1, time style theory
The artistic style of poetry has always been restricted by the environment and social conditions of the times, and the style varies from time to time.
At the beginning of the May 4th Movement, the common people's consciousness praised the lower classes.
During the Anti-Japanese War, poetry was consistent in content and art.
At the beginning of the founding of People's Republic of China (PRC), there was a craze for carols.
Exaggerated folk songs, the "Great Leap Forward" new folk song movement, "One ear is not long, and a bridge is built on the Yellow River; Ten cars walk side by side and the train passes without swaying. " "The straw is as thick as an urn, the wheat awn points to the sky, a wheat husk and a tile, and a grain of wheat for three days. "
During the May 4th Movement, Guo Moruo, who predicted the rebirth of China with the symbol of Phoenix, took the lead in singing new carols. Ai Qing, who wrote "Curse of the Unfair World" in the prison of old China, wrote "National Flag, I miss my motherland"; He Qifang, who was famous for singing "Night Song" in old China, wrote our greatest festival, and even Hu Feng, who was worried at that time, wrote it in full swing. Praise for the party, the leaders, the motherland, the new era and the revolution became an important theme of poetry at that time.
2. The writer's style theory.
It is not the time style, regional style or poetic style that plays a decisive role in an artistic style, but the poet's own artistic personality, which is composed of the writer's personal temperament, artistic accomplishment, life experience, aesthetic ideal and other factors.
"Ming" Tian Yiheng "Shi Xiangyu Tan" "Taibai is elegant, so poetry is elegant"; Zi Mei is a calm person, so poetry is calm.
Xue Xue's "A Spoon of Poems" "Fast poems must be natural and unrestrained, sincere poems must be solemn, and charming poems must be elegant ..."