflect richer and deeper thoughts and feelings. In fact, he has removed the old traces and become a new creation. It can be seen that the poet's rich literary accomplishment and exploration of artistic conception and means of expression are important conditions for the success of this poem.

Baidu Encyclopedia-untitled time was long before I met her, but even longer after we broke up (love poems in Tang Dynasty)