?
There will be retribution.
When I wrote this curse,
I was still shocked by my anger.
When faced with obvious evil
What kind of response is appropriate and appropriate?
I thought I was the one who was promised higher wisdom.
This is a person who must be protected from malice and non-malice in some way.
The person who caused the injury.
And I ended up with my own limitations.
Or because you're not smart enough.
Because of the kindness and sympathy I feel
Not enough to cross the illusion of things
And got this due reward.
?
Shen Furong commented:
There is bound to be retribution, which magnifies the deep mirror image of self-opposition under the fierce conflict between individuals and the outside world with a macroscopic looking glass. As part of the spring completely give up rhetoric, speak out, one by one can not help but pinch the sweat:
There will be retribution.
When I wrote this curse,
I was still shocked by my anger.
When faced with obvious evil
What kind of response is appropriate and appropriate?
I thought I was the one who was promised higher wisdom.
It must avoid showing malice and non-malice in one way or another.
The person who caused the injury.
And I ended up with my own limitations.
Or because you're not smart enough.
Because of the kindness and sympathy I feel
Not enough to cross the illusion of things
And got this due reward.
? This poem is completely straightforward and full of vitality, with a center going straight down, like a sword sealing the throat; And each row is like a row of dense bullets "shuashua shua", and they get different ranges. Interestingly, whether the poet intentionally or unintentionally, the farthest line of this poem is "the person who is promised higher wisdom", and the less important line is "malicious and non-malicious in one way or another"; What the whole poem as a whole ultimately hits is not "showing evil" (if a poem is only used for narrow and cursed revenge, it is obvious that the scope of consciousness falls right under one's nose or on one's toes). Fortunately, in fact, it is not the self incited by anger (although it is literally the first one), but the "self-limitation" that all people who are hurt by evil may have. In other words, this poem may be regarded as an abstinence recitation, which is exactly what the Buddha warned two thousand years ago. If people curse "retribution" because of anger, the evil consequence of depression is often the hell cursed by anger. Here, the sharp collision between "I" with curse and revenge and "I" who woke up to "my own limitations" swayed and trembled in the "wisdom" and "kindness and compassion" that reason still longed for, and pushed it to the last line of defense, and finally maintained and maintained a balance in strong restraint.
? The intense tension between the anger at the beginning and the self-restraint that finally subsided in this poem is like a bow that is pulled open with all its strength. At one end, violence is like an aggressive magic nightmare, and at the other end, it returns to the kindness and compassion of an apostle. The balance between the two ends in the conflict and struggle of several energies comes from the thoroughness of its reflection, which also gives it the power to refuse to do good. It can be said that this is a powerful speculative bow that is sufficient. This specious self-argument of "anger" because of "evil" and finally "goodness", such as the struggle between people's left and right hands, just confirms Ye Zhi's wisdom assertion: "Arguing with people produces rhetoric; Debate with yourself and produce poetry. "
? It should be pointed out that the establishment of this poem depends on two factors: first, its theme can be discussed, even if it is based on the response of Buddhist wisdom from a cognitive point of view, and the uniqueness of the emotional observation angle of "anger" makes this poem gain its own expression. The psychological tension caused by the "external evil" and "the curse of the infringed subject" in this poem is thorough in philosophical sense. Secondly, reciting the whole poem in one go. The rhythm of words and phrases formed by the intense surge of emotions is alive, and the rhythm itself is full of persuasion and becomes its own life. Even though there are some points worth discussing, such as "how do we respond appropriately and appropriately", there is no obvious difference or progression between the meanings of "appropriate" and "appropriate"; In meaning and hearing, this response to the word "obvious evil" is also slightly weak; However, it is still wrapped in the overall strong and full emotions, just like pebbles with similar faces are poured down by mudslides, but they are not very eye-catching. However, the accuracy of words and punctuation (every word and punctuation is unquestionable and appropriate), conciseness (making the expression as economical and rich as possible) and the branch of sentence breaking related to rhythm and rhyme are still the potential laws that can not be ignored in any line of poetry. In fact, this poem is the professional foundation of "the highest form of language". Lu Ji's "Wen Fu" has a cloud: "The examination of the hall is the most important, and it depends on the hustle and bustle." Temple is the best, which means good or bad. Poets should be the strictest self-censors. Articles are eternal events, and every word has created "immortal achievements". The exquisite and profound skills of the sages condensed by the immortal chapters of China's classical literature are still and will be a shining example of the practice of China poets.
Quanzi: Male, born in June, 1973, a native of Chun 'an, Zhejiang Province, is the author of poems, such as Writing on a Rainy Night, Sharing Time with a Bird, Executor of Hidden Rules, Miscellaneous Poems, Collection of Lakes and Mountains, Empty Honey, Poems, Thoughts on Poetry,